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Color name
HEX #4BF56C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BF56C it is the complementary color #B40A93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BF56C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BF56C shade: #50F567, #61FF7A, #72FF8D, #83FFA0 and #94FFB3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BF56C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BF56C shade: #4BF56C, #3AE359, #29D146, #18BF33 and #07AD20

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BF56C shade: #4DF56D, #59F54D, #87F54D, #B4F54D and #E1F54D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BF56C shade: #4DF56D, #4DF59B, #4DF5C8, #4DF4F5 and #4DC7F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BF56C shade matches the following richer shades: #4DF56D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BF56C shade: #4DF56D, #5CE577, #6BD680, #7AC789 and #8AB893

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BF56C shade: #87F54D, #5BF54D, #4DF56B, #4DF598 and #4DF5C5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BF56C shade: #0DE236, #26F24D, #4DF56D, #74F78D and #9BF9AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BF56C shade: #4BF56C, #4DB4F5 and #F54D71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BF56C shade: #4BF56C, #6B4DF5 and #F56B4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BF56C shade: #4BF56C, #4DB4F5, #F54DD6 and #F58D4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BF56C shade: #4BF56C, #4D82F5, #F54DD6 and #F5BF4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 56 / 4

HEX #4BF56C

RGB 75 245 108

HSL 131.65, 0.89%, 0.63%

LAB 85.95, -70.25, 52.86

 

Complementary color

CMYK 0 / 94 / 18 / 29

HEX #B40A93

RGB 180 10 147

HSL 311.65, 0.89%, 0.37%

LAB 41.26, 70.09, -29.44

 

CMYK 67 / 0 / 58 / 4

HEX #50F567

RGB 80 245 103

HSL 128.36, 0.89%, 0.64%

LAB 86, -70, 55.17

 

CMYK 62 / 0 / 52 / 0

HEX #61FF7A

RGB 97 255 122

HSL 129.49, 1%, 0.69%

LAB 89.61, -67.84, 51.01

 

CMYK 55 / 0 / 45 / 0

HEX #72FF8D

RGB 114 255 141

HSL 131.49, 1%, 0.72%

LAB 90.33, -61.52, 43.06

 

CMYK 49 / 0 / 37 / 0

HEX #83FFA0

RGB 131 255 160

HSL 134.03, 1%, 0.76%

LAB 91.18, -54.46, 34.97

 

CMYK 42 / 0 / 30 / 0

HEX #94FFB3

RGB 148 255 179

HSL 137.38, 1%, 0.79%

LAB 92.16, -46.78, 26.88

 

CMYK 69 / 0 / 56 / 4

HEX #4BF56C

RGB 75 245 108

HSL 131.65, 0.89%, 0.63%

LAB 85.95, -70.25, 52.86

 

CMYK 74 / 0 / 61 / 11

HEX #3AE359

RGB 58 227 89

HSL 131.01, 0.75%, 0.56%

LAB 79.93, -69.26, 54.16

 

CMYK 80 / 0 / 67 / 18

HEX #29D146

RGB 41 209 70

HSL 130.36, 0.67%, 0.49%

LAB 73.88, -67.82, 55.32

 

CMYK 87 / 0 / 73 / 25

HEX #18BF33

RGB 24 191 51

HSL 129.7, 0.78%, 0.42%

LAB 67.8, -65.76, 56.16

 

CMYK 96 / 0 / 82 / 32

HEX #07AD20

RGB 7 173 32

HSL 129.04, 0.92%, 0.35%

LAB 61.69, -62.91, 56.35

 

CMYK 69 / 0 / 56 / 4

HEX #4DF56D

RGB 77 245 109

HSL 131.43, 0.89%, 0.63%

LAB 86, -69.79, 52.48

 

CMYK 64 / 0 / 69 / 4

HEX #59F54D

RGB 89 245 77

HSL 115.71, 0.89%, 0.63%

LAB 85.99, -70.9, 65.81

 

CMYK 45 / 0 / 69 / 4

HEX #87F54D

RGB 135 245 77

HSL 99.29, 0.89%, 0.63%

LAB 87.48, -59.3, 67.83

 

CMYK 27 / 0 / 69 / 4

HEX #B4F54D

RGB 180 245 77

HSL 83.21, 0.89%, 0.63%

LAB 89.65, -44.31, 70.74

 

CMYK 8 / 0 / 69 / 4

HEX #E1F54D

RGB 225 245 77

HSL 67.14, 0.89%, 0.63%

LAB 92.51, -27.09, 74.56

 

CMYK 69 / 0 / 56 / 4

HEX #4DF56D

RGB 77 245 109

HSL 131.43, 0.89%, 0.63%

LAB 86, -69.79, 52.48

 

CMYK 69 / 0 / 37 / 4

HEX #4DF59B

RGB 77 245 155

HSL 147.86, 0.89%, 0.63%

LAB 86.63, -62.64, 31.14

 

CMYK 69 / 0 / 18 / 4

HEX #4DF5C8

RGB 77 245 200

HSL 163.93, 0.89%, 0.63%

LAB 87.51, -53.21, 9.27

 

CMYK 69 / 0 / 0 / 4

HEX #4DF4F5

RGB 77 244 245

HSL 180.36, 0.89%, 0.63%

LAB 88.39, -41.28, -12.94

 

CMYK 69 / 19 / 0 / 4

HEX #4DC7F5

RGB 77 199 245

HSL 196.43, 0.89%, 0.63%

LAB 75.46, -19.65, -32.57

 

CMYK 69 / 0 / 56 / 4

HEX #4DF56D

RGB 77 245 109

HSL 131.43, 0.89%, 0.63%

LAB 86, -69.79, 52.48

 

CMYK 69 / 0 / 56 / 4

HEX #4DF56D

RGB 77 245 109

HSL 131.43, 0.89%, 0.63%

LAB 86, -69.79, 52.48

 

CMYK 60 / 0 / 48 / 10

HEX #5CE577

RGB 92 229 119

HSL 131.82, 0.72%, 0.63%

LAB 81.65, -59.92, 42.58

 

CMYK 50 / 0 / 40 / 16

HEX #6BD680

RGB 107 214 128

HSL 131.78, 0.57%, 0.63%

LAB 77.74, -49.11, 33.22

 

CMYK 39 / 0 / 31 / 22

HEX #7AC789

RGB 122 199 137

HSL 131.69, 0.41%, 0.63%

LAB 74.06, -36.87, 23.75

 

CMYK 25 / 0 / 20 / 28

HEX #8AB893

RGB 138 184 147

HSL 131.74, 0.24%, 0.63%

LAB 70.73, -22.8, 13.93

 

CMYK 45 / 0 / 69 / 4

HEX #87F54D

RGB 135 245 77

HSL 99.29, 0.89%, 0.63%

LAB 87.48, -59.3, 67.83

 

CMYK 63 / 0 / 69 / 4

HEX #5BF54D

RGB 91 245 77

HSL 115, 0.89%, 0.63%

LAB 86.04, -70.49, 65.88

 

CMYK 69 / 0 / 56 / 4

HEX #4DF56B

RGB 77 245 107

HSL 130.71, 0.89%, 0.63%

LAB 85.98, -70.04, 53.35

 

CMYK 69 / 0 / 38 / 4

HEX #4DF598

RGB 77 245 152

HSL 146.79, 0.89%, 0.63%

LAB 86.58, -63.19, 32.59

 

CMYK 69 / 0 / 20 / 4

HEX #4DF5C5

RGB 77 245 197

HSL 162.86, 0.89%, 0.63%

LAB 87.44, -53.91, 10.73

 

CMYK 94 / 0 / 76 / 11

HEX #0DE236

RGB 13 226 54

HSL 131.55, 0.89%, 0.47%

LAB 78.89, -76.22, 66.2

 

CMYK 84 / 0 / 68 / 5

HEX #26F24D

RGB 38 242 77

HSL 131.47, 0.89%, 0.55%

LAB 84.2, -77.34, 63.66

 

CMYK 69 / 0 / 56 / 4

HEX #4DF56D

RGB 77 245 109

HSL 131.43, 0.89%, 0.63%

LAB 86, -69.79, 52.48

 

CMYK 53 / 0 / 43 / 3

HEX #74F78D

RGB 116 247 141

HSL 131.45, 0.89%, 0.71%

LAB 88.04, -57.99, 40.15

 

CMYK 38 / 0 / 31 / 2

HEX #9BF9AD

RGB 155 249 173

HSL 131.49, 0.89%, 0.79%

LAB 90.66, -43.25, 27.92

 

CMYK 69 / 0 / 56 / 4

HEX #4BF56C

RGB 75 245 108

HSL 131.65, 0.89%, 0.63%

LAB 85.95, -70.25, 52.86

 

CMYK 69 / 27 / 0 / 4

HEX #4DB4F5

RGB 77 180 245

HSL 203.21, 0.89%, 0.63%

LAB 70.04, -9.58, -40.98

 

CMYK 0 / 69 / 54 / 4

HEX #F54D71

RGB 245 77 113

HSL 347.14, 0.89%, 0.63%

LAB 57.95, 65.93, 17.05

 

CMYK 69 / 0 / 56 / 4

HEX #4BF56C

RGB 75 245 108

HSL 131.65, 0.89%, 0.63%

LAB 85.95, -70.25, 52.86

 

CMYK 56 / 69 / 0 / 4

HEX #6B4DF5

RGB 107 77 245

HSL 250.71, 0.89%, 0.63%

LAB 45.67, 55.39, -79.94

 

CMYK 0 / 56 / 69 / 4

HEX #F56B4D

RGB 245 107 77

HSL 10.71, 0.89%, 0.63%

LAB 62.05, 51.1, 42.66

 

CMYK 69 / 0 / 56 / 4

HEX #4BF56C

RGB 75 245 108

HSL 131.65, 0.89%, 0.63%

LAB 85.95, -70.25, 52.86

 

CMYK 69 / 27 / 0 / 4

HEX #4DB4F5

RGB 77 180 245

HSL 203.21, 0.89%, 0.63%

LAB 70.04, -9.58, -40.98

 

CMYK 0 / 69 / 13 / 4

HEX #F54DD6

RGB 245 77 214

HSL 311.07, 0.89%, 0.63%

LAB 61.29, 76.98, -36.49

 

CMYK 0 / 42 / 69 / 4

HEX #F58D4D

RGB 245 141 77

HSL 22.86, 0.89%, 0.63%

LAB 68.75, 34.31, 50.25

 

CMYK 69 / 0 / 56 / 4

HEX #4BF56C

RGB 75 245 108

HSL 131.65, 0.89%, 0.63%

LAB 85.95, -70.25, 52.86

 

CMYK 69 / 47 / 0 / 4

HEX #4D82F5

RGB 77 130 245

HSL 221.07, 0.89%, 0.63%

LAB 56.22, 19.49, -62.89

 

CMYK 0 / 69 / 13 / 4

HEX #F54DD6

RGB 245 77 214

HSL 311.07, 0.89%, 0.63%

LAB 61.29, 76.98, -36.49

 

CMYK 0 / 22 / 69 / 4

HEX #F5BF4D

RGB 245 191 77

HSL 40.71, 0.89%, 0.63%

LAB 80.3, 8.11, 62.68

 

Description

Color code: HEX #4BF56C | qconv.com Color code: HEX #4BF56C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 245 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 245 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 56 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 56% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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