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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BF87C it is the complementary color #B40783. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BF87C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BF87C shade: #50F877, #61FF8A, #72FF9D, #83FFB0 and #94FFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BF87C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BF87C shade: #4BF87C, #3AE669, #29D456, #18C243 and #07B030

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BF87C shade: #49F87B, #49F84B, #76F849, #A5F849 and #D5F849

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BF87C shade: #49F87B, #49F8AA, #49F8D9, #49E8F8 and #49B9F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BF87C shade matches the following richer shades: #49F87B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BF87C shade: #49F87B, #58E981, #67DA88, #77CB8E and #86BB95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BF87C shade: #78F849, #49F849, #49F878, #49F8A6 and #49F8D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BF87C shade: #08E647, #21F75E, #49F87B, #71FA98 and #99FBB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BF87C shade: #4BF87C, #49A6F8 and #F84960

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BF87C shade: #4BF87C, #7849F8 and #F87849

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BF87C shade: #4BF87C, #49A6F8, #F849CA and #F89B49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BF87C shade: #4BF87C, #4972F8, #F849CA and #F8CF49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 50 / 3

HEX #4BF87C

RGB 75 248 124

HSL 136.99, 0.93%, 0.63%

LAB 87.04, -69.1, 46.82

 

Complementary color

CMYK 0 / 96 / 27 / 29

HEX #B40783

RGB 180 7 131

HSL 316.99, 0.93%, 0.37%

LAB 40.4, 68.45, -20.96

 

CMYK 68 / 0 / 52 / 3

HEX #50F877

RGB 80 248 119

HSL 133.93, 0.92%, 0.64%

LAB 87.08, -68.98, 49.23

 

CMYK 62 / 0 / 46 / 0

HEX #61FF8A

RGB 97 255 138

HSL 135.57, 1%, 0.69%

LAB 89.81, -65.59, 43.74

 

CMYK 55 / 0 / 38 / 0

HEX #72FF9D

RGB 114 255 157

HSL 138.3, 1%, 0.72%

LAB 90.57, -59, 35.54

 

CMYK 49 / 0 / 31 / 0

HEX #83FFB0

RGB 131 255 176

HSL 141.77, 1%, 0.76%

LAB 91.45, -51.72, 27.32

 

CMYK 42 / 0 / 24 / 0

HEX #94FFC3

RGB 148 255 195

HSL 146.36, 1%, 0.79%

LAB 92.47, -43.86, 19.16

 

CMYK 70 / 0 / 50 / 3

HEX #4BF87C

RGB 75 248 124

HSL 136.99, 0.93%, 0.63%

LAB 87.04, -69.1, 46.82

 

CMYK 75 / 0 / 54 / 10

HEX #3AE669

RGB 58 230 105

HSL 136.4, 0.77%, 0.56%

LAB 81.02, -68.24, 48.27

 

CMYK 81 / 0 / 59 / 17

HEX #29D456

RGB 41 212 86

HSL 135.79, 0.68%, 0.5%

LAB 74.97, -66.97, 49.71

 

CMYK 88 / 0 / 65 / 24

HEX #18C243

RGB 24 194 67

HSL 135.18, 0.78%, 0.43%

LAB 68.88, -65.14, 51.04

 

CMYK 96 / 0 / 73 / 31

HEX #07B030

RGB 7 176 48

HSL 134.56, 0.92%, 0.36%

LAB 62.77, -62.6, 52.08

 

CMYK 71 / 0 / 50 / 3

HEX #49F87B

RGB 73 248 123

HSL 137.14, 0.93%, 0.63%

LAB 86.99, -69.56, 47.21

 

CMYK 71 / 0 / 70 / 3

HEX #49F84B

RGB 73 248 75

HSL 120.69, 0.93%, 0.63%

LAB 86.53, -74.96, 67

 

CMYK 52 / 0 / 71 / 3

HEX #76F849

RGB 118 248 73

HSL 104.57, 0.93%, 0.63%

LAB 87.71, -65.47, 69.31

 

CMYK 33 / 0 / 71 / 3

HEX #A5F849

RGB 165 248 73

HSL 88.46, 0.93%, 0.63%

LAB 89.68, -51.12, 71.94

 

CMYK 14 / 0 / 71 / 3

HEX #D5F849

RGB 213 248 73

HSL 72, 0.93%, 0.63%

LAB 92.47, -33.42, 75.64

 

CMYK 71 / 0 / 50 / 3

HEX #49F87B

RGB 73 248 123

HSL 137.14, 0.93%, 0.63%

LAB 86.99, -69.56, 47.21

 

CMYK 71 / 0 / 31 / 3

HEX #49F8AA

RGB 73 248 170

HSL 153.26, 0.93%, 0.63%

LAB 87.7, -61.48, 24.99

 

CMYK 71 / 0 / 13 / 3

HEX #49F8D9

RGB 73 248 217

HSL 169.37, 0.93%, 0.63%

LAB 88.71, -50.88, 2.15

 

CMYK 71 / 6 / 0 / 3

HEX #49E8F8

RGB 73 232 248

HSL 185.49, 0.93%, 0.63%

LAB 84.95, -35.44, -19.69

 

CMYK 71 / 25 / 0 / 3

HEX #49B9F8

RGB 73 185 248

HSL 201.6, 0.93%, 0.63%

LAB 71.48, -11.86, -40.37

 

CMYK 71 / 0 / 50 / 3

HEX #49F87B

RGB 73 248 123

HSL 137.14, 0.93%, 0.63%

LAB 86.99, -69.56, 47.21

 

CMYK 71 / 0 / 50 / 3

HEX #49F87B

RGB 73 248 123

HSL 137.14, 0.93%, 0.63%

LAB 86.99, -69.56, 47.21

 

CMYK 62 / 0 / 45 / 9

HEX #58E981

RGB 88 233 129

HSL 136.97, 0.77%, 0.63%

LAB 82.88, -60.71, 39.24

 

CMYK 53 / 0 / 38 / 15

HEX #67DA88

RGB 103 218 136

HSL 137.22, 0.61%, 0.63%

LAB 78.93, -50.42, 30.67

 

CMYK 41 / 0 / 30 / 20

HEX #77CB8E

RGB 119 203 142

HSL 136.43, 0.45%, 0.63%

LAB 75.19, -38.68, 22.64

 

CMYK 28 / 0 / 20 / 27

HEX #86BB95

RGB 134 187 149

HSL 136.98, 0.28%, 0.63%

LAB 71.4, -25.23, 13.76

 

CMYK 52 / 0 / 71 / 3

HEX #78F849

RGB 120 248 73

HSL 103.89, 0.93%, 0.63%

LAB 87.78, -64.94, 69.4

 

CMYK 71 / 0 / 71 / 3

HEX #49F849

RGB 73 248 73

HSL 120, 0.93%, 0.63%

LAB 86.52, -75.12, 67.71

 

CMYK 71 / 0 / 52 / 3

HEX #49F878

RGB 73 248 120

HSL 136.11, 0.93%, 0.63%

LAB 86.95, -69.98, 48.57

 

CMYK 71 / 0 / 33 / 3

HEX #49F8A6

RGB 73 248 166

HSL 151.89, 0.93%, 0.63%

LAB 87.63, -62.27, 26.93

 

CMYK 71 / 0 / 14 / 3

HEX #49F8D5

RGB 73 248 213

HSL 168, 0.93%, 0.63%

LAB 88.62, -51.87, 4.09

 

CMYK 97 / 0 / 69 / 10

HEX #08E647

RGB 8 230 71

HSL 137.03, 0.93%, 0.47%

LAB 80.24, -76.15, 61.66

 

CMYK 87 / 0 / 62 / 3

HEX #21F75E

RGB 33 247 94

HSL 137.1, 0.93%, 0.55%

LAB 85.83, -77.48, 58.65

 

CMYK 71 / 0 / 50 / 3

HEX #49F87B

RGB 73 248 123

HSL 137.14, 0.93%, 0.63%

LAB 86.99, -69.56, 47.21

 

CMYK 55 / 0 / 39 / 2

HEX #71FA98

RGB 113 250 152

HSL 137.08, 0.93%, 0.71%

LAB 88.99, -58.11, 35.95

 

CMYK 39 / 0 / 28 / 2

HEX #99FBB4

RGB 153 251 180

HSL 136.53, 0.92%, 0.79%

LAB 91.26, -43.49, 25.18

 

CMYK 70 / 0 / 50 / 3

HEX #4BF87C

RGB 75 248 124

HSL 136.99, 0.93%, 0.63%

LAB 87.04, -69.1, 46.82

 

CMYK 71 / 33 / 0 / 3

HEX #49A6F8

RGB 73 166 248

HSL 208.11, 0.93%, 0.63%

LAB 66.11, -1.34, -48.8

 

CMYK 0 / 71 / 61 / 3

HEX #F84960

RGB 248 73 96

HSL 352.11, 0.93%, 0.63%

LAB 57.62, 67.11, 26.66

 

CMYK 70 / 0 / 50 / 3

HEX #4BF87C

RGB 75 248 124

HSL 136.99, 0.93%, 0.63%

LAB 87.04, -69.1, 46.82

 

CMYK 52 / 71 / 0 / 3

HEX #7849F8

RGB 120 73 248

HSL 256.11, 0.93%, 0.63%

LAB 46.36, 60.19, -80.44

 

CMYK 0 / 52 / 71 / 3

HEX #F87849

RGB 248 120 73

HSL 16.11, 0.93%, 0.63%

LAB 64.86, 45.82, 48.04

 

CMYK 70 / 0 / 50 / 3

HEX #4BF87C

RGB 75 248 124

HSL 136.99, 0.93%, 0.63%

LAB 87.04, -69.1, 46.82

 

CMYK 71 / 33 / 0 / 3

HEX #49A6F8

RGB 73 166 248

HSL 208.11, 0.93%, 0.63%

LAB 66.11, -1.34, -48.8

 

CMYK 0 / 71 / 19 / 3

HEX #F849CA

RGB 248 73 202

HSL 315.77, 0.93%, 0.63%

LAB 60.77, 77.39, -30.46

 

CMYK 0 / 38 / 71 / 3

HEX #F89B49

RGB 248 155 73

HSL 28.11, 0.93%, 0.63%

LAB 72.15, 28.03, 55.95

 

CMYK 70 / 0 / 50 / 3

HEX #4BF87C

RGB 75 248 124

HSL 136.99, 0.93%, 0.63%

LAB 87.04, -69.1, 46.82

 

CMYK 71 / 54 / 0 / 3

HEX #4972F8

RGB 73 114 248

HSL 225.94, 0.93%, 0.63%

LAB 52.09, 29.85, -71.23

 

CMYK 0 / 71 / 19 / 3

HEX #F849CA

RGB 248 73 202

HSL 315.77, 0.93%, 0.63%

LAB 60.77, 77.39, -30.46

 

CMYK 0 / 17 / 71 / 3

HEX #F8CF49

RGB 248 207 73

HSL 45.94, 0.93%, 0.63%

LAB 84.52, 0.9, 68.69

 

Description

Color code: HEX #4BF87C | qconv.com Color code: HEX #4BF87C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 248 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 248 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 50 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 50% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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