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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CADA8 it is the complementary color #B35257. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CADA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CADA8 shade: #51ADA3, #62BFB6, #73D1C9, #84E3DC and #95F5EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CADA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CADA8 shade: #4CADA8, #3B9B95, #2A8982, #19776F and #08655C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CADA8 shade: #4CADA8, #4CAD8E, #4CAD74, #4CAD59 and #58AD4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CADA8 shade: #4CADA8, #4C98AD, #4C7EAD, #4C63AD and #4C4CAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CADA8 shade matches the following richer shades: #4CADA8, #38C1BA, #23D6CC and #0FEADF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CADA8 shade: #4CADA8, #609996, #748584, #887172 and #9D5C60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CADA8 shade: #4CAD73, #4CAD8D, #4CADA7, #4C9AAD and #4C80AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CADA8 shade: #337470, #3F918C, #4CADA8, #66BCB7 and #83C8C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CADA8 shade: #4CADA8, #594CAD and #AD804C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CADA8 shade: #4CADA8, #A74CAD and #ADA74C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CADA8 shade: #4CADA8, #594CAD, #AD4C52 and #A0AD4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CADA8 shade: #4CADA8, #764CAD, #AD4C52 and #83AD4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 3 / 32

HEX #4CADA8

RGB 76 173 168

HSL 176.91, 0.39%, 0.49%

LAB 65.16, -29.51, -6.05

 

Complementary color

CMYK 0 / 54 / 51 / 30

HEX #B35257

RGB 179 82 87

HSL 356.91, 0.39%, 0.51%

LAB 47.37, 39.89, 16.3

 

CMYK 53 / 0 / 6 / 32

HEX #51ADA3

RGB 81 173 163

HSL 173.48, 0.36%, 0.5%

LAB 65.18, -29.8, -3.21

 

CMYK 49 / 0 / 5 / 25

HEX #62BFB6

RGB 98 191 182

HSL 174.19, 0.42%, 0.57%

LAB 71.71, -29.84, -4

 

CMYK 45 / 0 / 4 / 18

HEX #73D1C9

RGB 115 209 201

HSL 174.89, 0.51%, 0.64%

LAB 78.15, -29.83, -4.73

 

CMYK 42 / 0 / 3 / 11

HEX #84E3DC

RGB 132 227 220

HSL 175.58, 0.63%, 0.7%

LAB 84.49, -29.78, -5.41

 

CMYK 39 / 0 / 2 / 4

HEX #95F5EF

RGB 149 245 239

HSL 176.25, 0.83%, 0.77%

LAB 90.75, -29.71, -6.06

 

CMYK 56 / 0 / 3 / 32

HEX #4CADA8

RGB 76 173 168

HSL 176.91, 0.39%, 0.49%

LAB 65.16, -29.51, -6.05

 

CMYK 62 / 0 / 4 / 39

HEX #3B9B95

RGB 59 155 149

HSL 176.25, 0.45%, 0.42%

LAB 58.55, -29.23, -5.21

 

CMYK 69 / 0 / 5 / 46

HEX #2A8982

RGB 42 137 130

HSL 175.58, 0.53%, 0.35%

LAB 51.83, -28.76, -4.27

 

CMYK 79 / 0 / 7 / 53

HEX #19776F

RGB 25 119 111

HSL 174.89, 0.65%, 0.28%

LAB 45.01, -27.98, -3.19

 

CMYK 92 / 0 / 9 / 60

HEX #08655C

RGB 8 101 92

HSL 174.19, 0.85%, 0.21%

LAB 38.08, -26.7, -1.92

 

CMYK 56 / 0 / 3 / 32

HEX #4CADA8

RGB 76 173 168

HSL 176.91, 0.39%, 0.49%

LAB 65.16, -29.51, -6.05

 

CMYK 56 / 0 / 18 / 32

HEX #4CAD8E

RGB 76 173 142

HSL 160.82, 0.39%, 0.49%

LAB 64.46, -36.13, 7.4

 

CMYK 56 / 0 / 33 / 32

HEX #4CAD74

RGB 76 173 116

HSL 144.74, 0.39%, 0.49%

LAB 63.9, -41.78, 20.91

 

CMYK 56 / 0 / 49 / 32

HEX #4CAD59

RGB 76 173 89

HSL 128.04, 0.39%, 0.49%

LAB 63.46, -46.47, 34.6

 

CMYK 49 / 0 / 56 / 32

HEX #58AD4C

RGB 88 173 76

HSL 112.58, 0.39%, 0.49%

LAB 63.74, -44.97, 41.49

 

CMYK 56 / 0 / 3 / 32

HEX #4CADA8

RGB 76 173 168

HSL 176.91, 0.39%, 0.49%

LAB 65.16, -29.51, -6.05

 

CMYK 56 / 12 / 0 / 32

HEX #4C98AD

RGB 76 152 173

HSL 192.99, 0.39%, 0.49%

LAB 58.98, -17.37, -18.13

 

CMYK 56 / 27 / 0 / 32

HEX #4C7EAD

RGB 76 126 173

HSL 209.07, 0.39%, 0.49%

LAB 51.24, -2.77, -30.06

 

CMYK 56 / 43 / 0 / 32

HEX #4C63AD

RGB 76 99 173

HSL 225.77, 0.39%, 0.49%

LAB 43.47, 13.76, -42.29

 

CMYK 56 / 56 / 0 / 32

HEX #4C4CAD

RGB 76 76 173

HSL 240, 0.39%, 0.49%

LAB 37.34, 28.41, -52.13

 

CMYK 56 / 0 / 3 / 32

HEX #4CADA8

RGB 76 173 168

HSL 176.91, 0.39%, 0.49%

LAB 65.16, -29.51, -6.05

 

CMYK 71 / 0 / 4 / 24

HEX #38C1BA

RGB 56 193 186

HSL 176.93, 0.55%, 0.49%

LAB 71.23, -37.23, -7.03

 

CMYK 84 / 0 / 5 / 16

HEX #23D6CC

RGB 35 214 204

HSL 176.65, 0.72%, 0.49%

LAB 77.76, -43.6, -7.12

 

CMYK 94 / 0 / 5 / 8

HEX #0FEADF

RGB 15 234 223

HSL 176.99, 0.88%, 0.49%

LAB 84.11, -47.85, -7.84

 

CMYK 56 / 0 / 3 / 32

HEX #4CADA8

RGB 76 173 168

HSL 176.91, 0.39%, 0.49%

LAB 65.16, -29.51, -6.05

 

CMYK 37 / 0 / 2 / 40

HEX #609996

RGB 96 153 150

HSL 176.84, 0.23%, 0.49%

LAB 59.41, -19.35, -4.35

 

CMYK 13 / 0 / 1 / 48

HEX #748584

RGB 116 133 132

HSL 176.47, 0.07%, 0.49%

LAB 54.19, -6.37, -1.56

 

CMYK 0 / 17 / 16 / 47

HEX #887172

RGB 136 113 114

HSL 357.39, 0.09%, 0.49%

LAB 49.81, 9.18, 2.82

 

CMYK 0 / 41 / 39 / 38

HEX #9D5C60

RGB 157 92 96

HSL 356.31, 0.26%, 0.49%

LAB 46.53, 27.07, 9.22

 

CMYK 56 / 0 / 34 / 32

HEX #4CAD73

RGB 76 173 115

HSL 144.12, 0.39%, 0.49%

LAB 63.89, -41.98, 21.42

 

CMYK 56 / 0 / 18 / 32

HEX #4CAD8D

RGB 76 173 141

HSL 160.21, 0.39%, 0.49%

LAB 64.44, -36.37, 7.92

 

CMYK 56 / 0 / 3 / 32

HEX #4CADA7

RGB 76 173 167

HSL 176.29, 0.39%, 0.49%

LAB 65.13, -29.78, -5.53

 

CMYK 56 / 11 / 0 / 32

HEX #4C9AAD

RGB 76 154 173

HSL 191.75, 0.39%, 0.49%

LAB 59.58, -18.43, -17.22

 

CMYK 56 / 26 / 0 / 32

HEX #4C80AD

RGB 76 128 173

HSL 207.84, 0.39%, 0.49%

LAB 51.83, -3.95, -29.14

 

CMYK 56 / 0 / 3 / 55

HEX #337470

RGB 51 116 112

HSL 176.31, 0.39%, 0.33%

LAB 44.75, -21.68, -4.09

 

CMYK 57 / 0 / 3 / 43

HEX #3F918C

RGB 63 145 140

HSL 176.34, 0.39%, 0.41%

LAB 55.28, -26.03, -4.89

 

CMYK 56 / 0 / 3 / 32

HEX #4CADA8

RGB 76 173 168

HSL 176.91, 0.39%, 0.49%

LAB 65.16, -29.51, -6.05

 

CMYK 46 / 0 / 3 / 26

HEX #66BCB7

RGB 102 188 183

HSL 176.51, 0.39%, 0.57%

LAB 71.02, -27.2, -5.56

 

CMYK 35 / 0 / 1 / 22

HEX #83C8C5

RGB 131 200 197

HSL 177.39, 0.39%, 0.65%

LAB 76.17, -22.3, -5.41

 

CMYK 56 / 0 / 3 / 32

HEX #4CADA8

RGB 76 173 168

HSL 176.91, 0.39%, 0.49%

LAB 65.16, -29.51, -6.05

 

CMYK 49 / 56 / 0 / 32

HEX #594CAD

RGB 89 76 173

HSL 248.04, 0.39%, 0.49%

LAB 38.39, 31.15, -50.38

 

CMYK 0 / 26 / 56 / 32

HEX #AD804C

RGB 173 128 76

HSL 32.16, 0.39%, 0.49%

LAB 56.92, 11.32, 34.75

 

CMYK 56 / 0 / 3 / 32

HEX #4CADA8

RGB 76 173 168

HSL 176.91, 0.39%, 0.49%

LAB 65.16, -29.51, -6.05

 

CMYK 3 / 56 / 0 / 32

HEX #A74CAD

RGB 167 76 173

HSL 296.29, 0.39%, 0.49%

LAB 47.5, 51.15, -35.33

 

CMYK 0 / 3 / 56 / 32

HEX #ADA74C

RGB 173 167 76

HSL 56.29, 0.39%, 0.49%

LAB 67.31, -9.97, 47

 

CMYK 56 / 0 / 3 / 32

HEX #4CADA8

RGB 76 173 168

HSL 176.91, 0.39%, 0.49%

LAB 65.16, -29.51, -6.05

 

CMYK 49 / 56 / 0 / 32

HEX #594CAD

RGB 89 76 173

HSL 248.04, 0.39%, 0.49%

LAB 38.39, 31.15, -50.38

 

CMYK 0 / 56 / 53 / 32

HEX #AD4C52

RGB 173 76 82

HSL 356.29, 0.39%, 0.49%

LAB 45.17, 40.24, 16.18

 

CMYK 8 / 0 / 56 / 32

HEX #A0AD4C

RGB 160 173 76

HSL 68.04, 0.39%, 0.49%

LAB 67.93, -18.56, 47.44

 

CMYK 56 / 0 / 3 / 32

HEX #4CADA8

RGB 76 173 168

HSL 176.91, 0.39%, 0.49%

LAB 65.16, -29.51, -6.05

 

CMYK 32 / 56 / 0 / 32

HEX #764CAD

RGB 118 76 173

HSL 265.98, 0.39%, 0.49%

LAB 41.28, 38.1, -45.59

 

CMYK 0 / 56 / 53 / 32

HEX #AD4C52

RGB 173 76 82

HSL 356.29, 0.39%, 0.49%

LAB 45.17, 40.24, 16.18

 

CMYK 24 / 0 / 56 / 32

HEX #83AD4C

RGB 131 173 76

HSL 85.98, 0.39%, 0.49%

LAB 65.93, -30.21, 44.61

 

Description

Color code: HEX #4CADA8 | qconv.com Color code: HEX #4CADA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 173 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 173 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 3 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 3% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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