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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CBADC it is the complementary color #B34523. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CBADC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CBADC shade: #51BAD7, #62CCEA, #73DEFD, #84F0FF and #95FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CBADC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CBADC shade: #4CBADC, #3BA8C9, #2A96B6, #1984A3 and #087290

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CBADC shade: #4CBADC, #4C93DC, #4C6CDC, #534CDC and #794CDC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CBADC shade: #4CBADC, #4C93DC, #4C6CDC and #4C4CDC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CBADC shade matches the following richer shades: #4CBADC, #3BC3ED and #29CCFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CBADC shade: #4CBADC, #5DB1CA, #6FA7B9, #809EA8 and #919596

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CBADC shade: #4CDCB1, #4CDCD7, #4CBADC, #4C94DC and #4C6EDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CBADC shade: #2390B2, #2AACD5, #4CBADC, #6FC7E2 and #91D4E9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CBADC shade: #4CBADC, #8A4CDC and #DCC44C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CBADC shade: #4CBADC, #DC4CBA and #BADC4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CBADC shade: #4CBADC, #8A4CDC, #DC6E4C and #9DDC4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CBADC shade: #4CBADC, #B54CDC, #DC6E4C and #72DC4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 15 / 0 / 14

HEX #4CBADC

RGB 76 186 220

HSL 194.17, 0.67%, 0.58%

LAB 70.75, -20.87, -26.29

 

Complementary color

CMYK 0 / 61 / 80 / 30

HEX #B34523

RGB 179 69 35

HSL 14.17, 0.67%, 0.42%

LAB 44.18, 42.99, 42.18

 

CMYK 62 / 13 / 0 / 16

HEX #51BAD7

RGB 81 186 215

HSL 192.99, 0.63%, 0.58%

LAB 70.71, -21.58, -23.6

 

CMYK 58 / 13 / 0 / 8

HEX #62CCEA

RGB 98 204 234

HSL 193.24, 0.76%, 0.65%

LAB 77.11, -22.09, -24.07

 

CMYK 55 / 12 / 0 / 1

HEX #73DEFD

RGB 115 222 253

HSL 193.48, 0.97%, 0.72%

LAB 83.43, -22.49, -24.52

 

CMYK 48 / 6 / 0 / 0

HEX #84F0FF

RGB 132 240 255

HSL 187.32, 1%, 0.76%

LAB 89.13, -27.3, -16.88

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 65 / 15 / 0 / 14

HEX #4CBADC

RGB 76 186 220

HSL 194.17, 0.67%, 0.58%

LAB 70.75, -20.87, -26.29

 

CMYK 71 / 16 / 0 / 21

HEX #3BA8C9

RGB 59 168 201

HSL 193.94, 0.57%, 0.51%

LAB 64.28, -20.03, -25.79

 

CMYK 77 / 18 / 0 / 29

HEX #2A96B6

RGB 42 150 182

HSL 193.71, 0.63%, 0.44%

LAB 57.73, -18.92, -25.24

 

CMYK 85 / 19 / 0 / 36

HEX #1984A3

RGB 25 132 163

HSL 193.48, 0.73%, 0.37%

LAB 51.1, -17.45, -24.61

 

CMYK 94 / 21 / 0 / 44

HEX #087290

RGB 8 114 144

HSL 193.24, 0.89%, 0.3%

LAB 44.38, -15.46, -23.87

 

CMYK 65 / 15 / 0 / 14

HEX #4CBADC

RGB 76 186 220

HSL 194.17, 0.67%, 0.58%

LAB 70.75, -20.87, -26.29

 

CMYK 65 / 33 / 0 / 14

HEX #4C93DC

RGB 76 147 220

HSL 210.42, 0.67%, 0.58%

LAB 59.5, 0.52, -43.78

 

CMYK 65 / 51 / 0 / 14

HEX #4C6CDC

RGB 76 108 220

HSL 226.67, 0.67%, 0.58%

LAB 48.8, 24.23, -60.86

 

CMYK 62 / 65 / 0 / 14

HEX #534CDC

RGB 83 76 220

HSL 242.92, 0.67%, 0.58%

LAB 41.49, 44.9, -72.71

 

CMYK 45 / 65 / 0 / 14

HEX #794CDC

RGB 121 76 220

HSL 258.75, 0.67%, 0.58%

LAB 44.8, 51.24, -67.17

 

CMYK 65 / 15 / 0 / 14

HEX #4CBADC

RGB 76 186 220

HSL 194.17, 0.67%, 0.58%

LAB 70.75, -20.87, -26.29

 

CMYK 65 / 33 / 0 / 14

HEX #4C93DC

RGB 76 147 220

HSL 210.42, 0.67%, 0.58%

LAB 59.5, 0.52, -43.78

 

CMYK 65 / 51 / 0 / 14

HEX #4C6CDC

RGB 76 108 220

HSL 226.67, 0.67%, 0.58%

LAB 48.8, 24.23, -60.86

 

CMYK 65 / 65 / 0 / 14

HEX #4C4CDC

RGB 76 76 220

HSL 240, 0.67%, 0.58%

LAB 41.01, 43.93, -73.51

 

CMYK 65 / 15 / 0 / 14

HEX #4CBADC

RGB 76 186 220

HSL 194.17, 0.67%, 0.58%

LAB 70.75, -20.87, -26.29

 

CMYK 75 / 18 / 0 / 7

HEX #3BC3ED

RGB 59 195 237

HSL 194.16, 0.83%, 0.58%

LAB 73.59, -22.4, -31.18

 

CMYK 84 / 20 / 0 / 0

HEX #29CCFE

RGB 41 204 254

HSL 194.08, 0.99%, 0.58%

LAB 76.57, -23.06, -35.74

 

CMYK 65 / 15 / 0 / 14

HEX #4CBADC

RGB 76 186 220

HSL 194.17, 0.67%, 0.58%

LAB 70.75, -20.87, -26.29

 

CMYK 54 / 12 / 0 / 21

HEX #5DB1CA

RGB 93 177 202

HSL 193.76, 0.51%, 0.58%

LAB 68.05, -18.48, -20.5

 

CMYK 40 / 10 / 0 / 27

HEX #6FA7B9

RGB 111 167 185

HSL 194.59, 0.35%, 0.58%

LAB 65.37, -13.63, -15.05

 

CMYK 24 / 6 / 0 / 34

HEX #809EA8

RGB 128 158 168

HSL 195, 0.19%, 0.58%

LAB 63.24, -8.06, -8.64

 

CMYK 3 / 1 / 0 / 41

HEX #919596

RGB 145 149 150

HSL 192, 0.02%, 0.58%

LAB 61.41, -1.25, -1.04

 

CMYK 65 / 0 / 20 / 14

HEX #4CDCB1

RGB 76 220 177

HSL 162.08, 0.67%, 0.58%

LAB 79.56, -48.41, 9.98

 

CMYK 65 / 0 / 2 / 14

HEX #4CDCD7

RGB 76 220 215

HSL 177.92, 0.67%, 0.58%

LAB 80.53, -38.79, -8.82

 

CMYK 65 / 15 / 0 / 14

HEX #4CBADC

RGB 76 186 220

HSL 194.17, 0.67%, 0.58%

LAB 70.75, -20.87, -26.29

 

CMYK 65 / 33 / 0 / 14

HEX #4C94DC

RGB 76 148 220

HSL 210, 0.67%, 0.58%

LAB 59.78, -0.06, -43.34

 

CMYK 65 / 50 / 0 / 14

HEX #4C6EDC

RGB 76 110 220

HSL 225.83, 0.67%, 0.58%

LAB 49.32, 22.98, -60.01

 

CMYK 80 / 19 / 0 / 30

HEX #2390B2

RGB 35 144 178

HSL 194.27, 0.67%, 0.42%

LAB 55.6, -17.81, -26.26

 

CMYK 80 / 19 / 0 / 16

HEX #2AACD5

RGB 42 172 213

HSL 194.39, 0.67%, 0.5%

LAB 65.59, -20.13, -30.45

 

CMYK 65 / 15 / 0 / 14

HEX #4CBADC

RGB 76 186 220

HSL 194.17, 0.67%, 0.58%

LAB 70.75, -20.87, -26.29

 

CMYK 51 / 12 / 0 / 11

HEX #6FC7E2

RGB 111 199 226

HSL 194.09, 0.66%, 0.66%

LAB 75.9, -19.21, -21.58

 

CMYK 38 / 9 / 0 / 9

HEX #91D4E9

RGB 145 212 233

HSL 194.32, 0.67%, 0.74%

LAB 81.29, -15.9, -17.03

 

CMYK 65 / 15 / 0 / 14

HEX #4CBADC

RGB 76 186 220

HSL 194.17, 0.67%, 0.58%

LAB 70.75, -20.87, -26.29

 

CMYK 37 / 65 / 0 / 14

HEX #8A4CDC

RGB 138 76 220

HSL 265.83, 0.67%, 0.58%

LAB 46.63, 54.55, -64.12

 

CMYK 0 / 11 / 65 / 14

HEX #DCC44C

RGB 220 196 76

HSL 50, 0.67%, 0.58%

LAB 79.17, -5.07, 61.18

 

CMYK 65 / 15 / 0 / 14

HEX #4CBADC

RGB 76 186 220

HSL 194.17, 0.67%, 0.58%

LAB 70.75, -20.87, -26.29

 

CMYK 0 / 65 / 15 / 14

HEX #DC4CBA

RGB 220 76 186

HSL 314.17, 0.67%, 0.58%

LAB 56.02, 67.26, -29.01

 

CMYK 15 / 0 / 65 / 14

HEX #BADC4C

RGB 186 220 76

HSL 74.17, 0.67%, 0.58%

LAB 82.99, -30.89, 64.38

 

CMYK 65 / 15 / 0 / 14

HEX #4CBADC

RGB 76 186 220

HSL 194.17, 0.67%, 0.58%

LAB 70.75, -20.87, -26.29

 

CMYK 37 / 65 / 0 / 14

HEX #8A4CDC

RGB 138 76 220

HSL 265.83, 0.67%, 0.58%

LAB 46.63, 54.55, -64.12

 

CMYK 0 / 50 / 65 / 14

HEX #DC6E4C

RGB 220 110 76

HSL 14.17, 0.67%, 0.58%

LAB 58.87, 40.36, 38.53

 

CMYK 29 / 0 / 65 / 14

HEX #9DDC4C

RGB 157 220 76

HSL 86.25, 0.67%, 0.58%

LAB 81.22, -41.88, 61.97

 

CMYK 65 / 15 / 0 / 14

HEX #4CBADC

RGB 76 186 220

HSL 194.17, 0.67%, 0.58%

LAB 70.75, -20.87, -26.29

 

CMYK 18 / 65 / 0 / 14

HEX #B54CDC

RGB 181 76 220

HSL 283.75, 0.67%, 0.58%

LAB 52.02, 63.69, -55.16

 

CMYK 0 / 50 / 65 / 14

HEX #DC6E4C

RGB 220 110 76

HSL 14.17, 0.67%, 0.58%

LAB 58.87, 40.36, 38.53

 

CMYK 48 / 0 / 65 / 14

HEX #72DC4C

RGB 114 220 76

HSL 104.17, 0.67%, 0.58%

LAB 79.21, -56, 59.22

 

Description

Color code: HEX #4CBADC | qconv.com Color code: HEX #4CBADC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 186 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 186 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 15 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 15% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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