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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CD9C8 it is the complementary color #B32637. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CD9C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CD9C8 shade: #51D9C3, #62EBD6, #73FDE9, #84FFFC and #95FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CD9C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CD9C8 shade: #4CD9C8, #3BC7B5, #2AB5A2, #19A38F and #08917C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CD9C8 shade: #4AD9C7, #4AD9A1, #4AD97B, #4AD954 and #66D94A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CD9C8 shade: #4AD9C7, #4AC3D9, #4A9DD9, #4A76D9 and #4A50D9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CD9C8 shade matches the following richer shades: #4AD9C7, #38EAD5 and #27FCE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CD9C8 shade: #4AD9C7, #5CC7BA, #6EB5AD, #7FA39F and #919292

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CD9C8 shade: #4AD97A, #4AD9A0, #4AD9C6, #4AC6D9 and #4AA0D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CD9C8 shade: #24AC9B, #2CCEBA, #4AD9C7, #6CE0D2 and #8EE7DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CD9C8 shade: #4CD9C8, #544AD9 and #D98D4A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CD9C8 shade: #4CD9C8, #C64AD9 and #D9C64A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CD9C8 shade: #4CD9C8, #544AD9, #D94A5D and #CFD94A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CD9C8 shade: #4CD9C8, #7E4AD9, #D94A5D and #A4D94A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 8 / 15

HEX #4CD9C8

RGB 76 217 200

HSL 172.77, 0.65%, 0.57%

LAB 79.23, -41.44, -2.74

 

Complementary color

CMYK 0 / 79 / 69 / 30

HEX #B32637

RGB 179 38 55

HSL 352.77, 0.65%, 0.43%

LAB 39.99, 55.92, 26.22

 

CMYK 63 / 0 / 10 / 15

HEX #51D9C3

RGB 81 217 195

HSL 170.29, 0.64%, 0.58%

LAB 79.22, -41.92, -0.07

 

CMYK 58 / 0 / 9 / 8

HEX #62EBD6

RGB 98 235 214

HSL 170.8, 0.77%, 0.65%

LAB 85.44, -42.17, -0.99

 

CMYK 55 / 0 / 8 / 1

HEX #73FDE9

RGB 115 253 233

HSL 171.3, 0.97%, 0.72%

LAB 91.59, -42.32, -1.85

 

CMYK 48 / 0 / 1 / 0

HEX #84FFFC

RGB 132 255 252

HSL 178.54, 1%, 0.76%

LAB 93.21, -35.15, -9.23

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 65 / 0 / 8 / 15

HEX #4CD9C8

RGB 76 217 200

HSL 172.77, 0.65%, 0.57%

LAB 79.23, -41.44, -2.74

 

CMYK 70 / 0 / 9 / 22

HEX #3BC7B5

RGB 59 199 181

HSL 172.29, 0.56%, 0.51%

LAB 72.97, -40.91, -1.74

 

CMYK 77 / 0 / 10 / 29

HEX #2AB5A2

RGB 42 181 162

HSL 171.8, 0.62%, 0.44%

LAB 66.63, -40.15, -0.64

 

CMYK 85 / 0 / 12 / 36

HEX #19A38F

RGB 25 163 143

HSL 171.3, 0.73%, 0.37%

LAB 60.23, -39.06, 0.59

 

CMYK 94 / 0 / 14 / 43

HEX #08917C

RGB 8 145 124

HSL 170.8, 0.9%, 0.3%

LAB 53.77, -37.53, 1.98

 

CMYK 66 / 0 / 8 / 15

HEX #4AD9C7

RGB 74 217 199

HSL 172.45, 0.65%, 0.57%

LAB 79.16, -42, -2.31

 

CMYK 66 / 0 / 26 / 15

HEX #4AD9A1

RGB 74 217 161

HSL 156.5, 0.65%, 0.57%

LAB 78.26, -51.11, 16.61

 

CMYK 66 / 0 / 43 / 15

HEX #4AD97B

RGB 74 217 123

HSL 140.56, 0.65%, 0.57%

LAB 77.59, -58.43, 35.35

 

CMYK 66 / 0 / 61 / 15

HEX #4AD954

RGB 74 217 84

HSL 124.2, 0.65%, 0.57%

LAB 77.11, -63.83, 53.21

 

CMYK 53 / 0 / 66 / 15

HEX #66D94A

RGB 102 217 74

HSL 108.25, 0.65%, 0.57%

LAB 77.84, -58.38, 58.42

 

CMYK 66 / 0 / 8 / 15

HEX #4AD9C7

RGB 74 217 199

HSL 172.45, 0.65%, 0.57%

LAB 79.16, -42, -2.31

 

CMYK 66 / 10 / 0 / 15

HEX #4AC3D9

RGB 74 195 217

HSL 189.23, 0.65%, 0.57%

LAB 73.22, -26.64, -20.89

 

CMYK 66 / 28 / 0 / 15

HEX #4A9DD9

RGB 74 157 217

HSL 205.17, 0.65%, 0.57%

LAB 62.15, -6.54, -37.96

 

CMYK 66 / 46 / 0 / 15

HEX #4A76D9

RGB 74 118 217

HSL 221.54, 0.65%, 0.57%

LAB 51.18, 16.63, -55.33

 

CMYK 66 / 63 / 0 / 15

HEX #4A50D9

RGB 74 80 217

HSL 237.48, 0.65%, 0.57%

LAB 41.54, 40.28, -70.95

 

CMYK 66 / 0 / 8 / 15

HEX #4AD9C7

RGB 74 217 199

HSL 172.45, 0.65%, 0.57%

LAB 79.16, -42, -2.31

 

CMYK 76 / 0 / 9 / 8

HEX #38EAD5

RGB 56 234 213

HSL 172.92, 0.81%, 0.57%

LAB 84.22, -47.96, -2.35

 

CMYK 85 / 0 / 10 / 1

HEX #27FCE2

RGB 39 252 226

HSL 172.68, 0.97%, 0.57%

LAB 89.65, -53.44, -1.23

 

CMYK 66 / 0 / 8 / 15

HEX #4AD9C7

RGB 74 217 199

HSL 172.45, 0.65%, 0.57%

LAB 79.16, -42, -2.31

 

CMYK 54 / 0 / 7 / 22

HEX #5CC7BA

RGB 92 199 186

HSL 172.71, 0.49%, 0.57%

LAB 73.98, -33.94, -2.87

 

CMYK 39 / 0 / 4 / 29

HEX #6EB5AD

RGB 110 181 173

HSL 173.24, 0.32%, 0.57%

LAB 69.03, -24.19, -2.96

 

CMYK 22 / 0 / 2 / 36

HEX #7FA39F

RGB 127 163 159

HSL 173.33, 0.16%, 0.57%

LAB 64.33, -13.13, -1.98

 

CMYK 1 / 0 / 0 / 43

HEX #919292

RGB 145 146 146

HSL 180, 0%, 0.57%

LAB 60.47, -0.36, -0.14

 

CMYK 66 / 0 / 44 / 15

HEX #4AD97A

RGB 74 217 122

HSL 140.14, 0.65%, 0.57%

LAB 77.57, -58.6, 35.83

 

CMYK 66 / 0 / 26 / 15

HEX #4AD9A0

RGB 74 217 160

HSL 156.08, 0.65%, 0.57%

LAB 78.24, -51.33, 17.11

 

CMYK 66 / 0 / 9 / 15

HEX #4AD9C6

RGB 74 217 198

HSL 172.03, 0.65%, 0.57%

LAB 79.13, -42.26, -1.82

 

CMYK 66 / 9 / 0 / 15

HEX #4AC6D9

RGB 74 198 217

HSL 187.97, 0.65%, 0.57%

LAB 74.1, -28.12, -19.56

 

CMYK 66 / 26 / 0 / 15

HEX #4AA0D9

RGB 74 160 217

HSL 203.92, 0.65%, 0.57%

LAB 63.02, -8.22, -36.6

 

CMYK 79 / 0 / 10 / 33

HEX #24AC9B

RGB 36 172 155

HSL 172.5, 0.65%, 0.41%

LAB 63.55, -38.71, -1.28

 

CMYK 79 / 0 / 10 / 19

HEX #2CCEBA

RGB 44 206 186

HSL 172.59, 0.65%, 0.49%

LAB 74.97, -44.36, -1.55

 

CMYK 66 / 0 / 8 / 15

HEX #4AD9C7

RGB 74 217 199

HSL 172.45, 0.65%, 0.57%

LAB 79.16, -42, -2.31

 

CMYK 52 / 0 / 6 / 12

HEX #6CE0D2

RGB 108 224 210

HSL 172.76, 0.65%, 0.65%

LAB 82.46, -36.23, -3.21

 

CMYK 39 / 0 / 5 / 9

HEX #8EE7DC

RGB 142 231 220

HSL 172.58, 0.65%, 0.73%

LAB 86.04, -29.2, -3.08

 

CMYK 65 / 0 / 8 / 15

HEX #4CD9C8

RGB 76 217 200

HSL 172.77, 0.65%, 0.57%

LAB 79.23, -41.44, -2.74

 

CMYK 61 / 66 / 0 / 15

HEX #544AD9

RGB 84 74 217

HSL 244.2, 0.65%, 0.57%

LAB 40.88, 45.25, -71.99

 

CMYK 0 / 35 / 66 / 15

HEX #D98D4A

RGB 217 141 74

HSL 28.11, 0.65%, 0.57%

LAB 65.2, 22.75, 46.78

 

CMYK 65 / 0 / 8 / 15

HEX #4CD9C8

RGB 76 217 200

HSL 172.77, 0.65%, 0.57%

LAB 79.23, -41.44, -2.74

 

CMYK 9 / 66 / 0 / 15

HEX #C64AD9

RGB 198 74 217

HSL 292.03, 0.65%, 0.57%

LAB 53.93, 67.74, -50.26

 

CMYK 0 / 9 / 66 / 15

HEX #D9C64A

RGB 217 198 74

HSL 52.03, 0.65%, 0.57%

LAB 79.41, -7.48, 62.17

 

CMYK 65 / 0 / 8 / 15

HEX #4CD9C8

RGB 76 217 200

HSL 172.77, 0.65%, 0.57%

LAB 79.23, -41.44, -2.74

 

CMYK 61 / 66 / 0 / 15

HEX #544AD9

RGB 84 74 217

HSL 244.2, 0.65%, 0.57%

LAB 40.88, 45.25, -71.99

 

CMYK 0 / 66 / 57 / 15

HEX #D94A5D

RGB 217 74 93

HSL 352.03, 0.65%, 0.57%

LAB 52.33, 57.03, 20.45

 

CMYK 5 / 0 / 66 / 15

HEX #CFD94A

RGB 207 217 74

HSL 64.2, 0.65%, 0.57%

LAB 83.64, -21.14, 66.3

 

CMYK 65 / 0 / 8 / 15

HEX #4CD9C8

RGB 76 217 200

HSL 172.77, 0.65%, 0.57%

LAB 79.23, -41.44, -2.74

 

CMYK 42 / 66 / 0 / 15

HEX #7E4AD9

RGB 126 74 217

HSL 261.82, 0.65%, 0.57%

LAB 44.72, 52.44, -65.57

 

CMYK 0 / 66 / 57 / 15

HEX #D94A5D

RGB 217 74 93

HSL 352.03, 0.65%, 0.57%

LAB 52.33, 57.03, 20.45

 

CMYK 24 / 0 / 66 / 15

HEX #A4D94A

RGB 164 217 74

HSL 82.24, 0.65%, 0.57%

LAB 80.75, -38.12, 62.38

 

Description

Color code: HEX #4CD9C8 | qconv.com Color code: HEX #4CD9C8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 217 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 217 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 8 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 8% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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