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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CD02D it is the complementary color #B32FD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CD02D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CD02D shade: #51D028, #62E23B, #73F44E, #84FF61 and #95FF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CD02D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CD02D shade: #4CD02D, #3BBE1A, #2AAC07, #199A00 and #088800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CD02D shade: #4DD12E, #79D12E, #A5D12E, #D1D12E and #D1A52E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CD02D shade: #4DD12E, #2ED13B, #2ED167, #2ED193 and #2ED1BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CD02D shade matches the following richer shades: #4DD12E, #40E619 and #33FA05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CD02D shade: #4DD12E, #5ABC43, #67A857, #73936C and #807F80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CD02D shade: #A6D12E, #7AD12E, #4FD12E, #2ED139 and #2ED164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CD02D shade: #348D1F, #40AF26, #4DD12E, #6AD950 and #87E072

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CD02D shade: #4CD02D, #2ED1D1 and #D12E90

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CD02D shade: #4CD02D, #2E4FD1 and #D12E4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CD02D shade: #4CD02D, #2ED1D1, #B02ED1 and #D12E2E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CD02D shade: #4CD02D, #2EA0D1, #B02ED1 and #D15F2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 78 / 18

HEX #4CD02D

RGB 76 208 45

HSL 108.59, 0.64%, 0.5%

LAB 74.09, -63.68, 64.63

 

Complementary color

CMYK 15 / 78 / 0 / 18

HEX #B32FD2

RGB 179 47 210

HSL 288.59, 0.64%, 0.5%

LAB 47.33, 72.1, -57

 

CMYK 61 / 0 / 81 / 18

HEX #51D028

RGB 81 208 40

HSL 105.36, 0.68%, 0.49%

LAB 74.2, -62.84, 66.21

 

CMYK 57 / 0 / 74 / 11

HEX #62E23B

RGB 98 226 59

HSL 105.99, 0.74%, 0.56%

LAB 80.35, -63.8, 66.5

 

CMYK 53 / 0 / 68 / 4

HEX #73F44E

RGB 115 244 78

HSL 106.63, 0.88%, 0.63%

LAB 86.45, -64.44, 66.16

 

CMYK 48 / 0 / 62 / 0

HEX #84FF61

RGB 132 255 97

HSL 106.71, 1%, 0.69%

LAB 90.45, -62.26, 63.19

 

CMYK 42 / 0 / 55 / 0

HEX #95FF74

RGB 149 255 116

HSL 105.76, 1%, 0.73%

LAB 91.31, -55.44, 56.19

 

CMYK 63 / 0 / 78 / 18

HEX #4CD02D

RGB 76 208 45

HSL 108.59, 0.64%, 0.5%

LAB 74.09, -63.68, 64.63

 

CMYK 69 / 0 / 86 / 25

HEX #3BBE1A

RGB 59 190 26

HSL 107.93, 0.76%, 0.42%

LAB 67.9, -62.24, 63.76

 

CMYK 76 / 0 / 96 / 33

HEX #2AAC07

RGB 42 172 7

HSL 107.27, 0.92%, 0.35%

LAB 61.67, -60.16, 61.51

 

CMYK 84 / 0 / 100 / 40

HEX #199A00

RGB 25 154 0

HSL 110.26, 1%, 0.3%

LAB 55.4, -57.22, 57.34

 

CMYK 94 / 0 / 100 / 47

HEX #088800

RGB 8 136 0

HSL 116.47, 1%, 0.27%

LAB 49.08, -53.44, 52.21

 

CMYK 63 / 0 / 78 / 18

HEX #4DD12E

RGB 77 209 46

HSL 108.59, 0.64%, 0.5%

LAB 74.43, -63.74, 64.67

 

CMYK 42 / 0 / 78 / 18

HEX #79D12E

RGB 121 209 46

HSL 92.39, 0.64%, 0.5%

LAB 75.99, -51.65, 66.69

 

CMYK 21 / 0 / 78 / 18

HEX #A5D12E

RGB 165 209 46

HSL 76.2, 0.64%, 0.5%

LAB 78.34, -35.71, 69.73

 

CMYK 0 / 0 / 78 / 18

HEX #D1D12E

RGB 209 209 46

HSL 60, 0.64%, 0.5%

LAB 81.49, -17.68, 73.74

 

CMYK 0 / 21 / 78 / 18

HEX #D1A52E

RGB 209 165 46

HSL 43.8, 0.64%, 0.5%

LAB 69.94, 5.02, 63.33

 

CMYK 63 / 0 / 78 / 18

HEX #4DD12E

RGB 77 209 46

HSL 108.59, 0.64%, 0.5%

LAB 74.43, -63.74, 64.67

 

CMYK 78 / 0 / 72 / 18

HEX #2ED13B

RGB 46 209 59

HSL 124.79, 0.64%, 0.5%

LAB 73.87, -68.21, 59.56

 

CMYK 78 / 0 / 51 / 18

HEX #2ED167

RGB 46 209 103

HSL 140.98, 0.64%, 0.5%

LAB 74.29, -63.06, 40.96

 

CMYK 78 / 0 / 30 / 18

HEX #2ED193

RGB 46 209 147

HSL 157.18, 0.64%, 0.5%

LAB 75.01, -54.91, 19.4

 

CMYK 78 / 0 / 9 / 18

HEX #2ED1BF

RGB 46 209 191

HSL 173.37, 0.64%, 0.5%

LAB 76.03, -44.11, -2.67

 

CMYK 63 / 0 / 78 / 18

HEX #4DD12E

RGB 77 209 46

HSL 108.59, 0.64%, 0.5%

LAB 74.43, -63.74, 64.67

 

CMYK 72 / 0 / 89 / 10

HEX #40E619

RGB 64 230 25

HSL 108.59, 0.8%, 0.5%

LAB 80.6, -73.75, 74.97

 

CMYK 80 / 0 / 98 / 2

HEX #33FA05

RGB 51 250 5

HSL 108.73, 0.96%, 0.5%

LAB 86.55, -81.67, 81.98

 

CMYK 63 / 0 / 78 / 18

HEX #4DD12E

RGB 77 209 46

HSL 108.59, 0.64%, 0.5%

LAB 74.43, -63.74, 64.67

 

CMYK 52 / 0 / 64 / 26

HEX #5ABC43

RGB 90 188 67

HSL 108.6, 0.47%, 0.5%

LAB 68.42, -51.35, 50.94

 

CMYK 39 / 0 / 48 / 34

HEX #67A857

RGB 103 168 87

HSL 108.15, 0.32%, 0.5%

LAB 62.99, -36.7, 35.28

 

CMYK 22 / 0 / 27 / 42

HEX #73936C

RGB 115 147 108

HSL 109.23, 0.15%, 0.5%

LAB 57.65, -19.02, 17.09

 

CMYK 0 / 1 / 0 / 50

HEX #807F80

RGB 128 127 128

HSL 300, 0%, 0.5%

LAB 53.3, 0.58, -0.42

 

CMYK 21 / 0 / 78 / 18

HEX #A6D12E

RGB 166 209 46

HSL 75.83, 0.64%, 0.5%

LAB 78.41, -35.32, 69.81

 

CMYK 42 / 0 / 78 / 18

HEX #7AD12E

RGB 122 209 46

HSL 92.02, 0.64%, 0.5%

LAB 76.03, -51.33, 66.75

 

CMYK 62 / 0 / 78 / 18

HEX #4FD12E

RGB 79 209 46

HSL 107.85, 0.64%, 0.5%

LAB 74.48, -63.3, 64.74

 

CMYK 78 / 0 / 73 / 18

HEX #2ED139

RGB 46 209 57

HSL 124.05, 0.64%, 0.5%

LAB 73.85, -68.38, 60.27

 

CMYK 78 / 0 / 52 / 18

HEX #2ED164

RGB 46 209 100

HSL 139.88, 0.64%, 0.5%

LAB 74.25, -63.51, 42.37

 

CMYK 63 / 0 / 78 / 45

HEX #348D1F

RGB 52 141 31

HSL 108.55, 0.64%, 0.34%

LAB 51.7, -46.76, 47.35

 

CMYK 63 / 0 / 78 / 31

HEX #40AF26

RGB 64 175 38

HSL 108.61, 0.64%, 0.42%

LAB 63.25, -55.57, 56.33

 

CMYK 63 / 0 / 78 / 18

HEX #4DD12E

RGB 77 209 46

HSL 108.59, 0.64%, 0.5%

LAB 74.43, -63.74, 64.67

 

CMYK 51 / 0 / 63 / 15

HEX #6AD950

RGB 106 217 80

HSL 108.61, 0.64%, 0.58%

LAB 78.03, -56.74, 56.21

 

CMYK 40 / 0 / 49 / 12

HEX #87E072

RGB 135 224 114

HSL 108.55, 0.64%, 0.66%

LAB 81.66, -47.25, 45.35

 

CMYK 63 / 0 / 78 / 18

HEX #4CD02D

RGB 76 208 45

HSL 108.59, 0.64%, 0.5%

LAB 74.09, -63.68, 64.63

 

CMYK 78 / 0 / 0 / 18

HEX #2ED1D1

RGB 46 209 209

HSL 180, 0.64%, 0.5%

LAB 76.55, -39.05, -11.6

 

CMYK 0 / 78 / 31 / 18

HEX #D12E90

RGB 209 46 144

HSL 323.93, 0.64%, 0.5%

LAB 48.91, 69.14, -15.36

 

CMYK 63 / 0 / 78 / 18

HEX #4CD02D

RGB 76 208 45

HSL 108.59, 0.64%, 0.5%

LAB 74.09, -63.68, 64.63

 

CMYK 78 / 62 / 0 / 18

HEX #2E4FD1

RGB 46 79 209

HSL 227.85, 0.64%, 0.5%

LAB 39.2, 34.83, -70.23

 

CMYK 0 / 78 / 62 / 18

HEX #D12E4F

RGB 209 46 79

HSL 347.85, 0.64%, 0.5%

LAB 47.07, 63.52, 21.66

 

CMYK 63 / 0 / 78 / 18

HEX #4CD02D

RGB 76 208 45

HSL 108.59, 0.64%, 0.5%

LAB 74.09, -63.68, 64.63

 

CMYK 78 / 0 / 0 / 18

HEX #2ED1D1

RGB 46 209 209

HSL 180, 0.64%, 0.5%

LAB 76.55, -39.05, -11.6

 

CMYK 16 / 78 / 0 / 18

HEX #B02ED1

RGB 176 46 209

HSL 287.85, 0.64%, 0.5%

LAB 46.69, 71.67, -57.47

 

CMYK 0 / 78 / 78 / 18

HEX #D12E2E

RGB 209 46 46

HSL 0, 0.64%, 0.5%

LAB 46.59, 61.99, 40.59

 

CMYK 63 / 0 / 78 / 18

HEX #4CD02D

RGB 76 208 45

HSL 108.59, 0.64%, 0.5%

LAB 74.09, -63.68, 64.63

 

CMYK 78 / 23 / 0 / 18

HEX #2EA0D1

RGB 46 160 209

HSL 198.04, 0.64%, 0.5%

LAB 61.93, -14.69, -33.9

 

CMYK 16 / 78 / 0 / 18

HEX #B02ED1

RGB 176 46 209

HSL 287.85, 0.64%, 0.5%

LAB 46.69, 71.67, -57.47

 

CMYK 0 / 55 / 78 / 18

HEX #D15F2E

RGB 209 95 46

HSL 18.04, 0.64%, 0.5%

LAB 53.96, 42.18, 48.1

 

Description

Color code: HEX #4CD02D | qconv.com Color code: HEX #4CD02D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 208 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 208 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 78 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 78% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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