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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BEECE it is the complementary color #B41131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BEECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BEECE shade: #50EEC9, #61FFDC, #72FFEF, #83FFFF and #94FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BEECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BEECE shade: #4BEECE, #3ADCBB, #29CAA8, #18B895 and #07A682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BEECE shade: #49EECE, #49EEA1, #49EE75, #4AEE49 and #76EE49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BEECE shade: #49EECE, #49E2EE, #49B5EE, #4989EE and #495CEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BEECE shade matches the following richer shades: #49EECE and #39FED7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BEECE shade: #49EECE, #59DEC4, #69CEBA, #79BEB0 and #89AEA7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BEECE shade: #49EE75, #49EEA1, #49EECD, #49E3EE and #49B7EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BEECE shade: #13D1AC, #23EBC3, #49EECE, #6FF2D8 and #95F5E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BEECE shade: #4BEECE, #4949EE and #EE8B49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BEECE shade: #4BEECE, #CD49EE and #EECD49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BEECE shade: #4BEECE, #4949EE, #EE496A and #EEEE49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BEECE shade: #4BEECE, #7B49EE, #EE496A and #BDEE49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 13 / 7

HEX #4BEECE

RGB 75 238 206

HSL 168.22, 0.83%, 0.61%

LAB 85.56, -49.15, 3.31

 

Complementary color

CMYK 0 / 91 / 73 / 29

HEX #B41131

RGB 180 17 49

HSL 348.22, 0.83%, 0.39%

LAB 38.42, 60.71, 28.09

 

CMYK 66 / 0 / 16 / 7

HEX #50EEC9

RGB 80 238 201

HSL 165.95, 0.82%, 0.62%

LAB 85.54, -49.64, 5.92

 

CMYK 62 / 0 / 14 / 0

HEX #61FFDC

RGB 97 255 220

HSL 166.71, 1%, 0.69%

LAB 91.34, -49.55, 4.46

 

CMYK 55 / 0 / 6 / 0

HEX #72FFEF

RGB 114 255 239

HSL 173.19, 1%, 0.72%

LAB 92.28, -41.94, -3.95

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 42 / 0 / 0 / 0

HEX #94FFFF

RGB 148 255 255

HSL 180, 1%, 0.79%

LAB 93.9, -30.89, -9.69

 

CMYK 68 / 0 / 13 / 7

HEX #4BEECE

RGB 75 238 206

HSL 168.22, 0.83%, 0.61%

LAB 85.56, -49.15, 3.31

 

CMYK 74 / 0 / 15 / 14

HEX #3ADCBB

RGB 58 220 187

HSL 167.78, 0.7%, 0.55%

LAB 79.43, -48.54, 4.44

 

CMYK 80 / 0 / 17 / 21

HEX #29CAA8

RGB 41 202 168

HSL 167.33, 0.66%, 0.48%

LAB 73.25, -47.68, 5.67

 

CMYK 87 / 0 / 19 / 28

HEX #18B895

RGB 24 184 149

HSL 166.88, 0.77%, 0.41%

LAB 67.01, -46.49, 7.04

 

CMYK 96 / 0 / 22 / 35

HEX #07A682

RGB 7 166 130

HSL 166.42, 0.92%, 0.34%

LAB 60.72, -44.87, 8.57

 

CMYK 69 / 0 / 13 / 7

HEX #49EECE

RGB 73 238 206

HSL 168.36, 0.83%, 0.61%

LAB 85.51, -49.42, 3.25

 

CMYK 69 / 0 / 32 / 7

HEX #49EEA1

RGB 73 238 161

HSL 152, 0.83%, 0.61%

LAB 84.56, -59.5, 25.29

 

CMYK 69 / 0 / 51 / 7

HEX #49EE75

RGB 73 238 117

HSL 136, 0.83%, 0.61%

LAB 83.89, -67.01, 46.22

 

CMYK 69 / 0 / 69 / 7

HEX #4AEE49

RGB 74 238 73

HSL 119.64, 0.83%, 0.61%

LAB 83.49, -71.81, 64.57

 

CMYK 50 / 0 / 69 / 7

HEX #76EE49

RGB 118 238 73

HSL 103.64, 0.83%, 0.61%

LAB 84.73, -61.85, 66.25

 

CMYK 69 / 0 / 13 / 7

HEX #49EECE

RGB 73 238 206

HSL 168.36, 0.83%, 0.61%

LAB 85.51, -49.42, 3.25

 

CMYK 69 / 5 / 0 / 7

HEX #49E2EE

RGB 73 226 238

HSL 184.36, 0.83%, 0.61%

LAB 82.9, -35.53, -17.49

 

CMYK 69 / 24 / 0 / 7

HEX #49B5EE

RGB 73 181 238

HSL 200.73, 0.83%, 0.61%

LAB 69.92, -12.98, -37.38

 

CMYK 69 / 42 / 0 / 7

HEX #4989EE

RGB 73 137 238

HSL 216.73, 0.83%, 0.61%

LAB 57.54, 12.21, -56.91

 

CMYK 69 / 61 / 0 / 7

HEX #495CEE

RGB 73 92 238

HSL 233.09, 0.83%, 0.61%

LAB 45.97, 39.93, -75.62

 

CMYK 69 / 0 / 13 / 7

HEX #49EECE

RGB 73 238 206

HSL 168.36, 0.83%, 0.61%

LAB 85.51, -49.42, 3.25

 

CMYK 78 / 0 / 15 / 0

HEX #39FED7

RGB 57 254 215

HSL 168.12, 0.99%, 0.61%

LAB 90.16, -55.61, 5.26

 

CMYK 69 / 0 / 13 / 7

HEX #49EECE

RGB 73 238 206

HSL 168.36, 0.83%, 0.61%

LAB 85.51, -49.42, 3.25

 

CMYK 60 / 0 / 12 / 13

HEX #59DEC4

RGB 89 222 196

HSL 168.27, 0.67%, 0.61%

LAB 80.93, -42.49, 1.92

 

CMYK 49 / 0 / 10 / 19

HEX #69CEBA

RGB 105 206 186

HSL 168.12, 0.51%, 0.61%

LAB 76.49, -34.38, 0.86

 

CMYK 36 / 0 / 7 / 25

HEX #79BEB0

RGB 121 190 176

HSL 167.83, 0.35%, 0.61%

LAB 72.25, -24.97, 0.17

 

CMYK 21 / 0 / 4 / 32

HEX #89AEA7

RGB 137 174 167

HSL 168.65, 0.19%, 0.61%

LAB 68.3, -13.98, -0.54

 

CMYK 69 / 0 / 51 / 7

HEX #49EE75

RGB 73 238 117

HSL 136, 0.83%, 0.61%

LAB 83.89, -67.01, 46.22

 

CMYK 69 / 0 / 32 / 7

HEX #49EEA1

RGB 73 238 161

HSL 152, 0.83%, 0.61%

LAB 84.56, -59.5, 25.29

 

CMYK 69 / 0 / 14 / 7

HEX #49EECD

RGB 73 238 205

HSL 168, 0.83%, 0.61%

LAB 85.49, -49.67, 3.74

 

CMYK 69 / 5 / 0 / 7

HEX #49E3EE

RGB 73 227 238

HSL 184, 0.83%, 0.61%

LAB 83.19, -35.99, -17.06

 

CMYK 69 / 23 / 0 / 7

HEX #49B7EE

RGB 73 183 238

HSL 200, 0.83%, 0.61%

LAB 70.49, -14.05, -36.49

 

CMYK 91 / 0 / 18 / 18

HEX #13D1AC

RGB 19 209 172

HSL 168.32, 0.83%, 0.45%

LAB 75.28, -51.06, 6.41

 

CMYK 85 / 0 / 17 / 8

HEX #23EBC3

RGB 35 235 195

HSL 168, 0.83%, 0.53%

LAB 83.82, -54.77, 6.5

 

CMYK 69 / 0 / 13 / 7

HEX #49EECE

RGB 73 238 206

HSL 168.36, 0.83%, 0.61%

LAB 85.51, -49.42, 3.25

 

CMYK 54 / 0 / 11 / 5

HEX #6FF2D8

RGB 111 242 216

HSL 168.09, 0.83%, 0.69%

LAB 87.89, -42.3, 1.59

 

CMYK 39 / 0 / 8 / 4

HEX #95F5E2

RGB 149 245 226

HSL 168.13, 0.83%, 0.77%

LAB 90.41, -32.67, 0.21

 

CMYK 68 / 0 / 13 / 7

HEX #4BEECE

RGB 75 238 206

HSL 168.22, 0.83%, 0.61%

LAB 85.56, -49.15, 3.31

 

CMYK 69 / 69 / 0 / 7

HEX #4949EE

RGB 73 73 238

HSL 240, 0.83%, 0.61%

LAB 41.77, 51.13, -82.49

 

CMYK 0 / 42 / 69 / 7

HEX #EE8B49

RGB 238 139 73

HSL 24, 0.83%, 0.61%

LAB 67.37, 32.34, 50.42

 

CMYK 68 / 0 / 13 / 7

HEX #4BEECE

RGB 75 238 206

HSL 168.22, 0.83%, 0.61%

LAB 85.56, -49.15, 3.31

 

CMYK 14 / 69 / 0 / 7

HEX #CD49EE

RGB 205 73 238

HSL 288, 0.83%, 0.61%

LAB 56, 73.45, -58.73

 

CMYK 0 / 14 / 69 / 7

HEX #EECD49

RGB 238 205 73

HSL 48, 0.83%, 0.61%

LAB 83.08, -2.27, 66.95

 

CMYK 68 / 0 / 13 / 7

HEX #4BEECE

RGB 75 238 206

HSL 168.22, 0.83%, 0.61%

LAB 85.56, -49.15, 3.31

 

CMYK 69 / 69 / 0 / 7

HEX #4949EE

RGB 73 73 238

HSL 240, 0.83%, 0.61%

LAB 41.77, 51.13, -82.49

 

CMYK 0 / 69 / 55 / 7

HEX #EE496A

RGB 238 73 106

HSL 348, 0.83%, 0.61%

LAB 56.07, 64.81, 18.4

 

CMYK 0 / 0 / 69 / 7

HEX #EEEE49

RGB 238 238 73

HSL 60, 0.83%, 0.61%

LAB 91.6, -18.72, 75.39

 

CMYK 68 / 0 / 13 / 7

HEX #4BEECE

RGB 75 238 206

HSL 168.22, 0.83%, 0.61%

LAB 85.56, -49.15, 3.31

 

CMYK 48 / 69 / 0 / 7

HEX #7B49EE

RGB 123 73 238

HSL 258.18, 0.83%, 0.61%

LAB 45.84, 57.96, -75.67

 

CMYK 0 / 69 / 55 / 7

HEX #EE496A

RGB 238 73 106

HSL 348, 0.83%, 0.61%

LAB 56.07, 64.81, 18.4

 

CMYK 21 / 0 / 69 / 7

HEX #BDEE49

RGB 189 238 73

HSL 77.82, 0.83%, 0.61%

LAB 88.18, -38.14, 70.87

 

Description

Color code: HEX #4BEECE | qconv.com Color code: HEX #4BEECE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 238 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 238 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 13 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 13% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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