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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CE3DA it is the complementary color #B31C25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CE3DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CE3DA shade: #51E3D5, #62F5E8, #73FFFB, #84FFFF and #95FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CE3DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CE3DA shade: #4CE3DA, #3BD1C7, #2ABFB4, #19ADA1 and #089B8E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CE3DA shade: #4AE3DA, #4AE3B1, #4AE387, #4AE35E and #5FE34A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CE3DA shade: #4AE3DA, #4AC3E3, #4A9AE3, #4A70E3 and #4A4AE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CE3DA shade matches the following richer shades: #4AE3DA and #39F4E9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CE3DA shade: #4AE3DA, #5BD2CB, #6CC1BC, #7DB0AD and #8E9F9E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CE3DA shade: #4AE387, #4AE3B0, #4AE3D9, #4AC4E3 and #4A9CE3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CE3DA shade: #1DBDB3, #26DDD2, #4AE3DA, #6EE8E1 and #92EEE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CE3DA shade: #4CE3DA, #5E4AE3 and #E39C4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CE3DA shade: #4CE3DA, #D94AE3 and #E3D94A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CE3DA shade: #4CE3DA, #5E4AE3, #E34A54 and #CEE34A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CE3DA shade: #4CE3DA, #8C4AE3, #E34A54 and #A1E34A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 4 / 11

HEX #4CE3DA

RGB 76 227 218

HSL 176.42, 0.73%, 0.59%

LAB 82.67, -41.14, -7.25

 

Complementary color

CMYK 0 / 84 / 79 / 30

HEX #B31C25

RGB 179 28 37

HSL 356.42, 0.73%, 0.41%

LAB 38.81, 57.84, 35.7

 

CMYK 64 / 0 / 6 / 11

HEX #51E3D5

RGB 81 227 213

HSL 174.25, 0.72%, 0.6%

LAB 82.64, -41.72, -4.62

 

CMYK 60 / 0 / 5 / 4

HEX #62F5E8

RGB 98 245 232

HSL 174.69, 0.88%, 0.67%

LAB 88.79, -42.09, -5.49

 

CMYK 55 / 0 / 2 / 0

HEX #73FFFB

RGB 115 255 251

HSL 178.29, 1%, 0.73%

LAB 92.63, -38.75, -9.63

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 67 / 0 / 4 / 11

HEX #4CE3DA

RGB 76 227 218

HSL 176.42, 0.73%, 0.59%

LAB 82.67, -41.14, -7.25

 

CMYK 72 / 0 / 5 / 18

HEX #3BD1C7

RGB 59 209 199

HSL 176, 0.62%, 0.53%

LAB 76.47, -40.49, -6.31

 

CMYK 78 / 0 / 6 / 25

HEX #2ABFB4

RGB 42 191 180

HSL 175.57, 0.64%, 0.46%

LAB 70.21, -39.6, -5.29

 

CMYK 86 / 0 / 7 / 32

HEX #19ADA1

RGB 25 173 161

HSL 175.14, 0.75%, 0.39%

LAB 63.89, -38.4, -4.14

 

CMYK 95 / 0 / 8 / 39

HEX #089B8E

RGB 8 155 142

HSL 174.69, 0.9%, 0.32%

LAB 57.51, -36.78, -2.85

 

CMYK 67 / 0 / 4 / 11

HEX #4AE3DA

RGB 74 227 218

HSL 176.47, 0.73%, 0.59%

LAB 82.62, -41.42, -7.32

 

CMYK 67 / 0 / 22 / 11

HEX #4AE3B1

RGB 74 227 177

HSL 160.39, 0.73%, 0.59%

LAB 81.6, -51.62, 12.88

 

CMYK 67 / 0 / 41 / 11

HEX #4AE387

RGB 74 227 135

HSL 143.92, 0.73%, 0.59%

LAB 80.82, -60.08, 33.52

 

CMYK 67 / 0 / 59 / 11

HEX #4AE35E

RGB 74 227 94

HSL 127.84, 0.73%, 0.59%

LAB 80.29, -66.09, 52.47

 

CMYK 58 / 0 / 67 / 11

HEX #5FE34A

RGB 95 227 74

HSL 111.76, 0.73%, 0.59%

LAB 80.66, -63.73, 61.37

 

CMYK 67 / 0 / 4 / 11

HEX #4AE3DA

RGB 74 227 218

HSL 176.47, 0.73%, 0.59%

LAB 82.62, -41.42, -7.32

 

CMYK 67 / 14 / 0 / 11

HEX #4AC3E3

RGB 74 195 227

HSL 192.55, 0.73%, 0.59%

LAB 73.57, -23.62, -25.78

 

CMYK 67 / 32 / 0 / 11

HEX #4A9AE3

RGB 74 154 227

HSL 208.63, 0.73%, 0.59%

LAB 61.75, -1.48, -44.13

 

CMYK 67 / 51 / 0 / 11

HEX #4A70E3

RGB 74 112 227

HSL 225.1, 0.73%, 0.59%

LAB 50.2, 23.86, -62.54

 

CMYK 67 / 67 / 0 / 11

HEX #4A4AE3

RGB 74 74 227

HSL 240, 0.73%, 0.59%

LAB 41.06, 47.13, -77.44

 

CMYK 67 / 0 / 4 / 11

HEX #4AE3DA

RGB 74 227 218

HSL 176.47, 0.73%, 0.59%

LAB 82.62, -41.42, -7.32

 

CMYK 77 / 0 / 5 / 4

HEX #39F4E9

RGB 57 244 233

HSL 176.47, 0.89%, 0.59%

LAB 87.71, -46.78, -7.72

 

CMYK 67 / 0 / 4 / 11

HEX #4AE3DA

RGB 74 227 218

HSL 176.47, 0.73%, 0.59%

LAB 82.62, -41.42, -7.32

 

CMYK 57 / 0 / 3 / 18

HEX #5BD2CB

RGB 91 210 203

HSL 176.47, 0.57%, 0.59%

LAB 77.66, -34.89, -6.62

 

CMYK 44 / 0 / 3 / 24

HEX #6CC1BC

RGB 108 193 188

HSL 176.47, 0.41%, 0.59%

LAB 72.86, -26.95, -5.53

 

CMYK 29 / 0 / 2 / 31

HEX #7DB0AD

RGB 125 176 173

HSL 176.47, 0.24%, 0.59%

LAB 68.33, -17.4, -3.89

 

CMYK 11 / 0 / 1 / 38

HEX #8E9F9E

RGB 142 159 158

HSL 176.47, 0.08%, 0.59%

LAB 64.17, -6.19, -1.53

 

CMYK 67 / 0 / 41 / 11

HEX #4AE387

RGB 74 227 135

HSL 143.92, 0.73%, 0.59%

LAB 80.82, -60.08, 33.52

 

CMYK 67 / 0 / 22 / 11

HEX #4AE3B0

RGB 74 227 176

HSL 160, 0.73%, 0.59%

LAB 81.58, -51.85, 13.37

 

CMYK 67 / 0 / 4 / 11

HEX #4AE3D9

RGB 74 227 217

HSL 176.08, 0.73%, 0.59%

LAB 82.6, -41.69, -6.83

 

CMYK 67 / 14 / 0 / 11

HEX #4AC4E3

RGB 74 196 227

HSL 192.16, 0.73%, 0.59%

LAB 73.86, -24.12, -25.34

 

CMYK 67 / 31 / 0 / 11

HEX #4A9CE3

RGB 74 156 227

HSL 207.84, 0.73%, 0.59%

LAB 62.32, -2.62, -43.23

 

CMYK 85 / 0 / 5 / 26

HEX #1DBDB3

RGB 29 189 179

HSL 176.25, 0.73%, 0.43%

LAB 69.41, -40.09, -5.95

 

CMYK 83 / 0 / 5 / 13

HEX #26DDD2

RGB 38 221 210

HSL 176.39, 0.73%, 0.51%

LAB 80.05, -44.76, -6.93

 

CMYK 67 / 0 / 4 / 11

HEX #4AE3DA

RGB 74 227 218

HSL 176.47, 0.73%, 0.59%

LAB 82.62, -41.42, -7.32

 

CMYK 53 / 0 / 3 / 9

HEX #6EE8E1

RGB 110 232 225

HSL 176.56, 0.73%, 0.67%

LAB 85.23, -35.76, -7.04

 

CMYK 39 / 0 / 3 / 7

HEX #92EEE8

RGB 146 238 232

HSL 176.09, 0.73%, 0.75%

LAB 88.49, -28.75, -5.75

 

CMYK 67 / 0 / 4 / 11

HEX #4CE3DA

RGB 76 227 218

HSL 176.42, 0.73%, 0.59%

LAB 82.67, -41.14, -7.25

 

CMYK 59 / 67 / 0 / 11

HEX #5E4AE3

RGB 94 74 227

HSL 247.84, 0.73%, 0.59%

LAB 42.5, 49.8, -75.02

 

CMYK 0 / 31 / 67 / 11

HEX #E39C4A

RGB 227 156 74

HSL 32.16, 0.73%, 0.59%

LAB 69.9, 18.89, 52.33

 

CMYK 67 / 0 / 4 / 11

HEX #4CE3DA

RGB 76 227 218

HSL 176.42, 0.73%, 0.59%

LAB 82.67, -41.14, -7.25

 

CMYK 4 / 67 / 0 / 11

HEX #D94AE3

RGB 217 74 227

HSL 296.08, 0.73%, 0.59%

LAB 57.27, 73.69, -50.44

 

CMYK 0 / 4 / 67 / 11

HEX #E3D94A

RGB 227 217 74

HSL 56.08, 0.73%, 0.59%

LAB 85.23, -12.89, 68.41

 

CMYK 67 / 0 / 4 / 11

HEX #4CE3DA

RGB 76 227 218

HSL 176.42, 0.73%, 0.59%

LAB 82.67, -41.14, -7.25

 

CMYK 59 / 67 / 0 / 11

HEX #5E4AE3

RGB 94 74 227

HSL 247.84, 0.73%, 0.59%

LAB 42.5, 49.8, -75.02

 

CMYK 0 / 67 / 63 / 11

HEX #E34A54

RGB 227 74 84

HSL 356.08, 0.73%, 0.59%

LAB 53.89, 59.61, 28.13

 

CMYK 9 / 0 / 67 / 11

HEX #CEE34A

RGB 206 227 74

HSL 68.24, 0.73%, 0.59%

LAB 86.28, -26.35, 68.96

 

CMYK 67 / 0 / 4 / 11

HEX #4CE3DA

RGB 76 227 218

HSL 176.42, 0.73%, 0.59%

LAB 82.67, -41.14, -7.25

 

CMYK 38 / 67 / 0 / 11

HEX #8C4AE3

RGB 140 74 227

HSL 265.88, 0.73%, 0.59%

LAB 47, 57.66, -67.49

 

CMYK 0 / 67 / 63 / 11

HEX #E34A54

RGB 227 74 84

HSL 356.08, 0.73%, 0.59%

LAB 53.89, 59.61, 28.13

 

CMYK 29 / 0 / 67 / 11

HEX #A1E34A

RGB 161 227 74

HSL 85.88, 0.73%, 0.59%

LAB 83.45, -43.62, 65.15

 

Description

Color code: HEX #4CE3DA | qconv.com Color code: HEX #4CE3DA | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 227 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 227 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 4 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 4% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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