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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BEE6A it is the complementary color #B41195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BEE6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BEE6A shade: #50EE65, #61FF78, #72FF8B, #83FF9E and #94FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BEE6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BEE6A shade: #4BEE6A, #3ADC57, #29CA44, #18B831 and #07A61E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BEE6A shade: #49EE68, #56EE49, #83EE49, #AFEE49 and #DCEE49

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BEE6A shade: #49EE68, #49EE95, #49EEC1, #49EEEE and #49C2EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BEE6A shade matches the following richer shades: #49EE68 and #39FE5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BEE6A shade: #49EE68, #59DE72, #69CE7C, #79BE86 and #89AE90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BEE6A shade: #83EE49, #57EE49, #49EE67, #49EE93 and #49EEBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BEE6A shade: #13D138, #23EB49, #49EE68, #6FF288 and #95F5A7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BEE6A shade: #4BEE6A, #49AFEE and #EE496D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BEE6A shade: #4BEE6A, #6749EE and #EE6749

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BEE6A shade: #4BEE6A, #49AFEE, #EE49D0 and #EE8849

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BEE6A shade: #4BEE6A, #497DEE, #EE49D0 and #EEBA49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 55 / 7

HEX #4BEE6A

RGB 75 238 106

HSL 131.41, 0.83%, 0.61%

LAB 83.8, -68.16, 51.21

 

Complementary color

CMYK 0 / 91 / 17 / 29

HEX #B41195

RGB 180 17 149

HSL 311.41, 0.83%, 0.39%

LAB 41.65, 69.5, -30.04

 

CMYK 66 / 0 / 58 / 7

HEX #50EE65

RGB 80 238 101

HSL 127.97, 0.82%, 0.62%

LAB 83.86, -67.89, 53.55

 

CMYK 62 / 0 / 53 / 0

HEX #61FF78

RGB 97 255 120

HSL 128.73, 1%, 0.69%

LAB 89.59, -68.1, 51.9

 

CMYK 55 / 0 / 45 / 0

HEX #72FF8B

RGB 114 255 139

HSL 130.64, 1%, 0.72%

LAB 90.3, -61.81, 43.99

 

CMYK 49 / 0 / 38 / 0

HEX #83FF9E

RGB 131 255 158

HSL 133.06, 1%, 0.76%

LAB 91.15, -54.78, 35.92

 

CMYK 42 / 0 / 31 / 0

HEX #94FFB1

RGB 148 255 177

HSL 136.26, 1%, 0.79%

LAB 92.13, -47.13, 27.84

 

CMYK 68 / 0 / 55 / 7

HEX #4BEE6A

RGB 75 238 106

HSL 131.41, 0.83%, 0.61%

LAB 83.8, -68.16, 51.21

 

CMYK 74 / 0 / 60 / 14

HEX #3ADC57

RGB 58 220 87

HSL 130.74, 0.7%, 0.55%

LAB 77.74, -67.22, 52.53

 

CMYK 80 / 0 / 66 / 21

HEX #29CA44

RGB 41 202 68

HSL 130.06, 0.66%, 0.48%

LAB 71.64, -65.84, 53.71

 

CMYK 87 / 0 / 73 / 28

HEX #18B831

RGB 24 184 49

HSL 129.38, 0.77%, 0.41%

LAB 65.51, -63.83, 54.56

 

CMYK 96 / 0 / 82 / 35

HEX #07A61E

RGB 7 166 30

HSL 128.68, 0.92%, 0.34%

LAB 59.35, -61, 54.74

 

CMYK 69 / 0 / 56 / 7

HEX #49EE68

RGB 73 238 104

HSL 131.27, 0.83%, 0.61%

LAB 83.74, -68.75, 52.03

 

CMYK 64 / 0 / 69 / 7

HEX #56EE49

RGB 86 238 73

HSL 115.27, 0.83%, 0.61%

LAB 83.76, -69.54, 64.94

 

CMYK 45 / 0 / 69 / 7

HEX #83EE49

RGB 131 238 73

HSL 98.91, 0.83%, 0.61%

LAB 85.23, -58.12, 66.92

 

CMYK 26 / 0 / 69 / 7

HEX #AFEE49

RGB 175 238 73

HSL 82.91, 0.83%, 0.61%

LAB 87.36, -43.36, 69.78

 

CMYK 8 / 0 / 69 / 7

HEX #DCEE49

RGB 220 238 73

HSL 66.55, 0.83%, 0.61%

LAB 90.25, -26, 73.62

 

CMYK 69 / 0 / 56 / 7

HEX #49EE68

RGB 73 238 104

HSL 131.27, 0.83%, 0.61%

LAB 83.74, -68.75, 52.03

 

CMYK 69 / 0 / 37 / 7

HEX #49EE95

RGB 73 238 149

HSL 147.64, 0.83%, 0.61%

LAB 84.35, -61.79, 31.11

 

CMYK 69 / 0 / 19 / 7

HEX #49EEC1

RGB 73 238 193

HSL 163.64, 0.83%, 0.61%

LAB 85.21, -52.56, 9.62

 

CMYK 69 / 0 / 0 / 7

HEX #49EEEE

RGB 73 238 238

HSL 180, 0.83%, 0.61%

LAB 86.37, -41.02, -12.29

 

CMYK 69 / 18 / 0 / 7

HEX #49C2EE

RGB 73 194 238

HSL 196, 0.83%, 0.61%

LAB 73.66, -19.83, -31.59

 

CMYK 69 / 0 / 56 / 7

HEX #49EE68

RGB 73 238 104

HSL 131.27, 0.83%, 0.61%

LAB 83.74, -68.75, 52.03

 

CMYK 78 / 0 / 63 / 0

HEX #39FE5E

RGB 57 254 94

HSL 131.27, 0.99%, 0.61%

LAB 88.24, -77.28, 61.42

 

CMYK 69 / 0 / 56 / 7

HEX #49EE68

RGB 73 238 104

HSL 131.27, 0.83%, 0.61%

LAB 83.74, -68.75, 52.03

 

CMYK 60 / 0 / 49 / 13

HEX #59DE72

RGB 89 222 114

HSL 131.28, 0.67%, 0.61%

LAB 79.37, -58.69, 42.14

 

CMYK 49 / 0 / 40 / 19

HEX #69CE7C

RGB 105 206 124

HSL 131.29, 0.51%, 0.61%

LAB 75.2, -46.97, 31.93

 

CMYK 36 / 0 / 29 / 25

HEX #79BE86

RGB 121 190 134

HSL 131.3, 0.35%, 0.61%

LAB 71.29, -33.56, 21.58

 

CMYK 21 / 0 / 17 / 32

HEX #89AE90

RGB 137 174 144

HSL 131.35, 0.19%, 0.61%

LAB 67.73, -18.63, 11.34

 

CMYK 45 / 0 / 69 / 7

HEX #83EE49

RGB 131 238 73

HSL 98.91, 0.83%, 0.61%

LAB 85.23, -58.12, 66.92

 

CMYK 63 / 0 / 69 / 7

HEX #57EE49

RGB 87 238 73

HSL 114.91, 0.83%, 0.61%

LAB 83.79, -69.33, 64.97

 

CMYK 69 / 0 / 57 / 7

HEX #49EE67

RGB 73 238 103

HSL 130.91, 0.83%, 0.61%

LAB 83.73, -68.87, 52.47

 

CMYK 69 / 0 / 38 / 7

HEX #49EE93

RGB 73 238 147

HSL 146.91, 0.83%, 0.61%

LAB 84.31, -62.16, 32.08

 

CMYK 69 / 0 / 20 / 7

HEX #49EEBF

RGB 73 238 191

HSL 162.91, 0.83%, 0.61%

LAB 85.16, -53.03, 10.6

 

CMYK 91 / 0 / 73 / 18

HEX #13D138

RGB 19 209 56

HSL 131.68, 0.83%, 0.45%

LAB 73.56, -70.97, 60.23

 

CMYK 85 / 0 / 69 / 8

HEX #23EB49

RGB 35 235 73

HSL 131.4, 0.83%, 0.53%

LAB 81.98, -75.92, 62.8

 

CMYK 69 / 0 / 56 / 7

HEX #49EE68

RGB 73 238 104

HSL 131.27, 0.83%, 0.61%

LAB 83.74, -68.75, 52.03

 

CMYK 54 / 0 / 44 / 5

HEX #6FF288

RGB 111 242 136

HSL 131.45, 0.83%, 0.69%

LAB 86.34, -58.01, 40.37

 

CMYK 39 / 0 / 32 / 4

HEX #95F5A7

RGB 149 245 167

HSL 131.25, 0.83%, 0.77%

LAB 89.15, -44.24, 28.87

 

CMYK 68 / 0 / 55 / 7

HEX #4BEE6A

RGB 75 238 106

HSL 131.41, 0.83%, 0.61%

LAB 83.8, -68.16, 51.21

 

CMYK 69 / 26 / 0 / 7

HEX #49AFEE

RGB 73 175 238

HSL 202.91, 0.83%, 0.61%

LAB 68.2, -9.72, -40.06

 

CMYK 0 / 69 / 54 / 7

HEX #EE496D

RGB 238 73 109

HSL 346.91, 0.83%, 0.61%

LAB 56.13, 65.02, 16.72

 

CMYK 68 / 0 / 55 / 7

HEX #4BEE6A

RGB 75 238 106

HSL 131.41, 0.83%, 0.61%

LAB 83.8, -68.16, 51.21

 

CMYK 57 / 69 / 0 / 7

HEX #6749EE

RGB 103 73 238

HSL 250.91, 0.83%, 0.61%

LAB 43.98, 54.89, -78.79

 

CMYK 0 / 57 / 69 / 7

HEX #EE6749

RGB 238 103 73

HSL 10.91, 0.83%, 0.61%

LAB 60.21, 50.25, 42.38

 

CMYK 68 / 0 / 55 / 7

HEX #4BEE6A

RGB 75 238 106

HSL 131.41, 0.83%, 0.61%

LAB 83.8, -68.16, 51.21

 

CMYK 69 / 26 / 0 / 7

HEX #49AFEE

RGB 73 175 238

HSL 202.91, 0.83%, 0.61%

LAB 68.2, -9.72, -40.06

 

CMYK 0 / 69 / 13 / 7

HEX #EE49D0

RGB 238 73 208

HSL 310.91, 0.83%, 0.61%

LAB 59.43, 75.86, -36.07

 

CMYK 0 / 43 / 69 / 7

HEX #EE8849

RGB 238 136 73

HSL 22.91, 0.83%, 0.61%

LAB 66.72, 33.9, 49.71

 

CMYK 68 / 0 / 55 / 7

HEX #4BEE6A

RGB 75 238 106

HSL 131.41, 0.83%, 0.61%

LAB 83.8, -68.16, 51.21

 

CMYK 69 / 47 / 0 / 7

HEX #497DEE

RGB 73 125 238

HSL 221.09, 0.83%, 0.61%

LAB 54.3, 19.53, -62.11

 

CMYK 0 / 69 / 13 / 7

HEX #EE49D0

RGB 238 73 208

HSL 310.91, 0.83%, 0.61%

LAB 59.43, 75.86, -36.07

 

CMYK 0 / 22 / 69 / 7

HEX #EEBA49

RGB 238 186 73

HSL 41.09, 0.83%, 0.61%

LAB 78.33, 7.57, 62.09

 

Description

Color code: HEX #4BEE6A | qconv.com Color code: HEX #4BEE6A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 238 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 238 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 55 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 55% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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