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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C92E7 it is the complementary color #B36D18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C92E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C92E7 shade: #5192E2, #62A4F5, #73B6FF, #84C8FF and #95DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C92E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C92E7 shade: #4C92E7, #3B80D4, #2A6EC1, #195CAE and #084A9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C92E7 shade: #4B91E6, #4B67E6, #594BE6, #824BE6 and #AC4BE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C92E7 shade: #4B91E6, #4B67E6 and #4B4BE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C92E7 shade matches the following richer shades: #4B91E6 and #3A8FF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C92E7 shade: #4B91E6, #5B93D6, #6C94C5, #7C96B5 and #8D97A4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C92E7 shade: #4BE6E6, #4BBDE6, #4B93E6, #4B6AE6 and #554BE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C92E7 shade: #1A67C4, #277BE1, #4B91E6, #6FA7EB and #94BDF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C92E7 shade: #4C92E7, #BD4BE6 and #D1E64B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C92E7 shade: #4C92E7, #E64B93 and #93E64B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C92E7 shade: #4C92E7, #BD4BE6, #E69E4B and #74E64B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C92E7 shade: #4C92E7, #E64BE1, #E69E4B and #4BE650

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 37 / 0 / 9

HEX #4C92E7

RGB 76 146 231

HSL 212.9, 0.76%, 0.6%

LAB 59.77, 4.86, -49.48

 

Complementary color

CMYK 0 / 39 / 87 / 30

HEX #B36D18

RGB 179 109 24

HSL 32.9, 0.76%, 0.4%

LAB 52.49, 21.77, 54.13

 

CMYK 64 / 35 / 0 / 11

HEX #5192E2

RGB 81 146 226

HSL 213.1, 0.71%, 0.6%

LAB 59.71, 3.98, -46.78

 

CMYK 60 / 33 / 0 / 4

HEX #62A4F5

RGB 98 164 245

HSL 213.06, 0.88%, 0.67%

LAB 66.32, 2.85, -46.77

 

CMYK 55 / 29 / 0 / 0

HEX #73B6FF

RGB 115 182 255

HSL 211.29, 1%, 0.73%

LAB 72.44, -0.84, -42.54

 

CMYK 48 / 22 / 0 / 0

HEX #84C8FF

RGB 132 200 255

HSL 206.83, 1%, 0.76%

LAB 78.13, -6.96, -33.64

 

CMYK 42 / 15 / 0 / 0

HEX #95DAFF

RGB 149 218 255

HSL 200.94, 1%, 0.79%

LAB 83.84, -12.38, -24.82

 

CMYK 67 / 37 / 0 / 9

HEX #4C92E7

RGB 76 146 231

HSL 212.9, 0.76%, 0.6%

LAB 59.77, 4.86, -49.48

 

CMYK 72 / 40 / 0 / 17

HEX #3B80D4

RGB 59 128 212

HSL 212.94, 0.64%, 0.53%

LAB 53.08, 6.44, -49.5

 

CMYK 78 / 43 / 0 / 24

HEX #2A6EC1

RGB 42 110 193

HSL 212.98, 0.64%, 0.46%

LAB 46.3, 8.42, -49.5

 

CMYK 86 / 47 / 0 / 32

HEX #195CAE

RGB 25 92 174

HSL 213.02, 0.75%, 0.39%

LAB 39.44, 10.94, -49.45

 

CMYK 95 / 52 / 0 / 39

HEX #084A9B

RGB 8 74 155

HSL 213.06, 0.9%, 0.32%

LAB 32.52, 14.17, -49.29

 

CMYK 67 / 37 / 0 / 10

HEX #4B91E6

RGB 75 145 230

HSL 212.9, 0.76%, 0.6%

LAB 59.4, 4.95, -49.51

 

CMYK 67 / 55 / 0 / 10

HEX #4B67E6

RGB 75 103 230

HSL 229.16, 0.76%, 0.6%

LAB 48.15, 30.67, -67.56

 

CMYK 61 / 67 / 0 / 10

HEX #594BE6

RGB 89 75 230

HSL 245.42, 0.76%, 0.6%

LAB 42.57, 49.44, -76.63

 

CMYK 43 / 67 / 0 / 10

HEX #824BE6

RGB 130 75 230

HSL 261.29, 0.76%, 0.6%

LAB 46.3, 56.06, -70.37

 

CMYK 25 / 67 / 0 / 10

HEX #AC4BE6

RGB 172 75 230

HSL 277.55, 0.76%, 0.6%

LAB 51.29, 64.26, -62.06

 

CMYK 67 / 37 / 0 / 10

HEX #4B91E6

RGB 75 145 230

HSL 212.9, 0.76%, 0.6%

LAB 59.4, 4.95, -49.51

 

CMYK 67 / 55 / 0 / 10

HEX #4B67E6

RGB 75 103 230

HSL 229.16, 0.76%, 0.6%

LAB 48.15, 30.67, -67.56

 

CMYK 67 / 67 / 0 / 10

HEX #4B4BE6

RGB 75 75 230

HSL 240, 0.76%, 0.6%

LAB 41.6, 47.64, -78.25

 

CMYK 67 / 37 / 0 / 10

HEX #4B91E6

RGB 75 145 230

HSL 212.9, 0.76%, 0.6%

LAB 59.4, 4.95, -49.51

 

CMYK 77 / 42 / 0 / 3

HEX #3A8FF7

RGB 58 143 247

HSL 213.02, 0.92%, 0.6%

LAB 59.21, 9.9, -59.24

 

CMYK 67 / 37 / 0 / 10

HEX #4B91E6

RGB 75 145 230

HSL 212.9, 0.76%, 0.6%

LAB 59.4, 4.95, -49.51

 

CMYK 57 / 31 / 0 / 16

HEX #5B93D6

RGB 91 147 214

HSL 212.68, 0.6%, 0.6%

LAB 59.84, 1.32, -39.86

 

CMYK 45 / 25 / 0 / 23

HEX #6C94C5

RGB 108 148 197

HSL 213.03, 0.43%, 0.6%

LAB 60.25, -0.57, -29.62

 

CMYK 31 / 17 / 0 / 29

HEX #7C96B5

RGB 124 150 181

HSL 212.63, 0.28%, 0.6%

LAB 61.16, -1.66, -19.12

 

CMYK 14 / 8 / 0 / 36

HEX #8D97A4

RGB 141 151 164

HSL 213.91, 0.11%, 0.6%

LAB 62.06, -0.83, -8.04

 

CMYK 67 / 0 / 0 / 10

HEX #4BE6E6

RGB 75 230 230

HSL 180, 0.76%, 0.6%

LAB 83.86, -39.36, -11.82

 

CMYK 67 / 18 / 0 / 10

HEX #4BBDE6

RGB 75 189 230

HSL 195.87, 0.76%, 0.6%

LAB 71.96, -19.47, -29.87

 

CMYK 67 / 36 / 0 / 10

HEX #4B93E6

RGB 75 147 230

HSL 212.13, 0.76%, 0.6%

LAB 59.96, 3.77, -48.62

 

CMYK 67 / 54 / 0 / 10

HEX #4B6AE6

RGB 75 106 230

HSL 228, 0.76%, 0.6%

LAB 48.91, 28.8, -66.33

 

CMYK 63 / 67 / 0 / 10

HEX #554BE6

RGB 85 75 230

HSL 243.87, 0.76%, 0.6%

LAB 42.27, 48.9, -77.12

 

CMYK 87 / 47 / 0 / 23

HEX #1A67C4

RGB 26 103 196

HSL 212.82, 0.77%, 0.44%

LAB 44.1, 12.6, -54.8

 

CMYK 83 / 45 / 0 / 12

HEX #277BE1

RGB 39 123 225

HSL 212.9, 0.76%, 0.52%

LAB 51.88, 12.14, -58.79

 

CMYK 67 / 37 / 0 / 10

HEX #4B91E6

RGB 75 145 230

HSL 212.9, 0.76%, 0.6%

LAB 59.4, 4.95, -49.51

 

CMYK 53 / 29 / 0 / 8

HEX #6FA7EB

RGB 111 167 235

HSL 212.9, 0.76%, 0.68%

LAB 67.29, 0.64, -39.74

 

CMYK 38 / 21 / 0 / 6

HEX #94BDF0

RGB 148 189 240

HSL 213.26, 0.75%, 0.76%

LAB 75.44, -1.18, -29.67

 

CMYK 67 / 37 / 0 / 9

HEX #4C92E7

RGB 76 146 231

HSL 212.9, 0.76%, 0.6%

LAB 59.77, 4.86, -49.48

 

CMYK 18 / 67 / 0 / 10

HEX #BD4BE6

RGB 189 75 230

HSL 284.13, 0.76%, 0.6%

LAB 53.56, 67.81, -58.28

 

CMYK 9 / 0 / 67 / 10

HEX #D1E64B

RGB 209 230 75

HSL 68.13, 0.76%, 0.6%

LAB 87.32, -26.52, 69.71

 

CMYK 67 / 37 / 0 / 9

HEX #4C92E7

RGB 76 146 231

HSL 212.9, 0.76%, 0.6%

LAB 59.77, 4.86, -49.48

 

CMYK 0 / 67 / 36 / 10

HEX #E64B93

RGB 230 75 147

HSL 332.13, 0.76%, 0.6%

LAB 56.05, 65.43, -6.06

 

CMYK 36 / 0 / 67 / 10

HEX #93E64B

RGB 147 230 75

HSL 92.13, 0.76%, 0.6%

LAB 83.6, -49.7, 64.71

 

CMYK 67 / 37 / 0 / 9

HEX #4C92E7

RGB 76 146 231

HSL 212.9, 0.76%, 0.6%

LAB 59.77, 4.86, -49.48

 

CMYK 18 / 67 / 0 / 10

HEX #BD4BE6

RGB 189 75 230

HSL 284.13, 0.76%, 0.6%

LAB 53.56, 67.81, -58.28

 

CMYK 0 / 31 / 67 / 10

HEX #E69E4B

RGB 230 158 75

HSL 32.13, 0.76%, 0.6%

LAB 70.72, 19.13, 52.86

 

CMYK 50 / 0 / 67 / 10

HEX #74E64B

RGB 116 230 75

HSL 104.13, 0.76%, 0.6%

LAB 82.28, -59.29, 62.91

 

CMYK 67 / 37 / 0 / 9

HEX #4C92E7

RGB 76 146 231

HSL 212.9, 0.76%, 0.6%

LAB 59.77, 4.86, -49.48

 

CMYK 0 / 67 / 2 / 10

HEX #E64BE1

RGB 230 75 225

HSL 301.94, 0.76%, 0.6%

LAB 59.24, 75.88, -46.06

 

CMYK 0 / 31 / 67 / 10

HEX #E69E4B

RGB 230 158 75

HSL 32.13, 0.76%, 0.6%

LAB 70.72, 19.13, 52.86

 

CMYK 67 / 0 / 65 / 10

HEX #4BE650

RGB 75 230 80

HSL 121.94, 0.76%, 0.6%

LAB 81.11, -68.41, 59.33

 

Description

Color code: HEX #4C92E7 | qconv.com Color code: HEX #4C92E7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 146 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 146 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 37 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 37% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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