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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C572E it is the complementary color #B3A8D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C572E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C572E shade: #515729, #62693C, #737B4F, #848D62 and #959F75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C572E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C572E shade: #4C572E, #3B451B, #2A3308, #192100 and #080F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C572E shade: #4C572E, #57572E, #574C2E, #57412E and #57362E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C572E shade: #4C572E, #41572E, #36572E, #2E5731 and #2E573C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C572E shade matches the following richer shades: #4C572E, #516223, #566C18, #5B770E and #608203

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C572E shade: #4C572E, #474C38, #424143, #3D374E and #382C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C572E shade: #574C2E, #57572E, #4C572E, #41572E and #36572E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C572E shade: #1D2111, #343C20, #4C572E, #63723C and #7B8D4A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C572E shade: #4C572E, #2E5741 and #512E57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C572E shade: #4C572E, #2E4C57 and #572E4C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C572E shade: #4C572E, #2E5741, #392E57 and #572E44

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C572E shade: #4C572E, #2E574D, #392E57 and #572E37

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 47 / 66

HEX #4C572E

RGB 76 87 46

HSL 76.1, 0.31%, 0.26%

LAB 35.1, -11.88, 22.34

 

Complementary color

CMYK 14 / 20 / 0 / 18

HEX #B3A8D1

RGB 179 168 209

HSL 256.1, 0.31%, 0.74%

LAB 71, 12.07, -19.38

 

CMYK 7 / 0 / 53 / 66

HEX #515729

RGB 81 87 41

HSL 67.83, 0.36%, 0.25%

LAB 35.45, -10.19, 25.71

 

CMYK 7 / 0 / 43 / 59

HEX #62693C

RGB 98 105 60

HSL 69.33, 0.27%, 0.32%

LAB 42.8, -10.51, 24.38

 

CMYK 7 / 0 / 36 / 52

HEX #737B4F

RGB 115 123 79

HSL 70.91, 0.22%, 0.4%

LAB 49.95, -10.71, 23.1

 

CMYK 6 / 0 / 30 / 45

HEX #848D62

RGB 132 141 98

HSL 72.56, 0.18%, 0.47%

LAB 56.92, -10.85, 21.9

 

CMYK 6 / 0 / 26 / 38

HEX #959F75

RGB 149 159 117

HSL 74.29, 0.18%, 0.54%

LAB 63.73, -10.96, 20.78

 

CMYK 13 / 0 / 47 / 66

HEX #4C572E

RGB 76 87 46

HSL 76.1, 0.31%, 0.26%

LAB 35.1, -11.88, 22.34

 

CMYK 14 / 0 / 61 / 73

HEX #3B451B

RGB 59 69 27

HSL 74.29, 0.44%, 0.19%

LAB 27.48, -11.63, 23.68

 

CMYK 18 / 0 / 84 / 80

HEX #2A3308

RGB 42 51 8

HSL 72.56, 0.73%, 0.12%

LAB 19.55, -11.1, 24.12

 

CMYK 24 / 0 / 100 / 87

HEX #192100

RGB 25 33 0

HSL 74.55, 1%, 0.06%

LAB 11.24, -9.89, 16.51

 

CMYK 47 / 0 / 100 / 94

HEX #080F00

RGB 8 15 0

HSL 88, 1%, 0.03%

LAB 3.55, -4.21, 5.24

 

CMYK 13 / 0 / 47 / 66

HEX #4C572E

RGB 76 87 46

HSL 76.1, 0.31%, 0.26%

LAB 35.1, -11.88, 22.34

 

CMYK 0 / 0 / 47 / 66

HEX #57572E

RGB 87 87 46

HSL 60, 0.31%, 0.26%

LAB 36.06, -6.82, 23.74

 

CMYK 0 / 13 / 47 / 66

HEX #574C2E

RGB 87 76 46

HSL 43.9, 0.31%, 0.26%

LAB 32.68, -0.18, 19.5

 

CMYK 0 / 25 / 47 / 66

HEX #57412E

RGB 87 65 46

HSL 27.8, 0.31%, 0.26%

LAB 29.42, 6.71, 15.27

 

CMYK 0 / 38 / 47 / 66

HEX #57362E

RGB 87 54 46

HSL 11.71, 0.31%, 0.26%

LAB 26.34, 13.71, 11.14

 

CMYK 13 / 0 / 47 / 66

HEX #4C572E

RGB 76 87 46

HSL 76.1, 0.31%, 0.26%

LAB 35.1, -11.88, 22.34

 

CMYK 25 / 0 / 47 / 66

HEX #41572E

RGB 65 87 46

HSL 92.2, 0.31%, 0.26%

LAB 34.27, -16.69, 21.11

 

CMYK 38 / 0 / 47 / 66

HEX #36572E

RGB 54 87 46

HSL 108.29, 0.31%, 0.26%

LAB 33.56, -21.13, 20.06

 

CMYK 47 / 0 / 44 / 66

HEX #2E5731

RGB 46 87 49

HSL 124.39, 0.31%, 0.26%

LAB 33.18, -23.51, 17.71

 

CMYK 47 / 0 / 31 / 66

HEX #2E573C

RGB 46 87 60

HSL 140.49, 0.31%, 0.26%

LAB 33.4, -21.31, 11.31

 

CMYK 13 / 0 / 47 / 66

HEX #4C572E

RGB 76 87 46

HSL 76.1, 0.31%, 0.26%

LAB 35.1, -11.88, 22.34

 

CMYK 17 / 0 / 64 / 62

HEX #516223

RGB 81 98 35

HSL 76.19, 0.47%, 0.26%

LAB 38.91, -16.97, 32.87

 

CMYK 20 / 0 / 78 / 58

HEX #566C18

RGB 86 108 24

HSL 75.71, 0.64%, 0.26%

LAB 42.41, -20.85, 41.43

 

CMYK 24 / 0 / 88 / 53

HEX #5B770E

RGB 91 119 14

HSL 76, 0.79%, 0.26%

LAB 46.24, -24.7, 48.16

 

CMYK 26 / 0 / 98 / 49

HEX #608203

RGB 96 130 3

HSL 76.06, 0.95%, 0.26%

LAB 50.05, -28.25, 53.65

 

CMYK 13 / 0 / 47 / 66

HEX #4C572E

RGB 76 87 46

HSL 76.1, 0.31%, 0.26%

LAB 35.1, -11.88, 22.34

 

CMYK 7 / 0 / 26 / 70

HEX #474C38

RGB 71 76 56

HSL 75, 0.15%, 0.26%

LAB 31.33, -6.08, 11.24

 

CMYK 1 / 3 / 0 / 74

HEX #424143

RGB 66 65 67

HSL 270, 0.02%, 0.26%

LAB 27.69, 0.87, -1.07

 

CMYK 22 / 29 / 0 / 69

HEX #3D374E

RGB 61 55 78

HSL 255.65, 0.17%, 0.26%

LAB 24.56, 8.25, -13.09

 

CMYK 37 / 51 / 0 / 65

HEX #382C59

RGB 56 44 89

HSL 256, 0.34%, 0.26%

LAB 21.44, 17.24, -25.29

 

CMYK 0 / 13 / 47 / 66

HEX #574C2E

RGB 87 76 46

HSL 43.9, 0.31%, 0.26%

LAB 32.68, -0.18, 19.5

 

CMYK 0 / 0 / 47 / 66

HEX #57572E

RGB 87 87 46

HSL 60, 0.31%, 0.26%

LAB 36.06, -6.82, 23.74

 

CMYK 13 / 0 / 47 / 66

HEX #4C572E

RGB 76 87 46

HSL 76.1, 0.31%, 0.26%

LAB 35.1, -11.88, 22.34

 

CMYK 25 / 0 / 47 / 66

HEX #41572E

RGB 65 87 46

HSL 92.2, 0.31%, 0.26%

LAB 34.27, -16.69, 21.11

 

CMYK 38 / 0 / 47 / 66

HEX #36572E

RGB 54 87 46

HSL 108.29, 0.31%, 0.26%

LAB 33.56, -21.13, 20.06

 

CMYK 12 / 0 / 48 / 87

HEX #1D2111

RGB 29 33 17

HSL 75, 0.32%, 0.1%

LAB 11.89, -5.36, 9.94

 

CMYK 13 / 0 / 47 / 76

HEX #343C20

RGB 52 60 32

HSL 77.14, 0.3%, 0.18%

LAB 23.89, -8.94, 16.2

 

CMYK 13 / 0 / 47 / 66

HEX #4C572E

RGB 76 87 46

HSL 76.1, 0.31%, 0.26%

LAB 35.1, -11.88, 22.34

 

CMYK 13 / 0 / 47 / 55

HEX #63723C

RGB 99 114 60

HSL 76.67, 0.31%, 0.34%

LAB 45.65, -15.06, 27.97

 

CMYK 13 / 0 / 48 / 45

HEX #7B8D4A

RGB 123 141 74

HSL 76.12, 0.31%, 0.42%

LAB 55.84, -17.67, 33.43

 

CMYK 13 / 0 / 47 / 66

HEX #4C572E

RGB 76 87 46

HSL 76.1, 0.31%, 0.26%

LAB 35.1, -11.88, 22.34

 

CMYK 47 / 0 / 25 / 66

HEX #2E5741

RGB 46 87 65

HSL 147.8, 0.31%, 0.26%

LAB 33.52, -20.17, 8.38

 

CMYK 7 / 47 / 0 / 66

HEX #512E57

RGB 81 46 87

HSL 291.22, 0.31%, 0.26%

LAB 24.93, 23.68, -18.28

 

CMYK 13 / 0 / 47 / 66

HEX #4C572E

RGB 76 87 46

HSL 76.1, 0.31%, 0.26%

LAB 35.1, -11.88, 22.34

 

CMYK 47 / 13 / 0 / 66

HEX #2E4C57

RGB 46 76 87

HSL 196.1, 0.31%, 0.26%

LAB 30.49, -7.81, -10

 

CMYK 0 / 47 / 13 / 66

HEX #572E4C

RGB 87 46 76

HSL 316.1, 0.31%, 0.26%

LAB 25.27, 23.53, -10.39

 

CMYK 13 / 0 / 47 / 66

HEX #4C572E

RGB 76 87 46

HSL 76.1, 0.31%, 0.26%

LAB 35.1, -11.88, 22.34

 

CMYK 47 / 0 / 25 / 66

HEX #2E5741

RGB 46 87 65

HSL 147.8, 0.31%, 0.26%

LAB 33.52, -20.17, 8.38

 

CMYK 34 / 47 / 0 / 66

HEX #392E57

RGB 57 46 87

HSL 256.1, 0.31%, 0.26%

LAB 21.99, 15.58, -23.1

 

CMYK 0 / 47 / 22 / 66

HEX #572E44

RGB 87 46 68

HSL 327.8, 0.31%, 0.26%

LAB 24.94, 22.06, -5.53

 

CMYK 13 / 0 / 47 / 66

HEX #4C572E

RGB 76 87 46

HSL 76.1, 0.31%, 0.26%

LAB 35.1, -11.88, 22.34

 

CMYK 47 / 0 / 11 / 66

HEX #2E574D

RGB 46 87 77

HSL 165.37, 0.31%, 0.26%

LAB 33.84, -17.15, 1.33

 

CMYK 34 / 47 / 0 / 66

HEX #392E57

RGB 57 46 87

HSL 256.1, 0.31%, 0.26%

LAB 21.99, 15.58, -23.1

 

CMYK 0 / 47 / 37 / 66

HEX #572E37

RGB 87 46 55

HSL 346.83, 0.31%, 0.26%

LAB 24.5, 19.95, 2.57

 

Description

Color code: HEX #4C572E | qconv.com Color code: HEX #4C572E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 87 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 87 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 47 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 47% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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