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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CB40C it is the complementary color #B34BF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CB40C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CB40C shade: #51B407, #62C61A, #73D82D, #84EA40 and #95FC53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CB40C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CB40C shade: #4CB40C, #3BA200, #2A9000, #197E00 and #086C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CB40C shade: #4DB60C, #7BB60C, #A9B60C, #B6960C and #B6680C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CB40C shade: #4DB60C, #1FB60C, #0CB627, #0CB655 and #0CB683

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CB40C shade matches the following richer shades: #4DB60C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CB40C shade: #4DB60C, #50A61B, #54972B, #58873B and #5C774A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CB40C shade: #A8B60C, #7AB60C, #4DB60C, #20B60C and #0CB625

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CB40C shade: #2C6907, #3C8F09, #4DB60C, #5DDD0E and #72F123

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CB40C shade: #4CB40C, #0CB697 and #B60C91

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CB40C shade: #4CB40C, #0C4DB6 and #B60C4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CB40C shade: #4CB40C, #0CB697, #750CB6 and #B60C2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CB40C shade: #4CB40C, #0CA2B6, #750CB6 and #B6200C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 93 / 29

HEX #4CB40C

RGB 76 180 12

HSL 97.14, 0.88%, 0.38%

LAB 65.13, -55.45, 64.06

 

Complementary color

CMYK 26 / 69 / 0 / 5

HEX #B34BF3

RGB 179 75 243

HSL 277.14, 0.88%, 0.62%

LAB 53.04, 68.41, -66.47

 

CMYK 55 / 0 / 96 / 29

HEX #51B407

RGB 81 180 7

HSL 94.34, 0.93%, 0.37%

LAB 65.28, -54.2, 64.89

 

CMYK 51 / 0 / 87 / 22

HEX #62C61A

RGB 98 198 26

HSL 94.88, 0.77%, 0.44%

LAB 71.6, -55.43, 67.44

 

CMYK 47 / 0 / 79 / 15

HEX #73D82D

RGB 115 216 45

HSL 95.44, 0.69%, 0.51%

LAB 77.84, -56.3, 68.62

 

CMYK 44 / 0 / 73 / 8

HEX #84EA40

RGB 132 234 64

HSL 96, 0.8%, 0.58%

LAB 84.03, -56.89, 68.88

 

CMYK 41 / 0 / 67 / 1

HEX #95FC53

RGB 149 252 83

HSL 96.57, 0.97%, 0.66%

LAB 90.15, -57.28, 68.57

 

CMYK 58 / 0 / 93 / 29

HEX #4CB40C

RGB 76 180 12

HSL 97.14, 0.88%, 0.38%

LAB 65.13, -55.45, 64.06

 

CMYK 64 / 0 / 100 / 36

HEX #3BA200

RGB 59 162 0

HSL 98.15, 1%, 0.32%

LAB 58.76, -53.71, 60.31

 

CMYK 71 / 0 / 100 / 44

HEX #2A9000

RGB 42 144 0

HSL 102.5, 1%, 0.28%

LAB 52.33, -51.39, 55.02

 

CMYK 80 / 0 / 100 / 51

HEX #197E00

RGB 25 126 0

HSL 108.1, 1%, 0.25%

LAB 45.81, -48.57, 49.68

 

CMYK 93 / 0 / 100 / 58

HEX #086C00

RGB 8 108 0

HSL 115.56, 1%, 0.21%

LAB 39.2, -44.98, 44.3

 

CMYK 58 / 0 / 93 / 29

HEX #4DB60C

RGB 77 182 12

HSL 97.06, 0.88%, 0.38%

LAB 65.8, -55.89, 64.63

 

CMYK 32 / 0 / 93 / 29

HEX #7BB60C

RGB 123 182 12

HSL 80.82, 0.88%, 0.38%

LAB 67.79, -40.98, 67.09

 

CMYK 7 / 0 / 93 / 29

HEX #A9B60C

RGB 169 182 12

HSL 64.59, 0.88%, 0.38%

LAB 70.81, -22.22, 70.75

 

CMYK 0 / 18 / 93 / 29

HEX #B6960C

RGB 182 150 12

HSL 48.71, 0.88%, 0.38%

LAB 63.16, 0.2, 65.41

 

CMYK 0 / 43 / 93 / 29

HEX #B6680C

RGB 182 104 12

HSL 32.47, 0.88%, 0.38%

LAB 51.69, 25.6, 56.97

 

CMYK 58 / 0 / 93 / 29

HEX #4DB60C

RGB 77 182 12

HSL 97.06, 0.88%, 0.38%

LAB 65.8, -55.89, 64.63

 

CMYK 83 / 0 / 93 / 29

HEX #1FB60C

RGB 31 182 12

HSL 113.29, 0.88%, 0.38%

LAB 64.78, -64.52, 63.38

 

CMYK 93 / 0 / 79 / 29

HEX #0CB627

RGB 12 182 39

HSL 129.53, 0.88%, 0.38%

LAB 64.71, -64.82, 57.13

 

CMYK 93 / 0 / 53 / 29

HEX #0CB655

RGB 12 182 85

HSL 145.76, 0.88%, 0.38%

LAB 65.11, -59.76, 38.38

 

CMYK 93 / 0 / 28 / 29

HEX #0CB683

RGB 12 182 131

HSL 162, 0.88%, 0.38%

LAB 65.88, -50.79, 15.29

 

CMYK 58 / 0 / 93 / 29

HEX #4DB60C

RGB 77 182 12

HSL 97.06, 0.88%, 0.38%

LAB 65.8, -55.89, 64.63

 

CMYK 58 / 0 / 93 / 29

HEX #4DB60C

RGB 77 182 12

HSL 97.06, 0.88%, 0.38%

LAB 65.8, -55.89, 64.63

 

CMYK 52 / 0 / 84 / 35

HEX #50A61B

RGB 80 166 27

HSL 97.12, 0.72%, 0.38%

LAB 60.83, -48.68, 57.47

 

CMYK 44 / 0 / 72 / 41

HEX #54972B

RGB 84 151 43

HSL 97.22, 0.56%, 0.38%

LAB 56.28, -40.4, 47.86

 

CMYK 35 / 0 / 56 / 47

HEX #58873B

RGB 88 135 59

HSL 97.11, 0.39%, 0.38%

LAB 51.52, -30.29, 35.41

 

CMYK 23 / 0 / 38 / 53

HEX #5C774A

RGB 92 119 74

HSL 96, 0.23%, 0.38%

LAB 46.93, -18.7, 21.65

 

CMYK 8 / 0 / 93 / 29

HEX #A8B60C

RGB 168 182 12

HSL 64.94, 0.88%, 0.38%

LAB 70.74, -22.65, 70.66

 

CMYK 33 / 0 / 93 / 29

HEX #7AB60C

RGB 122 182 12

HSL 81.18, 0.88%, 0.38%

LAB 67.74, -41.36, 67.02

 

CMYK 58 / 0 / 93 / 29

HEX #4DB60C

RGB 77 182 12

HSL 97.06, 0.88%, 0.38%

LAB 65.8, -55.89, 64.63

 

CMYK 82 / 0 / 93 / 29

HEX #20B60C

RGB 32 182 12

HSL 112.94, 0.88%, 0.38%

LAB 64.8, -64.4, 63.39

 

CMYK 93 / 0 / 80 / 29

HEX #0CB625

RGB 12 182 37

HSL 128.82, 0.88%, 0.38%

LAB 64.7, -64.95, 57.73

 

CMYK 58 / 0 / 93 / 59

HEX #2C6907

RGB 44 105 7

HSL 97.35, 0.88%, 0.22%

LAB 38.99, -36.53, 42.63

 

CMYK 58 / 0 / 94 / 44

HEX #3C8F09

RGB 60 143 9

HSL 97.16, 0.88%, 0.3%

LAB 52.54, -46.44, 53.85

 

CMYK 58 / 0 / 93 / 29

HEX #4DB60C

RGB 77 182 12

HSL 97.06, 0.88%, 0.38%

LAB 65.8, -55.89, 64.63

 

CMYK 58 / 0 / 94 / 13

HEX #5DDD0E

RGB 93 221 14

HSL 97.1, 0.88%, 0.46%

LAB 78.5, -65.22, 75.02

 

CMYK 53 / 0 / 85 / 5

HEX #72F123

RGB 114 241 35

HSL 96.99, 0.88%, 0.54%

LAB 85.31, -66.08, 77.7

 

CMYK 58 / 0 / 93 / 29

HEX #4CB40C

RGB 76 180 12

HSL 97.14, 0.88%, 0.38%

LAB 65.13, -55.45, 64.06

 

CMYK 93 / 0 / 17 / 29

HEX #0CB697

RGB 12 182 151

HSL 169.06, 0.88%, 0.38%

LAB 66.34, -45.78, 4.97

 

CMYK 0 / 93 / 20 / 29

HEX #B60C91

RGB 182 12 145

HSL 313.06, 0.88%, 0.38%

LAB 41.61, 70.02, -27.64

 

CMYK 58 / 0 / 93 / 29

HEX #4CB40C

RGB 76 180 12

HSL 97.14, 0.88%, 0.38%

LAB 65.13, -55.45, 64.06

 

CMYK 93 / 58 / 0 / 29

HEX #0C4DB6

RGB 12 77 182

HSL 217.06, 0.88%, 0.38%

LAB 35.52, 23.4, -60.53

 

CMYK 0 / 93 / 58 / 29

HEX #B60C4D

RGB 182 12 77

HSL 337.06, 0.88%, 0.38%

LAB 39.15, 63.43, 11.31

 

CMYK 58 / 0 / 93 / 29

HEX #4CB40C

RGB 76 180 12

HSL 97.14, 0.88%, 0.38%

LAB 65.13, -55.45, 64.06

 

CMYK 93 / 0 / 17 / 29

HEX #0CB697

RGB 12 182 151

HSL 169.06, 0.88%, 0.38%

LAB 66.34, -45.78, 4.97

 

CMYK 36 / 93 / 0 / 29

HEX #750CB6

RGB 117 12 182

HSL 277.06, 0.88%, 0.38%

LAB 32.75, 65.44, -64.76

 

CMYK 0 / 93 / 76 / 29

HEX #B60C2B

RGB 182 12 43

HSL 349.06, 0.88%, 0.38%

LAB 38.52, 61.69, 32.01

 

CMYK 58 / 0 / 93 / 29

HEX #4CB40C

RGB 76 180 12

HSL 97.14, 0.88%, 0.38%

LAB 65.13, -55.45, 64.06

 

CMYK 93 / 11 / 0 / 29

HEX #0CA2B6

RGB 12 162 182

HSL 187.06, 0.88%, 0.38%

LAB 61.04, -27.35, -20.2

 

CMYK 36 / 93 / 0 / 29

HEX #750CB6

RGB 117 12 182

HSL 277.06, 0.88%, 0.38%

LAB 32.75, 65.44, -64.76

 

CMYK 0 / 82 / 93 / 29

HEX #B6200C

RGB 182 32 12

HSL 7.06, 0.88%, 0.38%

LAB 39.59, 57.17, 48.72

 

Description

Color code: HEX #4CB40C | qconv.com Color code: HEX #4CB40C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 180 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 180 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 93 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 93% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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