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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CC23D it is the complementary color #B33DC2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CC23D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CC23D shade: #51C238, #62D44B, #73E65E, #84F871 and #95FF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CC23D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CC23D shade: #4CC23D, #3BB02A, #2A9E17, #198C04 and #087A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CC23D shade: #4CC23D, #70C23D, #94C23D, #B7C23D and #C2A83D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CC23D shade: #4CC23D, #3DC252, #3DC276, #3DC29A and #3DC2BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CC23D shade matches the following richer shades: #4CC23D, #3CD629 and #2CEB14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CC23D shade: #4CC23D, #5CAD52, #6C9966, #7C847B and #8C6F90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CC23D shade: #93C23D, #70C23D, #4DC23D, #3DC251 and #3DC274

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CC23D shade: #348329, #40A233, #4CC23D, #69CC5D and #86D67C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CC23D shade: #4CC23D, #3DB7C2 and #C23D82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CC23D shade: #4CC23D, #3D4DC2 and #C23D4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CC23D shade: #4CC23D, #3DB7C2, #B23DC2 and #C2483D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CC23D shade: #4CC23D, #3D8FC2, #B23DC2 and #C2703D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 69 / 24

HEX #4CC23D

RGB 76 194 61

HSL 113.23, 0.52%, 0.5%

LAB 69.79, -57.71, 54.76

 

Complementary color

CMYK 8 / 69 / 0 / 24

HEX #B33DC2

RGB 179 61 194

HSL 293.23, 0.52%, 0.5%

LAB 48.03, 64.44, -46.64

 

CMYK 58 / 0 / 71 / 24

HEX #51C238

RGB 81 194 56

HSL 109.13, 0.55%, 0.49%

LAB 69.91, -56.92, 56.85

 

CMYK 54 / 0 / 65 / 17

HEX #62D44B

RGB 98 212 75

HSL 109.93, 0.61%, 0.56%

LAB 76.19, -57.49, 56.18

 

CMYK 50 / 0 / 59 / 10

HEX #73E65E

RGB 115 230 94

HSL 110.74, 0.73%, 0.64%

LAB 82.4, -57.8, 55.22

 

CMYK 47 / 0 / 54 / 3

HEX #84F871

RGB 132 248 113

HSL 111.56, 0.91%, 0.71%

LAB 88.56, -57.94, 54.11

 

CMYK 42 / 0 / 48 / 0

HEX #95FF84

RGB 149 255 132

HSL 111.71, 1%, 0.76%

LAB 91.49, -53.56, 49.08

 

CMYK 61 / 0 / 69 / 24

HEX #4CC23D

RGB 76 194 61

HSL 113.23, 0.52%, 0.5%

LAB 69.79, -57.71, 54.76

 

CMYK 66 / 0 / 76 / 31

HEX #3BB02A

RGB 59 176 42

HSL 112.39, 0.61%, 0.43%

LAB 63.46, -56.74, 55.17

 

CMYK 73 / 0 / 85 / 38

HEX #2A9E17

RGB 42 158 23

HSL 111.56, 0.75%, 0.35%

LAB 57.08, -55.19, 54.7

 

CMYK 82 / 0 / 97 / 45

HEX #198C04

RGB 25 140 4

HSL 110.74, 0.94%, 0.28%

LAB 50.65, -52.84, 52.82

 

CMYK 93 / 0 / 100 / 52

HEX #087A00

RGB 8 122 0

HSL 116.07, 1%, 0.24%

LAB 44.19, -49.27, 48.29

 

CMYK 61 / 0 / 69 / 24

HEX #4CC23D

RGB 76 194 61

HSL 113.23, 0.52%, 0.5%

LAB 69.79, -57.71, 54.76

 

CMYK 42 / 0 / 69 / 24

HEX #70C23D

RGB 112 194 61

HSL 96.99, 0.52%, 0.5%

LAB 71.12, -47.59, 56.56

 

CMYK 24 / 0 / 69 / 24

HEX #94C23D

RGB 148 194 61

HSL 80.75, 0.52%, 0.5%

LAB 73.03, -34.68, 59.14

 

CMYK 6 / 0 / 69 / 24

HEX #B7C23D

RGB 183 194 61

HSL 64.96, 0.52%, 0.5%

LAB 75.44, -20.52, 62.36

 

CMYK 0 / 13 / 69 / 24

HEX #C2A83D

RGB 194 168 61

HSL 48.27, 0.52%, 0.5%

LAB 69.34, -2.44, 56.46

 

CMYK 61 / 0 / 69 / 24

HEX #4CC23D

RGB 76 194 61

HSL 113.23, 0.52%, 0.5%

LAB 69.79, -57.71, 54.76

 

CMYK 69 / 0 / 58 / 24

HEX #3DC252

RGB 61 194 82

HSL 129.47, 0.52%, 0.5%

LAB 69.6, -58.57, 45.36

 

CMYK 69 / 0 / 39 / 24

HEX #3DC276

RGB 61 194 118

HSL 145.71, 0.52%, 0.5%

LAB 70.09, -52.95, 28.06

 

CMYK 69 / 0 / 21 / 24

HEX #3DC29A

RGB 61 194 154

HSL 161.95, 0.52%, 0.5%

LAB 70.81, -45.29, 9.81

 

CMYK 69 / 0 / 3 / 24

HEX #3DC2BD

RGB 61 194 189

HSL 177.74, 0.52%, 0.5%

LAB 71.72, -36.18, -7.93

 

CMYK 61 / 0 / 69 / 24

HEX #4CC23D

RGB 76 194 61

HSL 113.23, 0.52%, 0.5%

LAB 69.79, -57.71, 54.76

 

CMYK 72 / 0 / 81 / 16

HEX #3CD629

RGB 60 214 41

HSL 113.41, 0.68%, 0.5%

LAB 75.58, -68.9, 67.04

 

CMYK 81 / 0 / 91 / 8

HEX #2CEB14

RGB 44 235 20

HSL 113.3, 0.84%, 0.5%

LAB 81.84, -78.02, 76.64

 

CMYK 61 / 0 / 69 / 24

HEX #4CC23D

RGB 76 194 61

HSL 113.23, 0.52%, 0.5%

LAB 69.79, -57.71, 54.76

 

CMYK 47 / 0 / 53 / 32

HEX #5CAD52

RGB 92 173 82

HSL 113.41, 0.36%, 0.5%

LAB 63.98, -43.03, 38.89

 

CMYK 29 / 0 / 33 / 40

HEX #6C9966

RGB 108 153 102

HSL 112.94, 0.2%, 0.5%

LAB 58.91, -25.62, 22.06

 

CMYK 6 / 0 / 7 / 48

HEX #7C847B

RGB 124 132 123

HSL 113.33, 0.04%, 0.5%

LAB 54.26, -4.75, 3.83

 

CMYK 3 / 23 / 0 / 44

HEX #8C6F90

RGB 140 111 144

HSL 292.73, 0.13%, 0.5%

LAB 50.64, 17.58, -13.65

 

CMYK 24 / 0 / 69 / 24

HEX #93C23D

RGB 147 194 61

HSL 81.2, 0.52%, 0.5%

LAB 72.97, -35.07, 59.06

 

CMYK 42 / 0 / 69 / 24

HEX #70C23D

RGB 112 194 61

HSL 96.99, 0.52%, 0.5%

LAB 71.12, -47.59, 56.56

 

CMYK 60 / 0 / 69 / 24

HEX #4DC23D

RGB 77 194 61

HSL 112.78, 0.52%, 0.5%

LAB 69.82, -57.47, 54.8

 

CMYK 69 / 0 / 58 / 24

HEX #3DC251

RGB 61 194 81

HSL 129.02, 0.52%, 0.5%

LAB 69.59, -58.7, 45.81

 

CMYK 69 / 0 / 40 / 24

HEX #3DC274

RGB 61 194 116

HSL 144.81, 0.52%, 0.5%

LAB 70.06, -53.31, 29.06

 

CMYK 60 / 0 / 69 / 49

HEX #348329

RGB 52 131 41

HSL 112.67, 0.52%, 0.34%

LAB 48.41, -42.14, 40.02

 

CMYK 60 / 0 / 69 / 36

HEX #40A233

RGB 64 162 51

HSL 112.97, 0.52%, 0.42%

LAB 59.13, -49.9, 47.36

 

CMYK 61 / 0 / 69 / 24

HEX #4CC23D

RGB 76 194 61

HSL 113.23, 0.52%, 0.5%

LAB 69.79, -57.71, 54.76

 

CMYK 49 / 0 / 54 / 20

HEX #69CC5D

RGB 105 204 93

HSL 113.51, 0.52%, 0.58%

LAB 74.18, -50.57, 45.97

 

CMYK 37 / 0 / 42 / 16

HEX #86D67C

RGB 134 214 124

HSL 113.33, 0.52%, 0.66%

LAB 78.82, -41.93, 36.86

 

CMYK 61 / 0 / 69 / 24

HEX #4CC23D

RGB 76 194 61

HSL 113.23, 0.52%, 0.5%

LAB 69.79, -57.71, 54.76

 

CMYK 69 / 6 / 0 / 24

HEX #3DB7C2

RGB 61 183 194

HSL 184.96, 0.52%, 0.5%

LAB 68.57, -29.5, -15.39

 

CMYK 0 / 69 / 33 / 24

HEX #C23D82

RGB 194 61 130

HSL 328.87, 0.52%, 0.5%

LAB 47.52, 58.69, -9.28

 

CMYK 61 / 0 / 69 / 24

HEX #4CC23D

RGB 76 194 61

HSL 113.23, 0.52%, 0.5%

LAB 69.79, -57.71, 54.76

 

CMYK 69 / 60 / 0 / 24

HEX #3D4DC2

RGB 61 77 194

HSL 232.78, 0.52%, 0.5%

LAB 38.19, 32.45, -63.15

 

CMYK 0 / 69 / 60 / 24

HEX #C23D4D

RGB 194 61 77

HSL 352.78, 0.52%, 0.5%

LAB 46.1, 53.78, 21.09

 

CMYK 61 / 0 / 69 / 24

HEX #4CC23D

RGB 76 194 61

HSL 113.23, 0.52%, 0.5%

LAB 69.79, -57.71, 54.76

 

CMYK 69 / 6 / 0 / 24

HEX #3DB7C2

RGB 61 183 194

HSL 184.96, 0.52%, 0.5%

LAB 68.57, -29.5, -15.39

 

CMYK 8 / 69 / 0 / 24

HEX #B23DC2

RGB 178 61 194

HSL 292.78, 0.52%, 0.5%

LAB 47.88, 64.22, -46.89

 

CMYK 0 / 63 / 69 / 24

HEX #C2483D

RGB 194 72 61

HSL 4.96, 0.52%, 0.5%

LAB 47.55, 48.18, 32.42

 

CMYK 61 / 0 / 69 / 24

HEX #4CC23D

RGB 76 194 61

HSL 113.23, 0.52%, 0.5%

LAB 69.79, -57.71, 54.76

 

CMYK 69 / 26 / 0 / 24

HEX #3D8FC2

RGB 61 143 194

HSL 203.01, 0.52%, 0.5%

LAB 56.62, -8.42, -33.73

 

CMYK 8 / 69 / 0 / 24

HEX #B23DC2

RGB 178 61 194

HSL 292.78, 0.52%, 0.5%

LAB 47.88, 64.22, -46.89

 

CMYK 0 / 42 / 69 / 24

HEX #C2703D

RGB 194 112 61

HSL 23.01, 0.52%, 0.5%

LAB 55.48, 28.07, 41.59

 

Description

Color code: HEX #4CC23D | qconv.com Color code: HEX #4CC23D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 194 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 194 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 69 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 69% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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