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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BEE97 it is the complementary color #B41168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BEE97. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BEE97 shade: #50EE92, #61FFA5, #72FFB8, #83FFCB and #94FFDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BEE97. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BEE97 shade: #4BEE97, #3ADC84, #29CA71, #18B85E and #07A64B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BEE97 shade: #49EE96, #49EE69, #55EE49, #82EE49 and #AEEE49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BEE97 shade: #49EE96, #49EEC3, #49EDEE, #49C1EE and #4994EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BEE97 shade matches the following richer shades: #49EE96 and #39FE95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BEE97 shade: #49EE96, #59DE97, #69CE98, #79BE99 and #89AE9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BEE97 shade: #57EE49, #49EE67, #49EE93, #49EEBF and #49EEEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BEE97 shade: #13D16C, #23EB80, #49EE96, #6FF2AC and #95F5C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BEE97 shade: #4BEE97, #4983EE and #EE5149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BEE97 shade: #4BEE97, #9349EE and #EE9349

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BEE97 shade: #4BEE97, #4983EE, #EE49A4 and #EEB449

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BEE97 shade: #4BEE97, #4951EE, #EE49A4 and #EEE649

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 37 / 7

HEX #4BEE97

RGB 75 238 151

HSL 147.98, 0.83%, 0.61%

LAB 84.42, -61.11, 30.21

 

Complementary color

CMYK 0 / 91 / 42 / 29

HEX #B41168

RGB 180 17 104

HSL 327.98, 0.83%, 0.39%

LAB 39.75, 64.43, -5.07

 

CMYK 66 / 0 / 39 / 7

HEX #50EE92

RGB 80 238 146

HSL 145.06, 0.82%, 0.62%

LAB 84.45, -61.19, 32.79

 

CMYK 62 / 0 / 35 / 0

HEX #61FFA5

RGB 97 255 165

HSL 145.82, 1%, 0.69%

LAB 90.22, -61.11, 31.01

 

CMYK 55 / 0 / 28 / 0

HEX #72FFB8

RGB 114 255 184

HSL 149.79, 1%, 0.72%

LAB 91.03, -54.12, 22.6

 

CMYK 49 / 0 / 20 / 0

HEX #83FFCB

RGB 131 255 203

HSL 154.84, 1%, 0.76%

LAB 91.98, -46.51, 14.28

 

CMYK 42 / 0 / 13 / 0

HEX #94FFDE

RGB 148 255 222

HSL 161.5, 1%, 0.79%

LAB 93.05, -38.4, 6.12

 

CMYK 68 / 0 / 37 / 7

HEX #4BEE97

RGB 75 238 151

HSL 147.98, 0.83%, 0.61%

LAB 84.42, -61.11, 30.21

 

CMYK 74 / 0 / 40 / 14

HEX #3ADC84

RGB 58 220 132

HSL 147.41, 0.7%, 0.55%

LAB 78.32, -60.51, 31.69

 

CMYK 80 / 0 / 44 / 21

HEX #29CA71

RGB 41 202 113

HSL 146.83, 0.66%, 0.48%

LAB 72.16, -59.59, 33.28

 

CMYK 87 / 0 / 49 / 28

HEX #18B85E

RGB 24 184 94

HSL 146.25, 0.77%, 0.41%

LAB 65.97, -58.23, 34.98

 

CMYK 96 / 0 / 55 / 35

HEX #07A64B

RGB 7 166 75

HSL 145.66, 0.92%, 0.34%

LAB 59.73, -56.26, 36.76

 

CMYK 69 / 0 / 37 / 7

HEX #49EE96

RGB 73 238 150

HSL 148, 0.83%, 0.61%

LAB 84.36, -61.61, 30.63

 

CMYK 69 / 0 / 56 / 7

HEX #49EE69

RGB 73 238 105

HSL 131.64, 0.83%, 0.61%

LAB 83.75, -68.62, 51.59

 

CMYK 64 / 0 / 69 / 7

HEX #55EE49

RGB 85 238 73

HSL 115.64, 0.83%, 0.61%

LAB 83.74, -69.74, 64.9

 

CMYK 45 / 0 / 69 / 7

HEX #82EE49

RGB 130 238 73

HSL 99.27, 0.83%, 0.61%

LAB 85.19, -58.42, 66.86

 

CMYK 27 / 0 / 69 / 7

HEX #AEEE49

RGB 174 238 73

HSL 83.27, 0.83%, 0.61%

LAB 87.3, -43.73, 69.7

 

CMYK 69 / 0 / 37 / 7

HEX #49EE96

RGB 73 238 150

HSL 148, 0.83%, 0.61%

LAB 84.36, -61.61, 30.63

 

CMYK 69 / 0 / 18 / 7

HEX #49EEC3

RGB 73 238 195

HSL 164.36, 0.83%, 0.61%

LAB 85.25, -52.09, 8.63

 

CMYK 69 / 0 / 0 / 7

HEX #49EDEE

RGB 73 237 238

HSL 180.36, 0.83%, 0.61%

LAB 86.09, -40.57, -12.72

 

CMYK 69 / 19 / 0 / 7

HEX #49C1EE

RGB 73 193 238

HSL 196.36, 0.83%, 0.61%

LAB 73.37, -19.31, -32.04

 

CMYK 69 / 38 / 0 / 7

HEX #4994EE

RGB 73 148 238

HSL 212.73, 0.83%, 0.61%

LAB 60.58, 5.64, -52.07

 

CMYK 69 / 0 / 37 / 7

HEX #49EE96

RGB 73 238 150

HSL 148, 0.83%, 0.61%

LAB 84.36, -61.61, 30.63

 

CMYK 78 / 0 / 41 / 0

HEX #39FE95

RGB 57 254 149

HSL 148.02, 0.99%, 0.61%

LAB 88.89, -69.59, 37.05

 

CMYK 69 / 0 / 37 / 7

HEX #49EE96

RGB 73 238 150

HSL 148, 0.83%, 0.61%

LAB 84.36, -61.61, 30.63

 

CMYK 60 / 0 / 32 / 13

HEX #59DE97

RGB 89 222 151

HSL 147.97, 0.67%, 0.61%

LAB 79.95, -52.41, 24.24

 

CMYK 49 / 0 / 26 / 19

HEX #69CE98

RGB 105 206 152

HSL 147.92, 0.51%, 0.61%

LAB 75.71, -41.88, 17.96

 

CMYK 36 / 0 / 19 / 25

HEX #79BE99

RGB 121 190 153

HSL 147.83, 0.35%, 0.61%

LAB 71.68, -29.94, 11.89

 

CMYK 21 / 0 / 11 / 32

HEX #89AE9A

RGB 137 174 154

HSL 147.57, 0.19%, 0.61%

LAB 67.96, -16.69, 6.16

 

CMYK 63 / 0 / 69 / 7

HEX #57EE49

RGB 87 238 73

HSL 114.91, 0.83%, 0.61%

LAB 83.79, -69.33, 64.97

 

CMYK 69 / 0 / 57 / 7

HEX #49EE67

RGB 73 238 103

HSL 130.91, 0.83%, 0.61%

LAB 83.73, -68.87, 52.47

 

CMYK 69 / 0 / 38 / 7

HEX #49EE93

RGB 73 238 147

HSL 146.91, 0.83%, 0.61%

LAB 84.31, -62.16, 32.08

 

CMYK 69 / 0 / 20 / 7

HEX #49EEBF

RGB 73 238 191

HSL 162.91, 0.83%, 0.61%

LAB 85.16, -53.03, 10.6

 

CMYK 69 / 0 / 1 / 7

HEX #49EEEB

RGB 73 238 235

HSL 178.91, 0.83%, 0.61%

LAB 86.29, -41.85, -10.84

 

CMYK 91 / 0 / 48 / 18

HEX #13D16C

RGB 19 209 108

HSL 148.11, 0.83%, 0.45%

LAB 74.08, -64.62, 38.18

 

CMYK 85 / 0 / 46 / 8

HEX #23EB80

RGB 35 235 128

HSL 147.9, 0.83%, 0.53%

LAB 82.56, -68.85, 39.13

 

CMYK 69 / 0 / 37 / 7

HEX #49EE96

RGB 73 238 150

HSL 148, 0.83%, 0.61%

LAB 84.36, -61.61, 30.63

 

CMYK 54 / 0 / 29 / 5

HEX #6FF2AC

RGB 111 242 172

HSL 147.94, 0.83%, 0.69%

LAB 86.93, -51.8, 23.06

 

CMYK 39 / 0 / 21 / 4

HEX #95F5C2

RGB 149 245 194

HSL 148.13, 0.83%, 0.77%

LAB 89.67, -39.36, 15.76

 

CMYK 68 / 0 / 37 / 7

HEX #4BEE97

RGB 75 238 151

HSL 147.98, 0.83%, 0.61%

LAB 84.42, -61.11, 30.21

 

CMYK 69 / 45 / 0 / 7

HEX #4983EE

RGB 73 131 238

HSL 218.91, 0.83%, 0.61%

LAB 55.91, 15.85, -59.52

 

CMYK 0 / 66 / 69 / 7

HEX #EE5149

RGB 238 81 73

HSL 2.91, 0.83%, 0.61%

LAB 56.63, 59.78, 38.22

 

CMYK 68 / 0 / 37 / 7

HEX #4BEE97

RGB 75 238 151

HSL 147.98, 0.83%, 0.61%

LAB 84.42, -61.11, 30.21

 

CMYK 38 / 69 / 0 / 7

HEX #9349EE

RGB 147 73 238

HSL 266.91, 0.83%, 0.61%

LAB 48.44, 62.11, -71.32

 

CMYK 0 / 38 / 69 / 7

HEX #EE9349

RGB 238 147 73

HSL 26.91, 0.83%, 0.61%

LAB 69.13, 28.16, 52.35

 

CMYK 68 / 0 / 37 / 7

HEX #4BEE97

RGB 75 238 151

HSL 147.98, 0.83%, 0.61%

LAB 84.42, -61.11, 30.21

 

CMYK 69 / 45 / 0 / 7

HEX #4983EE

RGB 73 131 238

HSL 218.91, 0.83%, 0.61%

LAB 55.91, 15.85, -59.52

 

CMYK 0 / 69 / 31 / 7

HEX #EE49A4

RGB 238 73 164

HSL 326.91, 0.83%, 0.61%

LAB 57.68, 70.22, -13.45

 

CMYK 0 / 24 / 69 / 7

HEX #EEB449

RGB 238 180 73

HSL 38.91, 0.83%, 0.61%

LAB 76.86, 10.72, 60.56

 

CMYK 68 / 0 / 37 / 7

HEX #4BEE97

RGB 75 238 151

HSL 147.98, 0.83%, 0.61%

LAB 84.42, -61.11, 30.21

 

CMYK 69 / 66 / 0 / 7

HEX #4951EE

RGB 73 81 238

HSL 237.09, 0.83%, 0.61%

LAB 43.47, 46.52, -79.71

 

CMYK 0 / 69 / 31 / 7

HEX #EE49A4

RGB 238 73 164

HSL 326.91, 0.83%, 0.61%

LAB 57.68, 70.22, -13.45

 

CMYK 0 / 3 / 69 / 7

HEX #EEE649

RGB 238 230 73

HSL 57.09, 0.83%, 0.61%

LAB 89.51, -14.82, 73.35

 

Description

Color code: HEX #4BEE97 | qconv.com Color code: HEX #4BEE97 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 238 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 238 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 37 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 37% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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