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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BE456 it is the complementary color #B41BA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BE456. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BE456 shade: #50E451, #61F664, #72FF77, #83FF8A and #94FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BE456. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BE456 shade: #4BE456, #3AD243, #29C030, #18AE1D and #079C0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BE456 shade: #49E454, #68E449, #91E449, #BBE449 and #E4E349

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BE456 shade: #49E454, #49E47E, #49E4A8, #49E4D1 and #49CDE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BE456 shade matches the following richer shades: #49E454 and #38F546

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BE456 shade: #49E454, #5AD363, #6BC271, #7CB180 and #8DA08E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BE456 shade: #91E449, #68E449, #49E453, #49E47D and #49E4A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BE456 shade: #1CBE28, #25DE32, #49E454, #6DE976 and #91EF98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BE456 shade: #4BE456, #49BBE4 and #E4497D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BE456 shade: #4BE456, #5349E4 and #E45349

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BE456 shade: #4BE456, #49BBE4, #E449DA and #E47249

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BE456 shade: #4BE456, #498CE4, #E449DA and #E4A149

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 62 / 11

HEX #4BE456

RGB 75 228 86

HSL 124.31, 0.74%, 0.59%

LAB 80.55, -67.14, 56.23

 

Complementary color

CMYK 0 / 85 / 6 / 29

HEX #B41BA9

RGB 180 27 169

HSL 304.31, 0.74%, 0.41%

LAB 43.29, 70.58, -39.48

 

CMYK 65 / 0 / 64 / 11

HEX #50E451

RGB 80 228 81

HSL 120.41, 0.73%, 0.6%

LAB 80.62, -66.7, 58.42

 

CMYK 61 / 0 / 59 / 4

HEX #61F664

RGB 97 246 100

HSL 121.21, 0.89%, 0.67%

LAB 86.69, -67.35, 57.37

 

CMYK 55 / 0 / 53 / 0

HEX #72FF77

RGB 114 255 119

HSL 122.13, 1%, 0.72%

LAB 90.06, -64.5, 53.04

 

CMYK 49 / 0 / 46 / 0

HEX #83FF8A

RGB 131 255 138

HSL 123.39, 1%, 0.76%

LAB 90.86, -57.77, 45.29

 

CMYK 42 / 0 / 38 / 0

HEX #94FF9D

RGB 148 255 157

HSL 125.05, 1%, 0.79%

LAB 91.8, -50.38, 37.39

 

CMYK 67 / 0 / 62 / 11

HEX #4BE456

RGB 75 228 86

HSL 124.31, 0.74%, 0.59%

LAB 80.55, -67.14, 56.23

 

CMYK 72 / 0 / 68 / 18

HEX #3AD243

RGB 58 210 67

HSL 123.55, 0.63%, 0.53%

LAB 74.44, -66.08, 57.21

 

CMYK 79 / 0 / 75 / 25

HEX #29C030

RGB 41 192 48

HSL 122.78, 0.65%, 0.46%

LAB 68.3, -64.51, 57.79

 

CMYK 86 / 0 / 83 / 32

HEX #18AE1D

RGB 24 174 29

HSL 122, 0.76%, 0.39%

LAB 62.13, -62.23, 57.64

 

CMYK 96 / 0 / 94 / 39

HEX #079C0A

RGB 7 156 10

HSL 121.21, 0.91%, 0.32%

LAB 55.93, -59, 56.15

 

CMYK 68 / 0 / 63 / 11

HEX #49E454

RGB 73 228 84

HSL 124.26, 0.74%, 0.59%

LAB 80.48, -67.71, 56.99

 

CMYK 54 / 0 / 68 / 11

HEX #68E449

RGB 104 228 73

HSL 108, 0.74%, 0.59%

LAB 81.24, -61.95, 62.46

 

CMYK 36 / 0 / 68 / 11

HEX #91E449

RGB 145 228 73

HSL 92.13, 0.74%, 0.59%

LAB 82.91, -49.69, 64.71

 

CMYK 18 / 0 / 68 / 11

HEX #BBE449

RGB 187 228 73

HSL 75.87, 0.74%, 0.59%

LAB 85.27, -34.38, 67.89

 

CMYK 0 / 0 / 68 / 11

HEX #E4E349

RGB 228 227 73

HSL 59.61, 0.74%, 0.59%

LAB 87.93, -17.46, 71.52

 

CMYK 68 / 0 / 63 / 11

HEX #49E454

RGB 73 228 84

HSL 124.26, 0.74%, 0.59%

LAB 80.48, -67.71, 56.99

 

CMYK 68 / 0 / 45 / 11

HEX #49E47E

RGB 73 228 126

HSL 140.52, 0.74%, 0.59%

LAB 80.97, -62.13, 38.2

 

CMYK 68 / 0 / 26 / 11

HEX #49E4A8

RGB 73 228 168

HSL 156.77, 0.74%, 0.59%

LAB 81.69, -54.17, 17.72

 

CMYK 68 / 0 / 8 / 11

HEX #49E4D1

RGB 73 228 209

HSL 172.65, 0.74%, 0.59%

LAB 82.65, -44.38, -2.51

 

CMYK 68 / 10 / 0 / 11

HEX #49CDE4

RGB 73 205 228

HSL 188.9, 0.74%, 0.59%

LAB 76.49, -28.43, -21.87

 

CMYK 68 / 0 / 63 / 11

HEX #49E454

RGB 73 228 84

HSL 124.26, 0.74%, 0.59%

LAB 80.48, -67.71, 56.99

 

CMYK 77 / 0 / 71 / 4

HEX #38F546

RGB 56 245 70

HSL 124.44, 0.9%, 0.59%

LAB 85.3, -76.91, 67.42

 

CMYK 68 / 0 / 63 / 11

HEX #49E454

RGB 73 228 84

HSL 124.26, 0.74%, 0.59%

LAB 80.48, -67.71, 56.99

 

CMYK 57 / 0 / 53 / 17

HEX #5AD363

RGB 90 211 99

HSL 124.46, 0.58%, 0.59%

LAB 75.86, -56.42, 45.03

 

CMYK 45 / 0 / 42 / 24

HEX #6BC271

RGB 107 194 113

HSL 124.14, 0.42%, 0.59%

LAB 71.49, -43.09, 32.76

 

CMYK 30 / 0 / 28 / 31

HEX #7CB180

RGB 124 177 128

HSL 124.53, 0.25%, 0.59%

LAB 67.49, -27.46, 19.64

 

CMYK 12 / 0 / 11 / 37

HEX #8DA08E

RGB 141 160 142

HSL 123.16, 0.09%, 0.59%

LAB 63.96, -10.25, 7.13

 

CMYK 36 / 0 / 68 / 11

HEX #91E449

RGB 145 228 73

HSL 92.13, 0.74%, 0.59%

LAB 82.91, -49.69, 64.71

 

CMYK 54 / 0 / 68 / 11

HEX #68E449

RGB 104 228 73

HSL 108, 0.74%, 0.59%

LAB 81.24, -61.95, 62.46

 

CMYK 68 / 0 / 64 / 11

HEX #49E453

RGB 73 228 83

HSL 123.87, 0.74%, 0.59%

LAB 80.48, -67.82, 57.39

 

CMYK 68 / 0 / 45 / 11

HEX #49E47D

RGB 73 228 125

HSL 140.13, 0.74%, 0.59%

LAB 80.95, -62.29, 38.67

 

CMYK 68 / 0 / 27 / 11

HEX #49E4A6

RGB 73 228 166

HSL 156, 0.74%, 0.59%

LAB 81.65, -54.6, 18.71

 

CMYK 85 / 0 / 79 / 25

HEX #1CBE28

RGB 28 190 40

HSL 124.44, 0.74%, 0.43%

LAB 67.45, -65.93, 59.49

 

CMYK 83 / 0 / 77 / 13

HEX #25DE32

RGB 37 222 50

HSL 124.22, 0.74%, 0.51%

LAB 77.8, -73.75, 66.43

 

CMYK 68 / 0 / 63 / 11

HEX #49E454

RGB 73 228 84

HSL 124.26, 0.74%, 0.59%

LAB 80.48, -67.71, 56.99

 

CMYK 53 / 0 / 49 / 9

HEX #6DE976

RGB 109 233 118

HSL 124.35, 0.74%, 0.67%

LAB 83.36, -57.62, 45.3

 

CMYK 39 / 0 / 36 / 6

HEX #91EF98

RGB 145 239 152

HSL 124.47, 0.75%, 0.75%

LAB 87.01, -45.24, 33.55

 

CMYK 67 / 0 / 62 / 11

HEX #4BE456

RGB 75 228 86

HSL 124.31, 0.74%, 0.59%

LAB 80.55, -67.14, 56.23

 

CMYK 68 / 18 / 0 / 11

HEX #49BBE4

RGB 73 187 228

HSL 195.87, 0.74%, 0.59%

LAB 71.25, -19.35, -29.88

 

CMYK 0 / 68 / 45 / 11

HEX #E4497D

RGB 228 73 125

HSL 339.87, 0.74%, 0.59%

LAB 54.8, 63.41, 5.1

 

CMYK 67 / 0 / 62 / 11

HEX #4BE456

RGB 75 228 86

HSL 124.31, 0.74%, 0.59%

LAB 80.55, -67.14, 56.23

 

CMYK 64 / 68 / 0 / 11

HEX #5349E4

RGB 83 73 228

HSL 243.87, 0.74%, 0.59%

LAB 41.54, 49.14, -77.19

 

CMYK 0 / 64 / 68 / 11

HEX #E45349

RGB 228 83 73

HSL 3.87, 0.74%, 0.59%

LAB 55.24, 55.67, 36.15

 

CMYK 67 / 0 / 62 / 11

HEX #4BE456

RGB 75 228 86

HSL 124.31, 0.74%, 0.59%

LAB 80.55, -67.14, 56.23

 

CMYK 68 / 18 / 0 / 11

HEX #49BBE4

RGB 73 187 228

HSL 195.87, 0.74%, 0.59%

LAB 71.25, -19.35, -29.88

 

CMYK 0 / 68 / 4 / 11

HEX #E449DA

RGB 228 73 218

HSL 303.87, 0.74%, 0.59%

LAB 58.34, 75.05, -43.56

 

CMYK 0 / 50 / 68 / 11

HEX #E47249

RGB 228 114 73

HSL 15.87, 0.74%, 0.59%

LAB 60.79, 41.23, 42.66

 

CMYK 67 / 0 / 62 / 11

HEX #4BE456

RGB 75 228 86

HSL 124.31, 0.74%, 0.59%

LAB 80.55, -67.14, 56.23

 

CMYK 68 / 39 / 0 / 11

HEX #498CE4

RGB 73 140 228

HSL 214.06, 0.74%, 0.59%

LAB 57.82, 6.91, -50.9

 

CMYK 0 / 68 / 4 / 11

HEX #E449DA

RGB 228 73 218

HSL 303.87, 0.74%, 0.59%

LAB 58.34, 75.05, -43.56

 

CMYK 0 / 29 / 68 / 11

HEX #E4A149

RGB 228 161 73

HSL 34.06, 0.74%, 0.59%

LAB 71.19, 16.58, 54.23

 

Description

Color code: HEX #4BE456 | qconv.com Color code: HEX #4BE456 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 228 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 228 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 62 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 62% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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