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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CB4C4 it is the complementary color #B34B3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CB4C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #4CB4C4: #51B4BF, #62C6D2, #73D8E5, #84EAF8 and #95FCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CB4C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #4CB4C4: #4CB4C4, #3BA2B1, #2A909E, #197E8B and #086C78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 8 / 0 / 23

HEX #4CB4C4

RGB 76 180 196

HSL 188, 0.5%, 0.53%

LAB 68.14, -25.05, -17.1

 

Complementary color

CMYK 0 / 58 / 67 / 30

HEX #B34B3B

RGB 179 75 59

HSL 8, 0.5%, 0.47%

LAB 45.54, 41.25, 30.57

 

CMYK 58 / 6 / 0 / 25

HEX #51B4BF

RGB 81 180 191

HSL 186, 0.46%, 0.53%

LAB 68.13, -25.58, -14.34

 

CMYK 53 / 6 / 0 / 18

HEX #62C6D2

RGB 98 198 210

HSL 186.43, 0.55%, 0.6%

LAB 74.6, -25.87, -14.94

 

CMYK 50 / 6 / 0 / 10

HEX #73D8E5

RGB 115 216 229

HSL 186.84, 0.69%, 0.67%

LAB 80.97, -26.06, -15.51

 

CMYK 47 / 6 / 0 / 3

HEX #84EAF8

RGB 132 234 248

HSL 187.24, 0.89%, 0.75%

LAB 87.26, -26.2, -16.04

 

CMYK 42 / 1 / 0 / 0

HEX #95FCFF

RGB 149 252 255

HSL 181.7, 1%, 0.79%

LAB 93.12, -29.23, -10.86

 

CMYK 61 / 8 / 0 / 23

HEX #4CB4C4

RGB 76 180 196

HSL 188, 0.5%, 0.53%

LAB 68.14, -25.05, -17.1

 

CMYK 67 / 8 / 0 / 31

HEX #3BA2B1

RGB 59 162 177

HSL 187.63, 0.5%, 0.46%

LAB 61.61, -24.48, -16.46

 

CMYK 73 / 9 / 0 / 38

HEX #2A909E

RGB 42 144 158

HSL 187.24, 0.58%, 0.39%

LAB 54.98, -23.67, -15.75

 

CMYK 82 / 9 / 0 / 45

HEX #197E8B

RGB 25 126 139

HSL 186.84, 0.7%, 0.32%

LAB 48.25, -22.52, -14.95

 

CMYK 93 / 10 / 0 / 53

HEX #086C78

RGB 8 108 120

HSL 186.43, 0.88%, 0.25%

LAB 41.43, -20.88, -14

 

CMYK 61 / 8 / 0 / 23

HEX #4CB4C4

RGB 76 180 196

HSL 188, 0.5%, 0.53%

LAB 68.14, -25.05, -17.1

 

CMYK 62 / 18 / 0 / 24

HEX #4B9FC3

RGB 75 159 195

HSL 198, 0.5%, 0.53%

LAB 61.85, -14.58, -26.14

 

CMYK 62 / 29 / 0 / 24

HEX #4B8BC3

RGB 75 139 195

HSL 208, 0.5%, 0.53%

LAB 55.99, -3.37, -35.24

 

CMYK 62 / 39 / 0 / 24

HEX #4B77C3

RGB 75 119 195

HSL 218, 0.5%, 0.53%

LAB 50.25, 8.57, -44.28

 

CMYK 62 / 49 / 0 / 24

HEX #4B63C3

RGB 75 99 195

HSL 228, 0.5%, 0.53%

LAB 44.74, 21.06, -53.08

 

CMYK 61 / 8 / 0 / 23

HEX #4CB4C4

RGB 76 180 196

HSL 188, 0.5%, 0.53%

LAB 68.14, -25.05, -17.1

 

CMYK 61 / 8 / 0 / 3

HEX #60E3F7

RGB 96 227 247

HSL 187.95, 0.9%, 0.67%

LAB 84.04, -30.06, -20.48

 

CMYK 60 / 9 / 0 / 83

HEX #11272B

RGB 17 39 43

HSL 189.23, 0.43%, 0.12%

LAB 14.09, -7.33, -5.34

 

CMYK 62 / 9 / 0 / 63

HEX #24565E

RGB 36 86 94

HSL 188.28, 0.45%, 0.25%

LAB 33.64, -14.07, -9.71

 

CMYK 61 / 8 / 0 / 43

HEX #388591

RGB 56 133 145

HSL 188.09, 0.44%, 0.39%

LAB 51.45, -19.76, -13.54

 

CMYK 61 / 8 / 0 / 23

HEX #4CB4C4

RGB 76 180 196

HSL 188, 0.5%, 0.53%

LAB 68.14, -25.05, -17.1

 

CMYK 41 / 62 / 0 / 24

HEX #734BC3

RGB 115 75 195

HSL 260, 0.5%, 0.53%

LAB 42.18, 43.8, -57.06

 

CMYK 0 / 16 / 62 / 24

HEX #C3A34B

RGB 195 163 75

HSL 44, 0.5%, 0.53%

LAB 68.24, 1.54, 49.08

 

CMYK 61 / 8 / 0 / 23

HEX #4CB4C4

RGB 76 180 196

HSL 188, 0.5%, 0.53%

LAB 68.14, -25.05, -17.1

 

CMYK 0 / 62 / 8 / 24

HEX #C34BB3

RGB 195 75 179

HSL 308, 0.5%, 0.53%

LAB 51.71, 60.12, -31.94

 

CMYK 8 / 0 / 62 / 24

HEX #B3C34B

RGB 179 195 75

HSL 68, 0.5%, 0.53%

LAB 75.53, -21.78, 56.71

 

CMYK 61 / 8 / 0 / 23

HEX #4CB4C4

RGB 76 180 196

HSL 188, 0.5%, 0.53%

LAB 68.14, -25.05, -17.1

 

CMYK 41 / 62 / 0 / 24

HEX #734BC3

RGB 115 75 195

HSL 260, 0.5%, 0.53%

LAB 42.18, 43.8, -57.06

 

CMYK 0 / 53 / 62 / 24

HEX #C35B4B

RGB 195 91 75

HSL 8, 0.5%, 0.53%

LAB 51.37, 40.37, 29.08

 

CMYK 21 / 0 / 62 / 24

HEX #9BC34B

RGB 155 195 75

HSL 80, 0.5%, 0.53%

LAB 73.87, -31.4, 54.43

 

CMYK 61 / 8 / 0 / 23

HEX #4CB4C4

RGB 76 180 196

HSL 188, 0.5%, 0.53%

LAB 68.14, -25.05, -17.1

 

CMYK 23 / 62 / 0 / 24

HEX #974BC3

RGB 151 75 195

HSL 278, 0.5%, 0.53%

LAB 46.38, 52.03, -50.08

 

CMYK 0 / 53 / 62 / 24

HEX #C35B4B

RGB 195 91 75

HSL 8, 0.5%, 0.53%

LAB 51.37, 40.37, 29.08

 

CMYK 39 / 0 / 62 / 24

HEX #77C34B

RGB 119 195 75

HSL 98, 0.5%, 0.53%

LAB 71.87, -44.49, 51.64

 

Description

Color code: HEX #4CB4C4 | qconv.com Color code: HEX #4CB4C4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 180 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 180 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 8 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 8% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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