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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CBA48 it is the complementary color #B345B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CBA48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CBA48 shade: #51BA43, #62CC56, #73DE69, #84F07C and #95FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CBA48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CBA48 shade: #4CBA48, #3BA835, #2A9622, #19840F and #087200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CBA48 shade: #4EBA4A, #6CBA4A, #8ABA4A, #A9BA4A and #BAAD4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CBA48 shade: #4EBA4A, #4ABA64, #4ABA83, #4ABAA1 and #4AB5BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CBA48 shade matches the following richer shades: #4EBA4A, #3BCE36, #28E321 and #15F70D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CBA48 shade: #4EBA4A, #61A65E, #739272, #867E86 and #99699B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CBA48 shade: #8BBA4A, #6DBA4A, #4FBA4A, #4ABA62 and #4ABA80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CBA48 shade: #348131, #409F3C, #4EBA4A, #6BC668 and #88D186

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CBA48 shade: #4CBA48, #4AA9BA and #BA4A7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CBA48 shade: #4CBA48, #4A4FBA and #BA4A4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CBA48 shade: #4CBA48, #4AA9BA, #B54ABA and #BA5B4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CBA48 shade: #4CBA48, #4A88BA, #B54ABA and #BA7C4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 61 / 27

HEX #4CBA48

RGB 76 186 72

HSL 117.89, 0.45%, 0.51%

LAB 67.37, -53.71, 47.45

 

Complementary color

CMYK 2 / 62 / 0 / 28

HEX #B345B7

RGB 179 69 183

HSL 297.89, 0.45%, 0.49%

LAB 48.58, 59.25, -39.36

 

CMYK 56 / 0 / 64 / 27

HEX #51BA43

RGB 81 186 67

HSL 112.94, 0.47%, 0.5%

LAB 67.48, -53, 49.82

 

CMYK 52 / 0 / 58 / 20

HEX #62CC56

RGB 98 204 86

HSL 113.9, 0.54%, 0.57%

LAB 73.84, -53.32, 48.75

 

CMYK 48 / 0 / 53 / 13

HEX #73DE69

RGB 115 222 105

HSL 114.87, 0.64%, 0.64%

LAB 80.13, -53.45, 47.56

 

CMYK 45 / 0 / 48 / 6

HEX #84F07C

RGB 132 240 124

HSL 115.86, 0.79%, 0.71%

LAB 86.35, -53.44, 46.33

 

CMYK 42 / 0 / 44 / 0

HEX #95FF8F

RGB 149 255 143

HSL 116.79, 1%, 0.78%

LAB 91.64, -52.12, 44.02

 

CMYK 59 / 0 / 61 / 27

HEX #4CBA48

RGB 76 186 72

HSL 117.89, 0.45%, 0.51%

LAB 67.37, -53.71, 47.45

 

CMYK 65 / 0 / 68 / 34

HEX #3BA835

RGB 59 168 53

HSL 116.87, 0.52%, 0.43%

LAB 60.95, -53.05, 48.44

 

CMYK 72 / 0 / 77 / 41

HEX #2A9622

RGB 42 150 34

HSL 115.86, 0.63%, 0.36%

LAB 54.47, -51.88, 48.94

 

CMYK 81 / 0 / 89 / 48

HEX #19840F

RGB 25 132 15

HSL 114.87, 0.8%, 0.29%

LAB 47.94, -49.92, 48.36

 

CMYK 93 / 0 / 100 / 55

HEX #087200

RGB 8 114 0

HSL 115.79, 1%, 0.22%

LAB 41.35, -46.83, 46.02

 

CMYK 58 / 0 / 60 / 27

HEX #4EBA4A

RGB 78 186 74

HSL 117.86, 0.45%, 0.51%

LAB 67.45, -53, 46.65

 

CMYK 42 / 0 / 60 / 27

HEX #6CBA4A

RGB 108 186 74

HSL 101.79, 0.45%, 0.51%

LAB 68.61, -44.41, 48.28

 

CMYK 26 / 0 / 60 / 27

HEX #8ABA4A

RGB 138 186 74

HSL 85.71, 0.45%, 0.51%

LAB 70.19, -33.82, 50.49

 

CMYK 9 / 0 / 60 / 27

HEX #A9BA4A

RGB 169 186 74

HSL 69.11, 0.45%, 0.51%

LAB 72.26, -21.51, 53.37

 

CMYK 0 / 7 / 60 / 27

HEX #BAAD4A

RGB 186 173 74

HSL 53.04, 0.45%, 0.51%

LAB 70.05, -7.71, 51.32

 

CMYK 58 / 0 / 60 / 27

HEX #4EBA4A

RGB 78 186 74

HSL 117.86, 0.45%, 0.51%

LAB 67.45, -53, 46.65

 

CMYK 60 / 0 / 46 / 27

HEX #4ABA64

RGB 74 186 100

HSL 133.93, 0.45%, 0.51%

LAB 67.65, -50.4, 34.25

 

CMYK 60 / 0 / 30 / 27

HEX #4ABA83

RGB 74 186 131

HSL 150.54, 0.45%, 0.51%

LAB 68.18, -44.71, 18.62

 

CMYK 60 / 0 / 13 / 27

HEX #4ABAA1

RGB 74 186 161

HSL 166.61, 0.45%, 0.51%

LAB 68.86, -37.83, 3.23

 

CMYK 60 / 3 / 0 / 27

HEX #4AB5BA

RGB 74 181 186

HSL 182.68, 0.45%, 0.51%

LAB 68.06, -28.79, -11.72

 

CMYK 58 / 0 / 60 / 27

HEX #4EBA4A

RGB 78 186 74

HSL 117.86, 0.45%, 0.51%

LAB 67.45, -53, 46.65

 

CMYK 71 / 0 / 74 / 19

HEX #3BCE36

RGB 59 206 54

HSL 118.03, 0.61%, 0.51%

LAB 73.11, -65.73, 60.64

 

CMYK 82 / 0 / 85 / 11

HEX #28E321

RGB 40 227 33

HSL 117.84, 0.78%, 0.51%

LAB 79.33, -75.77, 72.23

 

CMYK 91 / 0 / 95 / 3

HEX #15F70D

RGB 21 247 13

HSL 117.95, 0.94%, 0.51%

LAB 85.36, -83.2, 80.26

 

CMYK 58 / 0 / 60 / 27

HEX #4EBA4A

RGB 78 186 74

HSL 117.86, 0.45%, 0.51%

LAB 67.45, -53, 46.65

 

CMYK 42 / 0 / 43 / 35

HEX #61A65E

RGB 97 166 94

HSL 117.5, 0.29%, 0.51%

LAB 62.19, -36.74, 30.57

 

CMYK 21 / 0 / 22 / 43

HEX #739272

RGB 115 146 114

HSL 118.13, 0.13%, 0.51%

LAB 57.48, -17.43, 13.47

 

CMYK 0 / 6 / 0 / 47

HEX #867E86

RGB 134 126 134

HSL 300, 0.03%, 0.51%

LAB 53.72, 4.59, -3.25

 

CMYK 1 / 32 / 0 / 39

HEX #99699B

RGB 153 105 155

HSL 297.6, 0.2%, 0.51%

LAB 50.97, 27.83, -19.49

 

CMYK 25 / 0 / 60 / 27

HEX #8BBA4A

RGB 139 186 74

HSL 85.18, 0.45%, 0.51%

LAB 70.25, -33.44, 50.57

 

CMYK 41 / 0 / 60 / 27

HEX #6DBA4A

RGB 109 186 74

HSL 101.25, 0.45%, 0.51%

LAB 68.65, -44.09, 48.34

 

CMYK 58 / 0 / 60 / 27

HEX #4FBA4A

RGB 79 186 74

HSL 117.32, 0.45%, 0.51%

LAB 67.48, -52.75, 46.7

 

CMYK 60 / 0 / 47 / 27

HEX #4ABA62

RGB 74 186 98

HSL 132.86, 0.45%, 0.51%

LAB 67.62, -50.72, 35.23

 

CMYK 60 / 0 / 31 / 27

HEX #4ABA80

RGB 74 186 128

HSL 148.93, 0.45%, 0.51%

LAB 68.12, -45.33, 20.16

 

CMYK 60 / 0 / 62 / 49

HEX #348131

RGB 52 129 49

HSL 117.75, 0.45%, 0.35%

LAB 47.82, -40.46, 35.65

 

CMYK 60 / 0 / 62 / 38

HEX #409F3C

RGB 64 159 60

HSL 117.58, 0.45%, 0.43%

LAB 58.24, -47.84, 42.43

 

CMYK 58 / 0 / 60 / 27

HEX #4EBA4A

RGB 78 186 74

HSL 117.86, 0.45%, 0.51%

LAB 67.45, -53, 46.65

 

CMYK 46 / 0 / 47 / 22

HEX #6BC668

RGB 107 198 104

HSL 118.09, 0.45%, 0.59%

LAB 72.57, -46.11, 38.69

 

CMYK 35 / 0 / 36 / 18

HEX #88D186

RGB 136 209 134

HSL 118.4, 0.45%, 0.67%

LAB 77.61, -37.58, 30.2

 

CMYK 59 / 0 / 61 / 27

HEX #4CBA48

RGB 76 186 72

HSL 117.89, 0.45%, 0.51%

LAB 67.37, -53.71, 47.45

 

CMYK 60 / 9 / 0 / 27

HEX #4AA9BA

RGB 74 169 186

HSL 189.11, 0.45%, 0.51%

LAB 64.46, -22.78, -17.13

 

CMYK 0 / 60 / 33 / 27

HEX #BA4A7C

RGB 186 74 124

HSL 333.21, 0.45%, 0.51%

LAB 48, 50.12, -5.07

 

CMYK 59 / 0 / 61 / 27

HEX #4CBA48

RGB 76 186 72

HSL 117.89, 0.45%, 0.51%

LAB 67.37, -53.71, 47.45

 

CMYK 60 / 58 / 0 / 27

HEX #4A4FBA

RGB 74 79 186

HSL 237.32, 0.45%, 0.51%

LAB 38.89, 30.48, -57.3

 

CMYK 0 / 60 / 58 / 27

HEX #BA4A4F

RGB 186 74 79

HSL 357.32, 0.45%, 0.51%

LAB 46.84, 45.63, 20.6

 

CMYK 59 / 0 / 61 / 27

HEX #4CBA48

RGB 76 186 72

HSL 117.89, 0.45%, 0.51%

LAB 67.37, -53.71, 47.45

 

CMYK 60 / 9 / 0 / 27

HEX #4AA9BA

RGB 74 169 186

HSL 189.11, 0.45%, 0.51%

LAB 64.46, -22.78, -17.13

 

CMYK 3 / 60 / 0 / 27

HEX #B54ABA

RGB 181 74 186

HSL 297.32, 0.45%, 0.51%

LAB 49.82, 58.12, -39.14

 

CMYK 0 / 51 / 60 / 27

HEX #BA5B4A

RGB 186 91 74

HSL 9.11, 0.45%, 0.51%

LAB 50, 36.86, 27.63

 

CMYK 59 / 0 / 61 / 27

HEX #4CBA48

RGB 76 186 72

HSL 117.89, 0.45%, 0.51%

LAB 67.37, -53.71, 47.45

 

CMYK 60 / 27 / 0 / 27

HEX #4A88BA

RGB 74 136 186

HSL 206.79, 0.45%, 0.51%

LAB 54.67, -4.79, -32.19

 

CMYK 3 / 60 / 0 / 27

HEX #B54ABA

RGB 181 74 186

HSL 297.32, 0.45%, 0.51%

LAB 49.82, 58.12, -39.14

 

CMYK 0 / 33 / 60 / 27

HEX #BA7C4A

RGB 186 124 74

HSL 26.79, 0.45%, 0.51%

LAB 57.41, 18.98, 36.77

 

Description

Color code: HEX #4CBA48 | qconv.com Color code: HEX #4CBA48 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 186 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 186 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 61 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 61% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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