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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C0DF3 it is the complementary color #B3F20C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C0DF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C0DF3 shade: #510DEE, #621FFF, #7331FF, #8443FF and #9555FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C0DF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C0DF3 shade: #4C0DF3, #3B00E0, #2A00CD, #1900BA and #0800A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C0DF3 shade: #4B0BF4, #8A0BF4, #C80BF4, #F40BE0 and #F40BA2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C0DF3 shade: #4B0BF4, #0C0BF4 and #0B0BF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C0DF3 shade matches the following richer shades: #4B0BF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C0DF3 shade: #4B0BF4, #5420DF, #5E35CA, #6749B6 and #705EA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C0DF3 shade: #0B49F4, #0B0BF4, #490BF4, #870BF4 and #C50BF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C0DF3 shade: #3308A5, #3F0ACC, #4B0BF4, #6833F5 and #855AF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C0DF3 shade: #4C0DF3, #F40B87 and #2AF40B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C0DF3 shade: #4C0DF3, #F4490B and #0BF449

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C0DF3 shade: #4C0DF3, #F40B87, #B6F40B and #0BF478

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C0DF3 shade: #4C0DF3, #F40B42, #B6F40B and #0BF4BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 95 / 0 / 5

HEX #4C0DF3

RGB 76 13 243

HSL 256.43, 0.91%, 0.5%

LAB 34.59, 75.83, -97.2

 

Complementary color

CMYK 26 / 0 / 95 / 5

HEX #B3F20C

RGB 179 242 12

HSL 76.43, 0.91%, 0.5%

LAB 88.5, -45.72, 84.81

 

CMYK 66 / 95 / 0 / 7

HEX #510DEE

RGB 81 13 238

HSL 258.13, 0.9%, 0.49%

LAB 34.42, 74.88, -94.65

 

CMYK 62 / 88 / 0 / 0

HEX #621FFF

RGB 98 31 255

HSL 257.95, 1%, 0.56%

LAB 39.24, 76.08, -96.18

 

CMYK 55 / 81 / 0 / 0

HEX #7331FF

RGB 115 49 255

HSL 259.22, 1%, 0.6%

LAB 42.86, 71.79, -90.13

 

CMYK 48 / 74 / 0 / 0

HEX #8443FF

RGB 132 67 255

HSL 260.74, 1%, 0.63%

LAB 47.16, 66.58, -83

 

CMYK 42 / 67 / 0 / 0

HEX #9555FF

RGB 149 85 255

HSL 262.59, 1%, 0.67%

LAB 51.96, 60.94, -75.08

 

CMYK 69 / 95 / 0 / 5

HEX #4C0DF3

RGB 76 13 243

HSL 256.43, 0.91%, 0.5%

LAB 34.59, 75.83, -97.2

 

CMYK 74 / 100 / 0 / 12

HEX #3B00E0

RGB 59 0 224

HSL 255.8, 1%, 0.44%

LAB 30.19, 72.67, -93.75

 

CMYK 80 / 100 / 0 / 20

HEX #2A00CD

RGB 42 0 205

HSL 252.29, 1%, 0.4%

LAB 26.45, 67.69, -89.01

 

CMYK 87 / 100 / 0 / 27

HEX #1900BA

RGB 25 0 186

HSL 248.06, 1%, 0.36%

LAB 22.83, 62.72, -83.86

 

CMYK 95 / 100 / 0 / 35

HEX #0800A7

RGB 8 0 167

HSL 242.87, 1%, 0.33%

LAB 19.4, 57.75, -78.2

 

CMYK 69 / 95 / 0 / 4

HEX #4B0BF4

RGB 75 11 244

HSL 256.48, 0.91%, 0.5%

LAB 34.53, 76.33, -97.87

 

CMYK 43 / 95 / 0 / 4

HEX #8A0BF4

RGB 138 11 244

HSL 272.7, 0.91%, 0.5%

LAB 41.49, 80.59, -86.12

 

CMYK 18 / 95 / 0 / 4

HEX #C80BF4

RGB 200 11 244

HSL 288.67, 0.91%, 0.5%

LAB 50.75, 87.83, -70.61

 

CMYK 0 / 95 / 8 / 4

HEX #F40BE0

RGB 244 11 224

HSL 305.15, 0.91%, 0.5%

LAB 56.93, 91.62, -49.01

 

CMYK 0 / 95 / 34 / 4

HEX #F40BA2

RGB 244 11 162

HSL 321.12, 0.91%, 0.5%

LAB 54.11, 84.43, -17.58

 

CMYK 69 / 95 / 0 / 4

HEX #4B0BF4

RGB 75 11 244

HSL 256.48, 0.91%, 0.5%

LAB 34.53, 76.33, -97.87

 

CMYK 95 / 95 / 0 / 4

HEX #0C0BF4

RGB 12 11 244

HSL 240.26, 0.91%, 0.5%

LAB 31.46, 74.91, -103.07

 

CMYK 95 / 95 / 0 / 4

HEX #0B0BF4

RGB 11 11 244

HSL 240, 0.91%, 0.5%

LAB 31.44, 74.91, -103.1

 

CMYK 69 / 95 / 0 / 4

HEX #4B0BF4

RGB 75 11 244

HSL 256.48, 0.91%, 0.5%

LAB 34.53, 76.33, -97.87

 

CMYK 69 / 95 / 0 / 4

HEX #4B0BF4

RGB 75 11 244

HSL 256.48, 0.91%, 0.5%

LAB 34.53, 76.33, -97.87

 

CMYK 62 / 86 / 0 / 13

HEX #5420DF

RGB 84 32 223

HSL 256.34, 0.75%, 0.5%

LAB 34.49, 66.78, -85.96

 

CMYK 53 / 74 / 0 / 21

HEX #5E35CA

RGB 94 53 202

HSL 256.51, 0.58%, 0.5%

LAB 36.35, 53.57, -70.73

 

CMYK 43 / 60 / 0 / 29

HEX #6749B6

RGB 103 73 182

HSL 256.51, 0.43%, 0.5%

LAB 39.62, 38.71, -53.64

 

CMYK 30 / 42 / 0 / 37

HEX #705EA1

RGB 112 94 161

HSL 256.12, 0.26%, 0.5%

LAB 44.27, 22.59, -33.77

 

CMYK 95 / 70 / 0 / 4

HEX #0B49F4

RGB 11 73 244

HSL 224.03, 0.91%, 0.5%

LAB 40.19, 49.37, -88.55

 

CMYK 95 / 95 / 0 / 4

HEX #0B0BF4

RGB 11 11 244

HSL 240, 0.91%, 0.5%

LAB 31.44, 74.91, -103.1

 

CMYK 70 / 95 / 0 / 4

HEX #490BF4

RGB 73 11 244

HSL 255.97, 0.91%, 0.5%

LAB 34.37, 76.24, -98.14

 

CMYK 45 / 95 / 0 / 4

HEX #870BF4

RGB 135 11 244

HSL 271.93, 0.91%, 0.5%

LAB 41.09, 80.31, -86.79

 

CMYK 19 / 95 / 0 / 4

HEX #C50BF4

RGB 197 11 244

HSL 287.9, 0.91%, 0.5%

LAB 50.26, 87.42, -71.41

 

CMYK 69 / 95 / 0 / 35

HEX #3308A5

RGB 51 8 165

HSL 256.43, 0.91%, 0.34%

LAB 22.28, 56.32, -72.11

 

CMYK 69 / 95 / 0 / 20

HEX #3F0ACC

RGB 63 10 204

HSL 256.39, 0.91%, 0.42%

LAB 28.47, 66.32, -85.01

 

CMYK 69 / 95 / 0 / 4

HEX #4B0BF4

RGB 75 11 244

HSL 256.48, 0.91%, 0.5%

LAB 34.53, 76.33, -97.87

 

CMYK 58 / 79 / 0 / 4

HEX #6833F5

RGB 104 51 245

HSL 256.39, 0.91%, 0.58%

LAB 41.06, 67.3, -87.53

 

CMYK 46 / 64 / 0 / 3

HEX #855AF7

RGB 133 90 247

HSL 256.43, 0.91%, 0.66%

LAB 50.7, 53.36, -72.74

 

CMYK 69 / 95 / 0 / 5

HEX #4C0DF3

RGB 76 13 243

HSL 256.43, 0.91%, 0.5%

LAB 34.59, 75.83, -97.2

 

CMYK 0 / 95 / 45 / 4

HEX #F40B87

RGB 244 11 135

HSL 328.07, 0.91%, 0.5%

LAB 53.19, 82, -2.87

 

CMYK 83 / 0 / 95 / 4

HEX #2AF40B

RGB 42 244 11

HSL 112.02, 0.91%, 0.5%

LAB 84.6, -80.89, 79.88

 

CMYK 69 / 95 / 0 / 5

HEX #4C0DF3

RGB 76 13 243

HSL 256.43, 0.91%, 0.5%

LAB 34.59, 75.83, -97.2

 

CMYK 0 / 70 / 95 / 4

HEX #F4490B

RGB 244 73 11

HSL 15.97, 0.91%, 0.5%

LAB 56.11, 63.1, 64.89

 

CMYK 95 / 0 / 70 / 4

HEX #0BF449

RGB 11 244 73

HSL 135.97, 0.91%, 0.5%

LAB 84.61, -79.82, 65.52

 

CMYK 69 / 95 / 0 / 5

HEX #4C0DF3

RGB 76 13 243

HSL 256.43, 0.91%, 0.5%

LAB 34.59, 75.83, -97.2

 

CMYK 0 / 95 / 45 / 4

HEX #F40B87

RGB 244 11 135

HSL 328.07, 0.91%, 0.5%

LAB 53.19, 82, -2.87

 

CMYK 25 / 0 / 95 / 4

HEX #B6F40B

RGB 182 244 11

HSL 75.97, 0.91%, 0.5%

LAB 89.24, -45.46, 85.54

 

CMYK 95 / 0 / 51 / 4

HEX #0BF478

RGB 11 244 120

HSL 148.07, 0.91%, 0.5%

LAB 85.06, -74.25, 46.1

 

CMYK 69 / 95 / 0 / 5

HEX #4C0DF3

RGB 76 13 243

HSL 256.43, 0.91%, 0.5%

LAB 34.59, 75.83, -97.2

 

CMYK 0 / 95 / 73 / 4

HEX #F40B42

RGB 244 11 66

HSL 345.84, 0.91%, 0.5%

LAB 51.69, 77.92, 36.71

 

CMYK 25 / 0 / 95 / 4

HEX #B6F40B

RGB 182 244 11

HSL 75.97, 0.91%, 0.5%

LAB 89.24, -45.46, 85.54

 

CMYK 95 / 0 / 23 / 4

HEX #0BF4BD

RGB 11 244 189

HSL 165.84, 0.91%, 0.5%

LAB 86.23, -60.79, 13.06

 

Description

Color code: HEX #4C0DF3 | qconv.com Color code: HEX #4C0DF3 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 13 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 13 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 95 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 95% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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