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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CD904 it is the complementary color #B326FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CD904. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CD904 shade: #51D900, #62EB12, #73FD25, #84FF38 and #95FF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CD904. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CD904 shade: #4CD904, #3BC700, #2AB500, #19A300 and #089100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CD904 shade: #4CD704, #84D704, #BDD704, #D7B804 and #D77F04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CD904 shade: #4CD704, #13D704, #04D72F, #04D768 and #04D7A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CD904 shade matches the following richer shades: #4CD704

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CD904 shade: #4CD704, #51C516, #57B328, #5DA23A and #63904B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CD904 shade: #BED704, #86D704, #4ED704, #16D704 and #04D72B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CD904 shade: #2F8603, #3DAE04, #4CD704, #5BFA0B and #77FB33

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CD904 shade: #4CD904, #04D7B7 and #D704A2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CD904 shade: #4CD904, #044ED7 and #D7044E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CD904 shade: #4CD904, #04D7B7, #8D04D7 and #D70424

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CD904 shade: #4CD904, #04B7D7, #8D04D7 and #D72404

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 98 / 15

HEX #4CD904

RGB 76 217 4

HSL 99.72, 0.96%, 0.43%

LAB 76.78, -67.97, 74.41

 

Complementary color

CMYK 29 / 85 / 0 / 2

HEX #B326FB

RGB 179 38 251

HSL 279.72, 0.96%, 0.57%

LAB 49.42, 82.11, -76.83

 

CMYK 63 / 0 / 100 / 15

HEX #51D900

RGB 81 217 0

HSL 97.6, 1%, 0.43%

LAB 76.91, -66.95, 74.94

 

CMYK 58 / 0 / 92 / 8

HEX #62EB12

RGB 98 235 18

HSL 97.88, 0.86%, 0.5%

LAB 82.94, -68.6, 78.26

 

CMYK 55 / 0 / 85 / 1

HEX #73FD25

RGB 115 253 37

HSL 98.33, 0.98%, 0.57%

LAB 88.94, -69.88, 80.47

 

CMYK 48 / 0 / 78 / 0

HEX #84FF38

RGB 132 255 56

HSL 97.09, 1%, 0.61%

LAB 90.19, -65.18, 77.27

 

CMYK 42 / 0 / 71 / 0

HEX #95FF4B

RGB 149 255 75

HSL 95.33, 1%, 0.65%

LAB 90.97, -59.01, 72.3

 

CMYK 65 / 0 / 98 / 15

HEX #4CD904

RGB 76 217 4

HSL 99.72, 0.96%, 0.43%

LAB 76.78, -67.97, 74.41

 

CMYK 70 / 0 / 100 / 22

HEX #3BC700

RGB 59 199 0

HSL 102.21, 1%, 0.39%

LAB 70.72, -65.73, 69.8

 

CMYK 77 / 0 / 100 / 29

HEX #2AB500

RGB 42 181 0

HSL 106.08, 1%, 0.35%

LAB 64.6, -63.06, 64.79

 

CMYK 85 / 0 / 100 / 36

HEX #19A300

RGB 25 163 0

HSL 110.8, 1%, 0.32%

LAB 58.42, -59.89, 59.75

 

CMYK 94 / 0 / 100 / 43

HEX #089100

RGB 8 145 0

HSL 116.69, 1%, 0.28%

LAB 52.18, -56.06, 54.69

 

CMYK 65 / 0 / 98 / 16

HEX #4CD704

RGB 76 215 4

HSL 99.53, 0.96%, 0.43%

LAB 76.16, -67.33, 73.91

 

CMYK 39 / 0 / 98 / 16

HEX #84D704

RGB 132 215 4

HSL 83.6, 0.96%, 0.43%

LAB 78.18, -51.57, 76.36

 

CMYK 12 / 0 / 98 / 16

HEX #BDD704

RGB 189 215 4

HSL 67.39, 0.96%, 0.43%

LAB 81.53, -29.79, 80.39

 

CMYK 0 / 14 / 98 / 16

HEX #D7B804

RGB 215 184 4

HSL 51.18, 0.96%, 0.43%

LAB 75.29, -3.24, 76.74

 

CMYK 0 / 41 / 98 / 16

HEX #D77F04

RGB 215 127 4

HSL 34.98, 0.96%, 0.43%

LAB 61.34, 27.19, 67.1

 

CMYK 65 / 0 / 98 / 16

HEX #4CD704

RGB 76 215 4

HSL 99.53, 0.96%, 0.43%

LAB 76.16, -67.33, 73.91

 

CMYK 91 / 0 / 98 / 16

HEX #13D704

RGB 19 215 4

HSL 115.73, 0.96%, 0.43%

LAB 75.29, -74.91, 72.85

 

CMYK 98 / 0 / 78 / 16

HEX #04D72F

RGB 4 215 47

HSL 132.23, 0.96%, 0.43%

LAB 75.35, -73.96, 64.9

 

CMYK 98 / 0 / 52 / 16

HEX #04D768

RGB 4 215 104

HSL 148.44, 0.96%, 0.43%

LAB 75.84, -67.79, 42.31

 

CMYK 98 / 0 / 26 / 16

HEX #04D7A0

RGB 4 215 160

HSL 164.36, 0.96%, 0.43%

LAB 76.78, -56.86, 14.94

 

CMYK 65 / 0 / 98 / 16

HEX #4CD704

RGB 76 215 4

HSL 99.53, 0.96%, 0.43%

LAB 76.16, -67.33, 73.91

 

CMYK 65 / 0 / 98 / 16

HEX #4CD704

RGB 76 215 4

HSL 99.53, 0.96%, 0.43%

LAB 76.16, -67.33, 73.91

 

CMYK 59 / 0 / 89 / 23

HEX #51C516

RGB 81 197 22

HSL 99.77, 0.8%, 0.43%

LAB 70.69, -59.83, 67.2

 

CMYK 51 / 0 / 78 / 30

HEX #57B328

RGB 87 179 40

HSL 99.71, 0.63%, 0.43%

LAB 65.29, -50.88, 57.91

 

CMYK 43 / 0 / 64 / 36

HEX #5DA23A

RGB 93 162 58

HSL 99.81, 0.47%, 0.43%

LAB 60.31, -40.76, 45.97

 

CMYK 31 / 0 / 48 / 44

HEX #63904B

RGB 99 144 75

HSL 99.13, 0.32%, 0.43%

LAB 55.18, -28.53, 31.74

 

CMYK 12 / 0 / 98 / 16

HEX #BED704

RGB 190 215 4

HSL 67.11, 0.96%, 0.43%

LAB 81.6, -29.37, 80.48

 

CMYK 38 / 0 / 98 / 16

HEX #86D704

RGB 134 215 4

HSL 83.03, 0.96%, 0.43%

LAB 78.27, -50.88, 76.48

 

CMYK 64 / 0 / 98 / 16

HEX #4ED704

RGB 78 215 4

HSL 98.96, 0.96%, 0.43%

LAB 76.21, -66.9, 73.97

 

CMYK 90 / 0 / 98 / 16

HEX #16D704

RGB 22 215 4

HSL 114.88, 0.96%, 0.43%

LAB 75.31, -74.73, 72.87

 

CMYK 98 / 0 / 80 / 16

HEX #04D72B

RGB 4 215 43

HSL 131.09, 0.96%, 0.43%

LAB 75.33, -74.21, 66.04

 

CMYK 65 / 0 / 98 / 47

HEX #2F8603

RGB 47 134 3

HSL 99.85, 0.96%, 0.27%

LAB 49.08, -46.76, 51.92

 

CMYK 65 / 0 / 98 / 32

HEX #3DAE04

RGB 61 174 4

HSL 99.88, 0.96%, 0.35%

LAB 62.74, -57.22, 62.96

 

CMYK 65 / 0 / 98 / 16

HEX #4CD704

RGB 76 215 4

HSL 99.53, 0.96%, 0.43%

LAB 76.16, -67.33, 73.91

 

CMYK 64 / 0 / 96 / 2

HEX #5BFA0B

RGB 91 250 11

HSL 99.92, 0.96%, 0.51%

LAB 87.3, -75.11, 82.44

 

CMYK 53 / 0 / 80 / 2

HEX #77FB33

RGB 119 251 51

HSL 99.6, 0.96%, 0.59%

LAB 88.52, -67.58, 76.91

 

CMYK 65 / 0 / 98 / 15

HEX #4CD904

RGB 76 217 4

HSL 99.72, 0.96%, 0.43%

LAB 76.78, -67.97, 74.41

 

CMYK 98 / 0 / 15 / 16

HEX #04D7B7

RGB 4 215 183

HSL 170.9, 0.96%, 0.43%

LAB 77.31, -51.13, 3.44

 

CMYK 0 / 98 / 25 / 16

HEX #D704A2

RGB 215 4 162

HSL 315.07, 0.96%, 0.43%

LAB 48.44, 79.22, -26.77

 

CMYK 65 / 0 / 98 / 15

HEX #4CD904

RGB 76 217 4

HSL 99.72, 0.96%, 0.43%

LAB 76.78, -67.97, 74.41

 

CMYK 98 / 64 / 0 / 16

HEX #044ED7

RGB 4 78 215

HSL 218.96, 0.96%, 0.43%

LAB 38.52, 35.45, -74.84

 

CMYK 0 / 98 / 64 / 16

HEX #D7044E

RGB 215 4 78

HSL 338.96, 0.96%, 0.43%

LAB 45.75, 72.15, 20.76

 

CMYK 65 / 0 / 98 / 15

HEX #4CD904

RGB 76 217 4

HSL 99.72, 0.96%, 0.43%

LAB 76.78, -67.97, 74.41

 

CMYK 98 / 0 / 15 / 16

HEX #04D7B7

RGB 4 215 183

HSL 170.9, 0.96%, 0.43%

LAB 77.31, -51.13, 3.44

 

CMYK 34 / 98 / 0 / 16

HEX #8D04D7

RGB 141 4 215

HSL 278.96, 0.96%, 0.43%

LAB 38.99, 75.85, -73.69

 

CMYK 0 / 98 / 83 / 16

HEX #D70424

RGB 215 4 36

HSL 350.9, 0.96%, 0.43%

LAB 45.17, 70.57, 45.03

 

CMYK 65 / 0 / 98 / 15

HEX #4CD904

RGB 76 217 4

HSL 99.72, 0.96%, 0.43%

LAB 76.78, -67.97, 74.41

 

CMYK 98 / 15 / 0 / 16

HEX #04B7D7

RGB 4 183 215

HSL 189.1, 0.96%, 0.43%

LAB 68.61, -27.11, -26.94

 

CMYK 34 / 98 / 0 / 16

HEX #8D04D7

RGB 141 4 215

HSL 278.96, 0.96%, 0.43%

LAB 38.99, 75.85, -73.69

 

CMYK 0 / 83 / 98 / 16

HEX #D72404

RGB 215 36 4

HSL 9.1, 0.96%, 0.43%

LAB 46.6, 65.52, 58.57

 

Description

Color code: HEX #4CD904 | qconv.com Color code: HEX #4CD904 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 217 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 217 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 98 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 98% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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