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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BE82A it is the complementary color #B417D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BE82A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BE82A shade: #50E825, #61FA38, #72FF4B, #83FF5E and #94FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BE82A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BE82A shade: #4BE82A, #3AD617, #29C404, #18B200 and #07A000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BE82A shade: #4CE92B, #7FE92B, #B2E92B, #E5E92B and #E9B92B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BE82A shade: #4CE92B, #2BE93D, #2BE970, #2BE9A3 and #2BE9D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BE82A shade matches the following richer shades: #4CE92B and #3FFC18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BE82A shade: #4CE92B, #58D63E, #64C351, #71B064 and #7D9D77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BE82A shade: #B3E92B, #80E92B, #4EE92B, #2BE93B and #2BE96D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BE82A shade: #2DAF12, #37D416, #4CE92B, #6BED50 and #8BF175

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BE82A shade: #4BE82A, #2BE6E9 and #E92B9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BE82A shade: #4BE82A, #2B4EE9 and #E92B4E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BE82A shade: #4BE82A, #2BE6E9, #C62BE9 and #E92E2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BE82A shade: #4BE82A, #2BADE9, #C62BE9 and #E9672B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 82 / 9

HEX #4BE82A

RGB 75 232 42

HSL 109.58, 0.81%, 0.54%

LAB 81.5, -71.78, 72.33

 

Complementary color

CMYK 15 / 89 / 0 / 16

HEX #B417D5

RGB 180 23 213

HSL 289.58, 0.81%, 0.46%

LAB 45.8, 78.32, -61.18

 

CMYK 66 / 0 / 84 / 9

HEX #50E825

RGB 80 232 37

HSL 106.77, 0.81%, 0.53%

LAB 81.59, -71.03, 73.64

 

CMYK 61 / 0 / 78 / 2

HEX #61FA38

RGB 97 250 56

HSL 107.32, 0.95%, 0.6%

LAB 87.58, -72.31, 74.42

 

CMYK 55 / 0 / 71 / 0

HEX #72FF4B

RGB 114 255 75

HSL 107, 1%, 0.65%

LAB 89.68, -68.8, 70.57

 

CMYK 49 / 0 / 63 / 0

HEX #83FF5E

RGB 131 255 94

HSL 106.21, 1%, 0.68%

LAB 90.39, -62.81, 64.33

 

CMYK 42 / 0 / 56 / 0

HEX #94FF71

RGB 148 255 113

HSL 105.21, 1%, 0.72%

LAB 91.24, -56.06, 57.43

 

CMYK 68 / 0 / 82 / 9

HEX #4BE82A

RGB 75 232 42

HSL 109.58, 0.81%, 0.54%

LAB 81.5, -71.78, 72.33

 

CMYK 73 / 0 / 89 / 16

HEX #3AD617

RGB 58 214 23

HSL 109.01, 0.81%, 0.46%

LAB 75.49, -69.98, 70.9

 

CMYK 79 / 0 / 98 / 23

HEX #29C404

RGB 41 196 4

HSL 108.44, 0.96%, 0.39%

LAB 69.44, -67.57, 68.2

 

CMYK 87 / 0 / 100 / 30

HEX #18B200

RGB 24 178 0

HSL 111.91, 1%, 0.35%

LAB 63.37, -64.34, 63.71

 

CMYK 96 / 0 / 100 / 37

HEX #07A000

RGB 7 160 0

HSL 117.38, 1%, 0.31%

LAB 57.26, -60.42, 58.76

 

CMYK 67 / 0 / 82 / 9

HEX #4CE92B

RGB 76 233 43

HSL 109.58, 0.81%, 0.54%

LAB 81.83, -71.85, 72.39

 

CMYK 45 / 0 / 82 / 9

HEX #7FE92B

RGB 127 233 43

HSL 93.47, 0.81%, 0.54%

LAB 83.42, -59.15, 74.43

 

CMYK 24 / 0 / 82 / 9

HEX #B2E92B

RGB 178 233 43

HSL 77.37, 0.81%, 0.54%

LAB 85.97, -41.51, 77.65

 

CMYK 2 / 0 / 82 / 9

HEX #E5E92B

RGB 229 233 43

HSL 61.26, 0.81%, 0.54%

LAB 89.44, -21.13, 82.02

 

CMYK 0 / 21 / 82 / 9

HEX #E9B92B

RGB 233 185 43

HSL 44.84, 0.81%, 0.54%

LAB 77.4, 4.75, 71.86

 

CMYK 67 / 0 / 82 / 9

HEX #4CE92B

RGB 76 233 43

HSL 109.58, 0.81%, 0.54%

LAB 81.83, -71.85, 72.39

 

CMYK 82 / 0 / 74 / 9

HEX #2BE93D

RGB 43 233 61

HSL 125.68, 0.81%, 0.54%

LAB 81.36, -75.57, 66.45

 

CMYK 82 / 0 / 52 / 9

HEX #2BE970

RGB 43 233 112

HSL 141.79, 0.81%, 0.54%

LAB 81.82, -69.99, 45.92

 

CMYK 82 / 0 / 30 / 9

HEX #2BE9A3

RGB 43 233 163

HSL 157.89, 0.81%, 0.54%

LAB 82.61, -60.81, 21.52

 

CMYK 82 / 0 / 8 / 9

HEX #2BE9D7

RGB 43 233 215

HSL 174.32, 0.81%, 0.54%

LAB 83.81, -48.16, -4.04

 

CMYK 67 / 0 / 82 / 9

HEX #4CE92B

RGB 76 233 43

HSL 109.58, 0.81%, 0.54%

LAB 81.83, -71.85, 72.39

 

CMYK 75 / 0 / 90 / 1

HEX #3FFC18

RGB 63 252 24

HSL 109.74, 0.97%, 0.54%

LAB 87.36, -80.35, 80.83

 

CMYK 67 / 0 / 82 / 9

HEX #4CE92B

RGB 76 233 43

HSL 109.58, 0.81%, 0.54%

LAB 81.83, -71.85, 72.39

 

CMYK 59 / 0 / 71 / 16

HEX #58D63E

RGB 88 214 62

HSL 109.74, 0.65%, 0.54%

LAB 76.38, -61.83, 61.35

 

CMYK 49 / 0 / 58 / 24

HEX #64C351

RGB 100 195 81

HSL 110, 0.49%, 0.54%

LAB 71.1, -49.8, 47.87

 

CMYK 36 / 0 / 43 / 31

HEX #71B064

RGB 113 176 100

HSL 109.74, 0.32%, 0.54%

LAB 66.12, -35.18, 32.63

 

CMYK 20 / 0 / 24 / 38

HEX #7D9D77

RGB 125 157 119

HSL 110.53, 0.16%, 0.54%

LAB 61.49, -18.65, 16.33

 

CMYK 23 / 0 / 82 / 9

HEX #B3E92B

RGB 179 233 43

HSL 77.05, 0.81%, 0.54%

LAB 86.02, -41.13, 77.73

 

CMYK 45 / 0 / 82 / 9

HEX #80E92B

RGB 128 233 43

HSL 93.16, 0.81%, 0.54%

LAB 83.46, -58.85, 74.48

 

CMYK 67 / 0 / 82 / 9

HEX #4EE92B

RGB 78 233 43

HSL 108.95, 0.81%, 0.54%

LAB 81.88, -71.47, 72.45

 

CMYK 82 / 0 / 75 / 9

HEX #2BE93B

RGB 43 233 59

HSL 125.05, 0.81%, 0.54%

LAB 81.35, -75.72, 67.1

 

CMYK 82 / 0 / 53 / 9

HEX #2BE96D

RGB 43 233 109

HSL 140.84, 0.81%, 0.54%

LAB 81.78, -70.42, 47.28

 

CMYK 74 / 0 / 90 / 31

HEX #2DAF12

RGB 45 175 18

HSL 109.68, 0.81%, 0.38%

LAB 62.73, -60.3, 60.76

 

CMYK 74 / 0 / 90 / 17

HEX #37D416

RGB 55 212 22

HSL 109.58, 0.81%, 0.46%

LAB 74.8, -69.89, 70.46

 

CMYK 67 / 0 / 82 / 9

HEX #4CE92B

RGB 76 233 43

HSL 109.58, 0.81%, 0.54%

LAB 81.83, -71.85, 72.39

 

CMYK 55 / 0 / 66 / 7

HEX #6BED50

RGB 107 237 80

HSL 109.68, 0.81%, 0.62%

LAB 84.11, -63.82, 62.83

 

CMYK 42 / 0 / 51 / 5

HEX #8BF175

RGB 139 241 117

HSL 109.35, 0.82%, 0.7%

LAB 86.84, -52.68, 50.29

 

CMYK 68 / 0 / 82 / 9

HEX #4BE82A

RGB 75 232 42

HSL 109.58, 0.81%, 0.54%

LAB 81.5, -71.78, 72.33

 

CMYK 82 / 1 / 0 / 9

HEX #2BE6E9

RGB 43 230 233

HSL 180.95, 0.81%, 0.54%

LAB 83.44, -41.82, -14.09

 

CMYK 0 / 82 / 34 / 9

HEX #E92B9A

RGB 233 43 154

HSL 324.95, 0.81%, 0.54%

LAB 53.37, 76.63, -14.16

 

CMYK 68 / 0 / 82 / 9

HEX #4BE82A

RGB 75 232 42

HSL 109.58, 0.81%, 0.54%

LAB 81.5, -71.78, 72.33

 

CMYK 82 / 67 / 0 / 9

HEX #2B4EE9

RGB 43 78 233

HSL 228.95, 0.81%, 0.54%

LAB 40.97, 43.83, -81.04

 

CMYK 0 / 82 / 67 / 9

HEX #E92B4E

RGB 233 43 78

HSL 348.95, 0.81%, 0.54%

LAB 51.38, 70.79, 28.73

 

CMYK 68 / 0 / 82 / 9

HEX #4BE82A

RGB 75 232 42

HSL 109.58, 0.81%, 0.54%

LAB 81.5, -71.78, 72.33

 

CMYK 82 / 1 / 0 / 9

HEX #2BE6E9

RGB 43 230 233

HSL 180.95, 0.81%, 0.54%

LAB 83.44, -41.82, -14.09

 

CMYK 15 / 82 / 0 / 9

HEX #C62BE9

RGB 198 43 233

HSL 288.95, 0.81%, 0.54%

LAB 51.4, 80.58, -63.38

 

CMYK 0 / 80 / 82 / 9

HEX #E92E2B

RGB 233 46 43

HSL 0.95, 0.81%, 0.54%

LAB 51.21, 68.73, 48.34

 

CMYK 68 / 0 / 82 / 9

HEX #4BE82A

RGB 75 232 42

HSL 109.58, 0.81%, 0.54%

LAB 81.5, -71.78, 72.33

 

CMYK 82 / 26 / 0 / 9

HEX #2BADE9

RGB 43 173 233

HSL 198.95, 0.81%, 0.54%

LAB 66.74, -13.76, -39.67

 

CMYK 15 / 82 / 0 / 9

HEX #C62BE9

RGB 198 43 233

HSL 288.95, 0.81%, 0.54%

LAB 51.4, 80.58, -63.38

 

CMYK 0 / 56 / 82 / 9

HEX #E9672B

RGB 233 103 43

HSL 18.95, 0.81%, 0.54%

LAB 59.16, 47.24, 55.72

 

Description

Color code: HEX #4BE82A | qconv.com Color code: HEX #4BE82A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 232 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 232 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 82 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 82% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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