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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CD13D it is the complementary color #B32EC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CD13D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CD13D shade: #51D138, #62E34B, #73F55E, #84FF71 and #95FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CD13D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CD13D shade: #4CD13D, #3BBF2A, #2AAD17, #199B04 and #088900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CD13D shade: #4CD13D, #74D13D, #9CD13D, #C4D13D and #D1B73D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CD13D shade: #4CD13D, #3DD156, #3DD17E, #3DD1A6 and #3DD1CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CD13D shade matches the following richer shades: #4CD13D, #3CE529 and #2DF816

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CD13D shade: #4CD13D, #5BBE50, #6BAB64, #7A9777 and #8A848A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CD13D shade: #9DD13D, #76D13D, #4ED13D, #3DD153 and #3DD17B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CD13D shade: #2F9824, #3ABA2C, #4CD13D, #6BD95E and #8AE180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CD13D shade: #4CD13D, #3DC5D1 and #D13D8A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CD13D shade: #4CD13D, #3D4ED1 and #D13D4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CD13D shade: #4CD13D, #3DC5D1, #C03DD1 and #D1493D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CD13D shade: #4CD13D, #3D98D1, #C03DD1 and #D1763D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 71 / 18

HEX #4CD13D

RGB 76 209 61

HSL 113.92, 0.62%, 0.53%

LAB 74.49, -62.9, 59.67

 

Complementary color

CMYK 8 / 76 / 0 / 24

HEX #B32EC2

RGB 179 46 194

HSL 293.92, 0.62%, 0.47%

LAB 46.22, 69.59, -49.53

 

CMYK 61 / 0 / 73 / 18

HEX #51D138

RGB 81 209 56

HSL 110.2, 0.62%, 0.52%

LAB 74.59, -62.19, 61.61

 

CMYK 57 / 0 / 67 / 11

HEX #62E34B

RGB 98 227 75

HSL 110.92, 0.73%, 0.59%

LAB 80.76, -62.92, 61.12

 

CMYK 53 / 0 / 62 / 4

HEX #73F55E

RGB 115 245 94

HSL 111.66, 0.88%, 0.66%

LAB 86.88, -63.38, 60.28

 

CMYK 48 / 0 / 56 / 0

HEX #84FF71

RGB 132 255 113

HSL 111.97, 1%, 0.72%

LAB 90.61, -60.63, 56.53

 

CMYK 42 / 0 / 48 / 0

HEX #95FF84

RGB 149 255 132

HSL 111.71, 1%, 0.76%

LAB 91.49, -53.56, 49.08

 

CMYK 64 / 0 / 71 / 18

HEX #4CD13D

RGB 76 209 61

HSL 113.92, 0.62%, 0.53%

LAB 74.49, -62.9, 59.67

 

CMYK 69 / 0 / 78 / 25

HEX #3BBF2A

RGB 59 191 42

HSL 113.15, 0.64%, 0.46%

LAB 68.28, -61.73, 59.86

 

CMYK 76 / 0 / 87 / 32

HEX #2AAD17

RGB 42 173 23

HSL 112.4, 0.77%, 0.38%

LAB 62.03, -59.97, 59.11

 

CMYK 84 / 0 / 97 / 39

HEX #199B04

RGB 25 155 4

HSL 111.66, 0.95%, 0.31%

LAB 55.74, -57.41, 56.98

 

CMYK 94 / 0 / 100 / 46

HEX #088900

RGB 8 137 0

HSL 116.5, 1%, 0.27%

LAB 49.43, -53.73, 52.49

 

CMYK 64 / 0 / 71 / 18

HEX #4CD13D

RGB 76 209 61

HSL 113.92, 0.62%, 0.53%

LAB 74.49, -62.9, 59.67

 

CMYK 44 / 0 / 71 / 18

HEX #74D13D

RGB 116 209 61

HSL 97.7, 0.62%, 0.53%

LAB 75.85, -52.32, 61.5

 

CMYK 25 / 0 / 71 / 18

HEX #9CD13D

RGB 156 209 61

HSL 81.49, 0.62%, 0.53%

LAB 77.88, -38.41, 64.2

 

CMYK 6 / 0 / 71 / 18

HEX #C4D13D

RGB 196 209 61

HSL 65.27, 0.62%, 0.53%

LAB 80.56, -22.47, 67.74

 

CMYK 0 / 12 / 71 / 18

HEX #D1B73D

RGB 209 183 61

HSL 49.46, 0.62%, 0.53%

LAB 74.67, -3.84, 62.32

 

CMYK 64 / 0 / 71 / 18

HEX #4CD13D

RGB 76 209 61

HSL 113.92, 0.62%, 0.53%

LAB 74.49, -62.9, 59.67

 

CMYK 71 / 0 / 59 / 18

HEX #3DD156

RGB 61 209 86

HSL 130.14, 0.62%, 0.53%

LAB 74.36, -63.23, 49.09

 

CMYK 71 / 0 / 40 / 18

HEX #3DD17E

RGB 61 209 126

HSL 146.35, 0.62%, 0.53%

LAB 74.89, -57.13, 30.25

 

CMYK 71 / 0 / 21 / 18

HEX #3DD1A6

RGB 61 209 166

HSL 162.57, 0.62%, 0.53%

LAB 75.67, -48.7, 10.25

 

CMYK 71 / 0 / 1 / 18

HEX #3DD1CE

RGB 61 209 206

HSL 178.78, 0.62%, 0.53%

LAB 76.71, -38.29, -9.72

 

CMYK 64 / 0 / 71 / 18

HEX #4CD13D

RGB 76 209 61

HSL 113.92, 0.62%, 0.53%

LAB 74.49, -62.9, 59.67

 

CMYK 74 / 0 / 82 / 10

HEX #3CE529

RGB 60 229 41

HSL 113.94, 0.78%, 0.53%

LAB 80.27, -73.45, 71.35

 

CMYK 82 / 0 / 91 / 3

HEX #2DF816

RGB 45 248 22

HSL 113.89, 0.94%, 0.53%

LAB 85.88, -81.47, 79.76

 

CMYK 64 / 0 / 71 / 18

HEX #4CD13D

RGB 76 209 61

HSL 113.92, 0.62%, 0.53%

LAB 74.49, -62.9, 59.67

 

CMYK 52 / 0 / 58 / 25

HEX #5BBE50

RGB 91 190 80

HSL 114, 0.46%, 0.53%

LAB 69.21, -50.47, 46.05

 

CMYK 37 / 0 / 42 / 33

HEX #6BAB64

RGB 107 171 100

HSL 114.08, 0.3%, 0.53%

LAB 64.3, -34.87, 30.23

 

CMYK 19 / 0 / 21 / 41

HEX #7A9777

RGB 122 151 119

HSL 114.38, 0.13%, 0.53%

LAB 59.53, -16.6, 13.58

 

CMYK 0 / 4 / 0 / 46

HEX #8A848A

RGB 138 132 138

HSL 300, 0.02%, 0.53%

LAB 55.83, 3.42, -2.42

 

CMYK 25 / 0 / 71 / 18

HEX #9DD13D

RGB 157 209 61

HSL 81.08, 0.62%, 0.53%

LAB 77.94, -38.03, 64.28

 

CMYK 44 / 0 / 71 / 18

HEX #76D13D

RGB 118 209 61

HSL 96.89, 0.62%, 0.53%

LAB 75.94, -51.7, 61.61

 

CMYK 63 / 0 / 71 / 18

HEX #4ED13D

RGB 78 209 61

HSL 113.11, 0.62%, 0.53%

LAB 74.55, -62.47, 59.74

 

CMYK 71 / 0 / 60 / 18

HEX #3DD153

RGB 61 209 83

HSL 128.92, 0.62%, 0.53%

LAB 74.33, -63.59, 50.39

 

CMYK 71 / 0 / 41 / 18

HEX #3DD17B

RGB 61 209 123

HSL 145.14, 0.62%, 0.53%

LAB 74.84, -57.67, 31.72

 

CMYK 69 / 0 / 76 / 40

HEX #2F9824

RGB 47 152 36

HSL 114.31, 0.62%, 0.37%

LAB 55.27, -51.43, 49.05

 

CMYK 69 / 0 / 76 / 27

HEX #3ABA2C

RGB 58 186 44

HSL 114.08, 0.62%, 0.45%

LAB 66.67, -60.15, 57.64

 

CMYK 64 / 0 / 71 / 18

HEX #4CD13D

RGB 76 209 61

HSL 113.92, 0.62%, 0.53%

LAB 74.49, -62.9, 59.67

 

CMYK 51 / 0 / 57 / 15

HEX #6BD95E

RGB 107 217 94

HSL 113.66, 0.62%, 0.61%

LAB 78.2, -55, 50.28

 

CMYK 39 / 0 / 43 / 12

HEX #8AE180

RGB 138 225 128

HSL 113.81, 0.62%, 0.69%

LAB 82.28, -44.89, 39.33

 

CMYK 64 / 0 / 71 / 18

HEX #4CD13D

RGB 76 209 61

HSL 113.92, 0.62%, 0.53%

LAB 74.49, -62.9, 59.67

 

CMYK 71 / 6 / 0 / 18

HEX #3DC5D1

RGB 61 197 209

HSL 184.86, 0.62%, 0.53%

LAB 73.24, -31.81, -16.55

 

CMYK 0 / 71 / 34 / 18

HEX #D13D8A

RGB 209 61 138

HSL 328.78, 0.62%, 0.53%

LAB 50.37, 63.75, -9.56

 

CMYK 64 / 0 / 71 / 18

HEX #4CD13D

RGB 76 209 61

HSL 113.92, 0.62%, 0.53%

LAB 74.49, -62.9, 59.67

 

CMYK 71 / 63 / 0 / 18

HEX #3D4ED1

RGB 61 78 209

HSL 233.11, 0.62%, 0.53%

LAB 39.66, 37.09, -69.46

 

CMYK 0 / 71 / 63 / 18

HEX #D13D4E

RGB 209 61 78

HSL 353.11, 0.62%, 0.53%

LAB 48.81, 58.54, 24.53

 

CMYK 64 / 0 / 71 / 18

HEX #4CD13D

RGB 76 209 61

HSL 113.92, 0.62%, 0.53%

LAB 74.49, -62.9, 59.67

 

CMYK 71 / 6 / 0 / 18

HEX #3DC5D1

RGB 61 197 209

HSL 184.86, 0.62%, 0.53%

LAB 73.24, -31.81, -16.55

 

CMYK 8 / 71 / 0 / 18

HEX #C03DD1

RGB 192 61 209

HSL 293.11, 0.62%, 0.53%

LAB 50.86, 69.91, -50.65

 

CMYK 0 / 65 / 71 / 18

HEX #D1493D

RGB 209 73 61

HSL 4.86, 0.62%, 0.53%

LAB 50.28, 52.9, 36.28

 

CMYK 64 / 0 / 71 / 18

HEX #4CD13D

RGB 76 209 61

HSL 113.92, 0.62%, 0.53%

LAB 74.49, -62.9, 59.67

 

CMYK 71 / 27 / 0 / 18

HEX #3D98D1

RGB 61 152 209

HSL 203.11, 0.62%, 0.53%

LAB 59.94, -8.4, -36.99

 

CMYK 8 / 71 / 0 / 18

HEX #C03DD1

RGB 192 61 209

HSL 293.11, 0.62%, 0.53%

LAB 50.86, 69.91, -50.65

 

CMYK 0 / 44 / 71 / 18

HEX #D1763D

RGB 209 118 61

HSL 23.11, 0.62%, 0.53%

LAB 58.83, 31.03, 45.87

 

Description

Color code: HEX #4CD13D | qconv.com Color code: HEX #4CD13D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 209 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 209 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 71 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 71% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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