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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CC030 it is the complementary color #B33FCF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CC030. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CC030 shade: #51C02B, #62D23E, #73E451, #84F664 and #95FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CC030. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CC030 shade: #4CC030, #3BAE1D, #2A9C0A, #198A00 and #087800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CC030 shade: #4CC030, #73C030, #99C030, #C0BF30 and #C09830

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CC030 shade: #4CC030, #30C03B, #30C062, #30C088 and #30C0AF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CC030 shade matches the following richer shades: #4CC030, #40D31D and #34E709

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CC030 shade: #4CC030, #58AC43, #649957, #6F866A and #7B727E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CC030 shade: #99C030, #73C030, #4DC030, #30C03A and #30C060

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CC030 shade: #327E1F, #3F9F28, #4CC030, #62D148 and #7FD969

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CC030 shade: #4CC030, #30C0C0 and #C03086

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CC030 shade: #4CC030, #304DC0 and #C0304D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CC030 shade: #4CC030, #30C0C0, #A330C0 and #C03030

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CC030 shade: #4CC030, #3095C0, #A330C0 and #C05B30

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 75 / 25

HEX #4CC030

RGB 76 192 48

HSL 108.33, 0.6%, 0.47%

LAB 69.08, -58.03, 58.82

 

Complementary color

CMYK 14 / 70 / 0 / 19

HEX #B33FCF

RGB 179 63 207

HSL 288.33, 0.6%, 0.53%

LAB 49.06, 66.06, -52.49

 

CMYK 58 / 0 / 78 / 25

HEX #51C02B

RGB 81 192 43

HSL 104.7, 0.63%, 0.46%

LAB 69.2, -57.12, 60.63

 

CMYK 53 / 0 / 70 / 18

HEX #62D23E

RGB 98 210 62

HSL 105.41, 0.62%, 0.53%

LAB 75.47, -57.86, 60.52

 

CMYK 50 / 0 / 64 / 11

HEX #73E451

RGB 115 228 81

HSL 106.12, 0.73%, 0.61%

LAB 81.69, -58.31, 59.9

 

CMYK 46 / 0 / 59 / 4

HEX #84F664

RGB 132 246 100

HSL 106.85, 0.89%, 0.68%

LAB 87.84, -58.56, 59

 

CMYK 42 / 0 / 53 / 0

HEX #95FF77

RGB 149 255 119

HSL 106.76, 1%, 0.73%

LAB 91.34, -55.11, 54.88

 

CMYK 60 / 0 / 75 / 25

HEX #4CC030

RGB 76 192 48

HSL 108.33, 0.6%, 0.47%

LAB 69.08, -58.03, 58.82

 

CMYK 66 / 0 / 83 / 32

HEX #3BAE1D

RGB 59 174 29

HSL 107.59, 0.71%, 0.4%

LAB 62.75, -56.85, 58.43

 

CMYK 73 / 0 / 94 / 39

HEX #2A9C0A

RGB 42 156 10

HSL 106.85, 0.88%, 0.33%

LAB 56.38, -55.03, 56.7

 

CMYK 82 / 0 / 100 / 46

HEX #198A00

RGB 25 138 0

HSL 109.13, 1%, 0.27%

LAB 49.96, -52.35, 52.99

 

CMYK 93 / 0 / 100 / 53

HEX #087800

RGB 8 120 0

HSL 116, 1%, 0.24%

LAB 43.48, -48.66, 47.73

 

CMYK 60 / 0 / 75 / 25

HEX #4CC030

RGB 76 192 48

HSL 108.33, 0.6%, 0.47%

LAB 69.08, -58.03, 58.82

 

CMYK 40 / 0 / 75 / 25

HEX #73C030

RGB 115 192 48

HSL 92.08, 0.6%, 0.47%

LAB 70.56, -46.67, 60.78

 

CMYK 20 / 0 / 75 / 25

HEX #99C030

RGB 153 192 48

HSL 76.25, 0.6%, 0.47%

LAB 72.68, -32.55, 63.56

 

CMYK 0 / 1 / 75 / 25

HEX #C0BF30

RGB 192 191 48

HSL 59.58, 0.6%, 0.47%

LAB 75.25, -15.84, 66.99

 

CMYK 0 / 21 / 75 / 25

HEX #C09830

RGB 192 152 48

HSL 43.33, 0.6%, 0.47%

LAB 64.86, 4.63, 57.18

 

CMYK 60 / 0 / 75 / 25

HEX #4CC030

RGB 76 192 48

HSL 108.33, 0.6%, 0.47%

LAB 69.08, -58.03, 58.82

 

CMYK 75 / 0 / 69 / 25

HEX #30C03B

RGB 48 192 59

HSL 124.58, 0.6%, 0.47%

LAB 68.49, -62.6, 53.97

 

CMYK 75 / 0 / 49 / 25

HEX #30C062

RGB 48 192 98

HSL 140.83, 0.6%, 0.47%

LAB 68.9, -57.7, 36.72

 

CMYK 75 / 0 / 29 / 25

HEX #30C088

RGB 48 192 136

HSL 156.67, 0.6%, 0.47%

LAB 69.54, -50.46, 17.72

 

CMYK 75 / 0 / 9 / 25

HEX #30C0AF

RGB 48 192 175

HSL 172.92, 0.6%, 0.47%

LAB 70.47, -40.8, -2.16

 

CMYK 60 / 0 / 75 / 25

HEX #4CC030

RGB 76 192 48

HSL 108.33, 0.6%, 0.47%

LAB 69.08, -58.03, 58.82

 

CMYK 70 / 0 / 86 / 17

HEX #40D31D

RGB 64 211 29

HSL 108.46, 0.76%, 0.47%

LAB 74.68, -67.82, 69.12

 

CMYK 77 / 0 / 96 / 9

HEX #34E709

RGB 52 231 9

HSL 108.38, 0.93%, 0.47%

LAB 80.68, -76.15, 76.91

 

CMYK 60 / 0 / 75 / 25

HEX #4CC030

RGB 76 192 48

HSL 108.33, 0.6%, 0.47%

LAB 69.08, -58.03, 58.82

 

CMYK 49 / 0 / 61 / 33

HEX #58AC43

RGB 88 172 67

HSL 108, 0.44%, 0.47%

LAB 63.33, -45.59, 45.23

 

CMYK 35 / 0 / 43 / 40

HEX #649957

RGB 100 153 87

HSL 108.18, 0.28%, 0.47%

LAB 58.21, -30.79, 29.2

 

CMYK 17 / 0 / 21 / 47

HEX #6F866A

RGB 111 134 106

HSL 109.29, 0.12%, 0.47%

LAB 53.46, -13.97, 12.39

 

CMYK 2 / 10 / 0 / 51

HEX #7B727E

RGB 123 114 126

HSL 285, 0.05%, 0.47%

LAB 49.19, 5.87, -5.34

 

CMYK 20 / 0 / 75 / 25

HEX #99C030

RGB 153 192 48

HSL 76.25, 0.6%, 0.47%

LAB 72.68, -32.55, 63.56

 

CMYK 40 / 0 / 75 / 25

HEX #73C030

RGB 115 192 48

HSL 92.08, 0.6%, 0.47%

LAB 70.56, -46.67, 60.78

 

CMYK 60 / 0 / 75 / 25

HEX #4DC030

RGB 77 192 48

HSL 107.92, 0.6%, 0.47%

LAB 69.11, -57.79, 58.86

 

CMYK 75 / 0 / 70 / 25

HEX #30C03A

RGB 48 192 58

HSL 124.17, 0.6%, 0.47%

LAB 68.48, -62.69, 54.35

 

CMYK 75 / 0 / 50 / 25

HEX #30C060

RGB 48 192 96

HSL 140, 0.6%, 0.47%

LAB 68.88, -58.01, 37.68

 

CMYK 60 / 0 / 75 / 51

HEX #327E1F

RGB 50 126 31

HSL 108, 0.61%, 0.31%

LAB 46.58, -41.63, 42.24

 

CMYK 60 / 0 / 75 / 38

HEX #3F9F28

RGB 63 159 40

HSL 108.4, 0.6%, 0.39%

LAB 58.04, -49.97, 50.53

 

CMYK 60 / 0 / 75 / 25

HEX #4CC030

RGB 76 192 48

HSL 108.33, 0.6%, 0.47%

LAB 69.08, -58.03, 58.82

 

CMYK 53 / 0 / 66 / 18

HEX #62D148

RGB 98 209 72

HSL 108.61, 0.6%, 0.55%

LAB 75.24, -56.65, 56.38

 

CMYK 41 / 0 / 52 / 15

HEX #7FD969

RGB 127 217 105

HSL 108.21, 0.6%, 0.63%

LAB 79.13, -47.9, 46.47

 

CMYK 60 / 0 / 75 / 25

HEX #4CC030

RGB 76 192 48

HSL 108.33, 0.6%, 0.47%

LAB 69.08, -58.03, 58.82

 

CMYK 75 / 0 / 0 / 25

HEX #30C0C0

RGB 48 192 192

HSL 180, 0.6%, 0.47%

LAB 70.96, -35.99, -10.73

 

CMYK 0 / 75 / 30 / 25

HEX #C03086

RGB 192 48 134

HSL 324.17, 0.6%, 0.47%

LAB 45.69, 63.17, -14.5

 

CMYK 60 / 0 / 75 / 25

HEX #4CC030

RGB 76 192 48

HSL 108.33, 0.6%, 0.47%

LAB 69.08, -58.03, 58.82

 

CMYK 75 / 60 / 0 / 25

HEX #304DC0

RGB 48 77 192

HSL 227.92, 0.6%, 0.47%

LAB 37.38, 30.08, -63.34

 

CMYK 0 / 75 / 60 / 25

HEX #C0304D

RGB 192 48 77

HSL 347.92, 0.6%, 0.47%

LAB 44.03, 57.89, 18.27

 

CMYK 60 / 0 / 75 / 25

HEX #4CC030

RGB 76 192 48

HSL 108.33, 0.6%, 0.47%

LAB 69.08, -58.03, 58.82

 

CMYK 75 / 0 / 0 / 25

HEX #30C0C0

RGB 48 192 192

HSL 180, 0.6%, 0.47%

LAB 70.96, -35.99, -10.73

 

CMYK 15 / 75 / 0 / 25

HEX #A330C0

RGB 163 48 192

HSL 287.92, 0.6%, 0.47%

LAB 43.81, 65.42, -52.37

 

CMYK 0 / 75 / 75 / 25

HEX #C03030

RGB 192 48 48

HSL 0, 0.6%, 0.47%

LAB 43.56, 56.34, 35.22

 

CMYK 60 / 0 / 75 / 25

HEX #4CC030

RGB 76 192 48

HSL 108.33, 0.6%, 0.47%

LAB 69.08, -58.03, 58.82

 

CMYK 75 / 22 / 0 / 25

HEX #3095C0

RGB 48 149 192

HSL 197.92, 0.6%, 0.47%

LAB 57.97, -14.27, -30.52

 

CMYK 15 / 75 / 0 / 25

HEX #A330C0

RGB 163 48 192

HSL 287.92, 0.6%, 0.47%

LAB 43.81, 65.42, -52.37

 

CMYK 0 / 53 / 75 / 25

HEX #C05B30

RGB 192 91 48

HSL 17.92, 0.6%, 0.47%

LAB 50.57, 37.68, 42.81

 

Description

Color code: HEX #4CC030 | qconv.com Color code: HEX #4CC030 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 192 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 192 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 75 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 75% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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