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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CC57A it is the complementary color #B33A85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CC57A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CC57A shade: #51C575, #62D788, #73E99B, #84FBAE and #95FFC1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CC57A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CC57A shade: #4CC57A, #3BB367, #2AA154, #198F41 and #087D2E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CC57A shade: #4EC67B, #4EC65B, #61C64E, #81C64E and #A1C64E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CC57A shade: #4EC67B, #4EC69C, #4EC6BC, #4EAFC6 and #4E8FC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CC57A shade matches the following richer shades: #4EC67B, #3BD977, #28EB72 and #15FE6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CC57A shade: #4EC67B, #61B380, #74A084, #878D89 and #9A7A8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CC57A shade: #62C64E, #4EC65A, #4EC67A, #4EC69A and #4EC6BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CC57A shade: #2F9255, #39B167, #4EC67B, #6DD093 and #8CDAAA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CC57A shade: #4CC57A, #4E82C6 and #C64E52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CC57A shade: #4CC57A, #7A4EC6 and #C67A4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CC57A shade: #4CC57A, #4E82C6, #C64E9A and #C6924E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CC57A shade: #4CC57A, #4E5EC6, #C64E9A and #C6B64E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 38 / 23

HEX #4CC57A

RGB 76 197 122

HSL 142.81, 0.51%, 0.54%

LAB 71.47, -50.55, 27.86

 

Complementary color

CMYK 0 / 68 / 26 / 30

HEX #B33A85

RGB 179 58 133

HSL 322.81, 0.51%, 0.46%

LAB 44.66, 56.02, -15.66

 

CMYK 59 / 0 / 41 / 23

HEX #51C575

RGB 81 197 117

HSL 138.62, 0.5%, 0.55%

LAB 71.53, -50.36, 30.57

 

CMYK 54 / 0 / 37 / 16

HEX #62D788

RGB 98 215 136

HSL 139.49, 0.59%, 0.61%

LAB 77.86, -50.4, 29.22

 

CMYK 51 / 0 / 33 / 9

HEX #73E99B

RGB 115 233 155

HSL 140.34, 0.73%, 0.68%

LAB 84.12, -50.32, 27.96

 

CMYK 47 / 0 / 31 / 2

HEX #84FBAE

RGB 132 251 174

HSL 141.18, 0.94%, 0.75%

LAB 90.3, -50.17, 26.77

 

CMYK 42 / 0 / 24 / 0

HEX #95FFC1

RGB 149 255 193

HSL 144.91, 1%, 0.79%

LAB 92.47, -43.98, 20.19

 

CMYK 61 / 0 / 38 / 23

HEX #4CC57A

RGB 76 197 122

HSL 142.81, 0.51%, 0.54%

LAB 71.47, -50.55, 27.86

 

CMYK 67 / 0 / 42 / 30

HEX #3BB367

RGB 59 179 103

HSL 142, 0.5%, 0.47%

LAB 65.08, -50.26, 29.32

 

CMYK 74 / 0 / 48 / 37

HEX #2AA154

RGB 42 161 84

HSL 141.18, 0.59%, 0.4%

LAB 58.62, -49.66, 30.89

 

CMYK 83 / 0 / 55 / 44

HEX #198F41

RGB 25 143 65

HSL 140.34, 0.7%, 0.33%

LAB 52.1, -48.57, 32.55

 

CMYK 94 / 0 / 63 / 51

HEX #087D2E

RGB 8 125 46

HSL 139.49, 0.88%, 0.26%

LAB 45.52, -46.72, 34.23

 

CMYK 61 / 0 / 38 / 22

HEX #4EC67B

RGB 78 198 123

HSL 142.5, 0.51%, 0.54%

LAB 71.85, -50.35, 27.86

 

CMYK 61 / 0 / 54 / 22

HEX #4EC65B

RGB 78 198 91

HSL 126.5, 0.51%, 0.54%

LAB 71.39, -55.38, 43.36

 

CMYK 51 / 0 / 61 / 22

HEX #61C64E

RGB 97 198 78

HSL 110.5, 0.51%, 0.54%

LAB 71.88, -52.15, 50.08

 

CMYK 35 / 0 / 61 / 22

HEX #81C64E

RGB 129 198 78

HSL 94.5, 0.51%, 0.54%

LAB 73.29, -42.09, 52.06

 

CMYK 19 / 0 / 61 / 22

HEX #A1C64E

RGB 161 198 78

HSL 78.5, 0.51%, 0.54%

LAB 75.15, -30.23, 54.64

 

CMYK 61 / 0 / 38 / 22

HEX #4EC67B

RGB 78 198 123

HSL 142.5, 0.51%, 0.54%

LAB 71.85, -50.35, 27.86

 

CMYK 61 / 0 / 21 / 22

HEX #4EC69C

RGB 78 198 156

HSL 159, 0.51%, 0.54%

LAB 72.5, -43.56, 11.19

 

CMYK 61 / 0 / 5 / 22

HEX #4EC6BC

RGB 78 198 188

HSL 175, 0.51%, 0.54%

LAB 73.31, -35.63, -4.99

 

CMYK 61 / 12 / 0 / 22

HEX #4EAFC6

RGB 78 175 198

HSL 191.5, 0.51%, 0.54%

LAB 66.79, -21.56, -20.25

 

CMYK 61 / 28 / 0 / 22

HEX #4E8FC6

RGB 78 143 198

HSL 207.5, 0.51%, 0.54%

LAB 57.41, -4.12, -34.72

 

CMYK 61 / 0 / 38 / 22

HEX #4EC67B

RGB 78 198 123

HSL 142.5, 0.51%, 0.54%

LAB 71.85, -50.35, 27.86

 

CMYK 73 / 0 / 45 / 15

HEX #3BD977

RGB 59 217 119

HSL 142.78, 0.68%, 0.54%

LAB 77.21, -61.55, 36.81

 

CMYK 83 / 0 / 51 / 8

HEX #28EB72

RGB 40 235 114

HSL 142.77, 0.83%, 0.54%

LAB 82.42, -70.63, 45.71

 

CMYK 92 / 0 / 57 / 0

HEX #15FE6E

RGB 21 254 110

HSL 142.92, 0.99%, 0.54%

LAB 88.05, -78.33, 54.29

 

CMYK 61 / 0 / 38 / 22

HEX #4EC67B

RGB 78 198 123

HSL 142.5, 0.51%, 0.54%

LAB 71.85, -50.35, 27.86

 

CMYK 46 / 0 / 28 / 30

HEX #61B380

RGB 97 179 128

HSL 142.68, 0.35%, 0.54%

LAB 66.78, -36.68, 18.45

 

CMYK 28 / 0 / 18 / 37

HEX #74A084

RGB 116 160 132

HSL 141.82, 0.19%, 0.54%

LAB 62.1, -20.88, 9.85

 

CMYK 4 / 0 / 3 / 45

HEX #878D89

RGB 135 141 137

HSL 140, 0.03%, 0.54%

LAB 58.04, -2.98, 1.36

 

CMYK 0 / 21 / 8 / 40

HEX #9A7A8E

RGB 154 122 142

HSL 322.5, 0.14%, 0.54%

LAB 54.81, 15.88, -6.09

 

CMYK 51 / 0 / 61 / 22

HEX #62C64E

RGB 98 198 78

HSL 110, 0.51%, 0.54%

LAB 71.92, -51.87, 50.14

 

CMYK 61 / 0 / 55 / 22

HEX #4EC65A

RGB 78 198 90

HSL 126, 0.51%, 0.54%

LAB 71.38, -55.52, 43.82

 

CMYK 61 / 0 / 38 / 22

HEX #4EC67A

RGB 78 198 122

HSL 142, 0.51%, 0.54%

LAB 71.83, -50.53, 28.36

 

CMYK 61 / 0 / 22 / 22

HEX #4EC69A

RGB 78 198 154

HSL 158, 0.51%, 0.54%

LAB 72.46, -44.02, 12.2

 

CMYK 61 / 0 / 6 / 22

HEX #4EC6BA

RGB 78 198 186

HSL 174, 0.51%, 0.54%

LAB 73.25, -36.16, -3.98

 

CMYK 68 / 0 / 42 / 43

HEX #2F9255

RGB 47 146 85

HSL 143.03, 0.51%, 0.38%

LAB 53.83, -42.79, 24.21

 

CMYK 68 / 0 / 42 / 31

HEX #39B167

RGB 57 177 103

HSL 143, 0.51%, 0.46%

LAB 64.4, -49.85, 28.42

 

CMYK 61 / 0 / 38 / 22

HEX #4EC67B

RGB 78 198 123

HSL 142.5, 0.51%, 0.54%

LAB 71.85, -50.35, 27.86

 

CMYK 48 / 0 / 29 / 18

HEX #6DD093

RGB 109 208 147

HSL 143.03, 0.51%, 0.62%

LAB 76.36, -42.7, 21.52

 

CMYK 36 / 0 / 22 / 15

HEX #8CDAAA

RGB 140 218 170

HSL 143.08, 0.51%, 0.7%

LAB 81.08, -34.2, 16.16

 

CMYK 61 / 0 / 38 / 23

HEX #4CC57A

RGB 76 197 122

HSL 142.81, 0.51%, 0.54%

LAB 71.47, -50.55, 27.86

 

CMYK 61 / 34 / 0 / 22

HEX #4E82C6

RGB 78 130 198

HSL 214, 0.51%, 0.54%

LAB 53.67, 3.5, -40.59

 

CMYK 0 / 61 / 59 / 22

HEX #C64E52

RGB 198 78 82

HSL 358, 0.51%, 0.54%

LAB 49.57, 48.2, 22.77

 

CMYK 61 / 0 / 38 / 23

HEX #4CC57A

RGB 76 197 122

HSL 142.81, 0.51%, 0.54%

LAB 71.47, -50.55, 27.86

 

CMYK 38 / 61 / 0 / 22

HEX #7A4EC6

RGB 122 78 198

HSL 262, 0.51%, 0.54%

LAB 43.75, 44.47, -56.23

 

CMYK 0 / 38 / 61 / 22

HEX #C67A4E

RGB 198 122 78

HSL 22, 0.51%, 0.54%

LAB 58.49, 25.41, 36.27

 

CMYK 61 / 0 / 38 / 23

HEX #4CC57A

RGB 76 197 122

HSL 142.81, 0.51%, 0.54%

LAB 71.47, -50.55, 27.86

 

CMYK 61 / 34 / 0 / 22

HEX #4E82C6

RGB 78 130 198

HSL 214, 0.51%, 0.54%

LAB 53.67, 3.5, -40.59

 

CMYK 0 / 61 / 22 / 22

HEX #C64E9A

RGB 198 78 154

HSL 322, 0.51%, 0.54%

LAB 51.6, 55.91, -17.41

 

CMYK 0 / 26 / 61 / 22

HEX #C6924E

RGB 198 146 78

HSL 34, 0.51%, 0.54%

LAB 64.25, 12.27, 43.13

 

CMYK 61 / 0 / 38 / 23

HEX #4CC57A

RGB 76 197 122

HSL 142.81, 0.51%, 0.54%

LAB 71.47, -50.55, 27.86

 

CMYK 61 / 53 / 0 / 22

HEX #4E5EC6

RGB 78 94 198

HSL 232, 0.51%, 0.54%

LAB 43.8, 25.79, -56.32

 

CMYK 0 / 61 / 22 / 22

HEX #C64E9A

RGB 198 78 154

HSL 322, 0.51%, 0.54%

LAB 51.6, 55.91, -17.41

 

CMYK 0 / 8 / 61 / 22

HEX #C6B64E

RGB 198 182 78

HSL 52, 0.51%, 0.54%

LAB 73.55, -7.01, 53.68

 

Description

Color code: HEX #4CC57A | qconv.com Color code: HEX #4CC57A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 197 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 197 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 38 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 38% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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