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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CC843 it is the complementary color #B337BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CC843. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CC843 shade: #51C83E, #62DA51, #73EC64, #84FE77 and #95FF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CC843. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CC843 shade: #4CC843, #3BB630, #2AA41D, #19920A and #088000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CC843 shade: #4AC841, #6FC841, #93C841, #B7C841 and #C8B441

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CC843 shade: #4AC841, #41C85C, #41C881, #41C8A5 and #41C6C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CC843 shade matches the following richer shades: #4AC841, #39DC2D and #28F01A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CC843 shade: #4AC841, #5CB455, #6DA069, #7E8D7D and #8F7990

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CC843 shade: #94C841, #70C841, #4DC841, #41C85A and #41C87E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CC843 shade: #308E29, #3BAE32, #4AC841, #69D161 and #87DA81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CC843 shade: #4CC843, #41B8C8 and #C84182

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CC843 shade: #4CC843, #414DC8 and #C8414D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CC843 shade: #4CC843, #41B8C8, #BD41C8 and #C85141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CC843 shade: #4CC843, #4190C8, #BD41C8 and #C87941

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 67 / 22

HEX #4CC843

RGB 76 200 67

HSL 115.94, 0.55%, 0.52%

LAB 71.72, -59.27, 54.41

 

Complementary color

CMYK 5 / 71 / 0 / 26

HEX #B337BC

RGB 179 55 188

HSL 295.94, 0.55%, 0.48%

LAB 46.9, 65.6, -44.94

 

CMYK 60 / 0 / 69 / 22

HEX #51C83E

RGB 81 200 62

HSL 111.74, 0.56%, 0.51%

LAB 71.83, -58.57, 56.56

 

CMYK 55 / 0 / 63 / 15

HEX #62DA51

RGB 98 218 81

HSL 112.55, 0.65%, 0.59%

LAB 78.07, -59.12, 55.75

 

CMYK 51 / 0 / 58 / 7

HEX #73EC64

RGB 115 236 100

HSL 113.38, 0.78%, 0.66%

LAB 84.25, -59.43, 54.71

 

CMYK 48 / 0 / 53 / 0

HEX #84FE77

RGB 132 254 119

HSL 114.22, 0.99%, 0.73%

LAB 90.38, -59.56, 53.57

 

CMYK 42 / 0 / 46 / 0

HEX #95FF8A

RGB 149 255 138

HSL 114.36, 1%, 0.77%

LAB 91.57, -52.79, 46.33

 

CMYK 62 / 0 / 67 / 22

HEX #4CC843

RGB 76 200 67

HSL 115.94, 0.55%, 0.52%

LAB 71.72, -59.27, 54.41

 

CMYK 68 / 0 / 74 / 29

HEX #3BB630

RGB 59 182 48

HSL 115.07, 0.58%, 0.45%

LAB 65.44, -58.33, 55.03

 

CMYK 74 / 0 / 82 / 36

HEX #2AA41D

RGB 42 164 29

HSL 114.22, 0.7%, 0.38%

LAB 59.1, -56.82, 54.93

 

CMYK 83 / 0 / 93 / 43

HEX #19920A

RGB 25 146 10

HSL 113.38, 0.87%, 0.31%

LAB 52.71, -54.5, 53.5

 

CMYK 94 / 0 / 100 / 50

HEX #088000

RGB 8 128 0

HSL 116.25, 1%, 0.25%

LAB 46.3, -51.07, 49.98

 

CMYK 63 / 0 / 68 / 22

HEX #4AC841

RGB 74 200 65

HSL 116, 0.55%, 0.52%

LAB 71.65, -59.9, 55.13

 

CMYK 45 / 0 / 68 / 22

HEX #6FC841

RGB 111 200 65

HSL 99.56, 0.55%, 0.52%

LAB 72.94, -50.01, 56.88

 

CMYK 27 / 0 / 68 / 22

HEX #93C841

RGB 147 200 65

HSL 83.56, 0.55%, 0.52%

LAB 74.76, -37.51, 59.35

 

CMYK 9 / 0 / 68 / 22

HEX #B7C841

RGB 183 200 65

HSL 67.56, 0.55%, 0.52%

LAB 77.14, -23.24, 62.55

 

CMYK 0 / 10 / 68 / 22

HEX #C8B441

RGB 200 180 65

HSL 51.11, 0.55%, 0.52%

LAB 73.09, -5.93, 58.85

 

CMYK 63 / 0 / 68 / 22

HEX #4AC841

RGB 74 200 65

HSL 116, 0.55%, 0.52%

LAB 71.65, -59.9, 55.13

 

CMYK 68 / 0 / 54 / 22

HEX #41C85C

RGB 65 200 92

HSL 132, 0.55%, 0.52%

LAB 71.69, -58.63, 43.17

 

CMYK 68 / 0 / 36 / 22

HEX #41C881

RGB 65 200 129

HSL 148.44, 0.55%, 0.52%

LAB 72.24, -52.49, 25.18

 

CMYK 68 / 0 / 18 / 22

HEX #41C8A5

RGB 65 200 165

HSL 164.44, 0.55%, 0.52%

LAB 72.99, -44.57, 6.98

 

CMYK 68 / 1 / 0 / 22

HEX #41C6C8

RGB 65 198 200

HSL 180.89, 0.55%, 0.52%

LAB 73.34, -34.37, -11.5

 

CMYK 63 / 0 / 68 / 22

HEX #4AC841

RGB 74 200 65

HSL 116, 0.55%, 0.52%

LAB 71.65, -59.9, 55.13

 

CMYK 74 / 0 / 80 / 14

HEX #39DC2D

RGB 57 220 45

HSL 115.89, 0.71%, 0.52%

LAB 77.43, -70.99, 67.64

 

CMYK 83 / 0 / 89 / 6

HEX #28F01A

RGB 40 240 26

HSL 116.07, 0.88%, 0.52%

LAB 83.36, -79.64, 77.02

 

CMYK 63 / 0 / 68 / 22

HEX #4AC841

RGB 74 200 65

HSL 116, 0.55%, 0.52%

LAB 71.65, -59.9, 55.13

 

CMYK 49 / 0 / 53 / 29

HEX #5CB455

RGB 92 180 85

HSL 115.58, 0.39%, 0.52%

LAB 66.19, -45.55, 40.09

 

CMYK 32 / 0 / 34 / 37

HEX #6DA069

RGB 109 160 105

HSL 115.64, 0.22%, 0.52%

LAB 61.14, -28.21, 23.42

 

CMYK 11 / 0 / 11 / 45

HEX #7E8D7D

RGB 126 141 125

HSL 116.25, 0.07%, 0.52%

LAB 57.04, -8.63, 6.7

 

CMYK 1 / 16 / 0 / 44

HEX #8F7990

RGB 143 121 144

HSL 297.39, 0.09%, 0.52%

LAB 53.52, 12.81, -9.28

 

CMYK 26 / 0 / 68 / 22

HEX #94C841

RGB 148 200 65

HSL 83.11, 0.55%, 0.52%

LAB 74.82, -37.14, 59.43

 

CMYK 44 / 0 / 68 / 22

HEX #70C841

RGB 112 200 65

HSL 99.11, 0.55%, 0.52%

LAB 72.98, -49.7, 56.94

 

CMYK 62 / 0 / 68 / 22

HEX #4DC841

RGB 77 200 65

HSL 114.67, 0.55%, 0.52%

LAB 71.74, -59.24, 55.24

 

CMYK 68 / 0 / 55 / 22

HEX #41C85A

RGB 65 200 90

HSL 131.11, 0.55%, 0.52%

LAB 71.67, -58.91, 44.09

 

CMYK 68 / 0 / 37 / 22

HEX #41C87E

RGB 65 200 126

HSL 147.11, 0.55%, 0.52%

LAB 72.19, -53.07, 26.68

 

CMYK 66 / 0 / 71 / 44

HEX #308E29

RGB 48 142 41

HSL 115.84, 0.55%, 0.36%

LAB 51.99, -47.26, 43.79

 

CMYK 66 / 0 / 71 / 32

HEX #3BAE32

RGB 59 174 50

HSL 115.65, 0.55%, 0.44%

LAB 62.87, -55.43, 51.66

 

CMYK 63 / 0 / 68 / 22

HEX #4AC841

RGB 74 200 65

HSL 116, 0.55%, 0.52%

LAB 71.65, -59.9, 55.13

 

CMYK 50 / 0 / 54 / 18

HEX #69D161

RGB 105 209 97

HSL 115.71, 0.55%, 0.6%

LAB 75.74, -52.06, 45.95

 

CMYK 38 / 0 / 41 / 15

HEX #87DA81

RGB 135 218 129

HSL 115.96, 0.55%, 0.68%

LAB 80.11, -42.65, 36.02

 

CMYK 62 / 0 / 67 / 22

HEX #4CC843

RGB 76 200 67

HSL 115.94, 0.55%, 0.52%

LAB 71.72, -59.27, 54.41

 

CMYK 68 / 8 / 0 / 22

HEX #41B8C8

RGB 65 184 200

HSL 187.11, 0.55%, 0.52%

LAB 69.17, -27.63, -17.78

 

CMYK 0 / 68 / 35 / 22

HEX #C84182

RGB 200 65 130

HSL 331.11, 0.55%, 0.52%

LAB 49.1, 58.86, -6.81

 

CMYK 62 / 0 / 67 / 22

HEX #4CC843

RGB 76 200 67

HSL 115.94, 0.55%, 0.52%

LAB 71.72, -59.27, 54.41

 

CMYK 68 / 62 / 0 / 22

HEX #414DC8

RGB 65 77 200

HSL 234.67, 0.55%, 0.52%

LAB 38.9, 35.1, -65.47

 

CMYK 0 / 68 / 62 / 22

HEX #C8414D

RGB 200 65 77

HSL 354.67, 0.55%, 0.52%

LAB 47.75, 54.11, 23.44

 

CMYK 62 / 0 / 67 / 22

HEX #4CC843

RGB 76 200 67

HSL 115.94, 0.55%, 0.52%

LAB 71.72, -59.27, 54.41

 

CMYK 68 / 8 / 0 / 22

HEX #41B8C8

RGB 65 184 200

HSL 187.11, 0.55%, 0.52%

LAB 69.17, -27.63, -17.78

 

CMYK 5 / 68 / 0 / 22

HEX #BD41C8

RGB 189 65 200

HSL 295.11, 0.55%, 0.52%

LAB 50.42, 66.21, -46.22

 

CMYK 0 / 60 / 68 / 22

HEX #C85141

RGB 200 81 65

HSL 7.11, 0.55%, 0.52%

LAB 50.15, 46.43, 33.48

 

CMYK 62 / 0 / 67 / 22

HEX #4CC843

RGB 76 200 67

HSL 115.94, 0.55%, 0.52%

LAB 71.72, -59.27, 54.41

 

CMYK 68 / 28 / 0 / 22

HEX #4190C8

RGB 65 144 200

HSL 204.89, 0.55%, 0.52%

LAB 57.31, -6.32, -36.03

 

CMYK 5 / 68 / 0 / 22

HEX #BD41C8

RGB 189 65 200

HSL 295.11, 0.55%, 0.52%

LAB 50.42, 66.21, -46.22

 

CMYK 0 / 40 / 68 / 22

HEX #C87941

RGB 200 121 65

HSL 24.89, 0.55%, 0.52%

LAB 58.35, 25.93, 43

 

Description

Color code: HEX #4CC843 | qconv.com Color code: HEX #4CC843 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 200 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 200 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 67 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 67% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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