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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BE879 it is the complementary color #B41786. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BE879. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BE879 shade: #50E874, #61FA87, #72FF9A, #83FFAD and #94FFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BE879. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BE879 shade: #4BE879, #3AD666, #29C453, #18B240 and #07A02D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BE879 shade: #4AE878, #4AE84E, #71E84A, #9CE84A and #C6E84A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BE879 shade: #4AE878, #4AE8A3, #4AE8CD, #4AD8E8 and #4AADE8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BE879 shade matches the following richer shades: #4AE878 and #3AF872

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BE879 shade: #4AE878, #5BD77F, #6BC786, #7CB68D and #8CA694

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BE879 shade: #72E84A, #4AE84D, #4AE877, #4AE8A1 and #4AE8CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BE879 shade: #1AC64C, #26E35D, #4AE878, #6FEC94 and #93F1AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BE879 shade: #4BE879, #4A9CE8 and #E84A5D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BE879 shade: #4BE879, #774AE8 and #E8774A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BE879 shade: #4BE879, #4A9CE8, #E84ABB and #E8964A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BE879 shade: #4BE879, #4A6CE8, #E84ABB and #E8C64A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 48 / 9

HEX #4BE879

RGB 75 232 121

HSL 137.58, 0.77%, 0.6%

LAB 82.16, -64, 42.16

 

Complementary color

CMYK 0 / 87 / 26 / 29

HEX #B41786

RGB 180 23 134

HSL 317.58, 0.77%, 0.4%

LAB 41.28, 66.64, -21.46

 

CMYK 66 / 0 / 50 / 9

HEX #50E874

RGB 80 232 116

HSL 134.21, 0.77%, 0.61%

LAB 82.21, -63.84, 44.65

 

CMYK 61 / 0 / 46 / 2

HEX #61FA87

RGB 97 250 135

HSL 134.9, 0.94%, 0.68%

LAB 88.29, -64.22, 43.25

 

CMYK 55 / 0 / 40 / 0

HEX #72FF9A

RGB 114 255 154

HSL 137.02, 1%, 0.72%

LAB 90.52, -59.5, 36.97

 

CMYK 49 / 0 / 32 / 0

HEX #83FFAD

RGB 131 255 173

HSL 140.32, 1%, 0.76%

LAB 91.4, -52.25, 28.76

 

CMYK 42 / 0 / 25 / 0

HEX #94FFC0

RGB 148 255 192

HSL 144.67, 1%, 0.79%

LAB 92.41, -44.43, 20.61

 

CMYK 68 / 0 / 48 / 9

HEX #4BE879

RGB 75 232 121

HSL 137.58, 0.77%, 0.6%

LAB 82.16, -64, 42.16

 

CMYK 73 / 0 / 52 / 16

HEX #3AD666

RGB 58 214 102

HSL 136.92, 0.66%, 0.53%

LAB 76.04, -63.28, 43.64

 

CMYK 79 / 0 / 58 / 23

HEX #29C453

RGB 41 196 83

HSL 136.26, 0.65%, 0.46%

LAB 69.88, -62.17, 45.13

 

CMYK 87 / 0 / 64 / 30

HEX #18B240

RGB 24 178 64

HSL 135.58, 0.76%, 0.4%

LAB 63.68, -60.5, 46.55

 

CMYK 96 / 0 / 72 / 37

HEX #07A02D

RGB 7 160 45

HSL 134.9, 0.92%, 0.33%

LAB 57.44, -58.07, 47.71

 

CMYK 68 / 0 / 48 / 9

HEX #4AE878

RGB 74 232 120

HSL 137.47, 0.77%, 0.6%

LAB 82.12, -64.32, 42.6

 

CMYK 68 / 0 / 66 / 9

HEX #4AE84E

RGB 74 232 78

HSL 121.52, 0.77%, 0.6%

LAB 81.69, -69.44, 60.74

 

CMYK 51 / 0 / 68 / 9

HEX #71E84A

RGB 113 232 74

HSL 105.19, 0.77%, 0.6%

LAB 82.76, -60.94, 63.77

 

CMYK 33 / 0 / 68 / 9

HEX #9CE84A

RGB 156 232 74

HSL 88.86, 0.77%, 0.6%

LAB 84.63, -47.52, 66.29

 

CMYK 15 / 0 / 68 / 9

HEX #C6E84A

RGB 198 232 74

HSL 72.91, 0.77%, 0.6%

LAB 87.1, -31.87, 69.61

 

CMYK 68 / 0 / 48 / 9

HEX #4AE878

RGB 74 232 120

HSL 137.47, 0.77%, 0.6%

LAB 82.12, -64.32, 42.6

 

CMYK 68 / 0 / 30 / 9

HEX #4AE8A3

RGB 74 232 163

HSL 153.8, 0.77%, 0.6%

LAB 82.81, -56.64, 21.88

 

CMYK 68 / 0 / 12 / 9

HEX #4AE8CD

RGB 74 232 205

HSL 169.75, 0.77%, 0.6%

LAB 83.74, -46.99, 1.21

 

CMYK 68 / 7 / 0 / 9

HEX #4AD8E8

RGB 74 216 232

HSL 186.08, 0.77%, 0.6%

LAB 79.84, -32.42, -18.93

 

CMYK 68 / 25 / 0 / 9

HEX #4AADE8

RGB 74 173 232

HSL 202.41, 0.77%, 0.6%

LAB 67.4, -10.46, -38.03

 

CMYK 68 / 0 / 48 / 9

HEX #4AE878

RGB 74 232 120

HSL 137.47, 0.77%, 0.6%

LAB 82.12, -64.32, 42.6

 

CMYK 77 / 0 / 54 / 3

HEX #3AF872

RGB 58 248 114

HSL 137.68, 0.93%, 0.6%

LAB 86.63, -72.89, 50.88

 

CMYK 68 / 0 / 48 / 9

HEX #4AE878

RGB 74 232 120

HSL 137.47, 0.77%, 0.6%

LAB 82.12, -64.32, 42.6

 

CMYK 58 / 0 / 41 / 16

HEX #5BD77F

RGB 91 215 127

HSL 137.42, 0.61%, 0.6%

LAB 77.49, -53.55, 33.3

 

CMYK 46 / 0 / 33 / 22

HEX #6BC786

RGB 107 199 134

HSL 137.61, 0.45%, 0.6%

LAB 73.35, -41.72, 24.26

 

CMYK 32 / 0 / 23 / 29

HEX #7CB68D

RGB 124 182 141

HSL 137.59, 0.28%, 0.6%

LAB 69.23, -27.51, 14.98

 

CMYK 16 / 0 / 11 / 35

HEX #8CA694

RGB 140 166 148

HSL 138.46, 0.13%, 0.6%

LAB 65.74, -12.66, 6.31

 

CMYK 51 / 0 / 68 / 9

HEX #72E84A

RGB 114 232 74

HSL 104.81, 0.77%, 0.6%

LAB 82.8, -60.67, 63.82

 

CMYK 68 / 0 / 67 / 9

HEX #4AE84D

RGB 74 232 77

HSL 121.14, 0.77%, 0.6%

LAB 81.68, -69.53, 61.13

 

CMYK 68 / 0 / 49 / 9

HEX #4AE877

RGB 74 232 119

HSL 137.09, 0.77%, 0.6%

LAB 82.11, -64.47, 43.06

 

CMYK 68 / 0 / 31 / 9

HEX #4AE8A1

RGB 74 232 161

HSL 153.04, 0.77%, 0.6%

LAB 82.78, -57.05, 22.86

 

CMYK 68 / 0 / 13 / 9

HEX #4AE8CB

RGB 74 232 203

HSL 168.99, 0.77%, 0.6%

LAB 83.69, -47.49, 2.19

 

CMYK 87 / 0 / 62 / 22

HEX #1AC64C

RGB 26 198 76

HSL 137.44, 0.77%, 0.44%

LAB 70.27, -65.19, 48.71

 

CMYK 83 / 0 / 59 / 11

HEX #26E35D

RGB 38 227 93

HSL 137.46, 0.77%, 0.52%

LAB 79.69, -71.12, 52.07

 

CMYK 68 / 0 / 48 / 9

HEX #4AE878

RGB 74 232 120

HSL 137.47, 0.77%, 0.6%

LAB 82.12, -64.32, 42.6

 

CMYK 53 / 0 / 37 / 7

HEX #6FEC94

RGB 111 236 148

HSL 137.76, 0.77%, 0.68%

LAB 84.75, -53.72, 32.33

 

CMYK 39 / 0 / 27 / 5

HEX #93F1AF

RGB 147 241 175

HSL 137.87, 0.77%, 0.76%

LAB 88.07, -41.67, 23.3

 

CMYK 68 / 0 / 48 / 9

HEX #4BE879

RGB 75 232 121

HSL 137.58, 0.77%, 0.6%

LAB 82.16, -64, 42.16

 

CMYK 68 / 33 / 0 / 9

HEX #4A9CE8

RGB 74 156 232

HSL 208.86, 0.77%, 0.6%

LAB 62.56, -0.93, -45.62

 

CMYK 0 / 68 / 60 / 9

HEX #E84A5D

RGB 232 74 93

HSL 352.78, 0.77%, 0.6%

LAB 54.91, 61.73, 24.34

 

CMYK 68 / 0 / 48 / 9

HEX #4BE879

RGB 75 232 121

HSL 137.58, 0.77%, 0.6%

LAB 82.16, -64, 42.16

 

CMYK 49 / 68 / 0 / 9

HEX #774AE8

RGB 119 74 232

HSL 257.09, 0.77%, 0.6%

LAB 45.15, 55.18, -73.43

 

CMYK 0 / 49 / 68 / 9

HEX #E8774A

RGB 232 119 74

HSL 17.09, 0.77%, 0.6%

LAB 62.38, 40.31, 44.1

 

CMYK 68 / 0 / 48 / 9

HEX #4BE879

RGB 75 232 121

HSL 137.58, 0.77%, 0.6%

LAB 82.16, -64, 42.16

 

CMYK 68 / 33 / 0 / 9

HEX #4A9CE8

RGB 74 156 232

HSL 208.86, 0.77%, 0.6%

LAB 62.56, -0.93, -45.62

 

CMYK 0 / 68 / 19 / 9

HEX #E84ABB

RGB 232 74 187

HSL 317.09, 0.77%, 0.6%

LAB 57.69, 71.17, -26.83

 

CMYK 0 / 35 / 68 / 9

HEX #E8964A

RGB 232 150 74

HSL 28.86, 0.77%, 0.6%

LAB 69.09, 24.16, 51.61

 

CMYK 68 / 0 / 48 / 9

HEX #4BE879

RGB 75 232 121

HSL 137.58, 0.77%, 0.6%

LAB 82.16, -64, 42.16

 

CMYK 68 / 53 / 0 / 9

HEX #4A6CE8

RGB 74 108 232

HSL 227.09, 0.77%, 0.6%

LAB 49.5, 28.11, -66.49

 

CMYK 0 / 68 / 19 / 9

HEX #E84ABB

RGB 232 74 187

HSL 317.09, 0.77%, 0.6%

LAB 57.69, 71.17, -26.83

 

CMYK 0 / 15 / 68 / 9

HEX #E8C64A

RGB 232 198 74

HSL 47.09, 0.77%, 0.6%

LAB 80.76, -1.15, 64

 

Description

Color code: HEX #4BE879 | qconv.com Color code: HEX #4BE879 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 232 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 232 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 48 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 48% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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