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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C7C95 it is the complementary color #B3836A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C7C95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C7C95 shade: #517C90, #628EA3, #73A0B6, #84B2C9 and #95C4DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C7C95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C7C95 shade: #4C7C95, #3B6A82, #2A586F, #19465C and #083449

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C7C95 shade: #4C7C94, #4C6894, #4C5594, #574C94 and #6B4C94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C7C95 shade: #4C7C94, #4C6894, #4C5594 and #4C4C94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C7C95 shade matches the following richer shades: #4C7C94, #3A81A6, #2887B8, #168DCB and #0492DD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C7C95 shade: #4C7C94, #5E7682, #717070, #836A5E and #95654B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C7C95 shade: #4C9486, #4C8F94, #4C7C94, #4C6994 and #4C5694

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C7C95 shade: #304E5E, #3E6579, #4C7C94, #5E91AC and #79A4BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C7C95 shade: #4C7C95, #734C94 and #948F4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C7C95 shade: #4C7C95, #944C7C and #7C944C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C7C95 shade: #4C7C95, #734C94, #94644C and #6E944C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C7C95 shade: #4C7C95, #884C94, #94644C and #58944C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 17 / 0 / 42

HEX #4C7C95

RGB 76 124 149

HSL 200.55, 0.32%, 0.44%

LAB 49.64, -9.11, -18.55

 

Complementary color

CMYK 0 / 27 / 41 / 30

HEX #B3836A

RGB 179 131 106

HSL 20.55, 0.32%, 0.56%

LAB 58.84, 15.2, 20.77

 

CMYK 44 / 14 / 0 / 44

HEX #517C90

RGB 81 124 144

HSL 199.05, 0.28%, 0.44%

LAB 49.71, -9.28, -15.49

 

CMYK 40 / 13 / 0 / 36

HEX #628EA3

RGB 98 142 163

HSL 199.38, 0.26%, 0.51%

LAB 56.67, -9.43, -15.85

 

CMYK 37 / 12 / 0 / 29

HEX #73A0B6

RGB 115 160 182

HSL 199.7, 0.31%, 0.58%

LAB 63.48, -9.55, -16.22

 

CMYK 34 / 11 / 0 / 21

HEX #84B2C9

RGB 132 178 201

HSL 200, 0.39%, 0.65%

LAB 70.15, -9.65, -16.58

 

CMYK 32 / 11 / 0 / 14

HEX #95C4DC

RGB 149 196 220

HSL 200.28, 0.5%, 0.72%

LAB 76.7, -9.72, -16.95

 

CMYK 49 / 17 / 0 / 42

HEX #4C7C95

RGB 76 124 149

HSL 200.55, 0.32%, 0.44%

LAB 49.64, -9.11, -18.55

 

CMYK 55 / 18 / 0 / 49

HEX #3B6A82

RGB 59 106 130

HSL 200.28, 0.38%, 0.37%

LAB 42.54, -8.74, -18.22

 

CMYK 62 / 21 / 0 / 56

HEX #2A586F

RGB 42 88 111

HSL 200, 0.45%, 0.3%

LAB 35.24, -8.2, -17.89

 

CMYK 73 / 24 / 0 / 64

HEX #19465C

RGB 25 70 92

HSL 199.7, 0.57%, 0.23%

LAB 27.74, -7.33, -17.52

 

CMYK 89 / 29 / 0 / 71

HEX #083449

RGB 8 52 73

HSL 199.38, 0.8%, 0.16%

LAB 20, -5.86, -17.08

 

CMYK 49 / 16 / 0 / 42

HEX #4C7C94

RGB 76 124 148

HSL 200, 0.32%, 0.44%

LAB 49.6, -9.41, -18.02

 

CMYK 49 / 30 / 0 / 42

HEX #4C6894

RGB 76 104 148

HSL 216.67, 0.32%, 0.44%

LAB 43.62, 2.45, -27.26

 

CMYK 49 / 43 / 0 / 42

HEX #4C5594

RGB 76 85 148

HSL 232.5, 0.32%, 0.44%

LAB 38.15, 14.43, -35.86

 

CMYK 41 / 49 / 0 / 42

HEX #574C94

RGB 87 76 148

HSL 249.17, 0.32%, 0.44%

LAB 36.62, 23.05, -38.24

 

CMYK 28 / 49 / 0 / 42

HEX #6B4C94

RGB 107 76 148

HSL 265.83, 0.32%, 0.44%

LAB 38.61, 28.63, -34.96

 

CMYK 49 / 16 / 0 / 42

HEX #4C7C94

RGB 76 124 148

HSL 200, 0.32%, 0.44%

LAB 49.6, -9.41, -18.02

 

CMYK 49 / 30 / 0 / 42

HEX #4C6894

RGB 76 104 148

HSL 216.67, 0.32%, 0.44%

LAB 43.62, 2.45, -27.26

 

CMYK 49 / 43 / 0 / 42

HEX #4C5594

RGB 76 85 148

HSL 232.5, 0.32%, 0.44%

LAB 38.15, 14.43, -35.86

 

CMYK 49 / 49 / 0 / 42

HEX #4C4C94

RGB 76 76 148

HSL 240, 0.32%, 0.44%

LAB 35.68, 20.23, -39.79

 

CMYK 49 / 16 / 0 / 42

HEX #4C7C94

RGB 76 124 148

HSL 200, 0.32%, 0.44%

LAB 49.6, -9.41, -18.02

 

CMYK 65 / 22 / 0 / 35

HEX #3A81A6

RGB 58 129 166

HSL 200.56, 0.48%, 0.44%

LAB 51.1, -10.42, -26.28

 

CMYK 78 / 27 / 0 / 28

HEX #2887B8

RGB 40 135 184

HSL 200.42, 0.64%, 0.44%

LAB 53.21, -10.18, -33.4

 

CMYK 89 / 31 / 0 / 20

HEX #168DCB

RGB 22 141 203

HSL 200.55, 0.8%, 0.44%

LAB 55.62, -8.18, -40.45

 

CMYK 98 / 34 / 0 / 13

HEX #0492DD

RGB 4 146 221

HSL 200.74, 0.96%, 0.44%

LAB 57.85, -5.04, -47.04

 

CMYK 49 / 16 / 0 / 42

HEX #4C7C94

RGB 76 124 148

HSL 200, 0.32%, 0.44%

LAB 49.6, -9.41, -18.02

 

CMYK 28 / 9 / 0 / 49

HEX #5E7682

RGB 94 118 130

HSL 200, 0.16%, 0.44%

LAB 48.19, -5.76, -9.45

 

CMYK 0 / 1 / 1 / 56

HEX #717070

RGB 113 112 112

HSL 0, 0%, 0.44%

LAB 47.33, 0.39, 0.13

 

CMYK 0 / 19 / 28 / 49

HEX #836A5E

RGB 131 106 94

HSL 19.46, 0.16%, 0.44%

LAB 46.9, 8.01, 10.48

 

CMYK 0 / 32 / 50 / 42

HEX #95654B

RGB 149 101 75

HSL 21.08, 0.33%, 0.44%

LAB 47.24, 16.22, 22.51

 

CMYK 49 / 0 / 9 / 42

HEX #4C9486

RGB 76 148 134

HSL 168.33, 0.32%, 0.44%

LAB 56.52, -26.14, 0.44

 

CMYK 49 / 3 / 0 / 42

HEX #4C8F94

RGB 76 143 148

HSL 184.17, 0.32%, 0.44%

LAB 55.4, -19.84, -9.26

 

CMYK 49 / 16 / 0 / 42

HEX #4C7C94

RGB 76 124 148

HSL 200, 0.32%, 0.44%

LAB 49.6, -9.41, -18.02

 

CMYK 49 / 29 / 0 / 42

HEX #4C6994

RGB 76 105 148

HSL 215.83, 0.32%, 0.44%

LAB 43.91, 1.84, -26.8

 

CMYK 49 / 42 / 0 / 42

HEX #4C5694

RGB 76 86 148

HSL 231.67, 0.32%, 0.44%

LAB 38.43, 13.79, -35.42

 

CMYK 49 / 17 / 0 / 63

HEX #304E5E

RGB 48 78 94

HSL 200.87, 0.32%, 0.28%

LAB 31.54, -6.25, -12.85

 

CMYK 49 / 17 / 0 / 53

HEX #3E6579

RGB 62 101 121

HSL 200.34, 0.32%, 0.36%

LAB 40.75, -7.87, -15.49

 

CMYK 49 / 16 / 0 / 42

HEX #4C7C94

RGB 76 124 148

HSL 200, 0.32%, 0.44%

LAB 49.6, -9.41, -18.02

 

CMYK 45 / 16 / 0 / 33

HEX #5E91AC

RGB 94 145 172

HSL 200.77, 0.32%, 0.52%

LAB 57.66, -9.65, -19.5

 

CMYK 35 / 12 / 0 / 27

HEX #79A4BA

RGB 121 164 186

HSL 200.31, 0.32%, 0.6%

LAB 65.09, -9.01, -15.98

 

CMYK 49 / 17 / 0 / 42

HEX #4C7C95

RGB 76 124 149

HSL 200.55, 0.32%, 0.44%

LAB 49.64, -9.11, -18.55

 

CMYK 22 / 49 / 0 / 42

HEX #734C94

RGB 115 76 148

HSL 272.5, 0.32%, 0.44%

LAB 39.5, 30.98, -33.49

 

CMYK 0 / 3 / 49 / 42

HEX #948F4C

RGB 148 143 76

HSL 55.83, 0.32%, 0.44%

LAB 58.47, -7.9, 36.07

 

CMYK 49 / 17 / 0 / 42

HEX #4C7C95

RGB 76 124 149

HSL 200.55, 0.32%, 0.44%

LAB 49.64, -9.11, -18.55

 

CMYK 0 / 49 / 16 / 42

HEX #944C7C

RGB 148 76 124

HSL 320, 0.32%, 0.44%

LAB 42.64, 36.66, -13.69

 

CMYK 16 / 0 / 49 / 42

HEX #7C944C

RGB 124 148 76

HSL 80, 0.32%, 0.44%

LAB 58.02, -20.66, 35.08

 

CMYK 49 / 17 / 0 / 42

HEX #4C7C95

RGB 76 124 149

HSL 200.55, 0.32%, 0.44%

LAB 49.64, -9.11, -18.55

 

CMYK 22 / 49 / 0 / 42

HEX #734C94

RGB 115 76 148

HSL 272.5, 0.32%, 0.44%

LAB 39.5, 30.98, -33.49

 

CMYK 0 / 32 / 49 / 42

HEX #94644C

RGB 148 100 76

HSL 20, 0.32%, 0.44%

LAB 46.89, 16.47, 21.43

 

CMYK 26 / 0 / 49 / 42

HEX #6E944C

RGB 110 148 76

HSL 91.67, 0.32%, 0.44%

LAB 57.09, -26.2, 33.73

 

CMYK 49 / 17 / 0 / 42

HEX #4C7C95

RGB 76 124 149

HSL 200.55, 0.32%, 0.44%

LAB 49.64, -9.11, -18.55

 

CMYK 8 / 49 / 0 / 42

HEX #884C94

RGB 136 76 148

HSL 290, 0.32%, 0.44%

LAB 42.06, 37.3, -29.28

 

CMYK 0 / 32 / 49 / 42

HEX #94644C

RGB 148 100 76

HSL 20, 0.32%, 0.44%

LAB 46.89, 16.47, 21.43

 

CMYK 41 / 0 / 49 / 42

HEX #58944C

RGB 88 148 76

HSL 110, 0.32%, 0.44%

LAB 55.86, -34.14, 31.93

 

Description

Color code: HEX #4C7C95 | qconv.com Color code: HEX #4C7C95 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 124 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 124 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 17 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 17% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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