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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C92D0 it is the complementary color #B36D2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C92D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C92D0 shade: #5192CB, #62A4DE, #73B6F1, #84C8FF and #95DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C92D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C92D0 shade: #4C92D0, #3B80BD, #2A6EAA, #195C97 and #084A84

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C92D0 shade: #4D92CF, #4D6FCF, #4E4DCF, #714DCF and #954DCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C92D0 shade: #4D92CF, #4D6FCF and #4D4DCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C92D0 shade matches the following richer shades: #4D92CF, #3B93E2 and #2994F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C92D0 shade: #4D92CF, #5F91BD, #7290AB, #848F99 and #968E87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C92D0 shade: #4DCFC7, #4DB5CF, #4D93CF, #4D70CF and #4D4DCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C92D0 shade: #2A69A0, #337EC1, #4D92CF, #6EA6D8 and #8EBAE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C92D0 shade: #4C92D0, #A44DCF and #C7CF4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C92D0 shade: #4C92D0, #CF4D93 and #93CF4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C92D0 shade: #4C92D0, #A44DCF, #CF8A4D and #79CF4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C92D0 shade: #4C92D0, #CB4DCF, #CF8A4D and #52CF4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 30 / 0 / 18

HEX #4C92D0

RGB 76 146 208

HSL 208.18, 0.58%, 0.56%

LAB 58.65, -2.92, -38.41

 

Complementary color

CMYK 0 / 39 / 74 / 30

HEX #B36D2F

RGB 179 109 47

HSL 28.18, 0.58%, 0.44%

LAB 52.65, 22.62, 44.9

 

CMYK 60 / 28 / 0 / 20

HEX #5192CB

RGB 81 146 203

HSL 208.03, 0.54%, 0.56%

LAB 58.62, -3.64, -35.63

 

CMYK 56 / 26 / 0 / 13

HEX #62A4DE

RGB 98 164 222

HSL 208.06, 0.65%, 0.63%

LAB 65.3, -4.41, -35.75

 

CMYK 52 / 24 / 0 / 5

HEX #73B6F1

RGB 115 182 241

HSL 208.1, 0.82%, 0.7%

LAB 71.86, -5.03, -35.88

 

CMYK 48 / 22 / 0 / 0

HEX #84C8FF

RGB 132 200 255

HSL 206.83, 1%, 0.76%

LAB 78.13, -6.96, -33.64

 

CMYK 42 / 15 / 0 / 0

HEX #95DAFF

RGB 149 218 255

HSL 200.94, 1%, 0.79%

LAB 83.84, -12.38, -24.82

 

CMYK 63 / 30 / 0 / 18

HEX #4C92D0

RGB 76 146 208

HSL 208.18, 0.58%, 0.56%

LAB 58.65, -2.92, -38.41

 

CMYK 69 / 32 / 0 / 26

HEX #3B80BD

RGB 59 128 189

HSL 208.15, 0.52%, 0.49%

LAB 51.88, -1.76, -38.31

 

CMYK 75 / 35 / 0 / 33

HEX #2A6EAA

RGB 42 110 170

HSL 208.13, 0.6%, 0.42%

LAB 45.01, -0.25, -38.19

 

CMYK 83 / 39 / 0 / 41

HEX #195C97

RGB 25 92 151

HSL 208.1, 0.72%, 0.35%

LAB 38.01, 1.76, -38.03

 

CMYK 94 / 44 / 0 / 48

HEX #084A84

RGB 8 74 132

HSL 208.06, 0.89%, 0.27%

LAB 30.91, 4.47, -37.8

 

CMYK 63 / 29 / 0 / 19

HEX #4D92CF

RGB 77 146 207

HSL 208.15, 0.58%, 0.56%

LAB 58.64, -3.07, -37.86

 

CMYK 63 / 46 / 0 / 19

HEX #4D6FCF

RGB 77 111 207

HSL 224.31, 0.58%, 0.56%

LAB 48.82, 18.02, -53.42

 

CMYK 62 / 63 / 0 / 19

HEX #4E4DCF

RGB 78 77 207

HSL 240.46, 0.58%, 0.56%

LAB 40.3, 39.36, -67.21

 

CMYK 45 / 63 / 0 / 19

HEX #714DCF

RGB 113 77 207

HSL 256.62, 0.58%, 0.56%

LAB 43.25, 45.58, -62.28

 

CMYK 28 / 63 / 0 / 19

HEX #954DCF

RGB 149 77 207

HSL 273.23, 0.58%, 0.56%

LAB 47.24, 53.28, -55.64

 

CMYK 63 / 29 / 0 / 19

HEX #4D92CF

RGB 77 146 207

HSL 208.15, 0.58%, 0.56%

LAB 58.64, -3.07, -37.86

 

CMYK 63 / 46 / 0 / 19

HEX #4D6FCF

RGB 77 111 207

HSL 224.31, 0.58%, 0.56%

LAB 48.82, 18.02, -53.42

 

CMYK 63 / 63 / 0 / 19

HEX #4D4DCF

RGB 77 77 207

HSL 240, 0.58%, 0.56%

LAB 40.23, 39.21, -67.32

 

CMYK 63 / 29 / 0 / 19

HEX #4D92CF

RGB 77 146 207

HSL 208.15, 0.58%, 0.56%

LAB 58.64, -3.07, -37.86

 

CMYK 74 / 35 / 0 / 11

HEX #3B93E2

RGB 59 147 226

HSL 208.38, 0.74%, 0.56%

LAB 59.24, 0.12, -47.57

 

CMYK 83 / 39 / 0 / 4

HEX #2994F4

RGB 41 148 244

HSL 208.37, 0.9%, 0.56%

LAB 60.05, 4.21, -56.26

 

CMYK 63 / 29 / 0 / 19

HEX #4D92CF

RGB 77 146 207

HSL 208.15, 0.58%, 0.56%

LAB 58.64, -3.07, -37.86

 

CMYK 50 / 23 / 0 / 26

HEX #5F91BD

RGB 95 145 189

HSL 208.09, 0.42%, 0.56%

LAB 58.38, -4.42, -28.06

 

CMYK 33 / 16 / 0 / 33

HEX #7290AB

RGB 114 144 171

HSL 208.42, 0.25%, 0.56%

LAB 58.48, -3.83, -17.59

 

CMYK 14 / 7 / 0 / 40

HEX #848F99

RGB 132 143 153

HSL 208.57, 0.09%, 0.56%

LAB 58.84, -1.83, -6.66

 

CMYK 0 / 5 / 10 / 41

HEX #968E87

RGB 150 142 135

HSL 28, 0.07%, 0.56%

LAB 59.51, 1.69, 4.78

 

CMYK 63 / 0 / 4 / 19

HEX #4DCFC7

RGB 77 207 199

HSL 176.31, 0.58%, 0.56%

LAB 76.27, -37.02, -6.57

 

CMYK 63 / 13 / 0 / 19

HEX #4DB5CF

RGB 77 181 207

HSL 192, 0.58%, 0.56%

LAB 68.85, -22.11, -22.08

 

CMYK 63 / 29 / 0 / 19

HEX #4D93CF

RGB 77 147 207

HSL 207.69, 0.58%, 0.56%

LAB 58.93, -3.65, -37.41

 

CMYK 63 / 46 / 0 / 19

HEX #4D70CF

RGB 77 112 207

HSL 223.85, 0.58%, 0.56%

LAB 49.09, 17.39, -52.99

 

CMYK 63 / 63 / 0 / 19

HEX #4D4DCF

RGB 77 77 207

HSL 240, 0.58%, 0.56%

LAB 40.23, 39.21, -67.32

 

CMYK 74 / 34 / 0 / 37

HEX #2A69A0

RGB 42 105 160

HSL 207.97, 0.58%, 0.4%

LAB 42.96, -0.89, -35.53

 

CMYK 74 / 35 / 0 / 24

HEX #337EC1

RGB 51 126 193

HSL 208.31, 0.58%, 0.48%

LAB 51.24, -0.31, -41.63

 

CMYK 63 / 29 / 0 / 19

HEX #4D92CF

RGB 77 146 207

HSL 208.15, 0.58%, 0.56%

LAB 58.64, -3.07, -37.86

 

CMYK 49 / 23 / 0 / 15

HEX #6EA6D8

RGB 110 166 216

HSL 208.3, 0.58%, 0.64%

LAB 66.17, -4.69, -31.03

 

CMYK 37 / 17 / 0 / 12

HEX #8EBAE1

RGB 142 186 225

HSL 208.19, 0.58%, 0.72%

LAB 73.74, -5.07, -24.18

 

CMYK 63 / 30 / 0 / 18

HEX #4C92D0

RGB 76 146 208

HSL 208.18, 0.58%, 0.56%

LAB 58.65, -2.92, -38.41

 

CMYK 21 / 63 / 0 / 19

HEX #A44DCF

RGB 164 77 207

HSL 280.15, 0.58%, 0.56%

LAB 49.14, 56.72, -52.49

 

CMYK 4 / 0 / 63 / 19

HEX #C7CF4D

RGB 199 207 77

HSL 63.69, 0.58%, 0.56%

LAB 80.35, -19.34, 61.48

 

CMYK 63 / 30 / 0 / 18

HEX #4C92D0

RGB 76 146 208

HSL 208.18, 0.58%, 0.56%

LAB 58.65, -2.92, -38.41

 

CMYK 0 / 63 / 29 / 19

HEX #CF4D93

RGB 207 77 147

HSL 327.69, 0.58%, 0.56%

LAB 52.6, 58.05, -11.61

 

CMYK 29 / 0 / 63 / 19

HEX #93CF4D

RGB 147 207 77

HSL 87.69, 0.58%, 0.56%

LAB 76.9, -39.72, 56.75

 

CMYK 63 / 30 / 0 / 18

HEX #4C92D0

RGB 76 146 208

HSL 208.18, 0.58%, 0.56%

LAB 58.65, -2.92, -38.41

 

CMYK 21 / 63 / 0 / 19

HEX #A44DCF

RGB 164 77 207

HSL 280.15, 0.58%, 0.56%

LAB 49.14, 56.72, -52.49

 

CMYK 0 / 33 / 63 / 19

HEX #CF8A4D

RGB 207 138 77

HSL 28.15, 0.58%, 0.56%

LAB 63.32, 20.38, 42.81

 

CMYK 42 / 0 / 63 / 19

HEX #79CF4D

RGB 121 207 77

HSL 99.69, 0.58%, 0.56%

LAB 75.59, -48.64, 54.94

 

CMYK 63 / 30 / 0 / 18

HEX #4C92D0

RGB 76 146 208

HSL 208.18, 0.58%, 0.56%

LAB 58.65, -2.92, -38.41

 

CMYK 2 / 63 / 0 / 19

HEX #CB4DCF

RGB 203 77 207

HSL 298.15, 0.58%, 0.56%

LAB 54.56, 65.94, -43.52

 

CMYK 0 / 33 / 63 / 19

HEX #CF8A4D

RGB 207 138 77

HSL 28.15, 0.58%, 0.56%

LAB 63.32, 20.38, 42.81

 

CMYK 60 / 0 / 63 / 19

HEX #52CF4D

RGB 82 207 77

HSL 117.69, 0.58%, 0.56%

LAB 74.16, -59.41, 52.96

 

Description

Color code: HEX #4C92D0 | qconv.com Color code: HEX #4C92D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 146 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 146 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 30 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 30% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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