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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BF604 it is the complementary color #B409FB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BF604. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BF604 shade: #50F600, #61FF12, #72FF25, #83FF38 and #94FF4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BF604. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BF604 shade: #4BF604, #3AE400, #29D200, #18C000 and #07AE00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BF604 shade: #4BF604, #8CF604, #CEF604, #F6DD04 and #F69C04

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BF604 shade: #4BF604, #09F604, #04F63F, #04F681 and #04F6C2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BF604 shade matches the following richer shades: #4BF604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BF604 shade: #4BF604, #53E218, #5CCE2C, #64BA40 and #6CA555

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BF604 shade: #CEF604, #8DF604, #4CF604, #0CF604 and #04F63C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BF604 shade: #32A503, #3ECE03, #4BF604, #66FC27 and #83FC50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BF604 shade: #4BF604, #04F6DE and #F604AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BF604 shade: #4BF604, #044CF6 and #F6044C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BF604 shade: #4BF604, #04F6DE, #AD04F6 and #F6041C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BF604 shade: #4BF604, #04C6F6, #AD04F6 and #F63404

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 98 / 4

HEX #4BF604

RGB 75 246 4

HSL 102.4, 0.97%, 0.49%

LAB 85.71, -77.06, 81.56

 

Complementary color

CMYK 28 / 96 / 0 / 2

HEX #B409FB

RGB 180 9 251

HSL 282.4, 0.97%, 0.51%

LAB 48.09, 86.63, -79

 

CMYK 67 / 0 / 100 / 4

HEX #50F600

RGB 80 246 0

HSL 100.49, 1%, 0.48%

LAB 85.81, -76.21, 82

 

CMYK 62 / 0 / 93 / 0

HEX #61FF12

RGB 97 255 18

HSL 100, 1%, 0.54%

LAB 88.97, -75.29, 83.2

 

CMYK 55 / 0 / 85 / 0

HEX #72FF25

RGB 114 255 37

HSL 98.81, 1%, 0.57%

LAB 89.5, -70.81, 80.95

 

CMYK 49 / 0 / 78 / 0

HEX #83FF38

RGB 131 255 56

HSL 97.39, 1%, 0.61%

LAB 90.15, -65.46, 77.22

 

CMYK 42 / 0 / 71 / 0

HEX #94FF4B

RGB 148 255 75

HSL 95.67, 1%, 0.65%

LAB 90.93, -59.32, 72.25

 

CMYK 70 / 0 / 98 / 4

HEX #4BF604

RGB 75 246 4

HSL 102.4, 0.97%, 0.49%

LAB 85.71, -77.06, 81.56

 

CMYK 75 / 0 / 100 / 11

HEX #3AE400

RGB 58 228 0

HSL 104.74, 1%, 0.45%

LAB 79.83, -74.59, 77.06

 

CMYK 80 / 0 / 100 / 18

HEX #29D200

RGB 41 210 0

HSL 108.29, 1%, 0.41%

LAB 73.91, -71.69, 72.22

 

CMYK 88 / 0 / 100 / 25

HEX #18C000

RGB 24 192 0

HSL 112.5, 1%, 0.38%

LAB 67.94, -68.31, 67.37

 

CMYK 96 / 0 / 100 / 32

HEX #07AE00

RGB 7 174 0

HSL 117.59, 1%, 0.34%

LAB 61.93, -64.35, 62.5

 

CMYK 70 / 0 / 98 / 4

HEX #4BF604

RGB 75 246 4

HSL 102.4, 0.97%, 0.49%

LAB 85.71, -77.06, 81.56

 

CMYK 43 / 0 / 98 / 4

HEX #8CF604

RGB 140 246 4

HSL 86.28, 0.97%, 0.49%

LAB 87.73, -60.91, 84.01

 

CMYK 16 / 0 / 98 / 4

HEX #CEF604

RGB 206 246 4

HSL 69.92, 0.97%, 0.49%

LAB 91.25, -37.15, 88.26

 

CMYK 0 / 10 / 98 / 4

HEX #F6DD04

RGB 246 221 4

HSL 53.8, 0.97%, 0.49%

LAB 87.64, -8.73, 86.93

 

CMYK 0 / 37 / 98 / 4

HEX #F69C04

RGB 246 156 4

HSL 37.69, 0.97%, 0.49%

LAB 71.81, 24.91, 75.9

 

CMYK 70 / 0 / 98 / 4

HEX #4BF604

RGB 75 246 4

HSL 102.4, 0.97%, 0.49%

LAB 85.71, -77.06, 81.56

 

CMYK 96 / 0 / 98 / 4

HEX #09F604

RGB 9 246 4

HSL 118.76, 0.97%, 0.49%

LAB 84.99, -83.54, 80.67

 

CMYK 98 / 0 / 74 / 4

HEX #04F63F

RGB 4 246 63

HSL 134.63, 0.97%, 0.49%

LAB 85.15, -81.38, 69.49

 

CMYK 98 / 0 / 48 / 4

HEX #04F681

RGB 4 246 129

HSL 150.99, 0.97%, 0.49%

LAB 85.77, -73.67, 42.69

 

CMYK 98 / 0 / 21 / 4

HEX #04F6C2

RGB 4 246 194

HSL 167.11, 0.97%, 0.49%

LAB 86.91, -60.53, 11.43

 

CMYK 70 / 0 / 98 / 4

HEX #4BF604

RGB 75 246 4

HSL 102.4, 0.97%, 0.49%

LAB 85.71, -77.06, 81.56

 

CMYK 70 / 0 / 98 / 4

HEX #4BF604

RGB 75 246 4

HSL 102.4, 0.97%, 0.49%

LAB 85.71, -77.06, 81.56

 

CMYK 63 / 0 / 89 / 11

HEX #53E218

RGB 83 226 24

HSL 102.48, 0.81%, 0.49%

LAB 79.78, -68.95, 74.61

 

CMYK 55 / 0 / 79 / 19

HEX #5CCE2C

RGB 92 206 44

HSL 102.22, 0.65%, 0.49%

LAB 73.93, -59.2, 64.95

 

CMYK 46 / 0 / 66 / 27

HEX #64BA40

RGB 100 186 64

HSL 102.3, 0.49%, 0.49%

LAB 68.17, -47.9, 52.04

 

CMYK 35 / 0 / 48 / 35

HEX #6CA555

RGB 108 165 85

HSL 102.75, 0.32%, 0.49%

LAB 62.3, -33.89, 35.5

 

CMYK 16 / 0 / 98 / 4

HEX #CEF604

RGB 206 246 4

HSL 69.92, 0.97%, 0.49%

LAB 91.25, -37.15, 88.26

 

CMYK 43 / 0 / 98 / 4

HEX #8DF604

RGB 141 246 4

HSL 86.03, 0.97%, 0.49%

LAB 87.77, -60.59, 84.06

 

CMYK 69 / 0 / 98 / 4

HEX #4CF604

RGB 76 246 4

HSL 102.15, 0.97%, 0.49%

LAB 85.73, -76.89, 81.58

 

CMYK 95 / 0 / 98 / 4

HEX #0CF604

RGB 12 246 4

HSL 118.02, 0.97%, 0.49%

LAB 85, -83.45, 80.68

 

CMYK 98 / 0 / 76 / 4

HEX #04F63C

RGB 4 246 60

HSL 133.88, 0.97%, 0.49%

LAB 85.13, -81.59, 70.43

 

CMYK 70 / 0 / 98 / 35

HEX #32A503

RGB 50 165 3

HSL 102.59, 0.96%, 0.33%

LAB 59.52, -56.61, 60.39

 

CMYK 70 / 0 / 99 / 19

HEX #3ECE03

RGB 62 206 3

HSL 102.56, 0.97%, 0.41%

LAB 73.01, -67.29, 71.34

 

CMYK 70 / 0 / 98 / 4

HEX #4BF604

RGB 75 246 4

HSL 102.4, 0.97%, 0.49%

LAB 85.71, -77.06, 81.56

 

CMYK 60 / 0 / 85 / 1

HEX #66FC27

RGB 102 252 39

HSL 102.25, 0.97%, 0.57%

LAB 88.25, -72.63, 79.31

 

CMYK 48 / 0 / 68 / 1

HEX #83FC50

RGB 131 252 80

HSL 102.21, 0.97%, 0.65%

LAB 89.4, -62.86, 68.68

 

CMYK 70 / 0 / 98 / 4

HEX #4BF604

RGB 75 246 4

HSL 102.4, 0.97%, 0.49%

LAB 85.71, -77.06, 81.56

 

CMYK 98 / 0 / 10 / 4

HEX #04F6DE

RGB 4 246 222

HSL 174.05, 0.97%, 0.49%

LAB 87.59, -53.39, -2.19

 

CMYK 0 / 98 / 30 / 4

HEX #F604AD

RGB 246 4 173

HSL 318.1, 0.97%, 0.49%

LAB 54.76, 86.41, -23.03

 

CMYK 70 / 0 / 98 / 4

HEX #4BF604

RGB 75 246 4

HSL 102.4, 0.97%, 0.49%

LAB 85.71, -77.06, 81.56

 

CMYK 98 / 69 / 0 / 4

HEX #044CF6

RGB 4 76 246

HSL 222.15, 0.97%, 0.49%

LAB 40.97, 48.15, -88.39

 

CMYK 0 / 98 / 69 / 4

HEX #F6044C

RGB 246 4 76

HSL 342.15, 0.97%, 0.49%

LAB 52.06, 79.29, 31.33

 

CMYK 70 / 0 / 98 / 4

HEX #4BF604

RGB 75 246 4

HSL 102.4, 0.97%, 0.49%

LAB 85.71, -77.06, 81.56

 

CMYK 98 / 0 / 10 / 4

HEX #04F6DE

RGB 4 246 222

HSL 174.05, 0.97%, 0.49%

LAB 87.59, -53.39, -2.19

 

CMYK 30 / 98 / 0 / 4

HEX #AD04F6

RGB 173 4 246

HSL 281.9, 0.97%, 0.49%

LAB 46.48, 85.32, -78.87

 

CMYK 0 / 98 / 89 / 4

HEX #F6041C

RGB 246 4 28

HSL 354.05, 0.97%, 0.49%

LAB 51.57, 77.93, 56.79

 

CMYK 70 / 0 / 98 / 4

HEX #4BF604

RGB 75 246 4

HSL 102.4, 0.97%, 0.49%

LAB 85.71, -77.06, 81.56

 

CMYK 98 / 20 / 0 / 4

HEX #04C6F6

RGB 4 198 246

HSL 191.9, 0.97%, 0.49%

LAB 74.23, -24.25, -35.09

 

CMYK 30 / 98 / 0 / 4

HEX #AD04F6

RGB 173 4 246

HSL 281.9, 0.97%, 0.49%

LAB 46.48, 85.32, -78.87

 

CMYK 0 / 79 / 98 / 4

HEX #F63404

RGB 246 52 4

HSL 11.9, 0.97%, 0.49%

LAB 54.09, 70.25, 65.53

 

Description

Color code: HEX #4BF604 | qconv.com Color code: HEX #4BF604 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 246 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 246 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 98 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 98% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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