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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CAC82 it is the complementary color #B3537D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CAC82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CAC82 shade: #51AC7D, #62BE90, #73D0A3, #84E2B6 and #95F4C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CAC82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CAC82 shade: #4CAC82, #3B9A6F, #2A885C, #197649 and #086436

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CAC82 shade: #4CAE83, #4CAE69, #4CAE4E, #64AE4C and #7FAE4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CAC82 shade: #4CAE83, #4CAE9D, #4CA4AE, #4C89AE and #4C6FAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CAC82 shade matches the following richer shades: #4CAE83, #38C286, #24D688 and #10EA8B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CAC82 shade: #4CAE83, #609981, #75857E, #89717B and #9D5D79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CAC82 shade: #4CAE4E, #4CAE68, #4CAE82, #4CAE9C and #4CA6AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CAC82 shade: #337458, #40916D, #4CAE83, #67BC97 and #84C9AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CAC82 shade: #4CAC82, #4C65AE and #AE5B4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CAC82 shade: #4CAC82, #824CAE and #AE824C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CAC82 shade: #4CAC82, #4C65AE, #AE4C78 and #AE954C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CAC82 shade: #4CAC82, #514CAE, #AE4C78 and #A9AE4C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 24 / 33

HEX #4CAC82

RGB 76 172 130

HSL 153.75, 0.39%, 0.49%

LAB 63.88, -38.42, 13.21

 

Complementary color

CMYK 0 / 54 / 30 / 30

HEX #B3537D

RGB 179 83 125

HSL 333.75, 0.39%, 0.51%

LAB 48.57, 43.66, -4.94

 

CMYK 53 / 0 / 27 / 33

HEX #51AC7D

RGB 81 172 125

HSL 149.01, 0.36%, 0.5%

LAB 63.95, -38.31, 16.08

 

CMYK 48 / 0 / 24 / 25

HEX #62BE90

RGB 98 190 144

HSL 150, 0.41%, 0.56%

LAB 70.48, -38.16, 14.92

 

CMYK 45 / 0 / 22 / 18

HEX #73D0A3

RGB 115 208 163

HSL 150.97, 0.5%, 0.63%

LAB 76.92, -37.97, 13.86

 

CMYK 42 / 0 / 19 / 11

HEX #84E2B6

RGB 132 226 182

HSL 151.91, 0.62%, 0.7%

LAB 83.27, -37.75, 12.87

 

CMYK 39 / 0 / 18 / 4

HEX #95F4C9

RGB 149 244 201

HSL 152.84, 0.81%, 0.77%

LAB 89.54, -37.52, 11.95

 

CMYK 56 / 0 / 24 / 33

HEX #4CAC82

RGB 76 172 130

HSL 153.75, 0.39%, 0.49%

LAB 63.88, -38.42, 13.21

 

CMYK 62 / 0 / 28 / 40

HEX #3B9A6F

RGB 59 154 111

HSL 152.84, 0.45%, 0.42%

LAB 57.26, -38.39, 14.46

 

CMYK 69 / 0 / 32 / 47

HEX #2A885C

RGB 42 136 92

HSL 151.91, 0.53%, 0.35%

LAB 50.54, -38.14, 15.86

 

CMYK 79 / 0 / 38 / 54

HEX #197649

RGB 25 118 73

HSL 150.97, 0.65%, 0.28%

LAB 43.72, -37.54, 17.45

 

CMYK 92 / 0 / 46 / 61

HEX #086436

RGB 8 100 54

HSL 150, 0.85%, 0.21%

LAB 36.8, -36.3, 19.28

 

CMYK 56 / 0 / 25 / 32

HEX #4CAE83

RGB 76 174 131

HSL 153.67, 0.39%, 0.49%

LAB 64.52, -39.09, 13.56

 

CMYK 56 / 0 / 40 / 32

HEX #4CAE69

RGB 76 174 105

HSL 137.76, 0.39%, 0.49%

LAB 64.02, -44.26, 26.97

 

CMYK 56 / 0 / 55 / 32

HEX #4CAE4E

RGB 76 174 78

HSL 121.22, 0.39%, 0.49%

LAB 63.64, -48.41, 40.3

 

CMYK 43 / 0 / 56 / 32

HEX #64AE4C

RGB 100 174 76

HSL 105.31, 0.39%, 0.49%

LAB 64.57, -41.69, 42.59

 

CMYK 27 / 0 / 56 / 32

HEX #7FAE4C

RGB 127 174 76

HSL 88.78, 0.39%, 0.49%

LAB 65.99, -32.21, 44.61

 

CMYK 56 / 0 / 25 / 32

HEX #4CAE83

RGB 76 174 131

HSL 153.67, 0.39%, 0.49%

LAB 64.52, -39.09, 13.56

 

CMYK 56 / 0 / 10 / 32

HEX #4CAE9D

RGB 76 174 157

HSL 169.59, 0.39%, 0.49%

LAB 65.15, -32.89, 0.07

 

CMYK 56 / 6 / 0 / 32

HEX #4CA4AE

RGB 76 164 174

HSL 186.12, 0.39%, 0.49%

LAB 62.63, -23.34, -13.18

 

CMYK 56 / 21 / 0 / 32

HEX #4C89AE

RGB 76 137 174

HSL 202.65, 0.39%, 0.49%

LAB 54.54, -8.81, -25.52

 

CMYK 56 / 36 / 0 / 32

HEX #4C6FAE

RGB 76 111 174

HSL 218.57, 0.39%, 0.49%

LAB 46.92, 6.6, -37.41

 

CMYK 56 / 0 / 25 / 32

HEX #4CAE83

RGB 76 174 131

HSL 153.67, 0.39%, 0.49%

LAB 64.52, -39.09, 13.56

 

CMYK 71 / 0 / 31 / 24

HEX #38C286

RGB 56 194 134

HSL 153.91, 0.55%, 0.49%

LAB 70.28, -50.57, 19.83

 

CMYK 83 / 0 / 36 / 16

HEX #24D688

RGB 36 214 136

HSL 153.71, 0.71%, 0.49%

LAB 76.22, -60.05, 26.79

 

CMYK 93 / 0 / 41 / 8

HEX #10EA8B

RGB 16 234 139

HSL 153.85, 0.87%, 0.49%

LAB 82.28, -67.66, 33.29

 

CMYK 56 / 0 / 25 / 32

HEX #4CAE83

RGB 76 174 131

HSL 153.67, 0.39%, 0.49%

LAB 64.52, -39.09, 13.56

 

CMYK 37 / 0 / 16 / 40

HEX #609981

RGB 96 153 129

HSL 154.74, 0.23%, 0.49%

LAB 58.84, -24.31, 6.75

 

CMYK 12 / 0 / 5 / 48

HEX #75857E

RGB 117 133 126

HSL 153.75, 0.06%, 0.49%

LAB 54.09, -7.29, 1.79

 

CMYK 0 / 18 / 10 / 46

HEX #89717B

RGB 137 113 123

HSL 335, 0.1%, 0.49%

LAB 50.17, 11.18, -1.98

 

CMYK 0 / 41 / 23 / 38

HEX #9D5D79

RGB 157 93 121

HSL 333.75, 0.26%, 0.49%

LAB 47.47, 30, -4.51

 

CMYK 56 / 0 / 55 / 32

HEX #4CAE4E

RGB 76 174 78

HSL 121.22, 0.39%, 0.49%

LAB 63.64, -48.41, 40.3

 

CMYK 56 / 0 / 40 / 32

HEX #4CAE68

RGB 76 174 104

HSL 137.14, 0.39%, 0.49%

LAB 64.01, -44.44, 27.48

 

CMYK 56 / 0 / 25 / 32

HEX #4CAE82

RGB 76 174 130

HSL 153.06, 0.39%, 0.49%

LAB 64.5, -39.31, 14.08

 

CMYK 56 / 0 / 10 / 32

HEX #4CAE9C

RGB 76 174 156

HSL 168.98, 0.39%, 0.49%

LAB 65.13, -33.15, 0.58

 

CMYK 56 / 5 / 0 / 32

HEX #4CA6AE

RGB 76 166 174

HSL 184.9, 0.39%, 0.49%

LAB 63.23, -24.36, -12.28

 

CMYK 56 / 0 / 24 / 55

HEX #337458

RGB 51 116 88

HSL 154.15, 0.39%, 0.33%

LAB 44.09, -28, 9.28

 

CMYK 56 / 0 / 25 / 43

HEX #40916D

RGB 64 145 109

HSL 153.33, 0.39%, 0.41%

LAB 54.5, -33.66, 11.76

 

CMYK 56 / 0 / 25 / 32

HEX #4CAE83

RGB 76 174 131

HSL 153.67, 0.39%, 0.49%

LAB 64.52, -39.09, 13.56

 

CMYK 45 / 0 / 20 / 26

HEX #67BC97

RGB 103 188 151

HSL 153.88, 0.39%, 0.57%

LAB 70.23, -34.47, 10.81

 

CMYK 34 / 0 / 15 / 21

HEX #84C9AB

RGB 132 201 171

HSL 153.91, 0.39%, 0.65%

LAB 75.83, -28.3, 8.14

 

CMYK 56 / 0 / 24 / 33

HEX #4CAC82

RGB 76 172 130

HSL 153.75, 0.39%, 0.49%

LAB 63.88, -38.42, 13.21

 

CMYK 56 / 42 / 0 / 32

HEX #4C65AE

RGB 76 101 174

HSL 224.69, 0.39%, 0.49%

LAB 44.09, 12.83, -41.9

 

CMYK 0 / 48 / 56 / 32

HEX #AE5B4C

RGB 174 91 76

HSL 9.18, 0.39%, 0.49%

LAB 48.26, 32.31, 23.89

 

CMYK 56 / 0 / 24 / 33

HEX #4CAC82

RGB 76 172 130

HSL 153.75, 0.39%, 0.49%

LAB 63.88, -38.42, 13.21

 

CMYK 25 / 56 / 0 / 32

HEX #824CAE

RGB 130 76 174

HSL 273.06, 0.39%, 0.49%

LAB 42.72, 41.44, -43.8

 

CMYK 0 / 25 / 56 / 32

HEX #AE824C

RGB 174 130 76

HSL 33.06, 0.39%, 0.49%

LAB 57.55, 10.63, 35.53

 

CMYK 56 / 0 / 24 / 33

HEX #4CAC82

RGB 76 172 130

HSL 153.75, 0.39%, 0.49%

LAB 63.88, -38.42, 13.21

 

CMYK 56 / 42 / 0 / 32

HEX #4C65AE

RGB 76 101 174

HSL 224.69, 0.39%, 0.49%

LAB 44.09, 12.83, -41.9

 

CMYK 0 / 56 / 31 / 32

HEX #AE4C78

RGB 174 76 120

HSL 333.06, 0.39%, 0.49%

LAB 46.34, 44.79, -5.3

 

CMYK 0 / 14 / 56 / 32

HEX #AE954C

RGB 174 149 76

HSL 44.69, 0.39%, 0.49%

LAB 62.52, 0.11, 41.48

 

CMYK 56 / 0 / 24 / 33

HEX #4CAC82

RGB 76 172 130

HSL 153.75, 0.39%, 0.49%

LAB 63.88, -38.42, 13.21

 

CMYK 53 / 56 / 0 / 32

HEX #514CAE

RGB 81 76 174

HSL 243.06, 0.39%, 0.49%

LAB 37.8, 29.75, -51.97

 

CMYK 0 / 56 / 31 / 32

HEX #AE4C78

RGB 174 76 120

HSL 333.06, 0.39%, 0.49%

LAB 46.34, 44.79, -5.3

 

CMYK 3 / 0 / 56 / 32

HEX #A9AE4C

RGB 169 174 76

HSL 63.06, 0.39%, 0.49%

LAB 68.92, -15.3, 48.74

 

Description

Color code: HEX #4CAC82 | qconv.com Color code: HEX #4CAC82 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 172 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 172 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 24 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 24% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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