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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C5E8A it is the complementary color #B3A175. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C5E8A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C5E8A shade: #515E85, #627098, #7382AB, #8494BE and #95A6D1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C5E8A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C5E8A shade: #4C5E8A, #3B4C77, #2A3A64, #192851 and #08163E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C5E8A shade: #4C5E8A, #4C4D8A, #5B4C8A, #6C4C8A and #7D4C8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C5E8A shade: #4C5E8A, #4C4D8A and #4C4C8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C5E8A shade matches the following richer shades: #4C5E8A, #3A569B, #294FAC, #1848BE and #0641CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C5E8A shade: #4C5E8A, #5D6578, #6E6C67, #807356 and #917B44

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C5E8A shade: #4C7F8A, #4C6F8A, #4C5E8A, #4C4E8A and #5A4C8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C5E8A shade: #2E3954, #3D4B6F, #4C5E8A, #5A70A4 and #7587B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C5E8A shade: #4C5E8A, #834C8A and #778A4C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C5E8A shade: #4C5E8A, #8A4C5E and #5E8A4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C5E8A shade: #4C5E8A, #834C8A, #8A774C and #528A4C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C5E8A shade: #4C5E8A, #8A4C7D, #8A774C and #4C8A58

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 32 / 0 / 46

HEX #4C5E8A

RGB 76 94 138

HSL 222.58, 0.29%, 0.42%

LAB 40.21, 5.53, -26.58

 

Complementary color

CMYK 0 / 10 / 35 / 30

HEX #B3A175

RGB 179 161 117

HSL 42.58, 0.29%, 0.58%

LAB 66.79, -0.04, 25.34

 

CMYK 39 / 29 / 0 / 48

HEX #515E85

RGB 81 94 133

HSL 225, 0.24%, 0.42%

LAB 40.33, 5.44, -23.34

 

CMYK 36 / 26 / 0 / 40

HEX #627098

RGB 98 112 152

HSL 224.44, 0.22%, 0.49%

LAB 47.56, 4.94, -23.4

 

CMYK 33 / 24 / 0 / 33

HEX #7382AB

RGB 115 130 171

HSL 223.93, 0.25%, 0.56%

LAB 54.61, 4.52, -23.51

 

CMYK 31 / 22 / 0 / 25

HEX #8494BE

RGB 132 148 190

HSL 223.45, 0.31%, 0.63%

LAB 61.48, 4.16, -23.65

 

CMYK 29 / 21 / 0 / 18

HEX #95A6D1

RGB 149 166 209

HSL 223, 0.39%, 0.7%

LAB 68.22, 3.85, -23.83

 

CMYK 45 / 32 / 0 / 46

HEX #4C5E8A

RGB 76 94 138

HSL 222.58, 0.29%, 0.42%

LAB 40.21, 5.53, -26.58

 

CMYK 50 / 36 / 0 / 53

HEX #3B4C77

RGB 59 76 119

HSL 223, 0.34%, 0.35%

LAB 32.77, 6.31, -26.65

 

CMYK 58 / 42 / 0 / 61

HEX #2A3A64

RGB 42 58 100

HSL 223.45, 0.41%, 0.28%

LAB 25.07, 7.38, -26.81

 

CMYK 69 / 51 / 0 / 68

HEX #192851

RGB 25 40 81

HSL 223.93, 0.53%, 0.21%

LAB 17.08, 8.95, -27.06

 

CMYK 87 / 65 / 0 / 76

HEX #08163E

RGB 8 22 62

HSL 224.44, 0.77%, 0.14%

LAB 8.77, 11.47, -27.35

 

CMYK 45 / 32 / 0 / 46

HEX #4C5E8A

RGB 76 94 138

HSL 222.58, 0.29%, 0.42%

LAB 40.21, 5.53, -26.58

 

CMYK 45 / 44 / 0 / 46

HEX #4C4D8A

RGB 76 77 138

HSL 239.03, 0.29%, 0.42%

LAB 35.36, 16.4, -34.21

 

CMYK 34 / 45 / 0 / 46

HEX #5B4C8A

RGB 91 76 138

HSL 254.52, 0.29%, 0.42%

LAB 36.42, 21.25, -32.45

 

CMYK 22 / 45 / 0 / 46

HEX #6C4C8A

RGB 108 76 138

HSL 270.97, 0.29%, 0.42%

LAB 38.18, 26.39, -29.55

 

CMYK 9 / 45 / 0 / 46

HEX #7D4C8A

RGB 125 76 138

HSL 287.42, 0.29%, 0.42%

LAB 40.19, 31.74, -26.27

 

CMYK 45 / 32 / 0 / 46

HEX #4C5E8A

RGB 76 94 138

HSL 222.58, 0.29%, 0.42%

LAB 40.21, 5.53, -26.58

 

CMYK 45 / 44 / 0 / 46

HEX #4C4D8A

RGB 76 77 138

HSL 239.03, 0.29%, 0.42%

LAB 35.36, 16.4, -34.21

 

CMYK 45 / 45 / 0 / 46

HEX #4C4C8A

RGB 76 76 138

HSL 240, 0.29%, 0.42%

LAB 35.08, 17.05, -34.65

 

CMYK 45 / 32 / 0 / 46

HEX #4C5E8A

RGB 76 94 138

HSL 222.58, 0.29%, 0.42%

LAB 40.21, 5.53, -26.58

 

CMYK 63 / 45 / 0 / 39

HEX #3A569B

RGB 58 86 155

HSL 222.68, 0.46%, 0.42%

LAB 37.7, 12.11, -40.86

 

CMYK 76 / 54 / 0 / 33

HEX #294FAC

RGB 41 79 172

HSL 222.6, 0.62%, 0.42%

LAB 36.06, 20.4, -53.7

 

CMYK 87 / 62 / 0 / 25

HEX #1848BE

RGB 24 72 190

HSL 222.65, 0.78%, 0.42%

LAB 35.1, 30.51, -65.93

 

CMYK 97 / 69 / 0 / 19

HEX #0641CF

RGB 6 65 207

HSL 222.39, 0.94%, 0.42%

LAB 34.65, 40.8, -76.59

 

CMYK 45 / 32 / 0 / 46

HEX #4C5E8A

RGB 76 94 138

HSL 222.58, 0.29%, 0.42%

LAB 40.21, 5.53, -26.58

 

CMYK 23 / 16 / 0 / 53

HEX #5D6578

RGB 93 101 120

HSL 222.22, 0.13%, 0.42%

LAB 42.75, 1.43, -11.66

 

CMYK 0 / 2 / 6 / 57

HEX #6E6C67

RGB 110 108 103

HSL 42.86, 0.03%, 0.42%

LAB 45.66, -0.21, 3.06

 

CMYK 0 / 10 / 33 / 50

HEX #807356

RGB 128 115 86

HSL 41.43, 0.2%, 0.42%

LAB 48.91, 0.32, 17.91

 

CMYK 0 / 15 / 53 / 43

HEX #917B44

RGB 145 123 68

HSL 42.86, 0.36%, 0.42%

LAB 52.51, 1.11, 32.98

 

CMYK 45 / 8 / 0 / 46

HEX #4C7F8A

RGB 76 127 138

HSL 190.65, 0.29%, 0.42%

LAB 50.16, -14.02, -11.32

 

CMYK 45 / 20 / 0 / 46

HEX #4C6F8A

RGB 76 111 138

HSL 206.13, 0.29%, 0.42%

LAB 45.28, -4.85, -18.73

 

CMYK 45 / 32 / 0 / 46

HEX #4C5E8A

RGB 76 94 138

HSL 222.58, 0.29%, 0.42%

LAB 40.21, 5.53, -26.58

 

CMYK 45 / 43 / 0 / 46

HEX #4C4E8A

RGB 76 78 138

HSL 238.06, 0.29%, 0.42%

LAB 35.64, 15.75, -33.77

 

CMYK 35 / 45 / 0 / 46

HEX #5A4C8A

RGB 90 76 138

HSL 253.55, 0.29%, 0.42%

LAB 36.32, 20.96, -32.61

 

CMYK 45 / 32 / 0 / 67

HEX #2E3954

RGB 46 57 84

HSL 222.63, 0.29%, 0.25%

LAB 24.15, 3.56, -17.79

 

CMYK 45 / 32 / 0 / 56

HEX #3D4B6F

RGB 61 75 111

HSL 223.2, 0.29%, 0.34%

LAB 32.2, 4.89, -22.53

 

CMYK 45 / 32 / 0 / 46

HEX #4C5E8A

RGB 76 94 138

HSL 222.58, 0.29%, 0.42%

LAB 40.21, 5.53, -26.58

 

CMYK 45 / 32 / 0 / 36

HEX #5A70A4

RGB 90 112 164

HSL 222.16, 0.29%, 0.5%

LAB 47.55, 6.19, -30.52

 

CMYK 35 / 25 / 0 / 30

HEX #7587B3

RGB 117 135 179

HSL 222.58, 0.29%, 0.58%

LAB 56.45, 4.34, -25.24

 

CMYK 45 / 32 / 0 / 46

HEX #4C5E8A

RGB 76 94 138

HSL 222.58, 0.29%, 0.42%

LAB 40.21, 5.53, -26.58

 

CMYK 5 / 45 / 0 / 46

HEX #834C8A

RGB 131 76 138

HSL 293.23, 0.29%, 0.42%

LAB 40.94, 33.66, -25.03

 

CMYK 14 / 0 / 45 / 46

HEX #778A4C

RGB 119 138 76

HSL 78.39, 0.29%, 0.42%

LAB 54.68, -17.52, 30.87

 

CMYK 45 / 32 / 0 / 46

HEX #4C5E8A

RGB 76 94 138

HSL 222.58, 0.29%, 0.42%

LAB 40.21, 5.53, -26.58

 

CMYK 0 / 45 / 32 / 46

HEX #8A4C5E

RGB 138 76 94

HSL 342.58, 0.29%, 0.42%

LAB 40.21, 28.42, 1.05

 

CMYK 32 / 0 / 45 / 46

HEX #5E8A4C

RGB 94 138 76

HSL 102.58, 0.29%, 0.42%

LAB 53.04, -27.31, 28.45

 

CMYK 45 / 32 / 0 / 46

HEX #4C5E8A

RGB 76 94 138

HSL 222.58, 0.29%, 0.42%

LAB 40.21, 5.53, -26.58

 

CMYK 5 / 45 / 0 / 46

HEX #834C8A

RGB 131 76 138

HSL 293.23, 0.29%, 0.42%

LAB 40.94, 33.66, -25.03

 

CMYK 0 / 14 / 45 / 46

HEX #8A774C

RGB 138 119 76

HSL 41.61, 0.29%, 0.42%

LAB 50.83, 1.11, 26.33

 

CMYK 41 / 0 / 45 / 46

HEX #528A4C

RGB 82 138 76

HSL 114.19, 0.29%, 0.42%

LAB 52.39, -31.53, 27.49

 

CMYK 45 / 32 / 0 / 46

HEX #4C5E8A

RGB 76 94 138

HSL 222.58, 0.29%, 0.42%

LAB 40.21, 5.53, -26.58

 

CMYK 0 / 45 / 9 / 46

HEX #8A4C7D

RGB 138 76 125

HSL 312.58, 0.29%, 0.42%

LAB 41.3, 33.44, -16.47

 

CMYK 0 / 14 / 45 / 46

HEX #8A774C

RGB 138 119 76

HSL 41.61, 0.29%, 0.42%

LAB 50.83, 1.11, 26.33

 

CMYK 45 / 0 / 36 / 46

HEX #4C8A58

RGB 76 138 88

HSL 131.61, 0.29%, 0.42%

LAB 52.31, -31.44, 20.71

 

Description

Color code: HEX #4C5E8A | qconv.com Color code: HEX #4C5E8A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 94 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 94 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 32 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 32% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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