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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BF996 it is the complementary color #B40669. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BF996. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BF996 shade: #50F991, #61FFA4, #72FFB7, #83FFCA and #94FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BF996. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BF996 shade: #4BF996, #3AE783, #29D570, #18C35D and #07B14A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BF996 shade: #4DF997, #4DF969, #60F94D, #8EF94D and #BDF94D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BF996 shade: #4DF997, #4DF9C6, #4DF9F4, #4DD0F9 and #4DA2F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BF996 shade matches the following richer shades: #4DF997

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BF996 shade: #4DF997, #5CEB99, #6BDC9B, #79CD9D and #88BE9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BF996 shade: #61F94D, #4DF967, #4DF995, #4DF9C3 and #4DF9F1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BF996 shade: #07ED6A, #25F880, #4DF997, #75FBAF and #9DFCC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BF996 shade: #4BF996, #4D8FF9 and #F9504D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BF996 shade: #4BF996, #954DF9 and #F9954D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BF996 shade: #4BF996, #4D8FF9, #F94DB2 and #F9B74D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BF996 shade: #4BF996, #4D5BF9, #F94DB2 and #F9EB4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 40 / 2

HEX #4BF996

RGB 75 249 150

HSL 145.86, 0.94%, 0.64%

LAB 87.7, -65.31, 35.06

 

Complementary color

CMYK 0 / 97 / 42 / 29

HEX #B40669

RGB 180 6 105

HSL 325.86, 0.94%, 0.36%

LAB 39.33, 65.85, -6.33

 

CMYK 68 / 0 / 42 / 2

HEX #50F991

RGB 80 249 145

HSL 143.08, 0.93%, 0.65%

LAB 87.73, -65.38, 37.59

 

CMYK 62 / 0 / 36 / 0

HEX #61FFA4

RGB 97 255 164

HSL 145.44, 1%, 0.69%

LAB 90.2, -61.29, 31.49

 

CMYK 55 / 0 / 28 / 0

HEX #72FFB7

RGB 114 255 183

HSL 149.36, 1%, 0.72%

LAB 91.01, -54.32, 23.08

 

CMYK 49 / 0 / 21 / 0

HEX #83FFCA

RGB 131 255 202

HSL 154.35, 1%, 0.76%

LAB 91.96, -46.72, 14.76

 

CMYK 42 / 0 / 13 / 0

HEX #94FFDD

RGB 148 255 221

HSL 160.93, 1%, 0.79%

LAB 93.03, -38.61, 6.6

 

CMYK 70 / 0 / 40 / 2

HEX #4BF996

RGB 75 249 150

HSL 145.86, 0.94%, 0.64%

LAB 87.7, -65.31, 35.06

 

CMYK 75 / 0 / 43 / 9

HEX #3AE783

RGB 58 231 131

HSL 145.32, 0.78%, 0.57%

LAB 81.67, -64.61, 36.57

 

CMYK 81 / 0 / 47 / 16

HEX #29D570

RGB 41 213 112

HSL 144.77, 0.68%, 0.5%

LAB 75.59, -63.57, 38.17

 

CMYK 88 / 0 / 52 / 24

HEX #18C35D

RGB 24 195 93

HSL 144.21, 0.78%, 0.43%

LAB 69.48, -62.07, 39.84

 

CMYK 96 / 0 / 58 / 31

HEX #07B14A

RGB 7 177 74

HSL 143.65, 0.92%, 0.36%

LAB 63.33, -59.97, 41.55

 

CMYK 69 / 0 / 39 / 2

HEX #4DF997

RGB 77 249 151

HSL 145.81, 0.93%, 0.64%

LAB 87.76, -64.82, 34.65

 

CMYK 69 / 0 / 58 / 2

HEX #4DF969

RGB 77 249 105

HSL 129.77, 0.93%, 0.64%

LAB 87.17, -71.61, 55.63

 

CMYK 61 / 0 / 69 / 2

HEX #60F94D

RGB 96 249 77

HSL 113.37, 0.93%, 0.64%

LAB 87.38, -70.77, 67.32

 

CMYK 43 / 0 / 69 / 2

HEX #8EF94D

RGB 142 249 77

HSL 97.33, 0.93%, 0.64%

LAB 88.94, -58.71, 69.43

 

CMYK 24 / 0 / 69 / 2

HEX #BDF94D

RGB 189 249 77

HSL 80.93, 0.93%, 0.64%

LAB 91.28, -42.75, 72.57

 

CMYK 69 / 0 / 39 / 2

HEX #4DF997

RGB 77 249 151

HSL 145.81, 0.93%, 0.64%

LAB 87.76, -64.82, 34.65

 

CMYK 69 / 0 / 20 / 2

HEX #4DF9C6

RGB 77 249 198

HSL 162.21, 0.93%, 0.64%

LAB 88.64, -55.29, 11.92

 

CMYK 69 / 0 / 2 / 2

HEX #4DF9F4

RGB 77 249 244

HSL 178.26, 0.93%, 0.64%

LAB 89.79, -43.78, -10.32

 

CMYK 69 / 16 / 0 / 2

HEX #4DD0F9

RGB 77 208 249

HSL 194.3, 0.93%, 0.64%

LAB 78.19, -22.99, -30.52

 

CMYK 69 / 35 / 0 / 2

HEX #4DA2F9

RGB 77 162 249

HSL 210.35, 0.93%, 0.64%

LAB 65.17, 1.85, -50.83

 

CMYK 69 / 0 / 39 / 2

HEX #4DF997

RGB 77 249 151

HSL 145.81, 0.93%, 0.64%

LAB 87.76, -64.82, 34.65

 

CMYK 69 / 0 / 39 / 2

HEX #4DF997

RGB 77 249 151

HSL 145.81, 0.93%, 0.64%

LAB 87.76, -64.82, 34.65

 

CMYK 61 / 0 / 35 / 8

HEX #5CEB99

RGB 92 235 153

HSL 145.59, 0.78%, 0.64%

LAB 83.96, -56.58, 28.65

 

CMYK 51 / 0 / 30 / 14

HEX #6BDC9B

RGB 107 220 155

HSL 145.49, 0.62%, 0.64%

LAB 80, -46.83, 22.31

 

CMYK 41 / 0 / 23 / 20

HEX #79CD9D

RGB 121 205 157

HSL 145.71, 0.46%, 0.64%

LAB 76.17, -36.18, 16.04

 

CMYK 28 / 0 / 16 / 25

HEX #88BE9F

RGB 136 190 159

HSL 145.56, 0.29%, 0.64%

LAB 72.6, -24.13, 10.04

 

CMYK 61 / 0 / 69 / 2

HEX #61F94D

RGB 97 249 77

HSL 113.02, 0.93%, 0.64%

LAB 87.4, -70.55, 67.35

 

CMYK 69 / 0 / 59 / 2

HEX #4DF967

RGB 77 249 103

HSL 129.07, 0.93%, 0.64%

LAB 87.15, -71.84, 56.48

 

CMYK 69 / 0 / 40 / 2

HEX #4DF995

RGB 77 249 149

HSL 145.12, 0.93%, 0.64%

LAB 87.73, -65.17, 35.6

 

CMYK 69 / 0 / 22 / 2

HEX #4DF9C3

RGB 77 249 195

HSL 161.16, 0.93%, 0.64%

LAB 88.58, -55.97, 13.38

 

CMYK 69 / 0 / 3 / 2

HEX #4DF9F1

RGB 77 249 241

HSL 177.21, 0.93%, 0.64%

LAB 89.71, -44.59, -8.88

 

CMYK 97 / 0 / 55 / 7

HEX #07ED6A

RGB 7 237 106

HSL 145.83, 0.94%, 0.48%

LAB 82.73, -74.23, 49.75

 

CMYK 85 / 0 / 48 / 3

HEX #25F880

RGB 37 248 128

HSL 145.88, 0.94%, 0.56%

LAB 86.55, -72.94, 44.19

 

CMYK 69 / 0 / 39 / 2

HEX #4DF997

RGB 77 249 151

HSL 145.81, 0.93%, 0.64%

LAB 87.76, -64.82, 34.65

 

CMYK 53 / 0 / 30 / 2

HEX #75FBAF

RGB 117 251 175

HSL 145.97, 0.94%, 0.72%

LAB 89.8, -53.56, 25.49

 

CMYK 38 / 0 / 21 / 1

HEX #9DFCC6

RGB 157 252 198

HSL 145.89, 0.94%, 0.8%

LAB 92.07, -39.53, 17.13

 

CMYK 70 / 0 / 40 / 2

HEX #4BF996

RGB 75 249 150

HSL 145.86, 0.94%, 0.64%

LAB 87.7, -65.31, 35.06

 

CMYK 69 / 43 / 0 / 2

HEX #4D8FF9

RGB 77 143 249

HSL 216.98, 0.93%, 0.64%

LAB 59.94, 13.02, -59.13

 

CMYK 0 / 68 / 69 / 2

HEX #F9504D

RGB 249 80 77

HSL 1.05, 0.93%, 0.64%

LAB 58.43, 63.85, 38.58

 

CMYK 70 / 0 / 40 / 2

HEX #4BF996

RGB 75 249 150

HSL 145.86, 0.94%, 0.64%

LAB 87.7, -65.31, 35.06

 

CMYK 40 / 69 / 0 / 2

HEX #954DF9

RGB 149 77 249

HSL 265.12, 0.93%, 0.64%

LAB 50.14, 63.28, -74.7

 

CMYK 0 / 40 / 69 / 2

HEX #F9954D

RGB 249 149 77

HSL 25.12, 0.93%, 0.64%

LAB 70.99, 31.76, 52.87

 

CMYK 70 / 0 / 40 / 2

HEX #4BF996

RGB 75 249 150

HSL 145.86, 0.94%, 0.64%

LAB 87.7, -65.31, 35.06

 

CMYK 69 / 43 / 0 / 2

HEX #4D8FF9

RGB 77 143 249

HSL 216.98, 0.93%, 0.64%

LAB 59.94, 13.02, -59.13

 

CMYK 0 / 69 / 29 / 2

HEX #F94DB2

RGB 249 77 178

HSL 324.77, 0.93%, 0.64%

LAB 60.48, 73.31, -17.14

 

CMYK 0 / 27 / 69 / 2

HEX #F9B74D

RGB 249 183 77

HSL 36.98, 0.93%, 0.64%

LAB 78.78, 13.96, 61.21

 

CMYK 70 / 0 / 40 / 2

HEX #4BF996

RGB 75 249 150

HSL 145.86, 0.94%, 0.64%

LAB 87.7, -65.31, 35.06

 

CMYK 69 / 63 / 0 / 2

HEX #4D5BF9

RGB 77 91 249

HSL 235.12, 0.93%, 0.64%

LAB 46.84, 44.72, -80.34

 

CMYK 0 / 69 / 29 / 2

HEX #F94DB2

RGB 249 77 178

HSL 324.77, 0.93%, 0.64%

LAB 60.48, 73.31, -17.14

 

CMYK 0 / 6 / 69 / 2

HEX #F9EB4D

RGB 249 235 77

HSL 55.12, 0.93%, 0.64%

LAB 91.73, -12.56, 74.4

 

Description

Color code: HEX #4BF996 | qconv.com Color code: HEX #4BF996 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 249 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 249 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 40 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 40% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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