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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BE728 it is the complementary color #B418D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BE728. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BE728 shade: #50E723, #61F936, #72FF49, #83FF5C and #94FF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BE728. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BE728 shade: #4BE728, #3AD515, #29C302, #18B100 and #079F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BE728 shade: #4AE727, #7EE727, #B2E727, #E6E727 and #E7B527

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BE728 shade: #4AE727, #27E738, #27E76C, #27E79F and #27E7D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BE728 shade matches the following richer shades: #4AE727 and #3EFA14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BE728 shade: #4AE727, #57D43B, #63C04E, #6FAD61 and #7C9975

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BE728 shade: #B1E727, #7EE727, #4AE727, #27E737 and #27E76A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BE728 shade: #2EA913, #38CE17, #4AE727, #69EB4C and #89EF72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BE728 shade: #4BE728, #27E4E7 and #E72797

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BE728 shade: #4BE728, #274AE7 and #E7274A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BE728 shade: #4BE728, #27E4E7, #C427E7 and #E72A27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BE728 shade: #4BE728, #27AAE7, #C427E7 and #E76427

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 83 / 9

HEX #4BE728

RGB 75 231 40

HSL 109.01, 0.8%, 0.53%

LAB 81.18, -71.56, 72.53

 

Complementary color

CMYK 16 / 89 / 0 / 16

HEX #B418D7

RGB 180 24 215

HSL 289.01, 0.8%, 0.47%

LAB 45.99, 78.49, -62.02

 

CMYK 65 / 0 / 85 / 9

HEX #50E723

RGB 80 231 35

HSL 106.22, 0.8%, 0.52%

LAB 81.28, -70.8, 73.8

 

CMYK 61 / 0 / 78 / 2

HEX #61F936

RGB 97 249 54

HSL 106.77, 0.94%, 0.59%

LAB 87.27, -72.09, 74.69

 

CMYK 55 / 0 / 71 / 0

HEX #72FF49

RGB 114 255 73

HSL 106.48, 1%, 0.64%

LAB 89.66, -68.94, 71.25

 

CMYK 49 / 0 / 64 / 0

HEX #83FF5C

RGB 131 255 92

HSL 105.64, 1%, 0.68%

LAB 90.38, -62.98, 65.11

 

CMYK 42 / 0 / 56 / 0

HEX #94FF6F

RGB 148 255 111

HSL 104.58, 1%, 0.72%

LAB 91.22, -56.27, 58.28

 

CMYK 68 / 0 / 83 / 9

HEX #4BE728

RGB 75 231 40

HSL 109.01, 0.8%, 0.53%

LAB 81.18, -71.56, 72.53

 

CMYK 73 / 0 / 90 / 16

HEX #3AD515

RGB 58 213 21

HSL 108.44, 0.82%, 0.46%

LAB 75.17, -69.74, 70.95

 

CMYK 79 / 0 / 99 / 24

HEX #29C302

RGB 41 195 2

HSL 107.88, 0.98%, 0.39%

LAB 69.12, -67.32, 68.17

 

CMYK 86 / 0 / 100 / 31

HEX #18B100

RGB 24 177 0

HSL 111.86, 1%, 0.35%

LAB 63.04, -64.06, 63.45

 

CMYK 96 / 0 / 100 / 38

HEX #079F00

RGB 7 159 0

HSL 117.36, 1%, 0.31%

LAB 56.92, -60.14, 58.49

 

CMYK 68 / 0 / 83 / 9

HEX #4AE727

RGB 74 231 39

HSL 109.06, 0.8%, 0.53%

LAB 81.16, -71.79, 72.74

 

CMYK 45 / 0 / 83 / 9

HEX #7EE727

RGB 126 231 39

HSL 92.81, 0.8%, 0.53%

LAB 82.77, -58.87, 74.79

 

CMYK 23 / 0 / 83 / 9

HEX #B2E727

RGB 178 231 39

HSL 76.56, 0.8%, 0.53%

LAB 85.38, -40.77, 78.08

 

CMYK 0 / 0 / 83 / 9

HEX #E6E727

RGB 230 231 39

HSL 60.31, 0.8%, 0.53%

LAB 88.98, -19.86, 82.57

 

CMYK 0 / 22 / 83 / 9

HEX #E7B527

RGB 231 181 39

HSL 44.38, 0.8%, 0.53%

LAB 76.18, 5.88, 71.88

 

CMYK 68 / 0 / 83 / 9

HEX #4AE727

RGB 74 231 39

HSL 109.06, 0.8%, 0.53%

LAB 81.16, -71.79, 72.74

 

CMYK 83 / 0 / 76 / 9

HEX #27E738

RGB 39 231 56

HSL 125.31, 0.8%, 0.53%

LAB 80.67, -75.75, 67.37

 

CMYK 83 / 0 / 53 / 9

HEX #27E76C

RGB 39 231 108

HSL 141.56, 0.8%, 0.53%

LAB 81.11, -70.3, 46.92

 

CMYK 83 / 0 / 31 / 9

HEX #27E79F

RGB 39 231 159

HSL 157.5, 0.8%, 0.53%

LAB 81.89, -61.26, 22.58

 

CMYK 83 / 0 / 9 / 9

HEX #27E7D3

RGB 39 231 211

HSL 173.75, 0.8%, 0.53%

LAB 83.07, -48.69, -3.02

 

CMYK 68 / 0 / 83 / 9

HEX #4AE727

RGB 74 231 39

HSL 109.06, 0.8%, 0.53%

LAB 81.16, -71.79, 72.74

 

CMYK 75 / 0 / 92 / 2

HEX #3EFA14

RGB 62 250 20

HSL 109.04, 0.96%, 0.53%

LAB 86.72, -80.02, 80.82

 

CMYK 68 / 0 / 83 / 9

HEX #4AE727

RGB 74 231 39

HSL 109.06, 0.8%, 0.53%

LAB 81.16, -71.79, 72.74

 

CMYK 59 / 0 / 72 / 17

HEX #57D43B

RGB 87 212 59

HSL 109.02, 0.64%, 0.53%

LAB 75.72, -61.6, 61.74

 

CMYK 48 / 0 / 59 / 25

HEX #63C04E

RGB 99 192 78

HSL 108.95, 0.48%, 0.53%

LAB 70.11, -49.22, 48.08

 

CMYK 36 / 0 / 44 / 32

HEX #6FAD61

RGB 111 173 97

HSL 108.95, 0.32%, 0.53%

LAB 65.07, -34.9, 32.82

 

CMYK 19 / 0 / 24 / 40

HEX #7C9975

RGB 124 153 117

HSL 108.33, 0.15%, 0.53%

LAB 60.21, -17.28, 15.66

 

CMYK 23 / 0 / 83 / 9

HEX #B1E727

RGB 177 231 39

HSL 76.88, 0.8%, 0.53%

LAB 85.32, -41.15, 78.01

 

CMYK 45 / 0 / 83 / 9

HEX #7EE727

RGB 126 231 39

HSL 92.81, 0.8%, 0.53%

LAB 82.77, -58.87, 74.79

 

CMYK 68 / 0 / 83 / 9

HEX #4AE727

RGB 74 231 39

HSL 109.06, 0.8%, 0.53%

LAB 81.16, -71.79, 72.74

 

CMYK 83 / 0 / 76 / 9

HEX #27E737

RGB 39 231 55

HSL 125, 0.8%, 0.53%

LAB 80.66, -75.82, 67.68

 

CMYK 83 / 0 / 54 / 9

HEX #27E76A

RGB 39 231 106

HSL 140.94, 0.8%, 0.53%

LAB 81.08, -70.58, 47.82

 

CMYK 73 / 0 / 89 / 34

HEX #2EA913

RGB 46 169 19

HSL 109.2, 0.8%, 0.37%

LAB 60.78, -58.2, 58.9

 

CMYK 73 / 0 / 89 / 19

HEX #38CE17

RGB 56 206 23

HSL 109.18, 0.8%, 0.45%

LAB 72.92, -67.88, 68.69

 

CMYK 68 / 0 / 83 / 9

HEX #4AE727

RGB 74 231 39

HSL 109.06, 0.8%, 0.53%

LAB 81.16, -71.79, 72.74

 

CMYK 55 / 0 / 68 / 8

HEX #69EB4C

RGB 105 235 76

HSL 109.06, 0.8%, 0.61%

LAB 83.41, -63.95, 63.61

 

CMYK 43 / 0 / 52 / 6

HEX #89EF72

RGB 137 239 114

HSL 108.96, 0.8%, 0.69%

LAB 86.14, -52.82, 50.82

 

CMYK 68 / 0 / 83 / 9

HEX #4BE728

RGB 75 231 40

HSL 109.01, 0.8%, 0.53%

LAB 81.18, -71.56, 72.53

 

CMYK 83 / 1 / 0 / 9

HEX #27E4E7

RGB 39 228 231

HSL 180.94, 0.8%, 0.53%

LAB 82.75, -41.79, -14.08

 

CMYK 0 / 83 / 35 / 9

HEX #E72797

RGB 231 39 151

HSL 325, 0.8%, 0.53%

LAB 52.59, 76.74, -13.59

 

CMYK 68 / 0 / 83 / 9

HEX #4BE728

RGB 75 231 40

HSL 109.01, 0.8%, 0.53%

LAB 81.18, -71.56, 72.53

 

CMYK 83 / 68 / 0 / 9

HEX #274AE7

RGB 39 74 231

HSL 229.06, 0.8%, 0.53%

LAB 39.75, 45.29, -81.93

 

CMYK 0 / 83 / 68 / 9

HEX #E7274A

RGB 231 39 74

HSL 349.06, 0.8%, 0.53%

LAB 50.61, 70.98, 30.07

 

CMYK 68 / 0 / 83 / 9

HEX #4BE728

RGB 75 231 40

HSL 109.01, 0.8%, 0.53%

LAB 81.18, -71.56, 72.53

 

CMYK 83 / 1 / 0 / 9

HEX #27E4E7

RGB 39 228 231

HSL 180.94, 0.8%, 0.53%

LAB 82.75, -41.79, -14.08

 

CMYK 15 / 83 / 0 / 9

HEX #C427E7

RGB 196 39 231

HSL 289.06, 0.8%, 0.53%

LAB 50.64, 80.84, -63.5

 

CMYK 0 / 82 / 83 / 9

HEX #E72A27

RGB 231 42 39

HSL 0.94, 0.8%, 0.53%

LAB 50.44, 69.07, 49.5

 

CMYK 68 / 0 / 83 / 9

HEX #4BE728

RGB 75 231 40

HSL 109.01, 0.8%, 0.53%

LAB 81.18, -71.56, 72.53

 

CMYK 83 / 26 / 0 / 9

HEX #27AAE7

RGB 39 170 231

HSL 199.06, 0.8%, 0.53%

LAB 65.71, -13.15, -40.18

 

CMYK 15 / 83 / 0 / 9

HEX #C427E7

RGB 196 39 231

HSL 289.06, 0.8%, 0.53%

LAB 50.64, 80.84, -63.5

 

CMYK 0 / 57 / 83 / 9

HEX #E76427

RGB 231 100 39

HSL 19.06, 0.8%, 0.53%

LAB 58.27, 47.81, 56.49

 

Description

Color code: HEX #4BE728 | qconv.com Color code: HEX #4BE728 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 231 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 231 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 83 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 83% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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