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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BF740 it is the complementary color #B408BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BF740. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BF740 shade: #50F73B, #61FF4E, #72FF61, #83FF74 and #94FF87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BF740. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BF740 shade: #4BF740, #3AE52D, #29D31A, #18C107 and #07AF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BF740 shade: #4BF740, #7CF740, #AEF740, #DFF740 and #F7DE40

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BF740 shade: #4BF740, #40F766, #40F798, #40F7C9 and #40F4F7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BF740 shade matches the following richer shades: #4BF740

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BF740 shade: #4BF740, #59E750, #67D760, #76C770 and #84B780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BF740 shade: #AEF740, #7DF740, #4CF740, #40F765 and #40F795

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BF740 shade: #16DB09, #26F518, #4BF740, #70F968 and #96FA8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BF740 shade: #4BF740, #40DFF7 and #F74095

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BF740 shade: #4BF740, #404CF7 and #F7404C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BF740 shade: #4BF740, #40DFF7, #EB40F7 and #F75840

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BF740 shade: #4BF740, #40A8F7, #EB40F7 and #F78F40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 74 / 3

HEX #4BF740

RGB 75 247 64

HSL 116.39, 0.92%, 0.61%

LAB 86.2, -75.15, 70.46

 

Complementary color

CMYK 6 / 96 / 0 / 25

HEX #B408BF

RGB 180 8 191

HSL 296.39, 0.92%, 0.39%

LAB 43.71, 76.56, -51.79

 

CMYK 68 / 0 / 76 / 3

HEX #50F73B

RGB 80 247 59

HSL 113.3, 0.92%, 0.6%

LAB 86.28, -74.59, 72.14

 

CMYK 62 / 0 / 69 / 0

HEX #61FF4E

RGB 97 255 78

HSL 113.56, 1%, 0.65%

LAB 89.21, -72.46, 68.87

 

CMYK 55 / 0 / 62 / 0

HEX #72FF61

RGB 114 255 97

HSL 113.54, 1%, 0.69%

LAB 89.84, -66.93, 62.33

 

CMYK 49 / 0 / 55 / 0

HEX #83FF74

RGB 131 255 116

HSL 113.53, 1%, 0.73%

LAB 90.6, -60.56, 55.18

 

CMYK 42 / 0 / 47 / 0

HEX #94FF87

RGB 148 255 135

HSL 113.5, 1%, 0.76%

LAB 91.49, -53.47, 47.65

 

CMYK 70 / 0 / 74 / 3

HEX #4BF740

RGB 75 247 64

HSL 116.39, 0.92%, 0.61%

LAB 86.2, -75.15, 70.46

 

CMYK 75 / 0 / 80 / 10

HEX #3AE52D

RGB 58 229 45

HSL 115.76, 0.78%, 0.54%

LAB 80.25, -73.55, 70.29

 

CMYK 81 / 0 / 88 / 17

HEX #29D31A

RGB 41 211 26

HSL 115.14, 0.78%, 0.46%

LAB 74.28, -71.36, 69.21

 

CMYK 88 / 0 / 96 / 24

HEX #18C107

RGB 24 193 7

HSL 114.52, 0.93%, 0.39%

LAB 68.28, -68.44, 66.84

 

CMYK 96 / 0 / 100 / 31

HEX #07AF00

RGB 7 175 0

HSL 117.6, 1%, 0.34%

LAB 62.26, -64.63, 62.77

 

CMYK 70 / 0 / 74 / 3

HEX #4BF740

RGB 75 247 64

HSL 116.39, 0.92%, 0.61%

LAB 86.2, -75.15, 70.46

 

CMYK 50 / 0 / 74 / 3

HEX #7CF740

RGB 124 247 64

HSL 100.33, 0.92%, 0.61%

LAB 87.57, -64.09, 72.27

 

CMYK 30 / 0 / 74 / 3

HEX #AEF740

RGB 174 247 64

HSL 83.93, 0.92%, 0.61%

LAB 89.81, -48.07, 75.21

 

CMYK 10 / 0 / 74 / 3

HEX #DFF740

RGB 223 247 64

HSL 67.87, 0.92%, 0.61%

LAB 92.83, -29.44, 79.14

 

CMYK 0 / 10 / 74 / 3

HEX #F7DE40

RGB 247 222 64

HSL 51.8, 0.92%, 0.61%

LAB 88.15, -7.51, 75.43

 

CMYK 70 / 0 / 74 / 3

HEX #4BF740

RGB 75 247 64

HSL 116.39, 0.92%, 0.61%

LAB 86.2, -75.15, 70.46

 

CMYK 74 / 0 / 59 / 3

HEX #40F766

RGB 64 247 102

HSL 132.46, 0.92%, 0.61%

LAB 86.29, -73.3, 55.86

 

CMYK 74 / 0 / 38 / 3

HEX #40F798

RGB 64 247 152

HSL 148.85, 0.92%, 0.61%

LAB 86.94, -65.77, 33.02

 

CMYK 74 / 0 / 19 / 3

HEX #40F7C9

RGB 64 247 201

HSL 164.92, 0.92%, 0.61%

LAB 87.89, -55.46, 9.25

 

CMYK 74 / 1 / 0 / 3

HEX #40F4F7

RGB 64 244 247

HSL 180.98, 0.92%, 0.61%

LAB 88.21, -42.22, -14.27

 

CMYK 70 / 0 / 74 / 3

HEX #4BF740

RGB 75 247 64

HSL 116.39, 0.92%, 0.61%

LAB 86.2, -75.15, 70.46

 

CMYK 70 / 0 / 74 / 3

HEX #4BF740

RGB 75 247 64

HSL 116.39, 0.92%, 0.61%

LAB 86.2, -75.15, 70.46

 

CMYK 61 / 0 / 65 / 9

HEX #59E750

RGB 89 231 80

HSL 116.42, 0.76%, 0.61%

LAB 81.76, -65.94, 60.14

 

CMYK 52 / 0 / 55 / 16

HEX #67D760

RGB 103 215 96

HSL 116.47, 0.6%, 0.61%

LAB 77.48, -55.06, 48.47

 

CMYK 41 / 0 / 44 / 22

HEX #76C770

RGB 118 199 112

HSL 115.86, 0.44%, 0.61%

LAB 73.46, -42.1, 35.9

 

CMYK 28 / 0 / 30 / 28

HEX #84B780

RGB 132 183 128

HSL 115.64, 0.28%, 0.61%

LAB 69.7, -27.68, 22.73

 

CMYK 30 / 0 / 74 / 3

HEX #AEF740

RGB 174 247 64

HSL 83.93, 0.92%, 0.61%

LAB 89.81, -48.07, 75.21

 

CMYK 49 / 0 / 74 / 3

HEX #7DF740

RGB 125 247 64

HSL 100, 0.92%, 0.61%

LAB 87.61, -63.81, 72.32

 

CMYK 69 / 0 / 74 / 3

HEX #4CF740

RGB 76 247 64

HSL 116.07, 0.92%, 0.61%

LAB 86.22, -74.97, 70.48

 

CMYK 74 / 0 / 59 / 3

HEX #40F765

RGB 64 247 101

HSL 132.13, 0.92%, 0.61%

LAB 86.28, -73.42, 56.28

 

CMYK 74 / 0 / 40 / 3

HEX #40F795

RGB 64 247 149

HSL 147.87, 0.92%, 0.61%

LAB 86.89, -66.31, 34.45

 

CMYK 90 / 0 / 96 / 14

HEX #16DB09

RGB 22 219 9

HSL 116.29, 0.92%, 0.45%

LAB 76.59, -75.72, 73.43

 

CMYK 84 / 0 / 90 / 4

HEX #26F518

RGB 38 245 24

HSL 116.2, 0.92%, 0.53%

LAB 84.89, -81.25, 78.61

 

CMYK 70 / 0 / 74 / 3

HEX #4BF740

RGB 75 247 64

HSL 116.39, 0.92%, 0.61%

LAB 86.2, -75.15, 70.46

 

CMYK 55 / 0 / 58 / 2

HEX #70F968

RGB 112 249 104

HSL 116.69, 0.92%, 0.69%

LAB 88.06, -64.54, 57.34

 

CMYK 40 / 0 / 43 / 2

HEX #96FA8F

RGB 150 250 143

HSL 116.07, 0.91%, 0.77%

LAB 90.25, -49.76, 42.26

 

CMYK 70 / 0 / 74 / 3

HEX #4BF740

RGB 75 247 64

HSL 116.39, 0.92%, 0.61%

LAB 86.2, -75.15, 70.46

 

CMYK 74 / 10 / 0 / 3

HEX #40DFF7

RGB 64 223 247

HSL 187.87, 0.92%, 0.61%

LAB 82.15, -32.54, -23.41

 

CMYK 0 / 74 / 40 / 3

HEX #F74095

RGB 247 64 149

HSL 332.13, 0.92%, 0.61%

LAB 57.67, 73.94, -4.52

 

CMYK 70 / 0 / 74 / 3

HEX #4BF740

RGB 75 247 64

HSL 116.39, 0.92%, 0.61%

LAB 86.2, -75.15, 70.46

 

CMYK 74 / 69 / 0 / 3

HEX #404CF7

RGB 64 76 247

HSL 236.07, 0.92%, 0.61%

LAB 42.72, 51.47, -86.01

 

CMYK 0 / 74 / 69 / 3

HEX #F7404C

RGB 247 64 76

HSL 356.07, 0.92%, 0.61%

LAB 56.05, 68.75, 36.22

 

CMYK 70 / 0 / 74 / 3

HEX #4BF740

RGB 75 247 64

HSL 116.39, 0.92%, 0.61%

LAB 86.2, -75.15, 70.46

 

CMYK 74 / 10 / 0 / 3

HEX #40DFF7

RGB 64 223 247

HSL 187.87, 0.92%, 0.61%

LAB 82.15, -32.54, -23.41

 

CMYK 5 / 74 / 0 / 3

HEX #EB40F7

RGB 235 64 247

HSL 296.07, 0.92%, 0.61%

LAB 59.93, 83.96, -57.22

 

CMYK 0 / 64 / 74 / 3

HEX #F75840

RGB 247 88 64

HSL 7.87, 0.92%, 0.61%

LAB 59.09, 59.5, 46.29

 

CMYK 70 / 0 / 74 / 3

HEX #4BF740

RGB 75 247 64

HSL 116.39, 0.92%, 0.61%

LAB 86.2, -75.15, 70.46

 

CMYK 74 / 32 / 0 / 3

HEX #40A8F7

RGB 64 168 247

HSL 205.9, 0.92%, 0.61%

LAB 66.37, -3.98, -47.85

 

CMYK 5 / 74 / 0 / 3

HEX #EB40F7

RGB 235 64 247

HSL 296.07, 0.92%, 0.61%

LAB 59.93, 83.96, -57.22

 

CMYK 0 / 42 / 74 / 3

HEX #F78F40

RGB 247 143 64

HSL 25.9, 0.92%, 0.61%

LAB 69.32, 33.45, 57.04

 

Description

Color code: HEX #4BF740 | qconv.com Color code: HEX #4BF740 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 247 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 247 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 74 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 74% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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