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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CDA77 it is the complementary color #B32588. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CDA77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CDA77 shade: #51DA72, #62EC85, #73FE98, #84FFAB and #95FFBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CDA77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CDA77 shade: #4CDA77, #3BC864, #2AB651, #19A43E and #08922B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CDA77 shade: #4DDB78, #4DDB52, #6FDB4D, #95DB4D and #BBDB4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CDA77 shade: #4DDB78, #4DDB9E, #4DDBC4, #4DCBDB and #4DA5DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CDA77 shade matches the following richer shades: #4DDB78, #3CEC71 and #2BFD6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CDA77 shade: #4DDB78, #5FC97F, #70B886, #81A78D and #939593

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CDA77 shade: #6EDB4D, #4DDB52, #4DDB78, #4DDB9D and #4DDBC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CDA77 shade: #24B14F, #2BD35E, #4DDB78, #6FE292 and #92E9AC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CDA77 shade: #4CDA77, #4D94DB and #DB4D5B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CDA77 shade: #4CDA77, #784DDB and #DB784D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CDA77 shade: #4CDA77, #4D94DB, #DB4DB0 and #DB944D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CDA77 shade: #4CDA77, #4D69DB, #DB4DB0 and #DBBE4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 45 / 15

HEX #4CDA77

RGB 76 218 119

HSL 138.17, 0.66%, 0.58%

LAB 77.88, -59.08, 37.74

 

Complementary color

CMYK 0 / 79 / 24 / 30

HEX #B32588

RGB 179 37 136

HSL 318.17, 0.66%, 0.42%

LAB 42.28, 63.47, -21.14

 

CMYK 63 / 0 / 48 / 15

HEX #51DA72

RGB 81 218 114

HSL 134.45, 0.65%, 0.59%

LAB 77.94, -58.88, 40.3

 

CMYK 58 / 0 / 44 / 7

HEX #62EC85

RGB 98 236 133

HSL 135.22, 0.78%, 0.65%

LAB 84.11, -59.13, 38.91

 

CMYK 55 / 0 / 40 / 0

HEX #73FE98

RGB 115 254 152

HSL 135.97, 0.99%, 0.72%

LAB 90.23, -59.21, 37.57

 

CMYK 48 / 0 / 33 / 0

HEX #84FFAB

RGB 132 255 171

HSL 139.02, 1%, 0.76%

LAB 91.4, -52.35, 29.77

 

CMYK 42 / 0 / 25 / 0

HEX #95FFBE

RGB 149 255 190

HSL 143.21, 1%, 0.79%

LAB 92.41, -44.53, 21.64

 

CMYK 65 / 0 / 45 / 15

HEX #4CDA77

RGB 76 218 119

HSL 138.17, 0.66%, 0.58%

LAB 77.88, -59.08, 37.74

 

CMYK 71 / 0 / 50 / 22

HEX #3BC864

RGB 59 200 100

HSL 137.45, 0.56%, 0.51%

LAB 71.66, -58.53, 39.22

 

CMYK 77 / 0 / 55 / 29

HEX #2AB651

RGB 42 182 81

HSL 136.71, 0.63%, 0.44%

LAB 65.39, -57.61, 40.74

 

CMYK 85 / 0 / 62 / 36

HEX #19A43E

RGB 25 164 62

HSL 135.97, 0.74%, 0.37%

LAB 59.07, -56.14, 42.24

 

CMYK 95 / 0 / 71 / 43

HEX #08922B

RGB 8 146 43

HSL 135.22, 0.9%, 0.3%

LAB 52.71, -53.88, 43.53

 

CMYK 65 / 0 / 45 / 14

HEX #4DDB78

RGB 77 219 120

HSL 138.17, 0.66%, 0.58%

LAB 78.23, -59.1, 37.68

 

CMYK 65 / 0 / 63 / 14

HEX #4DDB52

RGB 77 219 82

HSL 122.11, 0.66%, 0.58%

LAB 77.79, -64.14, 54.84

 

CMYK 49 / 0 / 65 / 14

HEX #6FDB4D

RGB 111 219 77

HSL 105.63, 0.66%, 0.58%

LAB 78.8, -56.39, 58.34

 

CMYK 32 / 0 / 65 / 14

HEX #95DB4D

RGB 149 219 77

HSL 89.58, 0.66%, 0.58%

LAB 80.51, -44.24, 60.68

 

CMYK 15 / 0 / 65 / 14

HEX #BBDB4D

RGB 187 219 77

HSL 73.52, 0.66%, 0.58%

LAB 82.79, -29.96, 63.79

 

CMYK 65 / 0 / 45 / 14

HEX #4DDB78

RGB 77 219 120

HSL 138.17, 0.66%, 0.58%

LAB 78.23, -59.1, 37.68

 

CMYK 65 / 0 / 28 / 14

HEX #4DDB9E

RGB 77 219 158

HSL 154.23, 0.66%, 0.58%

LAB 78.87, -52.05, 19.05

 

CMYK 65 / 0 / 11 / 14

HEX #4DDBC4

RGB 77 219 196

HSL 170.28, 0.66%, 0.58%

LAB 79.74, -43.19, 0.15

 

CMYK 65 / 7 / 0 / 14

HEX #4DCBDB

RGB 77 203 219

HSL 186.76, 0.66%, 0.58%

LAB 75.7, -29.52, -18.2

 

CMYK 65 / 25 / 0 / 14

HEX #4DA5DB

RGB 77 165 219

HSL 202.82, 0.66%, 0.58%

LAB 64.65, -9.84, -35.17

 

CMYK 65 / 0 / 45 / 14

HEX #4DDB78

RGB 77 219 120

HSL 138.17, 0.66%, 0.58%

LAB 78.23, -59.1, 37.68

 

CMYK 75 / 0 / 52 / 7

HEX #3CEC71

RGB 60 236 113

HSL 138.07, 0.82%, 0.58%

LAB 82.99, -68.85, 46.94

 

CMYK 83 / 0 / 58 / 1

HEX #2BFD6A

RGB 43 253 106

HSL 138, 0.98%, 0.58%

LAB 87.87, -77.07, 55.89

 

CMYK 65 / 0 / 45 / 14

HEX #4DDB78

RGB 77 219 120

HSL 138.17, 0.66%, 0.58%

LAB 78.23, -59.1, 37.68

 

CMYK 53 / 0 / 37 / 21

HEX #5FC97F

RGB 95 201 127

HSL 138.11, 0.5%, 0.58%

LAB 73.38, -46.95, 27.9

 

CMYK 39 / 0 / 27 / 28

HEX #70B886

RGB 112 184 134

HSL 138.33, 0.34%, 0.58%

LAB 69.07, -33.51, 18.47

 

CMYK 23 / 0 / 16 / 35

HEX #81A78D

RGB 129 167 141

HSL 138.95, 0.18%, 0.58%

LAB 65.14, -18.33, 9.26

 

CMYK 1 / 0 / 1 / 42

HEX #939593

RGB 147 149 147

HSL 120, 0.01%, 0.58%

LAB 61.49, -1.11, 0.79

 

CMYK 50 / 0 / 65 / 14

HEX #6EDB4D

RGB 110 219 77

HSL 106.06, 0.66%, 0.58%

LAB 78.76, -56.67, 58.28

 

CMYK 65 / 0 / 63 / 14

HEX #4DDB52

RGB 77 219 82

HSL 122.11, 0.66%, 0.58%

LAB 77.79, -64.14, 54.84

 

CMYK 65 / 0 / 45 / 14

HEX #4DDB78

RGB 77 219 120

HSL 138.17, 0.66%, 0.58%

LAB 78.23, -59.1, 37.68

 

CMYK 65 / 0 / 28 / 14

HEX #4DDB9D

RGB 77 219 157

HSL 153.8, 0.66%, 0.58%

LAB 78.85, -52.26, 19.55

 

CMYK 65 / 0 / 11 / 14

HEX #4DDBC3

RGB 77 219 195

HSL 169.86, 0.66%, 0.58%

LAB 79.72, -43.45, 0.64

 

CMYK 80 / 0 / 55 / 31

HEX #24B14F

RGB 36 177 79

HSL 138.3, 0.66%, 0.42%

LAB 63.66, -56.97, 39.61

 

CMYK 80 / 0 / 55 / 17

HEX #2BD35E

RGB 43 211 94

HSL 138.21, 0.66%, 0.5%

LAB 74.77, -65.38, 45.82

 

CMYK 65 / 0 / 45 / 14

HEX #4DDB78

RGB 77 219 120

HSL 138.17, 0.66%, 0.58%

LAB 78.23, -59.1, 37.68

 

CMYK 51 / 0 / 35 / 11

HEX #6FE292

RGB 111 226 146

HSL 138.26, 0.66%, 0.66%

LAB 81.76, -50, 29.36

 

CMYK 37 / 0 / 26 / 9

HEX #92E9AC

RGB 146 233 172

HSL 137.93, 0.66%, 0.74%

LAB 85.69, -38.93, 21.56

 

CMYK 65 / 0 / 45 / 15

HEX #4CDA77

RGB 76 218 119

HSL 138.17, 0.66%, 0.58%

LAB 77.88, -59.08, 37.74

 

CMYK 65 / 32 / 0 / 14

HEX #4D94DB

RGB 77 148 219

HSL 210, 0.66%, 0.58%

LAB 59.77, -0.23, -42.79

 

CMYK 0 / 65 / 58 / 14

HEX #DB4D5B

RGB 219 77 91

HSL 354.08, 0.66%, 0.58%

LAB 53.08, 56.31, 22.7

 

CMYK 65 / 0 / 45 / 15

HEX #4CDA77

RGB 76 218 119

HSL 138.17, 0.66%, 0.58%

LAB 77.88, -59.08, 37.74

 

CMYK 45 / 65 / 0 / 14

HEX #784DDB

RGB 120 77 219

HSL 258.17, 0.66%, 0.58%

LAB 44.82, 50.25, -66.57

 

CMYK 0 / 45 / 65 / 14

HEX #DB784D

RGB 219 120 77

HSL 18.17, 0.66%, 0.58%

LAB 60.81, 34.9, 40.25

 

CMYK 65 / 0 / 45 / 15

HEX #4CDA77

RGB 76 218 119

HSL 138.17, 0.66%, 0.58%

LAB 77.88, -59.08, 37.74

 

CMYK 65 / 32 / 0 / 14

HEX #4D94DB

RGB 77 148 219

HSL 210, 0.66%, 0.58%

LAB 59.77, -0.23, -42.79

 

CMYK 0 / 65 / 20 / 14

HEX #DB4DB0

RGB 219 77 176

HSL 318.17, 0.66%, 0.58%

LAB 55.59, 65.21, -23.9

 

CMYK 0 / 32 / 65 / 14

HEX #DB944D

RGB 219 148 77

HSL 30, 0.66%, 0.58%

LAB 67.11, 20, 47.53

 

CMYK 65 / 0 / 45 / 15

HEX #4CDA77

RGB 76 218 119

HSL 138.17, 0.66%, 0.58%

LAB 77.88, -59.08, 37.74

 

CMYK 65 / 52 / 0 / 14

HEX #4D69DB

RGB 77 105 219

HSL 228.17, 0.66%, 0.58%

LAB 48, 25.92, -61.57

 

CMYK 0 / 65 / 20 / 14

HEX #DB4DB0

RGB 219 77 176

HSL 318.17, 0.66%, 0.58%

LAB 55.59, 65.21, -23.9

 

CMYK 0 / 13 / 65 / 14

HEX #DBBE4D

RGB 219 190 77

HSL 47.75, 0.66%, 0.58%

LAB 77.53, -2.33, 58.99

 

Description

Color code: HEX #4CDA77 | qconv.com Color code: HEX #4CDA77 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 218 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 218 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 45 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 45% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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