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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CD01C it is the complementary color #B32FE3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CD01C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CD01C shade: #51D017, #62E22A, #73F43D, #84FF50 and #95FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CD01C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CD01C shade: #4CD01C, #3BBE09, #2AAC00, #199A00 and #088800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CD01C shade: #4CCE1C, #7CCE1C, #ACCE1C, #CEC11C and #CE911C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CD01C shade: #4CCE1C, #1CCE1D, #1CCE4D, #1CCE7D and #1CCEAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CD01C shade matches the following richer shades: #4CCE1C and #43E109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CD01C shade: #4CCE1C, #55BB2F, #5DA842, #669655 and #6F8368

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CD01C shade: #ABCE1C, #7BCE1C, #4CCE1C, #1CCE1C and #1CCE4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CD01C shade: #318612, #3EAA17, #4CCE1C, #60E331 and #7CE855

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CD01C shade: #4CD01C, #1CCEC3 and #CE1C93

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CD01C shade: #4CD01C, #1C4CCE and #CE1C4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CD01C shade: #4CD01C, #1CCEC3, #9F1CCE and #CE1C28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CD01C shade: #4CD01C, #1CA5CE, #9F1CCE and #CE461C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 87 / 18

HEX #4CD01C

RGB 76 208 28

HSL 104, 0.76%, 0.46%

LAB 74.02, -64.49, 68.86

 

Complementary color

CMYK 21 / 79 / 0 / 11

HEX #B32FE3

RGB 179 47 227

HSL 284, 0.76%, 0.54%

LAB 48.46, 75.23, -64.87

 

CMYK 61 / 0 / 89 / 18

HEX #51D017

RGB 81 208 23

HSL 101.19, 0.8%, 0.45%

LAB 74.14, -63.53, 69.96

 

CMYK 57 / 0 / 81 / 11

HEX #62E22A

RGB 98 226 42

HSL 101.74, 0.76%, 0.53%

LAB 80.27, -64.77, 71.43

 

CMYK 53 / 0 / 75 / 4

HEX #73F43D

RGB 115 244 61

HSL 102.3, 0.89%, 0.6%

LAB 86.35, -65.64, 71.92

 

CMYK 48 / 0 / 69 / 0

HEX #84FF50

RGB 132 255 80

HSL 102.17, 1%, 0.66%

LAB 90.32, -63.68, 69.65

 

CMYK 42 / 0 / 61 / 0

HEX #95FF63

RGB 149 255 99

HSL 100.77, 1%, 0.69%

LAB 91.15, -57.13, 63.33

 

CMYK 63 / 0 / 87 / 18

HEX #4CD01C

RGB 76 208 28

HSL 104, 0.76%, 0.46%

LAB 74.02, -64.49, 68.86

 

CMYK 69 / 0 / 95 / 25

HEX #3BBE09

RGB 59 190 9

HSL 103.43, 0.91%, 0.39%

LAB 67.86, -62.74, 66.49

 

CMYK 76 / 0 / 100 / 33

HEX #2AAC00

RGB 42 172 0

HSL 105.35, 1%, 0.34%

LAB 61.65, -60.32, 62.44

 

CMYK 84 / 0 / 100 / 40

HEX #199A00

RGB 25 154 0

HSL 110.26, 1%, 0.3%

LAB 55.4, -57.22, 57.34

 

CMYK 94 / 0 / 100 / 47

HEX #088800

RGB 8 136 0

HSL 116.47, 1%, 0.27%

LAB 49.08, -53.44, 52.21

 

CMYK 63 / 0 / 86 / 19

HEX #4CCE1C

RGB 76 206 28

HSL 103.82, 0.76%, 0.46%

LAB 73.39, -63.84, 68.31

 

CMYK 40 / 0 / 86 / 19

HEX #7CCE1C

RGB 124 206 28

HSL 87.64, 0.76%, 0.46%

LAB 75.15, -50.21, 70.51

 

CMYK 17 / 0 / 86 / 19

HEX #ACCE1C

RGB 172 206 28

HSL 71.46, 0.76%, 0.46%

LAB 77.87, -32.15, 73.91

 

CMYK 0 / 6 / 86 / 19

HEX #CEC11C

RGB 206 193 28

HSL 55.62, 0.76%, 0.46%

LAB 76.89, -11.45, 74.17

 

CMYK 0 / 30 / 86 / 19

HEX #CE911C

RGB 206 145 28

HSL 39.44, 0.76%, 0.46%

LAB 64.53, 13.95, 64.16

 

CMYK 63 / 0 / 86 / 19

HEX #4CCE1C

RGB 76 206 28

HSL 103.82, 0.76%, 0.46%

LAB 73.39, -63.84, 68.31

 

CMYK 86 / 0 / 86 / 19

HEX #1CCE1D

RGB 28 206 29

HSL 120.34, 0.76%, 0.46%

LAB 72.55, -71.12, 67.03

 

CMYK 86 / 0 / 63 / 19

HEX #1CCE4D

RGB 28 206 77

HSL 136.52, 0.76%, 0.46%

LAB 72.84, -67.4, 51.2

 

CMYK 86 / 0 / 39 / 19

HEX #1CCE7D

RGB 28 206 125

HSL 152.7, 0.76%, 0.46%

LAB 73.46, -59.99, 28.79

 

CMYK 86 / 0 / 16 / 19

HEX #1CCEAD

RGB 28 206 173

HSL 168.88, 0.76%, 0.46%

LAB 74.45, -49.08, 4.69

 

CMYK 63 / 0 / 86 / 19

HEX #4CCE1C

RGB 76 206 28

HSL 103.82, 0.76%, 0.46%

LAB 73.39, -63.84, 68.31

 

CMYK 70 / 0 / 96 / 12

HEX #43E109

RGB 67 225 9

HSL 103.89, 0.92%, 0.46%

LAB 79.08, -72.1, 75.71

 

CMYK 63 / 0 / 86 / 19

HEX #4CCE1C

RGB 76 206 28

HSL 103.82, 0.76%, 0.46%

LAB 73.39, -63.84, 68.31

 

CMYK 55 / 0 / 75 / 27

HEX #55BB2F

RGB 85 187 47

HSL 103.71, 0.6%, 0.46%

LAB 67.78, -54, 57.98

 

CMYK 45 / 0 / 61 / 34

HEX #5DA842

RGB 93 168 66

HSL 104.12, 0.44%, 0.46%

LAB 62.28, -42.5, 44.55

 

CMYK 32 / 0 / 43 / 41

HEX #669655

RGB 102 150 85

HSL 104.31, 0.28%, 0.46%

LAB 57.36, -28.94, 29.21

 

CMYK 15 / 0 / 21 / 49

HEX #6F8368

RGB 111 131 104

HSL 104.44, 0.11%, 0.46%

LAB 52.52, -12.7, 12.23

 

CMYK 17 / 0 / 86 / 19

HEX #ABCE1C

RGB 171 206 28

HSL 71.8, 0.76%, 0.46%

LAB 77.81, -32.55, 73.83

 

CMYK 40 / 0 / 86 / 19

HEX #7BCE1C

RGB 123 206 28

HSL 87.98, 0.76%, 0.46%

LAB 75.1, -50.55, 70.46

 

CMYK 63 / 0 / 86 / 19

HEX #4CCE1C

RGB 76 206 28

HSL 103.82, 0.76%, 0.46%

LAB 73.39, -63.84, 68.31

 

CMYK 86 / 0 / 86 / 19

HEX #1CCE1C

RGB 28 206 28

HSL 120, 0.76%, 0.46%

LAB 72.54, -71.16, 67.24

 

CMYK 86 / 0 / 63 / 19

HEX #1CCE4C

RGB 28 206 76

HSL 136.18, 0.76%, 0.46%

LAB 72.83, -67.51, 51.62

 

CMYK 63 / 0 / 87 / 47

HEX #318612

RGB 49 134 18

HSL 103.97, 0.76%, 0.3%

LAB 49.19, -45.72, 48.95

 

CMYK 64 / 0 / 86 / 33

HEX #3EAA17

RGB 62 170 23

HSL 104.08, 0.76%, 0.38%

LAB 61.51, -55.09, 58.83

 

CMYK 63 / 0 / 86 / 19

HEX #4CCE1C

RGB 76 206 28

HSL 103.82, 0.76%, 0.46%

LAB 73.39, -63.84, 68.31

 

CMYK 58 / 0 / 78 / 11

HEX #60E331

RGB 96 227 49

HSL 104.16, 0.76%, 0.54%

LAB 80.54, -65.25, 69.77

 

CMYK 47 / 0 / 63 / 9

HEX #7CE855

RGB 124 232 85

HSL 104.08, 0.76%, 0.62%

LAB 83.26, -56.91, 60.08

 

CMYK 63 / 0 / 87 / 18

HEX #4CD01C

RGB 76 208 28

HSL 104, 0.76%, 0.46%

LAB 74.02, -64.49, 68.86

 

CMYK 86 / 0 / 5 / 19

HEX #1CCEC3

RGB 28 206 195

HSL 176.29, 0.76%, 0.46%

LAB 75.03, -43.1, -6.33

 

CMYK 0 / 86 / 29 / 19

HEX #CE1C93

RGB 206 28 147

HSL 319.89, 0.76%, 0.46%

LAB 47.05, 72.9, -20.06

 

CMYK 63 / 0 / 87 / 18

HEX #4CD01C

RGB 76 208 28

HSL 104, 0.76%, 0.46%

LAB 74.02, -64.49, 68.86

 

CMYK 86 / 63 / 0 / 19

HEX #1C4CCE

RGB 28 76 206

HSL 223.82, 0.76%, 0.46%

LAB 37.61, 34.25, -71.12

 

CMYK 0 / 86 / 63 / 19

HEX #CE1C4C

RGB 206 28 76

HSL 343.82, 0.76%, 0.46%

LAB 44.91, 66.86, 20.55

 

CMYK 63 / 0 / 87 / 18

HEX #4CD01C

RGB 76 208 28

HSL 104, 0.76%, 0.46%

LAB 74.02, -64.49, 68.86

 

CMYK 86 / 0 / 5 / 19

HEX #1CCEC3

RGB 28 206 195

HSL 176.29, 0.76%, 0.46%

LAB 75.03, -43.1, -6.33

 

CMYK 23 / 86 / 0 / 19

HEX #9F1CCE

RGB 159 28 206

HSL 284.16, 0.76%, 0.46%

LAB 42.24, 72.92, -63.07

 

CMYK 0 / 86 / 81 / 19

HEX #CE1C28

RGB 206 28 40

HSL 355.96, 0.76%, 0.46%

LAB 44.38, 65.34, 41.46

 

CMYK 63 / 0 / 87 / 18

HEX #4CD01C

RGB 76 208 28

HSL 104, 0.76%, 0.46%

LAB 74.02, -64.49, 68.86

 

CMYK 86 / 20 / 0 / 19

HEX #1CA5CE

RGB 28 165 206

HSL 193.82, 0.76%, 0.46%

LAB 63.02, -19.93, -30.56

 

CMYK 23 / 86 / 0 / 19

HEX #9F1CCE

RGB 159 28 206

HSL 284.16, 0.76%, 0.46%

LAB 42.24, 72.92, -63.07

 

CMYK 0 / 66 / 86 / 19

HEX #CE461C

RGB 206 70 28

HSL 14.16, 0.76%, 0.46%

LAB 48.99, 51.98, 51.48

 

Description

Color code: HEX #4CD01C | qconv.com Color code: HEX #4CD01C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 208 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 208 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 87 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 87% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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