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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CC3FD it is the complementary color #B33C02. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CC3FD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CC3FD shade: #51C3F8, #62D5FF, #73E7FF, #84F9FF and #95FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CC3FD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CC3FD shade: #4CC3FD, #3BB1EA, #2A9FD7, #198DC4 and #087BB1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CC3FD shade: #4EC4FD, #4E95FD, #4E66FD, #664EFD and #954EFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CC3FD shade: #4EC4FD, #4E95FD, #4E66FD and #4E4EFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CC3FD shade matches the following richer shades: #4EC4FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CC3FD shade: #4EC4FD, #5DBFEF, #6BBAE0, #7AB5D2 and #88B0C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CC3FD shade: #4EFDD7, #4EF4FD, #4EC6FD, #4E97FD and #4E69FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CC3FD shade: #02A7F6, #25B6FD, #4EC4FD, #77D2FE and #A0DFFE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CC3FD shade: #4CC3FD, #A94EFD and #FDEF4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CC3FD shade: #4CC3FD, #FD4EC6 and #C6FD4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CC3FD shade: #4CC3FD, #A94EFD, #FD864E and #A3FD4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CC3FD shade: #4CC3FD, #DD4EFD, #FD864E and #6EFD4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 23 / 0 / 1

HEX #4CC3FD

RGB 76 195 253

HSL 199.66, 0.98%, 0.65%

LAB 74.61, -15.16, -38.19

 

Complementary color

CMYK 0 / 66 / 99 / 30

HEX #B33C02

RGB 179 60 2

HSL 19.66, 0.98%, 0.35%

LAB 42.49, 46.35, 53.26

 

CMYK 67 / 21 / 0 / 3

HEX #51C3F8

RGB 81 195 248

HSL 199.04, 0.92%, 0.65%

LAB 74.54, -16.05, -35.59

 

CMYK 62 / 16 / 0 / 0

HEX #62D5FF

RGB 98 213 255

HSL 196.05, 1%, 0.69%

LAB 80.41, -20.49, -30.25

 

CMYK 55 / 9 / 0 / 0

HEX #73E7FF

RGB 115 231 255

HSL 190.29, 1%, 0.73%

LAB 86.01, -26.38, -21.65

 

CMYK 48 / 2 / 0 / 0

HEX #84F9FF

RGB 132 249 255

HSL 182.93, 1%, 0.76%

LAB 91.63, -31.6, -13.14

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 70 / 23 / 0 / 1

HEX #4CC3FD

RGB 76 195 253

HSL 199.66, 0.98%, 0.65%

LAB 74.61, -15.16, -38.19

 

CMYK 75 / 24 / 0 / 8

HEX #3BB1EA

RGB 59 177 234

HSL 199.54, 0.81%, 0.57%

LAB 68.25, -13.96, -37.83

 

CMYK 80 / 26 / 0 / 16

HEX #2A9FD7

RGB 42 159 215

HSL 199.42, 0.68%, 0.5%

LAB 61.82, -12.46, -37.42

 

CMYK 87 / 28 / 0 / 23

HEX #198DC4

RGB 25 141 196

HSL 199.3, 0.77%, 0.43%

LAB 55.32, -10.57, -36.95

 

CMYK 95 / 31 / 0 / 31

HEX #087BB1

RGB 8 123 177

HSL 199.17, 0.91%, 0.36%

LAB 48.75, -8.18, -36.4

 

CMYK 69 / 23 / 0 / 1

HEX #4EC4FD

RGB 78 196 253

HSL 199.54, 0.98%, 0.65%

LAB 74.95, -15.41, -37.66

 

CMYK 69 / 41 / 0 / 1

HEX #4E95FD

RGB 78 149 253

HSL 215.66, 0.98%, 0.65%

LAB 61.83, 10.97, -58.31

 

CMYK 69 / 60 / 0 / 1

HEX #4E66FD

RGB 78 102 253

HSL 231.77, 0.98%, 0.65%

LAB 49.75, 39.57, -77.8

 

CMYK 60 / 69 / 0 / 1

HEX #664EFD

RGB 102 78 253

HSL 248.23, 0.98%, 0.65%

LAB 46.13, 56.49, -83.67

 

CMYK 41 / 69 / 0 / 1

HEX #954EFD

RGB 149 78 253

HSL 264.34, 0.98%, 0.65%

LAB 50.61, 63.79, -76.17

 

CMYK 69 / 23 / 0 / 1

HEX #4EC4FD

RGB 78 196 253

HSL 199.54, 0.98%, 0.65%

LAB 74.95, -15.41, -37.66

 

CMYK 69 / 41 / 0 / 1

HEX #4E95FD

RGB 78 149 253

HSL 215.66, 0.98%, 0.65%

LAB 61.83, 10.97, -58.31

 

CMYK 69 / 60 / 0 / 1

HEX #4E66FD

RGB 78 102 253

HSL 231.77, 0.98%, 0.65%

LAB 49.75, 39.57, -77.8

 

CMYK 69 / 69 / 0 / 1

HEX #4E4EFD

RGB 78 78 253

HSL 240, 0.98%, 0.65%

LAB 44.46, 53.63, -86.47

 

CMYK 69 / 23 / 0 / 1

HEX #4EC4FD

RGB 78 196 253

HSL 199.54, 0.98%, 0.65%

LAB 74.95, -15.41, -37.66

 

CMYK 69 / 23 / 0 / 1

HEX #4EC4FD

RGB 78 196 253

HSL 199.54, 0.98%, 0.65%

LAB 74.95, -15.41, -37.66

 

CMYK 61 / 20 / 0 / 6

HEX #5DBFEF

RGB 93 191 239

HSL 199.73, 0.82%, 0.65%

LAB 73.43, -14.8, -32.44

 

CMYK 52 / 17 / 0 / 12

HEX #6BBAE0

RGB 107 186 224

HSL 199.49, 0.65%, 0.65%

LAB 71.98, -13.88, -26.49

 

CMYK 42 / 14 / 0 / 18

HEX #7AB5D2

RGB 122 181 210

HSL 199.77, 0.49%, 0.65%

LAB 70.76, -11.59, -20.65

 

CMYK 30 / 10 / 0 / 24

HEX #88B0C3

RGB 136 176 195

HSL 199.32, 0.33%, 0.65%

LAB 69.63, -8.91, -14.04

 

CMYK 69 / 0 / 15 / 1

HEX #4EFDD7

RGB 78 253 215

HSL 166.97, 0.98%, 0.65%

LAB 90.22, -52.78, 5.38

 

CMYK 69 / 4 / 0 / 1

HEX #4EF4FD

RGB 78 244 253

HSL 183.09, 0.98%, 0.65%

LAB 88.64, -38.94, -16.73

 

CMYK 69 / 22 / 0 / 1

HEX #4EC6FD

RGB 78 198 253

HSL 198.86, 0.98%, 0.65%

LAB 75.51, -16.46, -36.78

 

CMYK 69 / 40 / 0 / 1

HEX #4E97FD

RGB 78 151 253

HSL 214.97, 0.98%, 0.65%

LAB 62.38, 9.78, -57.44

 

CMYK 69 / 58 / 0 / 1

HEX #4E69FD

RGB 78 105 253

HSL 230.74, 0.98%, 0.65%

LAB 50.47, 37.75, -76.64

 

CMYK 99 / 32 / 0 / 4

HEX #02A7F6

RGB 2 167 246

HSL 199.43, 0.98%, 0.49%

LAB 65.2, -7.78, -49.21

 

CMYK 85 / 28 / 0 / 1

HEX #25B6FD

RGB 37 182 253

HSL 199.72, 0.98%, 0.57%

LAB 70.13, -12.14, -45.23

 

CMYK 69 / 23 / 0 / 1

HEX #4EC4FD

RGB 78 196 253

HSL 199.54, 0.98%, 0.65%

LAB 74.95, -15.41, -37.66

 

CMYK 53 / 17 / 0 / 0

HEX #77D2FE

RGB 119 210 254

HSL 199.56, 0.99%, 0.73%

LAB 80.28, -15.31, -29.86

 

CMYK 37 / 12 / 0 / 0

HEX #A0DFFE

RGB 160 223 254

HSL 199.79, 0.98%, 0.81%

LAB 85.71, -12.42, -21.4

 

CMYK 70 / 23 / 0 / 1

HEX #4CC3FD

RGB 76 195 253

HSL 199.66, 0.98%, 0.65%

LAB 74.61, -15.16, -38.19

 

CMYK 33 / 69 / 0 / 1

HEX #A94EFD

RGB 169 78 253

HSL 271.2, 0.98%, 0.65%

LAB 52.92, 67.4, -72.3

 

CMYK 0 / 6 / 69 / 1

HEX #FDEF4E

RGB 253 239 78

HSL 55.2, 0.98%, 0.65%

LAB 93.09, -12.83, 75.49

 

CMYK 70 / 23 / 0 / 1

HEX #4CC3FD

RGB 76 195 253

HSL 199.66, 0.98%, 0.65%

LAB 74.61, -15.16, -38.19

 

CMYK 0 / 69 / 22 / 1

HEX #FD4EC6

RGB 253 78 198

HSL 318.86, 0.98%, 0.65%

LAB 62.01, 76.41, -26.21

 

CMYK 22 / 0 / 69 / 1

HEX #C6FD4E

RGB 198 253 78

HSL 78.86, 0.98%, 0.65%

LAB 92.93, -41.11, 74.05

 

CMYK 70 / 23 / 0 / 1

HEX #4CC3FD

RGB 76 195 253

HSL 199.66, 0.98%, 0.65%

LAB 74.61, -15.16, -38.19

 

CMYK 33 / 69 / 0 / 1

HEX #A94EFD

RGB 169 78 253

HSL 271.2, 0.98%, 0.65%

LAB 52.92, 67.4, -72.3

 

CMYK 0 / 47 / 69 / 1

HEX #FD864E

RGB 253 134 78

HSL 19.2, 0.98%, 0.65%

LAB 68.38, 41.04, 49.64

 

CMYK 36 / 0 / 69 / 1

HEX #A3FD4E

RGB 163 253 78

HSL 90.86, 0.98%, 0.65%

LAB 91.05, -53.51, 71.53

 

CMYK 70 / 23 / 0 / 1

HEX #4CC3FD

RGB 76 195 253

HSL 199.66, 0.98%, 0.65%

LAB 74.61, -15.16, -38.19

 

CMYK 13 / 69 / 0 / 1

HEX #DD4EFD

RGB 221 78 253

HSL 289.03, 0.98%, 0.65%

LAB 59.81, 77.59, -60.85

 

CMYK 0 / 47 / 69 / 1

HEX #FD864E

RGB 253 134 78

HSL 19.2, 0.98%, 0.65%

LAB 68.38, 41.04, 49.64

 

CMYK 57 / 0 / 69 / 1

HEX #6EFD4E

RGB 110 253 78

HSL 109.03, 0.98%, 0.65%

LAB 88.98, -68.86, 68.74

 

Description

Color code: HEX #4CC3FD | qconv.com Color code: HEX #4CC3FD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 195 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 195 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 23 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 23% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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