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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CB358 it is the complementary color #B34CA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CB358. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CB358 shade: #51B353, #62C566, #73D779, #84E98C and #95FB9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CB358. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CB358 shade: #4CB358, #3BA145, #2A8F32, #197D1F and #086B0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CB358 shade: #4DB358, #5CB34D, #78B34D, #93B34D and #AFB34D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CB358 shade: #4DB358, #4DB374, #4DB38F, #4DB3AB and #4D9FB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CB358 shade matches the following richer shades: #4DB358, #38C749, #23DC39 and #0FF029

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CB358 shade: #4DB358, #619E68, #768978, #8A7588 and #9F6098

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CB358 shade: #79B34D, #5EB34D, #4DB357, #4DB372 and #4DB38D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CB358 shade: #34793C, #40964A, #4DB358, #69BF73 and #86CB8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CB358 shade: #4CB358, #4D94B3 and #B34D6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CB358 shade: #4CB358, #574DB3 and #B3574D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CB358 shade: #4CB358, #4D94B3, #B34DA8 and #B36B4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CB358 shade: #4CB358, #4D75B3, #B34DA8 and #B38A4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 51 / 30

HEX #4CB358

RGB 76 179 88

HSL 126.99, 0.4%, 0.5%

LAB 65.34, -49.01, 37.44

 

Complementary color

CMYK 0 / 58 / 7 / 30

HEX #B34CA7

RGB 179 76 167

HSL 306.99, 0.4%, 0.5%

LAB 48.94, 53.39, -29.42

 

CMYK 55 / 0 / 54 / 30

HEX #51B353

RGB 81 179 83

HSL 121.22, 0.39%, 0.51%

LAB 65.45, -48.44, 40.08

 

CMYK 50 / 0 / 48 / 23

HEX #62C566

RGB 98 197 102

HSL 122.42, 0.46%, 0.58%

LAB 71.89, -48.51, 38.75

 

CMYK 47 / 0 / 44 / 16

HEX #73D779

RGB 115 215 121

HSL 123.6, 0.56%, 0.65%

LAB 78.24, -48.45, 37.45

 

CMYK 43 / 0 / 40 / 9

HEX #84E98C

RGB 132 233 140

HSL 124.75, 0.7%, 0.72%

LAB 84.52, -48.3, 36.2

 

CMYK 41 / 0 / 37 / 2

HEX #95FB9F

RGB 149 251 159

HSL 125.88, 0.93%, 0.78%

LAB 90.73, -48.11, 35

 

CMYK 58 / 0 / 51 / 30

HEX #4CB358

RGB 76 179 88

HSL 126.99, 0.4%, 0.5%

LAB 65.34, -49.01, 37.44

 

CMYK 63 / 0 / 57 / 37

HEX #3BA145

RGB 59 161 69

HSL 125.88, 0.46%, 0.43%

LAB 58.83, -48.67, 38.82

 

CMYK 71 / 0 / 65 / 44

HEX #2A8F32

RGB 42 143 50

HSL 124.75, 0.55%, 0.36%

LAB 52.25, -47.94, 40.11

 

CMYK 80 / 0 / 75 / 51

HEX #197D1F

RGB 25 125 31

HSL 123.6, 0.67%, 0.29%

LAB 45.6, -46.55, 41.04

 

CMYK 93 / 0 / 89 / 58

HEX #086B0C

RGB 8 107 12

HSL 122.42, 0.86%, 0.23%

LAB 38.89, -44.08, 40.94

 

CMYK 57 / 0 / 51 / 30

HEX #4DB358

RGB 77 179 88

HSL 126.47, 0.4%, 0.5%

LAB 65.38, -48.76, 37.49

 

CMYK 49 / 0 / 57 / 30

HEX #5CB34D

RGB 92 179 77

HSL 111.18, 0.4%, 0.5%

LAB 65.79, -46.13, 43.47

 

CMYK 33 / 0 / 57 / 30

HEX #78B34D

RGB 120 179 77

HSL 94.71, 0.4%, 0.5%

LAB 67.1, -36.97, 45.33

 

CMYK 18 / 0 / 57 / 30

HEX #93B34D

RGB 147 179 77

HSL 78.82, 0.4%, 0.5%

LAB 68.74, -26.74, 47.64

 

CMYK 2 / 0 / 57 / 30

HEX #AFB34D

RGB 175 179 77

HSL 62.35, 0.4%, 0.5%

LAB 70.8, -15.26, 50.53

 

CMYK 57 / 0 / 51 / 30

HEX #4DB358

RGB 77 179 88

HSL 126.47, 0.4%, 0.5%

LAB 65.38, -48.76, 37.49

 

CMYK 57 / 0 / 35 / 30

HEX #4DB374

RGB 77 179 116

HSL 142.94, 0.4%, 0.5%

LAB 65.81, -44.09, 23.49

 

CMYK 57 / 0 / 20 / 30

HEX #4DB38F

RGB 77 179 143

HSL 158.82, 0.4%, 0.5%

LAB 66.37, -38.4, 9.56

 

CMYK 57 / 0 / 4 / 30

HEX #4DB3AB

RGB 77 179 171

HSL 175.29, 0.4%, 0.5%

LAB 67.1, -31.4, -4.85

 

CMYK 57 / 11 / 0 / 30

HEX #4D9FB3

RGB 77 159 179

HSL 191.76, 0.4%, 0.5%

LAB 61.33, -19.09, -17.95

 

CMYK 57 / 0 / 51 / 30

HEX #4DB358

RGB 77 179 88

HSL 126.47, 0.4%, 0.5%

LAB 65.38, -48.76, 37.49

 

CMYK 72 / 0 / 63 / 22

HEX #38C749

RGB 56 199 73

HSL 127.13, 0.56%, 0.5%

LAB 70.99, -62.21, 50.95

 

CMYK 84 / 0 / 74 / 14

HEX #23DC39

RGB 35 220 57

HSL 127.14, 0.73%, 0.5%

LAB 77.18, -72.87, 63.58

 

CMYK 94 / 0 / 83 / 6

HEX #0FF029

RGB 15 240 41

HSL 126.93, 0.88%, 0.5%

LAB 83.22, -80.73, 73.86

 

CMYK 57 / 0 / 51 / 30

HEX #4DB358

RGB 77 179 88

HSL 126.47, 0.4%, 0.5%

LAB 65.38, -48.76, 37.49

 

CMYK 39 / 0 / 34 / 38

HEX #619E68

RGB 97 158 104

HSL 126.89, 0.24%, 0.5%

LAB 59.88, -31.41, 22.17

 

CMYK 14 / 0 / 12 / 46

HEX #768978

RGB 118 137 120

HSL 126.32, 0.07%, 0.5%

LAB 55.17, -10.35, 6.82

 

CMYK 0 / 15 / 1 / 46

HEX #8A7588

RGB 138 117 136

HSL 305.71, 0.08%, 0.5%

LAB 51.73, 11.71, -7.33

 

CMYK 0 / 40 / 4 / 38

HEX #9F6098

RGB 159 96 152

HSL 306.67, 0.25%, 0.5%

LAB 49.5, 34.35, -19.91

 

CMYK 32 / 0 / 57 / 30

HEX #79B34D

RGB 121 179 77

HSL 94.12, 0.4%, 0.5%

LAB 67.16, -36.61, 45.41

 

CMYK 47 / 0 / 57 / 30

HEX #5EB34D

RGB 94 179 77

HSL 110, 0.4%, 0.5%

LAB 65.87, -45.54, 43.58

 

CMYK 57 / 0 / 51 / 30

HEX #4DB357

RGB 77 179 87

HSL 125.88, 0.4%, 0.5%

LAB 65.36, -48.9, 37.97

 

CMYK 57 / 0 / 36 / 30

HEX #4DB372

RGB 77 179 114

HSL 141.76, 0.4%, 0.5%

LAB 65.77, -44.47, 24.51

 

CMYK 57 / 0 / 21 / 30

HEX #4DB38D

RGB 77 179 141

HSL 157.65, 0.4%, 0.5%

LAB 66.32, -38.86, 10.6

 

CMYK 57 / 0 / 50 / 53

HEX #34793C

RGB 52 121 60

HSL 126.96, 0.4%, 0.34%

LAB 45.26, -35.59, 26.9

 

CMYK 57 / 0 / 51 / 41

HEX #40964A

RGB 64 150 74

HSL 126.98, 0.4%, 0.42%

LAB 55.48, -42.44, 32.28

 

CMYK 57 / 0 / 51 / 30

HEX #4DB358

RGB 77 179 88

HSL 126.47, 0.4%, 0.5%

LAB 65.38, -48.76, 37.49

 

CMYK 45 / 0 / 40 / 25

HEX #69BF73

RGB 105 191 115

HSL 126.98, 0.4%, 0.58%

LAB 70.53, -42.05, 30.46

 

CMYK 34 / 0 / 30 / 20

HEX #86CB8E

RGB 134 203 142

HSL 126.96, 0.4%, 0.66%

LAB 75.91, -34.15, 23.72

 

CMYK 58 / 0 / 51 / 30

HEX #4CB358

RGB 76 179 88

HSL 126.99, 0.4%, 0.5%

LAB 65.34, -49.01, 37.44

 

CMYK 57 / 17 / 0 / 30

HEX #4D94B3

RGB 77 148 179

HSL 198.24, 0.4%, 0.5%

LAB 58.05, -13.17, -22.96

 

CMYK 0 / 57 / 40 / 30

HEX #B34D6B

RGB 179 77 107

HSL 342.35, 0.4%, 0.5%

LAB 46.91, 44.41, 3.53

 

CMYK 58 / 0 / 51 / 30

HEX #4CB358

RGB 76 179 88

HSL 126.99, 0.4%, 0.5%

LAB 65.34, -49.01, 37.44

 

CMYK 51 / 57 / 0 / 30

HEX #574DB3

RGB 87 77 179

HSL 245.88, 0.4%, 0.5%

LAB 38.88, 31.97, -53.15

 

CMYK 0 / 51 / 57 / 30

HEX #B3574D

RGB 179 87 77

HSL 5.88, 0.4%, 0.5%

LAB 48.18, 36.46, 23.34

 

CMYK 58 / 0 / 51 / 30

HEX #4CB358

RGB 76 179 88

HSL 126.99, 0.4%, 0.5%

LAB 65.34, -49.01, 37.44

 

CMYK 57 / 17 / 0 / 30

HEX #4D94B3

RGB 77 148 179

HSL 198.24, 0.4%, 0.5%

LAB 58.05, -13.17, -22.96

 

CMYK 0 / 57 / 6 / 30

HEX #B34DA8

RGB 179 77 168

HSL 306.47, 0.4%, 0.5%

LAB 49.15, 53.09, -29.67

 

CMYK 0 / 40 / 57 / 30

HEX #B36B4D

RGB 179 107 77

HSL 17.65, 0.4%, 0.5%

LAB 52.55, 25.69, 28.93

 

CMYK 58 / 0 / 51 / 30

HEX #4CB358

RGB 76 179 88

HSL 126.99, 0.4%, 0.5%

LAB 65.34, -49.01, 37.44

 

CMYK 57 / 35 / 0 / 30

HEX #4D75B3

RGB 77 117 179

HSL 216.47, 0.4%, 0.5%

LAB 48.95, 4.8, -37.11

 

CMYK 0 / 57 / 6 / 30

HEX #B34DA8

RGB 179 77 168

HSL 306.47, 0.4%, 0.5%

LAB 49.15, 53.09, -29.67

 

CMYK 0 / 23 / 57 / 30

HEX #B38A4D

RGB 179 138 77

HSL 35.88, 0.4%, 0.5%

LAB 60.16, 8.42, 38.29

 

Description

Color code: HEX #4CB358 | qconv.com Color code: HEX #4CB358 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 179 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 179 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 51 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 51% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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