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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CB3CF it is the complementary color #B34C30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CB3CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CB3CF shade: #51B3CA, #62C5DD, #73D7F0, #84E9FF and #95FBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CB3CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CB3CF shade: #4CB3CF, #3BA1BC, #2A8FA9, #197D96 and #086B83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CB3CF shade: #4AB2CF, #4A8ECF, #4A6BCF, #4D4ACF and #714ACF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CB3CF shade: #4AB2CF, #4A8ECF, #4A6BCF and #4A4ACF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CB3CF shade matches the following richer shades: #4AB2CF, #37BDE1 and #25C8F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CB3CF shade: #4AB2CF, #5CA8BC, #6F9DAA, #819297 and #948885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CB3CF shade: #4ACFA2, #4ACFC6, #4AB4CF, #4A91CF and #4A6DCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CB3CF shade: #2A849C, #329FBD, #4AB2CF, #6AC0D7 and #8BCEE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CB3CF shade: #4CB3CF, #7F4ACF and #CFB44A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CB3CF shade: #4CB3CF, #CF4AB4 and #B4CF4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CB3CF shade: #4CB3CF, #7F4ACF, #CF644A and #9ACF4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CB3CF shade: #4CB3CF, #A74ACF, #CF644A and #72CF4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 14 / 0 / 19

HEX #4CB3CF

RGB 76 179 207

HSL 192.82, 0.58%, 0.55%

LAB 68.23, -21.25, -23.03

 

Complementary color

CMYK 0 / 58 / 73 / 30

HEX #B34C30

RGB 179 76 48

HSL 12.82, 0.58%, 0.45%

LAB 45.59, 40.17, 36.83

 

CMYK 60 / 11 / 0 / 21

HEX #51B3CA

RGB 81 179 202

HSL 191.4, 0.53%, 0.55%

LAB 68.21, -21.87, -20.29

 

CMYK 56 / 11 / 0 / 13

HEX #62C5DD

RGB 98 197 221

HSL 191.71, 0.64%, 0.63%

LAB 74.67, -22.29, -20.79

 

CMYK 52 / 10 / 0 / 6

HEX #73D7F0

RGB 115 215 240

HSL 192, 0.81%, 0.7%

LAB 81.04, -22.6, -21.26

 

CMYK 48 / 9 / 0 / 0

HEX #84E9FF

RGB 132 233 255

HSL 190.73, 1%, 0.76%

LAB 87.19, -23.89, -19.8

 

CMYK 42 / 2 / 0 / 0

HEX #95FBFF

RGB 149 251 255

HSL 182.26, 1%, 0.79%

LAB 92.84, -28.76, -11.26

 

CMYK 63 / 14 / 0 / 19

HEX #4CB3CF

RGB 76 179 207

HSL 192.82, 0.58%, 0.55%

LAB 68.23, -21.25, -23.03

 

CMYK 69 / 14 / 0 / 26

HEX #3BA1BC

RGB 59 161 188

HSL 192.56, 0.52%, 0.48%

LAB 61.7, -20.53, -22.5

 

CMYK 75 / 15 / 0 / 34

HEX #2A8FA9

RGB 42 143 169

HSL 192.28, 0.6%, 0.41%

LAB 55.07, -19.55, -21.92

 

CMYK 83 / 17 / 0 / 41

HEX #197D96

RGB 25 125 150

HSL 192, 0.71%, 0.34%

LAB 48.36, -18.21, -21.25

 

CMYK 94 / 18 / 0 / 49

HEX #086B83

RGB 8 107 131

HSL 191.71, 0.88%, 0.27%

LAB 41.54, -16.35, -20.47

 

CMYK 64 / 14 / 0 / 19

HEX #4AB2CF

RGB 74 178 207

HSL 193.08, 0.58%, 0.55%

LAB 67.87, -21.07, -23.57

 

CMYK 64 / 31 / 0 / 19

HEX #4A8ECF

RGB 74 142 207

HSL 209.32, 0.58%, 0.55%

LAB 57.37, -1.29, -39.85

 

CMYK 64 / 48 / 0 / 19

HEX #4A6BCF

RGB 74 107 207

HSL 225.11, 0.58%, 0.55%

LAB 47.59, 20, -55.4

 

CMYK 63 / 64 / 0 / 19

HEX #4D4ACF

RGB 77 74 207

HSL 241.35, 0.58%, 0.55%

LAB 39.55, 41.02, -68.44

 

CMYK 45 / 64 / 0 / 19

HEX #714ACF

RGB 113 74 207

HSL 257.59, 0.58%, 0.55%

LAB 42.63, 47.23, -63.28

 

CMYK 64 / 14 / 0 / 19

HEX #4AB2CF

RGB 74 178 207

HSL 193.08, 0.58%, 0.55%

LAB 67.87, -21.07, -23.57

 

CMYK 64 / 31 / 0 / 19

HEX #4A8ECF

RGB 74 142 207

HSL 209.32, 0.58%, 0.55%

LAB 57.37, -1.29, -39.85

 

CMYK 64 / 48 / 0 / 19

HEX #4A6BCF

RGB 74 107 207

HSL 225.11, 0.58%, 0.55%

LAB 47.59, 20, -55.4

 

CMYK 64 / 64 / 0 / 19

HEX #4A4ACF

RGB 74 74 207

HSL 240, 0.58%, 0.55%

LAB 39.34, 40.58, -68.79

 

CMYK 64 / 14 / 0 / 19

HEX #4AB2CF

RGB 74 178 207

HSL 193.08, 0.58%, 0.55%

LAB 67.87, -21.07, -23.57

 

CMYK 76 / 16 / 0 / 12

HEX #37BDE1

RGB 55 189 225

HSL 192.71, 0.74%, 0.55%

LAB 71.31, -23.64, -28.19

 

CMYK 85 / 18 / 0 / 4

HEX #25C8F4

RGB 37 200 244

HSL 192.75, 0.9%, 0.55%

LAB 74.97, -24.6, -32.85

 

CMYK 64 / 14 / 0 / 19

HEX #4AB2CF

RGB 74 178 207

HSL 193.08, 0.58%, 0.55%

LAB 67.87, -21.07, -23.57

 

CMYK 51 / 11 / 0 / 26

HEX #5CA8BC

RGB 92 168 188

HSL 192.5, 0.42%, 0.55%

LAB 64.89, -18, -17.53

 

CMYK 35 / 8 / 0 / 33

HEX #6F9DAA

RGB 111 157 170

HSL 193.22, 0.26%, 0.55%

LAB 61.99, -12.16, -11.73

 

CMYK 15 / 3 / 0 / 41

HEX #819297

RGB 129 146 151

HSL 193.64, 0.1%, 0.55%

LAB 59.4, -4.98, -4.71

 

CMYK 0 / 8 / 10 / 42

HEX #948885

RGB 148 136 133

HSL 12, 0.07%, 0.55%

LAB 57.65, 3.96, 3.23

 

CMYK 64 / 0 / 22 / 19

HEX #4ACFA2

RGB 74 207 162

HSL 159.7, 0.58%, 0.55%

LAB 75.26, -46.76, 11.86

 

CMYK 64 / 0 / 4 / 19

HEX #4ACFC6

RGB 74 207 198

HSL 175.94, 0.58%, 0.55%

LAB 76.17, -37.76, -6.19

 

CMYK 64 / 13 / 0 / 19

HEX #4AB4CF

RGB 74 180 207

HSL 192.18, 0.58%, 0.55%

LAB 68.46, -22.1, -22.67

 

CMYK 64 / 30 / 0 / 19

HEX #4A91CF

RGB 74 145 207

HSL 207.97, 0.58%, 0.55%

LAB 58.24, -3.03, -38.5

 

CMYK 64 / 47 / 0 / 19

HEX #4A6DCF

RGB 74 109 207

HSL 224.21, 0.58%, 0.55%

LAB 48.13, 18.75, -54.54

 

CMYK 73 / 15 / 0 / 39

HEX #2A849C

RGB 42 132 156

HSL 192.63, 0.58%, 0.39%

LAB 51.15, -17.99, -20.44

 

CMYK 74 / 16 / 0 / 26

HEX #329FBD

RGB 50 159 189

HSL 192.95, 0.58%, 0.47%

LAB 60.91, -20.4, -24.29

 

CMYK 64 / 14 / 0 / 19

HEX #4AB2CF

RGB 74 178 207

HSL 193.08, 0.58%, 0.55%

LAB 67.87, -21.07, -23.57

 

CMYK 51 / 11 / 0 / 16

HEX #6AC0D7

RGB 106 192 215

HSL 192.66, 0.58%, 0.63%

LAB 73.33, -19.77, -19.54

 

CMYK 38 / 8 / 0 / 12

HEX #8BCEE0

RGB 139 206 224

HSL 192.71, 0.58%, 0.71%

LAB 79.05, -16.64, -15.61

 

CMYK 63 / 14 / 0 / 19

HEX #4CB3CF

RGB 76 179 207

HSL 192.82, 0.58%, 0.55%

LAB 68.23, -21.25, -23.03

 

CMYK 39 / 64 / 0 / 19

HEX #7F4ACF

RGB 127 74 207

HSL 263.91, 0.58%, 0.55%

LAB 44.11, 50.04, -60.81

 

CMYK 0 / 13 / 64 / 19

HEX #CFB44A

RGB 207 180 74

HSL 47.82, 0.58%, 0.55%

LAB 73.81, -2.4, 55.97

 

CMYK 63 / 14 / 0 / 19

HEX #4CB3CF

RGB 76 179 207

HSL 192.82, 0.58%, 0.55%

LAB 68.23, -21.25, -23.03

 

CMYK 0 / 64 / 13 / 19

HEX #CF4AB4

RGB 207 74 180

HSL 312.18, 0.58%, 0.55%

LAB 53.45, 63.82, -29.68

 

CMYK 13 / 0 / 64 / 19

HEX #B4CF4A

RGB 180 207 74

HSL 72.18, 0.58%, 0.55%

LAB 78.94, -27.26, 60.79

 

CMYK 63 / 14 / 0 / 19

HEX #4CB3CF

RGB 76 179 207

HSL 192.82, 0.58%, 0.55%

LAB 68.23, -21.25, -23.03

 

CMYK 39 / 64 / 0 / 19

HEX #7F4ACF

RGB 127 74 207

HSL 263.91, 0.58%, 0.55%

LAB 44.11, 50.04, -60.81

 

CMYK 0 / 52 / 64 / 19

HEX #CF644A

RGB 207 100 74

HSL 11.73, 0.58%, 0.55%

LAB 54.94, 40.32, 34.45

 

CMYK 26 / 0 / 64 / 19

HEX #9ACF4A

RGB 154 207 74

HSL 83.91, 0.58%, 0.55%

LAB 77.27, -37.38, 58.52

 

CMYK 63 / 14 / 0 / 19

HEX #4CB3CF

RGB 76 179 207

HSL 192.82, 0.58%, 0.55%

LAB 68.23, -21.25, -23.03

 

CMYK 19 / 64 / 0 / 19

HEX #A74ACF

RGB 167 74 207

HSL 281.95, 0.58%, 0.55%

LAB 49.03, 58.79, -52.64

 

CMYK 0 / 52 / 64 / 19

HEX #CF644A

RGB 207 100 74

HSL 11.73, 0.58%, 0.55%

LAB 54.94, 40.32, 34.45

 

CMYK 45 / 0 / 64 / 19

HEX #72CF4A

RGB 114 207 74

HSL 101.95, 0.58%, 0.55%

LAB 75.26, -51.1, 55.76

 

Description

Color code: HEX #4CB3CF | qconv.com Color code: HEX #4CB3CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 179 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 179 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 14 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 14% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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