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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4C0C86 it is the complementary color #B3F379. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4C0C86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4C0C86 shade: #510C81, #621E94, #7330A7, #8442BA and #9554CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4C0C86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4C0C86 shade: #4C0C86, #3B0073, #2A0060, #19004D and #08003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4C0C86 shade: #4D0C88, #6F0C88, #880C80, #880C5F and #880C3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4C0C86 shade: #4D0C88, #2C0C88 and #0C0C88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4C0C86 shade matches the following richer shades: #4D0C88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4C0C86 shade: #4D0C88, #4C187C, #4C2470, #4B3064 and #4B3C58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4C0C86 shade: #0C0E88, #2B0C88, #4C0C88, #6D0C88 and #880C82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4C0C86 shade: #22053C, #380962, #4D0C88, #620FAE and #7812D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4C0C86 shade: #4C0C86, #880C2F and #0C881A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4C0C86 shade: #4C0C86, #884C0C and #0C884C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4C0C86 shade: #4C0C86, #880C2F, #48880C and #0C8865

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4C0C86 shade: #4C0C86, #880E0C, #48880C and #0C8688

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 91 / 0 / 47

HEX #4C0C86

RGB 76 12 134

HSL 271.48, 0.84%, 0.29%

LAB 22.02, 49.77, -53.29

 

Complementary color

CMYK 26 / 0 / 50 / 5

HEX #B3F379

RGB 179 243 121

HSL 91.48, 0.84%, 0.71%

LAB 89.42, -40.06, 52.02

 

CMYK 37 / 91 / 0 / 49

HEX #510C81

RGB 81 12 129

HSL 275.38, 0.83%, 0.28%

LAB 22.29, 49.28, -49.66

 

CMYK 34 / 80 / 0 / 42

HEX #621E94

RGB 98 30 148

HSL 274.58, 0.66%, 0.35%

LAB 28.55, 50.51, -51.19

 

CMYK 31 / 71 / 0 / 35

HEX #7330A7

RGB 115 48 167

HSL 273.78, 0.55%, 0.42%

LAB 35.1, 50.55, -51.98

 

CMYK 29 / 65 / 0 / 27

HEX #8442BA

RGB 132 66 186

HSL 273, 0.48%, 0.49%

LAB 41.76, 50.03, -52.38

 

CMYK 27 / 59 / 0 / 20

HEX #9554CD

RGB 149 84 205

HSL 272.23, 0.55%, 0.57%

LAB 48.43, 49.26, -52.57

 

CMYK 43 / 91 / 0 / 47

HEX #4C0C86

RGB 76 12 134

HSL 271.48, 0.84%, 0.29%

LAB 22.02, 49.77, -53.29

 

CMYK 49 / 100 / 0 / 55

HEX #3B0073

RGB 59 0 115

HSL 270.78, 1%, 0.23%

LAB 16.34, 46.66, -50.6

 

CMYK 56 / 100 / 0 / 62

HEX #2A0060

RGB 42 0 96

HSL 266.25, 1%, 0.19%

LAB 11.53, 40.5, -46.14

 

CMYK 68 / 100 / 0 / 70

HEX #19004D

RGB 25 0 77

HSL 259.48, 1%, 0.15%

LAB 6.71, 33.91, -41.25

 

CMYK 86 / 100 / 0 / 77

HEX #08003A

RGB 8 0 58

HSL 248.28, 1%, 0.11%

LAB 3.23, 21.48, -33.48

 

CMYK 43 / 91 / 0 / 47

HEX #4D0C88

RGB 77 12 136

HSL 271.45, 0.84%, 0.29%

LAB 22.37, 50.37, -53.97

 

CMYK 18 / 91 / 0 / 47

HEX #6F0C88

RGB 111 12 136

HSL 287.9, 0.84%, 0.29%

LAB 27.9, 55.4, -44.71

 

CMYK 0 / 91 / 6 / 47

HEX #880C80

RGB 136 12 128

HSL 303.87, 0.84%, 0.29%

LAB 31.93, 58.58, -32.98

 

CMYK 0 / 91 / 30 / 47

HEX #880C5F

RGB 136 12 95

HSL 319.84, 0.84%, 0.29%

LAB 30.21, 54.05, -14.57

 

CMYK 0 / 91 / 55 / 47

HEX #880C3D

RGB 136 12 61

HSL 336.29, 0.84%, 0.29%

LAB 28.99, 50.67, 6.17

 

CMYK 43 / 91 / 0 / 47

HEX #4D0C88

RGB 77 12 136

HSL 271.45, 0.84%, 0.29%

LAB 22.37, 50.37, -53.97

 

CMYK 68 / 91 / 0 / 47

HEX #2C0C88

RGB 44 12 136

HSL 255.48, 0.84%, 0.29%

LAB 18.26, 47.06, -60.89

 

CMYK 91 / 91 / 0 / 47

HEX #0C0C88

RGB 12 12 136

HSL 240, 0.84%, 0.29%

LAB 16.1, 45.52, -64.55

 

CMYK 43 / 91 / 0 / 47

HEX #4D0C88

RGB 77 12 136

HSL 271.45, 0.84%, 0.29%

LAB 22.37, 50.37, -53.97

 

CMYK 43 / 91 / 0 / 47

HEX #4D0C88

RGB 77 12 136

HSL 271.45, 0.84%, 0.29%

LAB 22.37, 50.37, -53.97

 

CMYK 39 / 81 / 0 / 51

HEX #4C187C

RGB 76 24 124

HSL 271.2, 0.68%, 0.29%

LAB 22.46, 43.25, -46.24

 

CMYK 32 / 68 / 0 / 56

HEX #4C2470

RGB 76 36 112

HSL 271.58, 0.51%, 0.29%

LAB 23.57, 34.3, -36.77

 

CMYK 25 / 52 / 0 / 61

HEX #4B3064

RGB 75 48 100

HSL 271.15, 0.35%, 0.29%

LAB 25.35, 23.67, -26.17

 

CMYK 15 / 32 / 0 / 65

HEX #4B3C58

RGB 75 60 88

HSL 272.14, 0.19%, 0.29%

LAB 27.93, 12.76, -14.34

 

CMYK 91 / 90 / 0 / 47

HEX #0C0E88

RGB 12 14 136

HSL 239.03, 0.84%, 0.29%

LAB 16.35, 44.75, -64.12

 

CMYK 68 / 91 / 0 / 47

HEX #2B0C88

RGB 43 12 136

HSL 255, 0.84%, 0.29%

LAB 18.16, 46.98, -61.06

 

CMYK 44 / 91 / 0 / 47

HEX #4C0C88

RGB 76 12 136

HSL 270.97, 0.84%, 0.29%

LAB 22.22, 50.25, -54.21

 

CMYK 20 / 91 / 0 / 47

HEX #6D0C88

RGB 109 12 136

HSL 286.94, 0.84%, 0.29%

LAB 27.55, 55.07, -45.29

 

CMYK 0 / 91 / 4 / 47

HEX #880C82

RGB 136 12 130

HSL 302.9, 0.84%, 0.29%

LAB 32.05, 58.89, -34.04

 

CMYK 43 / 92 / 0 / 76

HEX #22053C

RGB 34 5 60

HSL 271.64, 0.85%, 0.13%

LAB 7, 27.1, -28.69

 

CMYK 43 / 91 / 0 / 62

HEX #380962

RGB 56 9 98

HSL 271.69, 0.83%, 0.21%

LAB 15.05, 39.1, -41.6

 

CMYK 43 / 91 / 0 / 47

HEX #4D0C88

RGB 77 12 136

HSL 271.45, 0.84%, 0.29%

LAB 22.37, 50.37, -53.97

 

CMYK 44 / 91 / 0 / 32

HEX #620FAE

RGB 98 15 174

HSL 271.32, 0.84%, 0.37%

LAB 29.4, 60.92, -65.59

 

CMYK 43 / 92 / 0 / 17

HEX #7812D4

RGB 120 18 212

HSL 271.55, 0.84%, 0.45%

LAB 36.33, 71.08, -76.45

 

CMYK 43 / 91 / 0 / 47

HEX #4C0C86

RGB 76 12 134

HSL 271.48, 0.84%, 0.29%

LAB 22.02, 49.77, -53.29

 

CMYK 0 / 91 / 65 / 47

HEX #880C2F

RGB 136 12 47

HSL 343.06, 0.84%, 0.29%

LAB 28.65, 49.71, 15.13

 

CMYK 91 / 0 / 81 / 47

HEX #0C881A

RGB 12 136 26

HSL 126.77, 0.84%, 0.29%

LAB 49.21, -51.97, 46.36

 

CMYK 43 / 91 / 0 / 47

HEX #4C0C86

RGB 76 12 134

HSL 271.48, 0.84%, 0.29%

LAB 22.02, 49.77, -53.29

 

CMYK 0 / 44 / 91 / 47

HEX #884C0C

RGB 136 76 12

HSL 30.97, 0.84%, 0.29%

LAB 38.6, 20.96, 44.29

 

CMYK 91 / 0 / 44 / 47

HEX #0C884C

RGB 12 136 76

HSL 150.97, 0.84%, 0.29%

LAB 49.75, -45.32, 23.69

 

CMYK 43 / 91 / 0 / 47

HEX #4C0C86

RGB 76 12 134

HSL 271.48, 0.84%, 0.29%

LAB 22.02, 49.77, -53.29

 

CMYK 0 / 91 / 65 / 47

HEX #880C2F

RGB 136 12 47

HSL 343.06, 0.84%, 0.29%

LAB 28.65, 49.71, 15.13

 

CMYK 47 / 0 / 91 / 47

HEX #48880C

RGB 72 136 12

HSL 90.97, 0.84%, 0.29%

LAB 50.7, -39.9, 51.97

 

CMYK 91 / 0 / 26 / 47

HEX #0C8865

RGB 12 136 101

HSL 163.06, 0.84%, 0.29%

LAB 50.25, -39.65, 10.22

 

CMYK 43 / 91 / 0 / 47

HEX #4C0C86

RGB 76 12 134

HSL 271.48, 0.84%, 0.29%

LAB 22.02, 49.77, -53.29

 

CMYK 0 / 90 / 91 / 47

HEX #880E0C

RGB 136 14 12

HSL 0.97, 0.84%, 0.29%

LAB 28.31, 47.96, 36.27

 

CMYK 47 / 0 / 91 / 47

HEX #48880C

RGB 72 136 12

HSL 90.97, 0.84%, 0.29%

LAB 50.7, -39.9, 51.97

 

CMYK 91 / 1 / 0 / 47

HEX #0C8688

RGB 12 134 136

HSL 180.97, 0.84%, 0.29%

LAB 50.58, -28.56, -9.69

 

Description

Color code: HEX #4C0C86 | qconv.com Color code: HEX #4C0C86 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 76 red, 12 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
76 12 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 91 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 91% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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