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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CB7DF it is the complementary color #B34820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CB7DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CB7DF shade: #51B7DA, #62C9ED, #73DBFF, #84EDFF and #95FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CB7DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CB7DF shade: #4CB7DF, #3BA5CC, #2A93B9, #1981A6 and #086F93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CB7DF shade: #4DB8E0, #4D90E0, #4D69E0, #594DE0 and #814DE0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CB7DF shade: #4DB8E0, #4D90E0, #4D69E0 and #4D4DE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CB7DF shade matches the following richer shades: #4DB8E0 and #3CC0F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CB7DF shade: #4DB8E0, #5EB0CF, #6FA8BE, #80A1AD and #91999C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CB7DF shade: #4DE0B9, #4DE0E0, #4DB9E0, #4D92E0 and #4D6BE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CB7DF shade: #2190BA, #2AAAD9, #4DB8E0, #70C6E6 and #93D4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CB7DF shade: #4CB7DF, #924DE0 and #E0CC4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CB7DF shade: #4CB7DF, #E04DB9 and #B9E04D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CB7DF shade: #4CB7DF, #924DE0, #E0744D and #9BE04D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CB7DF shade: #4CB7DF, #BD4DE0, #E0744D and #6FE04D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 18 / 0 / 13

HEX #4CB7DF

RGB 76 183 223

HSL 196.33, 0.7%, 0.59%

LAB 69.99, -18.39, -29.1

 

Complementary color

CMYK 0 / 60 / 82 / 30

HEX #B34820

RGB 179 72 32

HSL 16.33, 0.7%, 0.41%

LAB 44.69, 41.47, 44.13

 

CMYK 63 / 16 / 0 / 15

HEX #51B7DA

RGB 81 183 218

HSL 195.33, 0.65%, 0.59%

LAB 69.95, -19.12, -26.41

 

CMYK 59 / 15 / 0 / 7

HEX #62C9ED

RGB 98 201 237

HSL 195.54, 0.79%, 0.66%

LAB 76.37, -19.69, -26.83

 

CMYK 55 / 14 / 0 / 0

HEX #73DBFF

RGB 115 219 255

HSL 195.43, 1%, 0.73%

LAB 82.66, -20.43, -26.75

 

CMYK 48 / 7 / 0 / 0

HEX #84EDFF

RGB 132 237 255

HSL 188.78, 1%, 0.76%

LAB 88.3, -25.84, -18.13

 

CMYK 42 / 0 / 0 / 0

HEX #95FFFF

RGB 149 255 255

HSL 180, 1%, 0.79%

LAB 93.94, -30.65, -9.63

 

CMYK 66 / 18 / 0 / 13

HEX #4CB7DF

RGB 76 183 223

HSL 196.33, 0.7%, 0.59%

LAB 69.99, -18.39, -29.1

 

CMYK 71 / 19 / 0 / 20

HEX #3BA5CC

RGB 59 165 204

HSL 196.14, 0.59%, 0.52%

LAB 63.51, -17.47, -28.66

 

CMYK 77 / 21 / 0 / 27

HEX #2A93B9

RGB 42 147 185

HSL 195.94, 0.63%, 0.45%

LAB 56.94, -16.29, -28.16

 

CMYK 85 / 22 / 0 / 35

HEX #1981A6

RGB 25 129 166

HSL 195.74, 0.74%, 0.37%

LAB 50.29, -14.72, -27.6

 

CMYK 95 / 24 / 0 / 42

HEX #086F93

RGB 8 111 147

HSL 195.54, 0.9%, 0.3%

LAB 43.55, -12.63, -26.94

 

CMYK 66 / 18 / 0 / 12

HEX #4DB8E0

RGB 77 184 224

HSL 196.33, 0.7%, 0.59%

LAB 70.34, -18.44, -29.09

 

CMYK 66 / 36 / 0 / 12

HEX #4D90E0

RGB 77 144 224

HSL 212.65, 0.7%, 0.59%

LAB 58.89, 3.8, -46.98

 

CMYK 66 / 53 / 0 / 12

HEX #4D69E0

RGB 77 105 224

HSL 228.57, 0.7%, 0.59%

LAB 48.34, 27.64, -63.86

 

CMYK 60 / 66 / 0 / 12

HEX #594DE0

RGB 89 77 224

HSL 244.9, 0.7%, 0.59%

LAB 42.48, 46.45, -73.36

 

CMYK 42 / 66 / 0 / 12

HEX #814DE0

RGB 129 77 224

HSL 261.22, 0.7%, 0.59%

LAB 46.12, 53.29, -67.27

 

CMYK 66 / 18 / 0 / 12

HEX #4DB8E0

RGB 77 184 224

HSL 196.33, 0.7%, 0.59%

LAB 70.34, -18.44, -29.09

 

CMYK 66 / 36 / 0 / 12

HEX #4D90E0

RGB 77 144 224

HSL 212.65, 0.7%, 0.59%

LAB 58.89, 3.8, -46.98

 

CMYK 66 / 53 / 0 / 12

HEX #4D69E0

RGB 77 105 224

HSL 228.57, 0.7%, 0.59%

LAB 48.34, 27.64, -63.86

 

CMYK 66 / 66 / 0 / 12

HEX #4D4DE0

RGB 77 77 224

HSL 240, 0.7%, 0.59%

LAB 41.64, 44.78, -74.77

 

CMYK 66 / 18 / 0 / 12

HEX #4DB8E0

RGB 77 184 224

HSL 196.33, 0.7%, 0.59%

LAB 70.34, -18.44, -29.09

 

CMYK 75 / 20 / 0 / 5

HEX #3CC0F1

RGB 60 192 241

HSL 196.24, 0.87%, 0.59%

LAB 72.9, -19.46, -34.41

 

CMYK 66 / 18 / 0 / 12

HEX #4DB8E0

RGB 77 184 224

HSL 196.33, 0.7%, 0.59%

LAB 70.34, -18.44, -29.09

 

CMYK 55 / 15 / 0 / 19

HEX #5EB0CF

RGB 94 176 207

HSL 196.46, 0.54%, 0.59%

LAB 67.97, -16.29, -23.36

 

CMYK 42 / 12 / 0 / 25

HEX #6FA8BE

RGB 111 168 190

HSL 196.71, 0.38%, 0.59%

LAB 65.83, -12.84, -17.15

 

CMYK 26 / 7 / 0 / 32

HEX #80A1AD

RGB 128 161 173

HSL 196, 0.22%, 0.59%

LAB 64.24, -8.52, -9.95

 

CMYK 7 / 2 / 0 / 39

HEX #91999C

RGB 145 153 156

HSL 196.36, 0.05%, 0.59%

LAB 62.68, -2.26, -2.57

HEX #91999C

CMYK 66 / 0 / 17 / 12

HEX #4DE0B9

RGB 77 224 185

HSL 164.08, 0.7%, 0.59%

LAB 80.96, -48.05, 7.75

 

CMYK 66 / 0 / 0 / 12

HEX #4DE0E0

RGB 77 224 224

HSL 180, 0.7%, 0.59%

LAB 81.99, -38.01, -11.44

 

CMYK 66 / 17 / 0 / 12

HEX #4DB9E0

RGB 77 185 224

HSL 195.92, 0.7%, 0.59%

LAB 70.63, -18.96, -28.64

 

CMYK 66 / 35 / 0 / 12

HEX #4D92E0

RGB 77 146 224

HSL 211.84, 0.7%, 0.59%

LAB 59.45, 2.63, -46.09

 

CMYK 66 / 52 / 0 / 12

HEX #4D6BE0

RGB 77 107 224

HSL 227.76, 0.7%, 0.59%

LAB 48.85, 26.4, -63.03

 

CMYK 82 / 23 / 0 / 27

HEX #2190BA

RGB 33 144 186

HSL 196.47, 0.7%, 0.43%

LAB 55.9, -15.21, -30.36

 

CMYK 81 / 22 / 0 / 15

HEX #2AAAD9

RGB 42 170 217

HSL 196.11, 0.7%, 0.51%

LAB 65.16, -17.72, -33.33

 

CMYK 66 / 18 / 0 / 12

HEX #4DB8E0

RGB 77 184 224

HSL 196.33, 0.7%, 0.59%

LAB 70.34, -18.44, -29.09

 

CMYK 51 / 14 / 0 / 10

HEX #70C6E6

RGB 112 198 230

HSL 196.27, 0.7%, 0.67%

LAB 75.79, -17.37, -23.89

 

CMYK 38 / 10 / 0 / 7

HEX #93D4EC

RGB 147 212 236

HSL 196.18, 0.7%, 0.75%

LAB 81.48, -14.63, -18.32

 

CMYK 66 / 18 / 0 / 13

HEX #4CB7DF

RGB 76 183 223

HSL 196.33, 0.7%, 0.59%

LAB 69.99, -18.39, -29.1

 

CMYK 35 / 66 / 0 / 12

HEX #924DE0

RGB 146 77 224

HSL 268.16, 0.7%, 0.59%

LAB 48.01, 56.65, -64.12

 

CMYK 0 / 9 / 66 / 12

HEX #E0CC4D

RGB 224 204 77

HSL 51.84, 0.7%, 0.59%

LAB 81.6, -7.43, 63.43

 

CMYK 66 / 18 / 0 / 13

HEX #4CB7DF

RGB 76 183 223

HSL 196.33, 0.7%, 0.59%

LAB 69.99, -18.39, -29.1

 

CMYK 0 / 66 / 17 / 12

HEX #E04DB9

RGB 224 77 185

HSL 315.92, 0.7%, 0.59%

LAB 56.74, 67.76, -27.26

 

CMYK 17 / 0 / 66 / 12

HEX #B9E04D

RGB 185 224 77

HSL 75.92, 0.7%, 0.59%

LAB 84.05, -33.07, 65.07

 

CMYK 66 / 18 / 0 / 13

HEX #4CB7DF

RGB 76 183 223

HSL 196.33, 0.7%, 0.59%

LAB 69.99, -18.39, -29.1

 

CMYK 35 / 66 / 0 / 12

HEX #924DE0

RGB 146 77 224

HSL 268.16, 0.7%, 0.59%

LAB 48.01, 56.65, -64.12

 

CMYK 0 / 48 / 66 / 12

HEX #E0744D

RGB 224 116 77

HSL 15.92, 0.7%, 0.59%

LAB 60.67, 38.92, 40.26

 

CMYK 31 / 0 / 66 / 12

HEX #9BE04D

RGB 155 224 77

HSL 88.16, 0.7%, 0.59%

LAB 82.28, -44.26, 62.67

 

CMYK 66 / 18 / 0 / 13

HEX #4CB7DF

RGB 76 183 223

HSL 196.33, 0.7%, 0.59%

LAB 69.99, -18.39, -29.1

 

CMYK 16 / 66 / 0 / 12

HEX #BD4DE0

RGB 189 77 224

HSL 285.71, 0.7%, 0.59%

LAB 53.5, 65.82, -54.99

 

CMYK 0 / 48 / 66 / 12

HEX #E0744D

RGB 224 116 77

HSL 15.92, 0.7%, 0.59%

LAB 60.67, 38.92, 40.26

 

CMYK 50 / 0 / 66 / 12

HEX #6FE04D

RGB 111 224 77

HSL 106.12, 0.7%, 0.59%

LAB 80.31, -58.27, 59.97

 

Description

Color code: HEX #4CB7DF | qconv.com Color code: HEX #4CB7DF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 183 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 183 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 18 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 18% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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