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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CC813 it is the complementary color #B337EC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CC813. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CC813 shade: #51C80E, #62DA21, #73EC34, #84FE47 and #95FF5A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CC813. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CC813 shade: #4CC813, #3BB600, #2AA400, #199200 and #088000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CC813 shade: #4CC913, #7DC913, #AEC913, #C9B213 and #C98113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CC813 shade: #4CC913, #1BC913, #13C93B, #13C96D and #13C99E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CC813 shade matches the following richer shades: #4CC913 and #45DA01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CC813 shade: #4CC913, #53B724, #59A536, #609348 and #66825A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CC813 shade: #ADC913, #7DC913, #4CC913, #1CC913 and #13C93A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CC813 shade: #2F7D0C, #3EA30F, #4CC913, #5CEA1B and #77ED41

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CC813 shade: #4CC813, #13C9B3 and #C91395

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CC813 shade: #4CC813, #134CC9 and #C9134C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CC813 shade: #4CC813, #13C9B3, #8F13C9 and #C91328

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CC813 shade: #4CC813, #13A7C9, #8F13C9 and #C93413

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 91 / 22

HEX #4CC813

RGB 76 200 19

HSL 101.1, 0.83%, 0.43%

LAB 71.48, -62.14, 68.33

 

Complementary color

CMYK 24 / 77 / 0 / 7

HEX #B337EC

RGB 179 55 236

HSL 281.1, 0.83%, 0.57%

LAB 49.94, 74.47, -67.56

 

CMYK 60 / 0 / 93 / 22

HEX #51C80E

RGB 81 200 14

HSL 98.39, 0.87%, 0.42%

LAB 71.62, -61.07, 69.22

 

CMYK 55 / 0 / 85 / 15

HEX #62DA21

RGB 98 218 33

HSL 98.92, 0.74%, 0.49%

LAB 77.79, -62.37, 71.35

 

CMYK 51 / 0 / 78 / 7

HEX #73EC34

RGB 115 236 52

HSL 99.46, 0.83%, 0.56%

LAB 83.91, -63.3, 72.29

 

CMYK 48 / 0 / 72 / 0

HEX #84FE47

RGB 132 254 71

HSL 100, 0.99%, 0.64%

LAB 89.97, -63.95, 72.44

 

CMYK 42 / 0 / 65 / 0

HEX #95FF5A

RGB 149 255 90

HSL 98.55, 1%, 0.68%

LAB 91.07, -57.9, 66.87

 

CMYK 62 / 0 / 91 / 22

HEX #4CC813

RGB 76 200 19

HSL 101.1, 0.83%, 0.43%

LAB 71.48, -62.14, 68.33

 

CMYK 68 / 0 / 100 / 29

HEX #3BB600

RGB 59 182 0

HSL 100.55, 1%, 0.36%

LAB 65.27, -60.36, 65.47

 

CMYK 74 / 0 / 100 / 36

HEX #2AA400

RGB 42 164 0

HSL 104.63, 1%, 0.32%

LAB 59.01, -57.84, 60.34

 

CMYK 83 / 0 / 100 / 43

HEX #199200

RGB 25 146 0

HSL 109.73, 1%, 0.29%

LAB 52.69, -54.81, 55.18

 

CMYK 94 / 0 / 100 / 50

HEX #088000

RGB 8 128 0

HSL 116.25, 1%, 0.25%

LAB 46.3, -51.07, 49.98

 

CMYK 62 / 0 / 91 / 21

HEX #4CC913

RGB 76 201 19

HSL 101.21, 0.83%, 0.43%

LAB 71.8, -62.47, 68.59

 

CMYK 38 / 0 / 91 / 21

HEX #7DC913

RGB 125 201 19

HSL 85.05, 0.83%, 0.43%

LAB 73.66, -48.09, 70.9

 

CMYK 13 / 0 / 91 / 21

HEX #AEC913

RGB 174 201 19

HSL 68.9, 0.83%, 0.43%

LAB 76.57, -29.18, 74.47

 

CMYK 0 / 11 / 91 / 21

HEX #C9B213

RGB 201 178 19

HSL 52.42, 0.83%, 0.43%

LAB 72.43, -6.09, 72.15

 

CMYK 0 / 36 / 91 / 21

HEX #C98113

RGB 201 129 19

HSL 36.26, 0.83%, 0.43%

LAB 60.04, 20.29, 62.66

 

CMYK 62 / 0 / 91 / 21

HEX #4CC913

RGB 76 201 19

HSL 101.21, 0.83%, 0.43%

LAB 71.8, -62.47, 68.59

 

CMYK 87 / 0 / 91 / 21

HEX #1BC913

RGB 27 201 19

HSL 117.36, 0.83%, 0.43%

LAB 70.91, -70.16, 67.49

 

CMYK 91 / 0 / 71 / 21

HEX #13C93B

RGB 19 201 59

HSL 133.19, 0.83%, 0.43%

LAB 71.03, -68.38, 56.53

 

CMYK 91 / 0 / 46 / 21

HEX #13C96D

RGB 19 201 109

HSL 149.67, 0.83%, 0.43%

LAB 71.57, -61.78, 34.49

 

CMYK 91 / 0 / 21 / 21

HEX #13C99E

RGB 19 201 158

HSL 165.82, 0.83%, 0.43%

LAB 72.48, -51.38, 9.95

 

CMYK 62 / 0 / 91 / 21

HEX #4CC913

RGB 76 201 19

HSL 101.21, 0.83%, 0.43%

LAB 71.8, -62.47, 68.59

 

CMYK 68 / 0 / 100 / 15

HEX #45DA01

RGB 69 218 1

HSL 101.2, 0.99%, 0.43%

LAB 76.93, -69.72, 74.74

 

CMYK 62 / 0 / 91 / 21

HEX #4CC913

RGB 76 201 19

HSL 101.21, 0.83%, 0.43%

LAB 71.8, -62.47, 68.59

 

CMYK 55 / 0 / 80 / 28

HEX #53B724

RGB 83 183 36

HSL 100.82, 0.67%, 0.43%

LAB 66.39, -53.74, 60.11

 

CMYK 46 / 0 / 67 / 35

HEX #59A536

RGB 89 165 54

HSL 101.08, 0.51%, 0.43%

LAB 61.05, -43.69, 48.43

 

CMYK 35 / 0 / 51 / 42

HEX #609348

RGB 96 147 72

HSL 100.8, 0.34%, 0.43%

LAB 55.91, -31.44, 34.16

 

CMYK 22 / 0 / 31 / 49

HEX #66825A

RGB 102 130 90

HSL 102, 0.18%, 0.43%

LAB 51.3, -18.05, 18.48

 

CMYK 14 / 0 / 91 / 21

HEX #ADC913

RGB 173 201 19

HSL 69.23, 0.83%, 0.43%

LAB 76.5, -29.6, 74.38

 

CMYK 38 / 0 / 91 / 21

HEX #7DC913

RGB 125 201 19

HSL 85.05, 0.83%, 0.43%

LAB 73.66, -48.09, 70.9

 

CMYK 62 / 0 / 91 / 21

HEX #4CC913

RGB 76 201 19

HSL 101.21, 0.83%, 0.43%

LAB 71.8, -62.47, 68.59

 

CMYK 86 / 0 / 91 / 21

HEX #1CC913

RGB 28 201 19

HSL 117.03, 0.83%, 0.43%

LAB 70.92, -70.07, 67.5

 

CMYK 91 / 0 / 71 / 21

HEX #13C93A

RGB 19 201 58

HSL 132.86, 0.83%, 0.43%

LAB 71.02, -68.47, 56.9

 

CMYK 62 / 0 / 90 / 51

HEX #2F7D0C

RGB 47 125 12

HSL 101.42, 0.82%, 0.27%

LAB 46.04, -43.19, 47.59

 

CMYK 62 / 0 / 91 / 36

HEX #3EA30F

RGB 62 163 15

HSL 100.95, 0.83%, 0.35%

LAB 59.21, -52.95, 58.47

 

CMYK 62 / 0 / 91 / 21

HEX #4CC913

RGB 76 201 19

HSL 101.21, 0.83%, 0.43%

LAB 71.8, -62.47, 68.59

 

CMYK 61 / 0 / 88 / 8

HEX #5CEA1B

RGB 92 234 27

HSL 101.16, 0.83%, 0.51%

LAB 82.49, -69.45, 76.5

 

CMYK 50 / 0 / 73 / 7

HEX #77ED41

RGB 119 237 65

HSL 101.16, 0.83%, 0.59%

LAB 84.42, -61.78, 68.76

 

CMYK 62 / 0 / 91 / 22

HEX #4CC813

RGB 76 200 19

HSL 101.1, 0.83%, 0.43%

LAB 71.48, -62.14, 68.33

 

CMYK 91 / 0 / 11 / 21

HEX #13C9B3

RGB 19 201 179

HSL 172.75, 0.83%, 0.43%

LAB 73, -45.89, -0.67

 

CMYK 0 / 91 / 26 / 21

HEX #C91395

RGB 201 19 149

HSL 317.14, 0.83%, 0.43%

LAB 45.71, 73.49, -23.42

 

CMYK 62 / 0 / 91 / 22

HEX #4CC813

RGB 76 200 19

HSL 101.1, 0.83%, 0.43%

LAB 71.48, -62.14, 68.33

 

CMYK 91 / 62 / 0 / 21

HEX #134CC9

RGB 19 76 201

HSL 221.21, 0.83%, 0.43%

LAB 36.97, 31.86, -69.28

 

CMYK 0 / 91 / 62 / 21

HEX #C9134C

RGB 201 19 76

HSL 341.21, 0.83%, 0.43%

LAB 43.37, 67.11, 18.33

 

CMYK 62 / 0 / 91 / 22

HEX #4CC813

RGB 76 200 19

HSL 101.1, 0.83%, 0.43%

LAB 71.48, -62.14, 68.33

 

CMYK 91 / 0 / 11 / 21

HEX #13C9B3

RGB 19 201 179

HSL 172.75, 0.83%, 0.43%

LAB 73, -45.89, -0.67

 

CMYK 29 / 91 / 0 / 21

HEX #8F13C9

RGB 143 19 201

HSL 280.88, 0.83%, 0.43%

LAB 38.76, 71.42, -65.94

 

CMYK 0 / 91 / 80 / 21

HEX #C91328

RGB 201 19 40

HSL 353.08, 0.83%, 0.43%

LAB 42.82, 65.56, 39.55

 

CMYK 62 / 0 / 91 / 22

HEX #4CC813

RGB 76 200 19

HSL 101.1, 0.83%, 0.43%

LAB 71.48, -62.14, 68.33

 

CMYK 91 / 17 / 0 / 21

HEX #13A7C9

RGB 19 167 201

HSL 191.21, 0.83%, 0.43%

LAB 63.34, -23.2, -27.3

 

CMYK 29 / 91 / 0 / 21

HEX #8F13C9

RGB 143 19 201

HSL 280.88, 0.83%, 0.43%

LAB 38.76, 71.42, -65.94

 

CMYK 0 / 74 / 91 / 21

HEX #C93413

RGB 201 52 19

HSL 10.88, 0.83%, 0.43%

LAB 45.53, 57, 51.97

 

Description

Color code: HEX #4CC813 | qconv.com Color code: HEX #4CC813 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 200 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 200 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 91 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 91% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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