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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CDD66 it is the complementary color #B32299. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CDD66. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CDD66 shade: #51DD61, #62EF74, #73FF87, #84FF9A and #95FFAD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CDD66. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CDD66 shade: #4CDD66, #3BCB53, #2AB940, #19A72D and #08951A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CDD66 shade: #4BDD65, #58DD4B, #80DD4B, #A7DD4B and #CEDD4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CDD66 shade: #4BDD65, #4BDD8C, #4BDDB4, #4BDDDB and #4BB7DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CDD66 shade matches the following richer shades: #4BDD65 and #3AEE5A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CDD66 shade: #4BDD65, #5CCB70, #6EBA7B, #7FA987 and #909792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CDD66 shade: #80DD4B, #5ADD4B, #4BDD63, #4BDD8A and #4BDDB1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CDD66 shade: #22B33C, #29D648, #4BDD65, #6EE383 and #90EAA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CDD66 shade: #4CDD66, #4BA7DD and #DD4B6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CDD66 shade: #4CDD66, #634BDD and #DD634B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CDD66 shade: #4CDD66, #4BA7DD, #DD4BC4 and #DD804B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CDD66 shade: #4CDD66, #4B7CDD, #DD4BC4 and #DDAC4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 54 / 13

HEX #4CDD66

RGB 76 221 102

HSL 130.76, 0.68%, 0.58%

LAB 78.58, -62.64, 46.81

 

Complementary color

CMYK 0 / 81 / 15 / 30

HEX #B32299

RGB 179 34 153

HSL 310.76, 0.68%, 0.42%

LAB 42.8, 66.51, -30.66

 

CMYK 63 / 0 / 56 / 13

HEX #51DD61

RGB 81 221 97

HSL 126.86, 0.67%, 0.59%

LAB 78.65, -62.3, 49.24

 

CMYK 59 / 0 / 51 / 6

HEX #62EF74

RGB 98 239 116

HSL 127.66, 0.82%, 0.66%

LAB 84.79, -62.7, 47.93

 

CMYK 55 / 0 / 47 / 0

HEX #73FF87

RGB 115 255 135

HSL 128.57, 1%, 0.73%

LAB 90.28, -62.16, 45.88

 

CMYK 48 / 0 / 40 / 0

HEX #84FF9A

RGB 132 255 154

HSL 130.73, 1%, 0.76%

LAB 91.12, -55.16, 37.87

 

CMYK 42 / 0 / 32 / 0

HEX #95FFAD

RGB 149 255 173

HSL 133.58, 1%, 0.79%

LAB 92.1, -47.53, 29.83

 

CMYK 66 / 0 / 54 / 13

HEX #4CDD66

RGB 76 221 102

HSL 130.76, 0.68%, 0.58%

LAB 78.58, -62.64, 46.81

 

CMYK 71 / 0 / 59 / 20

HEX #3BCB53

RGB 59 203 83

HSL 130, 0.58%, 0.51%

LAB 72.41, -61.9, 48.16

 

CMYK 77 / 0 / 65 / 27

HEX #2AB940

RGB 42 185 64

HSL 129.23, 0.63%, 0.45%

LAB 66.18, -60.71, 49.4

 

CMYK 85 / 0 / 73 / 35

HEX #19A72D

RGB 25 167 45

HSL 128.45, 0.74%, 0.38%

LAB 59.92, -58.89, 50.32

 

CMYK 95 / 0 / 83 / 42

HEX #08951A

RGB 8 149 26

HSL 127.66, 0.9%, 0.31%

LAB 53.62, -56.18, 50.54

 

CMYK 66 / 0 / 54 / 13

HEX #4BDD65

RGB 75 221 101

HSL 130.68, 0.68%, 0.58%

LAB 78.55, -62.97, 47.23

 

CMYK 60 / 0 / 66 / 13

HEX #58DD4B

RGB 88 221 75

HSL 114.66, 0.68%, 0.58%

LAB 78.63, -63.17, 58.74

 

CMYK 42 / 0 / 66 / 13

HEX #80DD4B

RGB 128 221 75

HSL 98.22, 0.68%, 0.58%

LAB 80.07, -52.25, 60.71

 

CMYK 24 / 0 / 66 / 13

HEX #A7DD4B

RGB 167 221 75

HSL 82.19, 0.68%, 0.58%

LAB 82.07, -38.71, 63.44

 

CMYK 7 / 0 / 66 / 13

HEX #CEDD4B

RGB 206 221 75

HSL 66.16, 0.68%, 0.58%

LAB 84.66, -23.43, 66.93

 

CMYK 66 / 0 / 54 / 13

HEX #4BDD65

RGB 75 221 101

HSL 130.68, 0.68%, 0.58%

LAB 78.55, -62.97, 47.23

 

CMYK 66 / 0 / 37 / 13

HEX #4BDD8C

RGB 75 221 140

HSL 146.71, 0.68%, 0.58%

LAB 79.1, -56.76, 28.7

 

CMYK 66 / 0 / 19 / 13

HEX #4BDDB4

RGB 75 221 180

HSL 163.15, 0.68%, 0.58%

LAB 79.9, -48.29, 8.88

 

CMYK 66 / 0 / 1 / 13

HEX #4BDDDB

RGB 75 221 219

HSL 179.18, 0.68%, 0.58%

LAB 80.92, -38.3, -10.38

 

CMYK 66 / 17 / 0 / 13

HEX #4BB7DD

RGB 75 183 221

HSL 195.62, 0.68%, 0.58%

LAB 69.88, -19.17, -28.17

 

CMYK 66 / 0 / 54 / 13

HEX #4BDD65

RGB 75 221 101

HSL 130.68, 0.68%, 0.58%

LAB 78.55, -62.97, 47.23

 

CMYK 76 / 0 / 62 / 7

HEX #3AEE5A

RGB 58 238 90

HSL 130.67, 0.84%, 0.58%

LAB 83.33, -72.64, 57.59

 

CMYK 66 / 0 / 54 / 13

HEX #4BDD65

RGB 75 221 101

HSL 130.68, 0.68%, 0.58%

LAB 78.55, -62.97, 47.23

 

CMYK 55 / 0 / 45 / 20

HEX #5CCB70

RGB 92 203 112

HSL 130.81, 0.52%, 0.58%

LAB 73.65, -50.99, 35.93

 

CMYK 41 / 0 / 34 / 27

HEX #6EBA7B

RGB 110 186 123

HSL 130.26, 0.36%, 0.58%

LAB 69.37, -37.02, 24.76

 

CMYK 25 / 0 / 20 / 34

HEX #7FA987

RGB 127 169 135

HSL 131.43, 0.2%, 0.58%

LAB 65.47, -21.19, 13.02

 

CMYK 5 / 0 / 3 / 41

HEX #909792

RGB 144 151 146

HSL 137.14, 0.03%, 0.58%

LAB 61.77, -3.5, 1.75

 

CMYK 42 / 0 / 66 / 13

HEX #80DD4B

RGB 128 221 75

HSL 98.22, 0.68%, 0.58%

LAB 80.07, -52.25, 60.71

 

CMYK 59 / 0 / 66 / 13

HEX #5ADD4B

RGB 90 221 75

HSL 113.84, 0.68%, 0.58%

LAB 78.69, -62.71, 58.82

 

CMYK 66 / 0 / 55 / 13

HEX #4BDD63

RGB 75 221 99

HSL 129.86, 0.68%, 0.58%

LAB 78.53, -63.23, 48.13

 

CMYK 66 / 0 / 38 / 13

HEX #4BDD8A

RGB 75 221 138

HSL 145.89, 0.68%, 0.58%

LAB 79.07, -57.13, 29.68

 

CMYK 66 / 0 / 20 / 13

HEX #4BDDB1

RGB 75 221 177

HSL 161.92, 0.68%, 0.58%

LAB 79.83, -48.99, 10.37

 

CMYK 81 / 0 / 66 / 30

HEX #22B33C

RGB 34 179 60

HSL 130.76, 0.68%, 0.42%

LAB 64.09, -60.23, 48.76

 

CMYK 81 / 0 / 66 / 16

HEX #29D648

RGB 41 214 72

HSL 130.75, 0.68%, 0.5%

LAB 75.47, -69.16, 56.24

 

CMYK 66 / 0 / 54 / 13

HEX #4BDD65

RGB 75 221 101

HSL 130.68, 0.68%, 0.58%

LAB 78.55, -62.97, 47.23

 

CMYK 52 / 0 / 42 / 11

HEX #6EE383

RGB 110 227 131

HSL 130.77, 0.68%, 0.66%

LAB 81.78, -53.13, 36.97

 

CMYK 38 / 0 / 32 / 8

HEX #90EAA0

RGB 144 234 160

HSL 130.67, 0.68%, 0.74%

LAB 85.66, -42.06, 27.69

 

CMYK 66 / 0 / 54 / 13

HEX #4CDD66

RGB 76 221 102

HSL 130.76, 0.68%, 0.58%

LAB 78.58, -62.64, 46.81

 

CMYK 66 / 24 / 0 / 13

HEX #4BA7DD

RGB 75 167 221

HSL 202.19, 0.68%, 0.58%

LAB 65.24, -10.62, -35.35

 

CMYK 0 / 66 / 51 / 13

HEX #DD4B6D

RGB 221 75 109

HSL 346.03, 0.68%, 0.58%

LAB 53.5, 59.13, 12.62

 

CMYK 66 / 0 / 54 / 13

HEX #4CDD66

RGB 76 221 102

HSL 130.76, 0.68%, 0.58%

LAB 78.58, -62.64, 46.81

 

CMYK 55 / 66 / 0 / 13

HEX #634BDD

RGB 99 75 221

HSL 249.86, 0.68%, 0.58%

LAB 42.62, 48.21, -71.39

 

CMYK 0 / 55 / 66 / 13

HEX #DD634B

RGB 221 99 75

HSL 9.86, 0.68%, 0.58%

LAB 56.88, 46.1, 36.74

 

CMYK 66 / 0 / 54 / 13

HEX #4CDD66

RGB 76 221 102

HSL 130.76, 0.68%, 0.58%

LAB 78.58, -62.64, 46.81

 

CMYK 66 / 24 / 0 / 13

HEX #4BA7DD

RGB 75 167 221

HSL 202.19, 0.68%, 0.58%

LAB 65.24, -10.62, -35.35

 

CMYK 0 / 66 / 11 / 13

HEX #DD4BC4

RGB 221 75 196

HSL 310.27, 0.68%, 0.58%

LAB 56.48, 69.34, -34.04

 

CMYK 0 / 42 / 66 / 13

HEX #DD804B

RGB 221 128 75

HSL 21.78, 0.68%, 0.58%

LAB 62.78, 31.38, 43.65

 

CMYK 66 / 0 / 54 / 13

HEX #4CDD66

RGB 76 221 102

HSL 130.76, 0.68%, 0.58%

LAB 78.58, -62.64, 46.81

 

CMYK 66 / 44 / 0 / 13

HEX #4B7CDD

RGB 75 124 221

HSL 219.86, 0.68%, 0.58%

LAB 53.09, 14.48, -54.52

 

CMYK 0 / 66 / 11 / 13

HEX #DD4BC4

RGB 221 75 196

HSL 310.27, 0.68%, 0.58%

LAB 56.48, 69.34, -34.04

 

CMYK 0 / 22 / 66 / 13

HEX #DDAC4B

RGB 221 172 75

HSL 39.86, 0.68%, 0.58%

LAB 73.14, 7.87, 55.21

 

Description

Color code: HEX #4CDD66 | qconv.com Color code: HEX #4CDD66 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 221 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 221 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 54 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 54% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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