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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4CAC55 it is the complementary color #B353AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4CAC55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4CAC55 shade: #51AC50, #62BE63, #73D076, #84E289 and #95F49C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4CAC55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4CAC55 shade: #4CAC55, #3B9A42, #2A882F, #19761C and #086409

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4CAC55 shade: #4CAE55, #5DAE4C, #78AE4C, #92AE4C and #ACAE4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4CAC55 shade: #4CAE55, #4CAE70, #4CAE8A, #4CAEA4 and #4C9DAE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4CAC55 shade matches the following richer shades: #4CAE55, #38C245, #24D635 and #10EA24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4CAC55 shade: #4CAE55, #609966, #758576, #897187 and #9D5D97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4CAC55 shade: #78AE4C, #5EAE4C, #4CAE54, #4CAE6E and #4CAE88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4CAC55 shade: #337439, #409147, #4CAE55, #67BC6F and #84C98A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4CAC55 shade: #4CAC55, #4C92AE and #AE4C6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4CAC55 shade: #4CAC55, #544CAE and #AE544C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4CAC55 shade: #4CAC55, #4C92AE, #AE4CA6 and #AE684C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4CAC55 shade: #4CAC55, #4C75AE, #AE4CA6 and #AE854C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 51 / 33

HEX #4CAC55

RGB 76 172 85

HSL 125.63, 0.39%, 0.49%

LAB 63.09, -46.66, 36.17

 

Complementary color

CMYK 0 / 54 / 5 / 30

HEX #B353AA

RGB 179 83 170

HSL 305.63, 0.39%, 0.51%

LAB 50.3, 50.59, -29.06

 

CMYK 53 / 0 / 53 / 33

HEX #51AC50

RGB 81 172 80

HSL 119.35, 0.37%, 0.49%

LAB 63.21, -46.03, 38.84

 

CMYK 48 / 0 / 48 / 25

HEX #62BE63

RGB 98 190 99

HSL 120.65, 0.41%, 0.56%

LAB 69.7, -46.06, 37.52

 

CMYK 45 / 0 / 43 / 18

HEX #73D076

RGB 115 208 118

HSL 121.94, 0.5%, 0.63%

LAB 76.11, -45.97, 36.23

 

CMYK 42 / 0 / 39 / 11

HEX #84E289

RGB 132 226 137

HSL 123.19, 0.62%, 0.7%

LAB 82.43, -45.8, 34.98

 

CMYK 39 / 0 / 36 / 4

HEX #95F49C

RGB 149 244 156

HSL 124.42, 0.81%, 0.77%

LAB 88.68, -45.59, 33.79

 

CMYK 56 / 0 / 51 / 33

HEX #4CAC55

RGB 76 172 85

HSL 125.63, 0.39%, 0.49%

LAB 63.09, -46.66, 36.17

 

CMYK 62 / 0 / 57 / 40

HEX #3B9A42

RGB 59 154 66

HSL 124.42, 0.45%, 0.42%

LAB 56.52, -46.39, 37.55

 

CMYK 69 / 0 / 65 / 47

HEX #2A882F

RGB 42 136 47

HSL 123.19, 0.53%, 0.35%

LAB 49.86, -45.74, 38.82

 

CMYK 79 / 0 / 76 / 54

HEX #19761C

RGB 25 118 28

HSL 121.94, 0.65%, 0.28%

LAB 43.13, -44.42, 39.71

 

CMYK 92 / 0 / 91 / 61

HEX #086409

RGB 8 100 9

HSL 120.65, 0.85%, 0.21%

LAB 36.34, -41.99, 39.45

 

CMYK 56 / 0 / 51 / 32

HEX #4CAE55

RGB 76 174 85

HSL 125.51, 0.39%, 0.49%

LAB 63.72, -47.46, 36.95

 

CMYK 47 / 0 / 56 / 32

HEX #5DAE4C

RGB 93 174 76

HSL 109.59, 0.39%, 0.49%

LAB 64.26, -43.89, 42.15

 

CMYK 31 / 0 / 56 / 32

HEX #78AE4C

RGB 120 174 76

HSL 93.06, 0.39%, 0.49%

LAB 65.58, -34.8, 44.04

 

CMYK 16 / 0 / 56 / 32

HEX #92AE4C

RGB 146 174 76

HSL 77.14, 0.39%, 0.49%

LAB 67.21, -24.79, 46.33

 

CMYK 1 / 0 / 56 / 32

HEX #ACAE4C

RGB 172 174 76

HSL 61.22, 0.39%, 0.49%

LAB 69.16, -14.04, 49.08

 

CMYK 56 / 0 / 51 / 32

HEX #4CAE55

RGB 76 174 85

HSL 125.51, 0.39%, 0.49%

LAB 63.72, -47.46, 36.95

 

CMYK 56 / 0 / 36 / 32

HEX #4CAE70

RGB 76 174 112

HSL 142.04, 0.39%, 0.49%

LAB 64.14, -42.98, 23.39

 

CMYK 56 / 0 / 21 / 32

HEX #4CAE8A

RGB 76 174 138

HSL 157.96, 0.39%, 0.49%

LAB 64.68, -37.52, 9.92

 

CMYK 56 / 0 / 6 / 32

HEX #4CAEA4

RGB 76 174 164

HSL 173.88, 0.39%, 0.49%

LAB 65.35, -31.06, -3.54

 

CMYK 56 / 10 / 0 / 32

HEX #4C9DAE

RGB 76 157 174

HSL 190.41, 0.39%, 0.49%

LAB 60.52, -19.72, -16.37

 

CMYK 56 / 0 / 51 / 32

HEX #4CAE55

RGB 76 174 85

HSL 125.51, 0.39%, 0.49%

LAB 63.72, -47.46, 36.95

 

CMYK 71 / 0 / 64 / 24

HEX #38C245

RGB 56 194 69

HSL 125.65, 0.55%, 0.49%

LAB 69.37, -60.97, 50.86

 

CMYK 83 / 0 / 75 / 16

HEX #24D635

RGB 36 214 53

HSL 125.73, 0.71%, 0.49%

LAB 75.28, -71.32, 63.02

 

CMYK 93 / 0 / 85 / 8

HEX #10EA24

RGB 16 234 36

HSL 125.5, 0.87%, 0.49%

LAB 81.34, -79.3, 73.3

 

CMYK 56 / 0 / 51 / 32

HEX #4CAE55

RGB 76 174 85

HSL 125.51, 0.39%, 0.49%

LAB 63.72, -47.46, 36.95

 

CMYK 37 / 0 / 33 / 40

HEX #609966

RGB 96 153 102

HSL 126.32, 0.23%, 0.49%

LAB 58.25, -29.7, 21.07

 

CMYK 12 / 0 / 11 / 48

HEX #758576

RGB 117 133 118

HSL 123.75, 0.06%, 0.49%

LAB 53.88, -8.9, 6.12

 

CMYK 0 / 18 / 1 / 46

HEX #897187

RGB 137 113 135

HSL 305, 0.1%, 0.49%

LAB 50.54, 13.49, -8.52

 

CMYK 0 / 41 / 4 / 38

HEX #9D5D97

RGB 157 93 151

HSL 305.63, 0.26%, 0.49%

LAB 48.55, 35.16, -20.8

 

CMYK 31 / 0 / 56 / 32

HEX #78AE4C

RGB 120 174 76

HSL 93.06, 0.39%, 0.49%

LAB 65.58, -34.8, 44.04

 

CMYK 46 / 0 / 56 / 32

HEX #5EAE4C

RGB 94 174 76

HSL 108.98, 0.39%, 0.49%

LAB 64.3, -43.58, 42.21

 

CMYK 56 / 0 / 52 / 32

HEX #4CAE54

RGB 76 174 84

HSL 124.9, 0.39%, 0.49%

LAB 63.71, -47.6, 37.43

 

CMYK 56 / 0 / 37 / 32

HEX #4CAE6E

RGB 76 174 110

HSL 140.82, 0.39%, 0.49%

LAB 64.11, -43.35, 24.42

 

CMYK 56 / 0 / 22 / 32

HEX #4CAE88

RGB 76 174 136

HSL 156.73, 0.39%, 0.49%

LAB 64.63, -37.97, 10.96

 

CMYK 56 / 0 / 51 / 55

HEX #337439

RGB 51 116 57

HSL 125.54, 0.39%, 0.33%

LAB 43.49, -34.17, 26.32

 

CMYK 56 / 0 / 51 / 43

HEX #409147

RGB 64 145 71

HSL 125.19, 0.39%, 0.41%

LAB 53.81, -40.82, 31.77

 

CMYK 56 / 0 / 51 / 32

HEX #4CAE55

RGB 76 174 85

HSL 125.51, 0.39%, 0.49%

LAB 63.72, -47.46, 36.95

 

CMYK 45 / 0 / 41 / 26

HEX #67BC6F

RGB 103 188 111

HSL 125.65, 0.39%, 0.57%

LAB 69.47, -41.98, 31.14

 

CMYK 34 / 0 / 31 / 21

HEX #84C98A

RGB 132 201 138

HSL 125.22, 0.39%, 0.65%

LAB 75.15, -34.53, 24.79

 

CMYK 56 / 0 / 51 / 33

HEX #4CAC55

RGB 76 172 85

HSL 125.63, 0.39%, 0.49%

LAB 63.09, -46.66, 36.17

 

CMYK 56 / 16 / 0 / 32

HEX #4C92AE

RGB 76 146 174

HSL 197.14, 0.39%, 0.49%

LAB 57.22, -13.82, -21.39

 

CMYK 0 / 56 / 39 / 32

HEX #AE4C6B

RGB 174 76 107

HSL 341.02, 0.39%, 0.49%

LAB 45.95, 43.18, 2.03

 

CMYK 56 / 0 / 51 / 33

HEX #4CAC55

RGB 76 172 85

HSL 125.63, 0.39%, 0.49%

LAB 63.09, -46.66, 36.17

 

CMYK 52 / 56 / 0 / 32

HEX #544CAE

RGB 84 76 174

HSL 244.9, 0.39%, 0.49%

LAB 38.04, 30.38, -51.56

 

CMYK 0 / 52 / 56 / 32

HEX #AE544C

RGB 174 84 76

HSL 4.9, 0.39%, 0.49%

LAB 46.79, 36.02, 21.98

 

CMYK 56 / 0 / 51 / 33

HEX #4CAC55

RGB 76 172 85

HSL 125.63, 0.39%, 0.49%

LAB 63.09, -46.66, 36.17

 

CMYK 56 / 16 / 0 / 32

HEX #4C92AE

RGB 76 146 174

HSL 197.14, 0.39%, 0.49%

LAB 57.22, -13.82, -21.39

 

CMYK 0 / 56 / 5 / 32

HEX #AE4CA6

RGB 174 76 166

HSL 304.9, 0.39%, 0.49%

LAB 48.16, 51.82, -30.1

 

CMYK 0 / 40 / 56 / 32

HEX #AE684C

RGB 174 104 76

HSL 17.14, 0.39%, 0.49%

LAB 51.18, 25.2, 27.63

 

CMYK 56 / 0 / 51 / 33

HEX #4CAC55

RGB 76 172 85

HSL 125.63, 0.39%, 0.49%

LAB 63.09, -46.66, 36.17

 

CMYK 56 / 33 / 0 / 32

HEX #4C75AE

RGB 76 117 174

HSL 214.9, 0.39%, 0.49%

LAB 48.65, 2.93, -34.68

 

CMYK 0 / 56 / 5 / 32

HEX #AE4CA6

RGB 174 76 166

HSL 304.9, 0.39%, 0.49%

LAB 48.16, 51.82, -30.1

 

CMYK 0 / 24 / 56 / 32

HEX #AE854C

RGB 174 133 76

HSL 34.9, 0.39%, 0.49%

LAB 58.32, 8.95, 36.47

 

Description

Color code: HEX #4CAC55 | qconv.com Color code: HEX #4CAC55 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 172 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 172 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 51 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 51% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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