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Color name
HEX #4C39AD

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C39AD it is the complementary color #B3C652. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C39AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C39AD shade: #5139A8, #624BBB, #735DCE, #846FE1 and #9581F4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C39AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C39AD shade: #4C39AD, #3B279A, #2A1587, #190374 and #080061

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C39AD shade: #4C39AC, #6B39AC, #8A39AC, #A939AC and #AC3990

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C39AD shade: #4C39AC and #3939AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C39AD shade matches the following richer shades: #4C39AC, #4027BF, #3314D1 and #2702E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C39AD shade: #4C39AC, #594C9A, #655F87, #727174 and #7E8462

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C39AD shade: #3965AC, #3947AC, #4B39AC, #6939AC and #8839AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C39AD shade: #31256E, #3E2F8D, #4C39AC, #5F4CC3 and #7B6BCE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C39AD shade: #4C39AD, #AC3984 and #56AC39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C39AD shade: #4C39AD, #AC4B39 and #39AC4B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C39AD shade: #4C39AD, #AC3984, #9BAC39 and #39AC62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C39AD shade: #4C39AD, #AC3962, #9BAC39 and #39AC84

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 67 / 0 / 32

HEX #4C39AD

RGB 76 57 173

HSL 249.83, 0.5%, 0.45%

LAB 32.88, 40.07, -59.39

 

Complementary color

CMYK 10 / 0 / 59 / 22

HEX #B3C652

RGB 179 198 82

HSL 69.83, 0.5%, 0.55%

LAB 76.42, -22.73, 54.65

 

CMYK 52 / 66 / 0 / 34

HEX #5139A8

RGB 81 57 168

HSL 252.97, 0.49%, 0.44%

LAB 32.93, 39.42, -56.29

 

CMYK 48 / 60 / 0 / 27

HEX #624BBB

RGB 98 75 187

HSL 252.32, 0.45%, 0.51%

LAB 39.94, 37.92, -56.09

 

CMYK 44 / 55 / 0 / 19

HEX #735DCE

RGB 115 93 206

HSL 251.68, 0.54%, 0.59%

LAB 46.88, 36.53, -55.82

 

CMYK 41 / 51 / 0 / 12

HEX #846FE1

RGB 132 111 225

HSL 251.05, 0.66%, 0.66%

LAB 53.72, 35.28, -55.56

 

CMYK 39 / 47 / 0 / 4

HEX #9581F4

RGB 149 129 244

HSL 250.43, 0.84%, 0.73%

LAB 60.45, 34.17, -55.32

 

CMYK 56 / 67 / 0 / 32

HEX #4C39AD

RGB 76 57 173

HSL 249.83, 0.5%, 0.45%

LAB 32.88, 40.07, -59.39

 

CMYK 62 / 75 / 0 / 40

HEX #3B279A

RGB 59 39 154

HSL 250.43, 0.6%, 0.38%

LAB 25.9, 41.76, -59.38

 

CMYK 69 / 84 / 0 / 47

HEX #2A1587

RGB 42 21 135

HSL 251.05, 0.73%, 0.31%

LAB 19.13, 43.09, -58.82

 

CMYK 78 / 97 / 0 / 55

HEX #190374

RGB 25 3 116

HSL 251.68, 0.95%, 0.23%

LAB 12.81, 43.49, -57.23

 

CMYK 92 / 100 / 0 / 62

HEX #080061

RGB 8 0 97

HSL 244.95, 1%, 0.19%

LAB 8.26, 39.16, -52.35

 

CMYK 56 / 67 / 0 / 33

HEX #4C39AC

RGB 76 57 172

HSL 249.91, 0.5%, 0.45%

LAB 32.79, 39.76, -58.92

 

CMYK 38 / 67 / 0 / 33

HEX #6B39AC

RGB 107 57 172

HSL 266.09, 0.5%, 0.45%

LAB 36.04, 45.71, -53.49

 

CMYK 20 / 67 / 0 / 33

HEX #8A39AC

RGB 138 57 172

HSL 282.26, 0.5%, 0.45%

LAB 40.09, 52.56, -46.75

 

CMYK 2 / 67 / 0 / 33

HEX #A939AC

RGB 169 57 172

HSL 298.43, 0.5%, 0.45%

LAB 44.72, 59.81, -39.11

 

CMYK 0 / 67 / 16 / 33

HEX #AC3990

RGB 172 57 144

HSL 314.61, 0.5%, 0.45%

LAB 43.81, 56.04, -23.74

 

CMYK 56 / 67 / 0 / 33

HEX #4C39AC

RGB 76 57 172

HSL 249.91, 0.5%, 0.45%

LAB 32.79, 39.76, -58.92

 

CMYK 67 / 67 / 0 / 33

HEX #3939AC

RGB 57 57 172

HSL 240, 0.5%, 0.45%

LAB 31.29, 36.82, -61.44

 

CMYK 56 / 67 / 0 / 33

HEX #4C39AC

RGB 76 57 172

HSL 249.91, 0.5%, 0.45%

LAB 32.79, 39.76, -58.92

 

CMYK 66 / 80 / 0 / 25

HEX #4027BF

RGB 64 39 191

HSL 249.87, 0.66%, 0.45%

LAB 30.16, 53.54, -74.57

 

CMYK 76 / 90 / 0 / 18

HEX #3314D1

RGB 51 20 209

HSL 249.84, 0.83%, 0.45%

LAB 28.92, 64.8, -87.2

 

CMYK 83 / 99 / 0 / 11

HEX #2702E4

RGB 39 2 228

HSL 249.82, 0.98%, 0.45%

LAB 29.6, 72.8, -97.05

 

CMYK 56 / 67 / 0 / 33

HEX #4C39AC

RGB 76 57 172

HSL 249.91, 0.5%, 0.45%

LAB 32.79, 39.76, -58.92

 

CMYK 42 / 51 / 0 / 40

HEX #594C9A

RGB 89 76 154

HSL 250, 0.34%, 0.45%

LAB 37.16, 25.37, -40.99

 

CMYK 25 / 30 / 0 / 47

HEX #655F87

RGB 101 95 135

HSL 249, 0.17%, 0.45%

LAB 42.31, 11.67, -21.35

 

CMYK 2 / 3 / 0 / 55

HEX #727174

RGB 114 113 116

HSL 260, 0.01%, 0.45%

LAB 47.81, 1, -1.53

 

CMYK 5 / 0 / 26 / 48

HEX #7E8462

RGB 126 132 98

HSL 70.59, 0.15%, 0.45%

LAB 53.84, -8.35, 17.66

 

CMYK 67 / 41 / 0 / 33

HEX #3965AC

RGB 57 101 172

HSL 217.04, 0.5%, 0.45%

LAB 43, 8.42, -42.52

 

CMYK 67 / 59 / 0 / 33

HEX #3947AC

RGB 57 71 172

HSL 232.7, 0.5%, 0.45%

LAB 34.71, 27.9, -55.86

 

CMYK 56 / 67 / 0 / 33

HEX #4B39AC

RGB 75 57 172

HSL 249.39, 0.5%, 0.45%

LAB 32.7, 39.59, -59.07

 

CMYK 39 / 67 / 0 / 33

HEX #6939AC

RGB 105 57 172

HSL 265.04, 0.5%, 0.45%

LAB 35.81, 45.3, -53.88

 

CMYK 21 / 67 / 0 / 33

HEX #8839AC

RGB 136 57 172

HSL 281.22, 0.5%, 0.45%

LAB 39.81, 52.1, -47.22

 

CMYK 55 / 66 / 0 / 57

HEX #31256E

RGB 49 37 110

HSL 249.86, 0.5%, 0.29%

LAB 20.45, 26.98, -40.68

 

CMYK 56 / 67 / 0 / 45

HEX #3E2F8D

RGB 62 47 141

HSL 249.57, 0.5%, 0.37%

LAB 26.68, 33.42, -50.1

 

CMYK 56 / 67 / 0 / 33

HEX #4C39AC

RGB 76 57 172

HSL 249.91, 0.5%, 0.45%

LAB 32.79, 39.76, -58.92

 

CMYK 51 / 61 / 0 / 24

HEX #5F4CC3

RGB 95 76 195

HSL 249.58, 0.5%, 0.53%

LAB 40.48, 39.12, -59.9

 

CMYK 40 / 48 / 0 / 19

HEX #7B6BCE

RGB 123 107 206

HSL 249.7, 0.5%, 0.61%

LAB 50.9, 30.13, -49.35

 

CMYK 56 / 67 / 0 / 32

HEX #4C39AD

RGB 76 57 173

HSL 249.83, 0.5%, 0.45%

LAB 32.88, 40.07, -59.39

 

CMYK 0 / 67 / 23 / 33

HEX #AC3984

RGB 172 57 132

HSL 320.87, 0.5%, 0.45%

LAB 43.3, 54.32, -17.23

 

CMYK 50 / 0 / 67 / 33

HEX #56AC39

RGB 86 172 57

HSL 104.87, 0.5%, 0.45%

LAB 63.16, -47.18, 49.41

 

CMYK 56 / 67 / 0 / 32

HEX #4C39AD

RGB 76 57 173

HSL 249.83, 0.5%, 0.45%

LAB 32.88, 40.07, -59.39

 

CMYK 0 / 56 / 67 / 33

HEX #AC4B39

RGB 172 75 57

HSL 9.39, 0.5%, 0.45%

LAB 44.37, 38.49, 30.05

 

CMYK 67 / 0 / 56 / 33

HEX #39AC4B

RGB 57 172 75

HSL 129.39, 0.5%, 0.45%

LAB 62.41, -52.39, 40.15

 

CMYK 56 / 67 / 0 / 32

HEX #4C39AD

RGB 76 57 173

HSL 249.83, 0.5%, 0.45%

LAB 32.88, 40.07, -59.39

 

CMYK 0 / 67 / 23 / 33

HEX #AC3984

RGB 172 57 132

HSL 320.87, 0.5%, 0.45%

LAB 43.3, 54.32, -17.23

 

CMYK 10 / 0 / 67 / 33

HEX #9BAC39

RGB 155 172 57

HSL 68.87, 0.5%, 0.45%

LAB 67.1, -21.56, 54.77

 

CMYK 67 / 0 / 43 / 33

HEX #39AC62

RGB 57 172 98

HSL 141.39, 0.5%, 0.45%

LAB 62.72, -48.81, 28.88

 

CMYK 56 / 67 / 0 / 32

HEX #4C39AD

RGB 76 57 173

HSL 249.83, 0.5%, 0.45%

LAB 32.88, 40.07, -59.39

 

CMYK 0 / 67 / 43 / 33

HEX #AC3962

RGB 172 57 98

HSL 338.61, 0.5%, 0.45%

LAB 42.12, 50.21, 2

 

CMYK 10 / 0 / 67 / 33

HEX #9BAC39

RGB 155 172 57

HSL 68.87, 0.5%, 0.45%

LAB 67.1, -21.56, 54.77

 

CMYK 67 / 0 / 23 / 33

HEX #39AC84

RGB 57 172 132

HSL 159.13, 0.5%, 0.45%

LAB 63.38, -41.78, 11.32

 

Description

Color code: HEX #4C39AD | qconv.com Color code: HEX #4C39AD | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 57 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 57 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 67 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 67% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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