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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C951E it is the complementary color #B36AE1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C951E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C951E shade: #519519, #62A72C, #73B93F, #84CB52 and #95DD65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C951E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C951E shade: #4C951E, #3B830B, #2A7100, #195F00 and #084D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C951E shade: #4C941E, #6C941E, #8B941E, #947D1E and #945D1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C951E shade: #4C941E, #2C941E, #1E9430, #1E9450 and #1E9470

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C951E shade matches the following richer shades: #4C941E, #49A310 and #45B101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C951E shade: #4C941E, #4F862D, #52773B, #56694A and #595A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C951E shade: #8C941E, #6D941E, #4D941E, #2E941E and #1E942E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C951E shade: #295010, #3A7217, #4C941E, #5DB625 and #70D530

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C951E shade: #4C951E, #1E947D and #941E7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C951E shade: #4C951E, #1E4D94 and #941E4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C951E shade: #4C951E, #1E947D, #651E94 and #941E36

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C951E shade: #4C951E, #1E8894, #651E94 and #942A1E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 80 / 42

HEX #4C951E

RGB 76 149 30

HSL 96.81, 0.66%, 0.35%

LAB 55.2, -43.08, 51.35

 

Complementary color

CMYK 20 / 53 / 0 / 12

HEX #B36AE1

RGB 179 106 225

HSL 276.81, 0.66%, 0.65%

LAB 57.39, 49.83, -49.42

 

CMYK 46 / 0 / 83 / 42

HEX #519519

RGB 81 149 25

HSL 92.9, 0.71%, 0.34%

LAB 55.39, -41.7, 53.11

 

CMYK 41 / 0 / 74 / 35

HEX #62A72C

RGB 98 167 44

HSL 93.66, 0.58%, 0.41%

LAB 62.01, -42.32, 53.49

 

CMYK 38 / 0 / 66 / 27

HEX #73B93F

RGB 115 185 63

HSL 94.43, 0.49%, 0.49%

LAB 68.53, -42.67, 53.06

 

CMYK 35 / 0 / 60 / 20

HEX #84CB52

RGB 132 203 82

HSL 95.21, 0.54%, 0.56%

LAB 74.97, -42.84, 52.22

 

CMYK 33 / 0 / 54 / 13

HEX #95DD65

RGB 149 221 101

HSL 96, 0.64%, 0.63%

LAB 81.31, -42.9, 51.2

 

CMYK 49 / 0 / 80 / 42

HEX #4C951E

RGB 76 149 30

HSL 96.81, 0.66%, 0.35%

LAB 55.2, -43.08, 51.35

 

CMYK 55 / 0 / 92 / 49

HEX #3B830B

RGB 59 131 11

HSL 96, 0.85%, 0.28%

LAB 48.49, -42.1, 50.07

 

CMYK 63 / 0 / 100 / 56

HEX #2A7100

RGB 42 113 0

HSL 97.7, 1%, 0.22%

LAB 41.69, -40.5, 46.59

 

CMYK 74 / 0 / 100 / 63

HEX #195F00

RGB 25 95 0

HSL 104.21, 1%, 0.19%

LAB 34.78, -38.11, 40.9

 

CMYK 90 / 0 / 100 / 70

HEX #084D00

RGB 8 77 0

HSL 113.77, 1%, 0.15%

LAB 27.74, -34.94, 35.1

 

CMYK 49 / 0 / 80 / 42

HEX #4C941E

RGB 76 148 30

HSL 96.61, 0.66%, 0.35%

LAB 54.88, -42.68, 51.04

 

CMYK 27 / 0 / 80 / 42

HEX #6C941E

RGB 108 148 30

HSL 80.34, 0.66%, 0.35%

LAB 56.55, -30.94, 53.21

 

CMYK 6 / 0 / 80 / 42

HEX #8B941E

RGB 139 148 30

HSL 64.58, 0.66%, 0.35%

LAB 58.75, -17.7, 56.04

 

CMYK 0 / 16 / 80 / 42

HEX #947D1E

RGB 148 125 30

HSL 48.31, 0.66%, 0.35%

LAB 53.01, -1.16, 51.14

 

CMYK 0 / 37 / 80 / 42

HEX #945D1E

RGB 148 93 30

HSL 32.03, 0.66%, 0.35%

LAB 44.54, 17.17, 43.25

 

CMYK 49 / 0 / 80 / 42

HEX #4C941E

RGB 76 148 30

HSL 96.61, 0.66%, 0.35%

LAB 54.88, -42.68, 51.04

 

CMYK 70 / 0 / 80 / 42

HEX #2C941E

RGB 44 148 30

HSL 112.88, 0.66%, 0.35%

LAB 53.82, -51.09, 49.67

 

CMYK 80 / 0 / 68 / 42

HEX #1E9430

RGB 30 148 48

HSL 129.15, 0.66%, 0.35%

LAB 53.67, -51.89, 42.51

 

CMYK 80 / 0 / 46 / 42

HEX #1E9450

RGB 30 148 80

HSL 145.42, 0.66%, 0.35%

LAB 54.06, -47.24, 27.15

 

CMYK 80 / 0 / 24 / 42

HEX #1E9470

RGB 30 148 112

HSL 161.69, 0.66%, 0.35%

LAB 54.68, -40.3, 10.19

 

CMYK 49 / 0 / 80 / 42

HEX #4C941E

RGB 76 148 30

HSL 96.61, 0.66%, 0.35%

LAB 54.88, -42.68, 51.04

 

CMYK 55 / 0 / 90 / 36

HEX #49A310

RGB 73 163 16

HSL 96.73, 0.82%, 0.35%

LAB 59.57, -50.01, 58.74

 

CMYK 61 / 0 / 99 / 31

HEX #45B101

RGB 69 177 1

HSL 96.82, 0.99%, 0.35%

LAB 63.93, -56.42, 64.39

 

CMYK 49 / 0 / 80 / 42

HEX #4C941E

RGB 76 148 30

HSL 96.61, 0.66%, 0.35%

LAB 54.88, -42.68, 51.04

 

CMYK 41 / 0 / 66 / 47

HEX #4F862D

RGB 79 134 45

HSL 97.08, 0.5%, 0.35%

LAB 50.57, -34.57, 40.91

 

CMYK 31 / 0 / 50 / 53

HEX #52773B

RGB 82 119 59

HSL 97, 0.34%, 0.35%

LAB 46.05, -24.77, 28.74

 

CMYK 18 / 0 / 30 / 59

HEX #56694A

RGB 86 105 74

HSL 96.77, 0.17%, 0.35%

LAB 42.12, -13.48, 15.16

 

CMYK 1 / 0 / 2 / 65

HEX #595A58

RGB 89 90 88

HSL 90, 0.01%, 0.35%

LAB 38.09, -0.82, 1.01

 

CMYK 5 / 0 / 80 / 42

HEX #8C941E

RGB 140 148 30

HSL 64.07, 0.66%, 0.35%

LAB 58.83, -17.25, 56.14

 

CMYK 26 / 0 / 80 / 42

HEX #6D941E

RGB 109 148 30

HSL 79.83, 0.66%, 0.35%

LAB 56.61, -30.54, 53.29

 

CMYK 48 / 0 / 80 / 42

HEX #4D941E

RGB 77 148 30

HSL 96.1, 0.66%, 0.35%

LAB 54.92, -42.35, 51.1

 

CMYK 69 / 0 / 80 / 42

HEX #2E941E

RGB 46 148 30

HSL 111.86, 0.66%, 0.35%

LAB 53.87, -50.68, 49.74

 

CMYK 80 / 0 / 69 / 42

HEX #1E942E

RGB 30 148 46

HSL 128.14, 0.66%, 0.35%

LAB 53.66, -52.1, 43.35

 

CMYK 49 / 0 / 80 / 69

HEX #295010

RGB 41 80 16

HSL 96.56, 0.67%, 0.19%

LAB 30.03, -26.27, 31.5

 

CMYK 49 / 0 / 80 / 55

HEX #3A7217

RGB 58 114 23

HSL 96.92, 0.66%, 0.27%

LAB 42.76, -34.9, 41.57

 

CMYK 49 / 0 / 80 / 42

HEX #4C941E

RGB 76 148 30

HSL 96.61, 0.66%, 0.35%

LAB 54.88, -42.68, 51.04

 

CMYK 49 / 0 / 80 / 29

HEX #5DB625

RGB 93 182 37

HSL 96.83, 0.66%, 0.43%

LAB 66.46, -50.4, 60.02

 

CMYK 47 / 0 / 77 / 16

HEX #70D530

RGB 112 213 48

HSL 96.73, 0.66%, 0.51%

LAB 76.83, -55.91, 66.75

 

CMYK 49 / 0 / 80 / 42

HEX #4C951E

RGB 76 149 30

HSL 96.81, 0.66%, 0.35%

LAB 55.2, -43.08, 51.35

 

CMYK 80 / 0 / 16 / 42

HEX #1E947D

RGB 30 148 125

HSL 168.31, 0.66%, 0.35%

LAB 55.01, -36.91, 3.23

 

CMYK 0 / 80 / 16 / 42

HEX #941E7D

RGB 148 30 125

HSL 311.69, 0.66%, 0.35%

LAB 35.41, 56.64, -25.46

 

CMYK 49 / 0 / 80 / 42

HEX #4C951E

RGB 76 149 30

HSL 96.81, 0.66%, 0.35%

LAB 55.2, -43.08, 51.35

 

CMYK 80 / 48 / 0 / 42

HEX #1E4D94

RGB 30 77 148

HSL 216.1, 0.66%, 0.35%

LAB 33.4, 10.98, -43.6

 

CMYK 0 / 80 / 48 / 42

HEX #941E4D

RGB 148 30 77

HSL 336.1, 0.66%, 0.35%

LAB 33.48, 50.89, 2.31

 

CMYK 49 / 0 / 80 / 42

HEX #4C951E

RGB 76 149 30

HSL 96.81, 0.66%, 0.35%

LAB 55.2, -43.08, 51.35

 

CMYK 80 / 0 / 16 / 42

HEX #1E947D

RGB 30 148 125

HSL 168.31, 0.66%, 0.35%

LAB 55.01, -36.91, 3.23

 

CMYK 32 / 80 / 0 / 42

HEX #651E94

RGB 101 30 148

HSL 276.1, 0.66%, 0.35%

LAB 28.99, 51.04, -50.45

 

CMYK 0 / 80 / 64 / 42

HEX #941E36

RGB 148 30 54

HSL 347.8, 0.66%, 0.35%

LAB 32.9, 49.09, 16.56

 

CMYK 49 / 0 / 80 / 42

HEX #4C951E

RGB 76 149 30

HSL 96.81, 0.66%, 0.35%

LAB 55.2, -43.08, 51.35

 

CMYK 80 / 8 / 0 / 42

HEX #1E8894

RGB 30 136 148

HSL 186.1, 0.66%, 0.35%

LAB 51.86, -24.22, -14.72

 

CMYK 32 / 80 / 0 / 42

HEX #651E94

RGB 101 30 148

HSL 276.1, 0.66%, 0.35%

LAB 28.99, 51.04, -50.45

 

CMYK 0 / 72 / 80 / 42

HEX #942A1E

RGB 148 42 30

HSL 6.1, 0.66%, 0.35%

LAB 34.08, 43.57, 32.86

 

Description

Color code: HEX #4C951E | qconv.com Color code: HEX #4C951E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 149 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 149 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 80 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 80% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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