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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CDDB6 it is the complementary color #B32249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CDDB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CDDB6 shade: #51DDB1, #62EFC4, #73FFD7, #84FFEA and #95FFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CDDB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CDDB6 shade: #4CDDB6, #3BCBA3, #2AB990, #19A77D and #08956A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CDDB6 shade: #4BDDB6, #4BDD8E, #4BDD67, #56DD4B and #7EDD4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CDDB6 shade: #4BDDB6, #4BDDDD, #4BB5DD, #4B8EDD and #4B67DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CDDB6 shade matches the following richer shades: #4BDDB6 and #3AEEBE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CDDB6 shade: #4BDDB6, #5CCBAE, #6EBAA6, #7FA99E and #909796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CDDB6 shade: #4BDD66, #4BDD8D, #4BDDB3, #4BDDDA and #4BB8DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CDDB6 shade: #22B38C, #29D6A7, #4BDDB6, #6EE3C4 and #90EAD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CDDB6 shade: #4CDDB6, #4B57DD and #DD794B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CDDB6 shade: #4CDDB6, #B34BDD and #DDB34B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CDDB6 shade: #4CDDB6, #4B57DD, #DD4B74 and #DDD14B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CDDB6 shade: #4CDDB6, #6B4BDD, #DD4B74 and #BDDD4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 18 / 13

HEX #4CDDB6

RGB 76 221 182

HSL 163.86, 0.68%, 0.58%

LAB 79.97, -47.66, 7.92

 

Complementary color

CMYK 0 / 81 / 59 / 30

HEX #B32249

RGB 179 34 73

HSL 343.86, 0.68%, 0.42%

LAB 39.93, 58.12, 14.84

 

CMYK 63 / 0 / 20 / 13

HEX #51DDB1

RGB 81 221 177

HSL 161.14, 0.67%, 0.59%

LAB 79.97, -47.99, 10.59

 

CMYK 59 / 0 / 18 / 6

HEX #62EFC4

RGB 98 239 196

HSL 161.7, 0.82%, 0.66%

LAB 86.16, -48.18, 9.49

 

CMYK 55 / 0 / 16 / 0

HEX #73FFD7

RGB 115 255 215

HSL 162.86, 1%, 0.73%

LAB 91.72, -47.4, 7.66

 

CMYK 48 / 0 / 8 / 0

HEX #84FFEA

RGB 132 255 234

HSL 169.76, 1%, 0.76%

LAB 92.74, -39.47, -0.62

 

CMYK 42 / 0 / 1 / 0

HEX #95FFFD

RGB 149 255 253

HSL 178.87, 1%, 0.79%

LAB 93.88, -31.13, -8.68

 

CMYK 66 / 0 / 18 / 13

HEX #4CDDB6

RGB 76 221 182

HSL 163.86, 0.68%, 0.58%

LAB 79.97, -47.66, 7.92

 

CMYK 71 / 0 / 20 / 20

HEX #3BCBA3

RGB 59 203 163

HSL 163.33, 0.58%, 0.51%

LAB 73.73, -47.21, 9.1

 

CMYK 77 / 0 / 22 / 27

HEX #2AB990

RGB 42 185 144

HSL 162.8, 0.63%, 0.45%

LAB 67.43, -46.51, 10.41

 

CMYK 85 / 0 / 25 / 35

HEX #19A77D

RGB 25 167 125

HSL 162.25, 0.74%, 0.38%

LAB 61.07, -45.47, 11.86

 

CMYK 95 / 0 / 29 / 42

HEX #08956A

RGB 8 149 106

HSL 161.7, 0.9%, 0.31%

LAB 54.64, -43.95, 13.5

 

CMYK 66 / 0 / 18 / 13

HEX #4BDDB6

RGB 75 221 182

HSL 163.97, 0.68%, 0.58%

LAB 79.95, -47.82, 7.88

 

CMYK 66 / 0 / 36 / 13

HEX #4BDD8E

RGB 75 221 142

HSL 147.53, 0.68%, 0.58%

LAB 79.13, -56.38, 27.72

 

CMYK 66 / 0 / 53 / 13

HEX #4BDD67

RGB 75 221 103

HSL 131.51, 0.68%, 0.58%

LAB 78.57, -62.7, 46.33

 

CMYK 61 / 0 / 66 / 13

HEX #56DD4B

RGB 86 221 75

HSL 115.48, 0.68%, 0.58%

LAB 78.58, -63.62, 58.67

 

CMYK 43 / 0 / 66 / 13

HEX #7EDD4B

RGB 126 221 75

HSL 99.04, 0.68%, 0.58%

LAB 79.99, -52.87, 60.6

 

CMYK 66 / 0 / 18 / 13

HEX #4BDDB6

RGB 75 221 182

HSL 163.97, 0.68%, 0.58%

LAB 79.95, -47.82, 7.88

 

CMYK 66 / 0 / 0 / 13

HEX #4BDDDD

RGB 75 221 221

HSL 180, 0.68%, 0.58%

LAB 80.98, -37.74, -11.35

 

CMYK 66 / 18 / 0 / 13

HEX #4BB5DD

RGB 75 181 221

HSL 196.44, 0.68%, 0.58%

LAB 69.3, -18.12, -29.06

 

CMYK 66 / 36 / 0 / 13

HEX #4B8EDD

RGB 75 142 221

HSL 212.47, 0.68%, 0.58%

LAB 58.1, 3.63, -46.56

 

CMYK 66 / 53 / 0 / 13

HEX #4B67DD

RGB 75 103 221

HSL 228.49, 0.68%, 0.58%

LAB 47.52, 27.54, -63.5

 

CMYK 66 / 0 / 18 / 13

HEX #4BDDB6

RGB 75 221 182

HSL 163.97, 0.68%, 0.58%

LAB 79.95, -47.82, 7.88

 

CMYK 76 / 0 / 20 / 7

HEX #3AEEBE

RGB 58 238 190

HSL 164, 0.84%, 0.58%

LAB 84.88, -55.15, 10.67

 

CMYK 66 / 0 / 18 / 13

HEX #4BDDB6

RGB 75 221 182

HSL 163.97, 0.68%, 0.58%

LAB 79.95, -47.82, 7.88

 

CMYK 55 / 0 / 14 / 20

HEX #5CCBAE

RGB 92 203 174

HSL 164.32, 0.52%, 0.58%

LAB 74.85, -38.73, 4.9

 

CMYK 41 / 0 / 11 / 27

HEX #6EBAA6

RGB 110 186 166

HSL 164.21, 0.36%, 0.58%

LAB 70.31, -28.31, 2.76

 

CMYK 25 / 0 / 7 / 34

HEX #7FA99E

RGB 127 169 158

HSL 164.29, 0.2%, 0.58%

LAB 66.03, -16.52, 1.06

 

CMYK 5 / 0 / 1 / 41

HEX #909796

RGB 144 151 150

HSL 171.43, 0.03%, 0.58%

LAB 61.88, -2.71, -0.36

 

CMYK 66 / 0 / 54 / 13

HEX #4BDD66

RGB 75 221 102

HSL 131.1, 0.68%, 0.58%

LAB 78.56, -62.83, 46.78

 

CMYK 66 / 0 / 36 / 13

HEX #4BDD8D

RGB 75 221 141

HSL 147.12, 0.68%, 0.58%

LAB 79.12, -56.57, 28.21

 

CMYK 66 / 0 / 19 / 13

HEX #4BDDB3

RGB 75 221 179

HSL 162.74, 0.68%, 0.58%

LAB 79.88, -48.53, 9.37

 

CMYK 66 / 0 / 1 / 13

HEX #4BDDDA

RGB 75 221 218

HSL 178.77, 0.68%, 0.58%

LAB 80.89, -38.57, -9.89

 

CMYK 66 / 17 / 0 / 13

HEX #4BB8DD

RGB 75 184 221

HSL 195.21, 0.68%, 0.58%

LAB 70.17, -19.69, -27.72

 

CMYK 81 / 0 / 22 / 30

HEX #22B38C

RGB 34 179 140

HSL 163.86, 0.68%, 0.42%

LAB 65.34, -45.88, 9.62

 

CMYK 81 / 0 / 22 / 16

HEX #29D6A7

RGB 41 214 167

HSL 163.7, 0.68%, 0.5%

LAB 76.89, -52.8, 11.42

 

CMYK 66 / 0 / 18 / 13

HEX #4BDDB6

RGB 75 221 182

HSL 163.97, 0.68%, 0.58%

LAB 79.95, -47.82, 7.88

 

CMYK 52 / 0 / 14 / 11

HEX #6EE3C4

RGB 110 227 196

HSL 164.1, 0.68%, 0.66%

LAB 83.04, -40.51, 5.05

 

CMYK 38 / 0 / 10 / 8

HEX #90EAD2

RGB 144 234 210

HSL 164, 0.68%, 0.74%

LAB 86.72, -32.35, 3.17

 

CMYK 66 / 0 / 18 / 13

HEX #4CDDB6

RGB 76 221 182

HSL 163.86, 0.68%, 0.58%

LAB 79.97, -47.66, 7.92

 

CMYK 66 / 61 / 0 / 13

HEX #4B57DD

RGB 75 87 221

HSL 235.07, 0.68%, 0.58%

LAB 43.56, 37.49, -69.93

 

CMYK 0 / 45 / 66 / 13

HEX #DD794B

RGB 221 121 75

HSL 18.9, 0.68%, 0.58%

LAB 61.27, 35.05, 41.91

 

CMYK 66 / 0 / 18 / 13

HEX #4CDDB6

RGB 76 221 182

HSL 163.86, 0.68%, 0.58%

LAB 79.97, -47.66, 7.92

 

CMYK 19 / 66 / 0 / 13

HEX #B34BDD

RGB 179 75 221

HSL 282.74, 0.68%, 0.58%

LAB 51.65, 63.88, -56.33

 

CMYK 0 / 19 / 66 / 13

HEX #DDB34B

RGB 221 179 75

HSL 42.74, 0.68%, 0.58%

LAB 74.9, 4.16, 57.1

 

CMYK 66 / 0 / 18 / 13

HEX #4CDDB6

RGB 76 221 182

HSL 163.86, 0.68%, 0.58%

LAB 79.97, -47.66, 7.92

 

CMYK 66 / 61 / 0 / 13

HEX #4B57DD

RGB 75 87 221

HSL 235.07, 0.68%, 0.58%

LAB 43.56, 37.49, -69.93

 

CMYK 0 / 66 / 48 / 13

HEX #DD4B74

RGB 221 75 116

HSL 343.15, 0.68%, 0.58%

LAB 53.67, 59.74, 8.68

 

CMYK 0 / 5 / 66 / 13

HEX #DDD14B

RGB 221 209 75

HSL 55.07, 0.68%, 0.58%

LAB 82.64, -11.33, 65.22

 

CMYK 66 / 0 / 18 / 13

HEX #4CDDB6

RGB 76 221 182

HSL 163.86, 0.68%, 0.58%

LAB 79.97, -47.66, 7.92

 

CMYK 52 / 66 / 0 / 13

HEX #6B4BDD

RGB 107 75 221

HSL 253.15, 0.68%, 0.58%

LAB 43.33, 49.54, -70.2

 

CMYK 0 / 66 / 48 / 13

HEX #DD4B74

RGB 221 75 116

HSL 343.15, 0.68%, 0.58%

LAB 53.67, 59.74, 8.68

 

CMYK 14 / 0 / 66 / 13

HEX #BDDD4B

RGB 189 221 75

HSL 73.15, 0.68%, 0.58%

LAB 83.46, -30.24, 65.32

 

Description

Color code: HEX #4CDDB6 | qconv.com Color code: HEX #4CDDB6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 221 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 221 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 18 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 18% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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