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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C7DA5 it is the complementary color #B3825A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C7DA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C7DA5 shade: #517DA0, #628FB3, #73A1C6, #84B3D9 and #95C5EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C7DA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C7DA5 shade: #4C7DA5, #3B6B92, #2A597F, #19476C and #083559

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C7DA5 shade: #4C7CA4, #4C64A4, #4C4CA4, #624CA4 and #7A4CA4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C7DA5 shade: #4C7CA4, #4C64A4 and #4C4CA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C7DA5 shade matches the following richer shades: #4C7CA4, #387EB8, #2580CB and #1182DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C7DA5 shade: #4C7CA4, #5F7A91, #72787D, #86766A and #997457

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C7DA5 shade: #4CA49B, #4C95A4, #4C7EA4, #4C66A4 and #4C4EA4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C7DA5 shade: #32526C, #3F6788, #4C7CA4, #6291B7 and #7EA5C4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C7DA5 shade: #4C7DA5, #844CA4 and #A1A44C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C7DA5 shade: #4C7DA5, #A44C7E and #7EA44C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C7DA5 shade: #4C7DA5, #844CA4, #A4724C and #6CA44C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C7DA5 shade: #4C7DA5, #9E4CA4, #A4724C and #51A44C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 24 / 0 / 35

HEX #4C7DA5

RGB 76 125 165

HSL 206.97, 0.37%, 0.47%

LAB 50.59, -4.75, -26.42

 

Complementary color

CMYK 0 / 27 / 50 / 30

HEX #B3825A

RGB 179 130 90

HSL 26.97, 0.37%, 0.53%

LAB 58.31, 14.05, 29.01

 

CMYK 49 / 22 / 0 / 37

HEX #517DA0

RGB 81 125 160

HSL 206.58, 0.33%, 0.47%

LAB 50.63, -5.11, -23.43

 

CMYK 45 / 20 / 0 / 30

HEX #628FB3

RGB 98 143 179

HSL 206.67, 0.35%, 0.54%

LAB 57.56, -5.49, -23.64

 

CMYK 42 / 19 / 0 / 22

HEX #73A1C6

RGB 115 161 198

HSL 206.75, 0.42%, 0.61%

LAB 64.33, -5.8, -23.86

 

CMYK 39 / 18 / 0 / 15

HEX #84B3D9

RGB 132 179 217

HSL 206.82, 0.53%, 0.68%

LAB 70.98, -6.05, -24.1

 

CMYK 37 / 17 / 0 / 7

HEX #95C5EC

RGB 149 197 236

HSL 206.9, 0.7%, 0.75%

LAB 77.51, -6.26, -24.34

 

CMYK 54 / 24 / 0 / 35

HEX #4C7DA5

RGB 76 125 165

HSL 206.97, 0.37%, 0.47%

LAB 50.59, -4.75, -26.42

 

CMYK 60 / 27 / 0 / 43

HEX #3B6B92

RGB 59 107 146

HSL 206.9, 0.42%, 0.4%

LAB 43.54, -4.07, -26.26

 

CMYK 67 / 30 / 0 / 50

HEX #2A597F

RGB 42 89 127

HSL 206.82, 0.5%, 0.33%

LAB 36.31, -3.12, -26.11

 

CMYK 77 / 34 / 0 / 58

HEX #19476C

RGB 25 71 108

HSL 206.75, 0.62%, 0.26%

LAB 28.89, -1.75, -25.95

 

CMYK 91 / 40 / 0 / 65

HEX #083559

RGB 8 53 89

HSL 206.67, 0.84%, 0.19%

LAB 21.28, 0.37, -25.73

 

CMYK 54 / 24 / 0 / 36

HEX #4C7CA4

RGB 76 124 164

HSL 207.27, 0.37%, 0.47%

LAB 50.25, -4.48, -26.37

 

CMYK 54 / 39 / 0 / 36

HEX #4C64A4

RGB 76 100 164

HSL 223.64, 0.37%, 0.47%

LAB 43.26, 10.13, -37.33

 

CMYK 54 / 54 / 0 / 36

HEX #4C4CA4

RGB 76 76 164

HSL 240, 0.37%, 0.47%

LAB 36.72, 25.44, -47.77

 

CMYK 40 / 54 / 0 / 36

HEX #624CA4

RGB 98 76 164

HSL 255, 0.37%, 0.47%

LAB 38.63, 30.59, -44.59

 

CMYK 26 / 54 / 0 / 36

HEX #7A4CA4

RGB 122 76 164

HSL 271.36, 0.37%, 0.47%

LAB 41.2, 36.89, -40.35

 

CMYK 54 / 24 / 0 / 36

HEX #4C7CA4

RGB 76 124 164

HSL 207.27, 0.37%, 0.47%

LAB 50.25, -4.48, -26.37

 

CMYK 54 / 39 / 0 / 36

HEX #4C64A4

RGB 76 100 164

HSL 223.64, 0.37%, 0.47%

LAB 43.26, 10.13, -37.33

 

CMYK 54 / 54 / 0 / 36

HEX #4C4CA4

RGB 76 76 164

HSL 240, 0.37%, 0.47%

LAB 36.72, 25.44, -47.77

 

CMYK 54 / 24 / 0 / 36

HEX #4C7CA4

RGB 76 124 164

HSL 207.27, 0.37%, 0.47%

LAB 50.25, -4.48, -26.37

 

CMYK 70 / 32 / 0 / 28

HEX #387EB8

RGB 56 126 184

HSL 207.19, 0.53%, 0.47%

LAB 50.95, -2.8, -36.92

 

CMYK 82 / 37 / 0 / 20

HEX #2580CB

RGB 37 128 203

HSL 207.11, 0.69%, 0.47%

LAB 52, 0.59, -46.16

 

CMYK 92 / 41 / 0 / 13

HEX #1182DE

RGB 17 130 222

HSL 206.93, 0.86%, 0.47%

LAB 53.34, 5.29, -54.77

 

CMYK 54 / 24 / 0 / 36

HEX #4C7CA4

RGB 76 124 164

HSL 207.27, 0.37%, 0.47%

LAB 50.25, -4.48, -26.37

 

CMYK 34 / 16 / 0 / 43

HEX #5F7A91

RGB 95 122 145

HSL 207.6, 0.21%, 0.47%

LAB 49.97, -3.82, -15.6

 

CMYK 9 / 4 / 0 / 51

HEX #72787D

RGB 114 120 125

HSL 207.27, 0.05%, 0.47%

LAB 50.09, -1.18, -3.52

 

CMYK 0 / 12 / 21 / 47

HEX #86766A

RGB 134 118 106

HSL 25.71, 0.12%, 0.47%

LAB 50.76, 4.12, 8.87

 

CMYK 0 / 24 / 43 / 40

HEX #997457

RGB 153 116 87

HSL 26.36, 0.28%, 0.47%

LAB 51.78, 10.6, 21.63

 

CMYK 54 / 0 / 5 / 36

HEX #4CA49B

RGB 76 164 155

HSL 173.86, 0.37%, 0.47%

LAB 62.04, -28.6, -3.38

 

CMYK 54 / 9 / 0 / 36

HEX #4C95A4

RGB 76 149 164

HSL 190.23, 0.37%, 0.47%

LAB 57.76, -18.44, -14.87

 

CMYK 54 / 23 / 0 / 36

HEX #4C7EA4

RGB 76 126 164

HSL 205.91, 0.37%, 0.47%

LAB 50.85, -5.65, -25.45

 

CMYK 54 / 38 / 0 / 36

HEX #4C66A4

RGB 76 102 164

HSL 222.27, 0.37%, 0.47%

LAB 43.83, 8.87, -36.43

 

CMYK 54 / 52 / 0 / 36

HEX #4C4EA4

RGB 76 78 164

HSL 238.64, 0.37%, 0.47%

LAB 37.24, 24.17, -46.94

 

CMYK 54 / 24 / 0 / 58

HEX #32526C

RGB 50 82 108

HSL 206.9, 0.37%, 0.31%

LAB 33.55, -3.61, -18.59

 

CMYK 54 / 24 / 0 / 47

HEX #3F6788

RGB 63 103 136

HSL 207.12, 0.37%, 0.39%

LAB 42.05, -4.06, -22.56

 

CMYK 54 / 24 / 0 / 36

HEX #4C7CA4

RGB 76 124 164

HSL 207.27, 0.37%, 0.47%

LAB 50.25, -4.48, -26.37

 

CMYK 46 / 21 / 0 / 28

HEX #6291B7

RGB 98 145 183

HSL 206.82, 0.37%, 0.55%

LAB 58.29, -5.46, -24.78

 

CMYK 36 / 16 / 0 / 23

HEX #7EA5C4

RGB 126 165 196

HSL 206.57, 0.37%, 0.63%

LAB 66.01, -5.55, -20.13

 

CMYK 54 / 24 / 0 / 35

HEX #4C7DA5

RGB 76 125 165

HSL 206.97, 0.37%, 0.47%

LAB 50.59, -4.75, -26.42

 

CMYK 20 / 54 / 0 / 36

HEX #844CA4

RGB 132 76 164

HSL 278.18, 0.37%, 0.47%

LAB 42.39, 39.64, -38.38

 

CMYK 2 / 0 / 54 / 36

HEX #A1A44C

RGB 161 164 76

HSL 62.05, 0.37%, 0.47%

LAB 65.48, -13.51, 44.63

 

CMYK 54 / 24 / 0 / 35

HEX #4C7DA5

RGB 76 125 165

HSL 206.97, 0.37%, 0.47%

LAB 50.59, -4.75, -26.42

 

CMYK 0 / 54 / 23 / 36

HEX #A44C7E

RGB 164 76 126

HSL 325.91, 0.37%, 0.47%

LAB 45.04, 42.32, -11.06

 

CMYK 23 / 0 / 54 / 36

HEX #7EA44C

RGB 126 164 76

HSL 85.91, 0.37%, 0.47%

LAB 62.93, -27.83, 41.02

 

CMYK 54 / 24 / 0 / 35

HEX #4C7DA5

RGB 76 125 165

HSL 206.97, 0.37%, 0.47%

LAB 50.59, -4.75, -26.42

 

CMYK 20 / 54 / 0 / 36

HEX #844CA4

RGB 132 76 164

HSL 278.18, 0.37%, 0.47%

LAB 42.39, 39.64, -38.38

 

CMYK 0 / 30 / 54 / 36

HEX #A4724C

RGB 164 114 76

HSL 25.91, 0.37%, 0.47%

LAB 52.34, 15.33, 28.84

 

CMYK 34 / 0 / 54 / 36

HEX #6CA44C

RGB 108 164 76

HSL 98.18, 0.37%, 0.47%

LAB 61.88, -34.55, 39.51

 

CMYK 54 / 24 / 0 / 35

HEX #4C7DA5

RGB 76 125 165

HSL 206.97, 0.37%, 0.47%

LAB 50.59, -4.75, -26.42

 

CMYK 4 / 54 / 0 / 36

HEX #9E4CA4

RGB 158 76 164

HSL 295.91, 0.37%, 0.47%

LAB 45.8, 46.95, -32.78

 

CMYK 0 / 30 / 54 / 36

HEX #A4724C

RGB 164 114 76

HSL 25.91, 0.37%, 0.47%

LAB 52.34, 15.33, 28.84

 

CMYK 51 / 0 / 54 / 36

HEX #51A44C

RGB 81 164 76

HSL 116.59, 0.37%, 0.47%

LAB 60.62, -43.29, 37.7

 

Description

Color code: HEX #4C7DA5 | qconv.com Color code: HEX #4C7DA5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 125 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 125 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 24 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 24% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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