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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BE402 it is the complementary color #B41BFD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BE402. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BE402 shade: #50E400, #61F610, #72FF23, #83FF36 and #94FF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BE402. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BE402 shade: #4BE402, #3AD200, #29C000, #18AE00 and #079C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BE402 shade: #4BE302, #88E302, #C4E302, #E3C602 and #E38902

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BE402 shade: #4BE302, #0EE302, #02E333, #02E370 and #02E3AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BE402 shade matches the following richer shades: #4BE302

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BE402 shade: #4BE302, #52D115, #58BE27, #5FAC3A and #65994D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BE402 shade: #C5E302, #89E302, #4DE302, #11E302 and #02E32F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BE402 shade: #309201, #3DBA02, #4BE302, #5EFD12 and #7AFD3B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BE402 shade: #4BE402, #02E3C5 and #E302A7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BE402 shade: #4BE402, #024DE3 and #E3024D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BE402 shade: #4BE402, #02E3C5, #9802E3 and #E30220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BE402 shade: #4BE402, #02BEE3, #9802E3 and #E32802

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 99 / 11

HEX #4BE402

RGB 75 228 2

HSL 100.62, 0.98%, 0.45%

LAB 80.17, -71.64, 77.29

 

Complementary color

CMYK 29 / 89 / 0 / 1

HEX #B41BFD

RGB 180 27 253

HSL 280.62, 0.98%, 0.55%

LAB 48.98, 84.81, -78.65

 

CMYK 65 / 0 / 100 / 11

HEX #50E400

RGB 80 228 0

HSL 98.95, 1%, 0.45%

LAB 80.29, -70.67, 77.61

 

CMYK 61 / 0 / 93 / 4

HEX #61F610

RGB 97 246 16

HSL 98.87, 0.93%, 0.51%

LAB 86.25, -72.46, 81.19

 

CMYK 55 / 0 / 86 / 0

HEX #72FF23

RGB 114 255 35

HSL 98.45, 1%, 0.57%

LAB 89.5, -70.88, 81.32

 

CMYK 49 / 0 / 79 / 0

HEX #83FF36

RGB 131 255 54

HSL 97.01, 1%, 0.61%

LAB 90.14, -65.56, 77.76

 

CMYK 42 / 0 / 71 / 0

HEX #94FF49

RGB 148 255 73

HSL 95.27, 1%, 0.64%

LAB 90.92, -59.45, 72.92

 

CMYK 67 / 0 / 99 / 11

HEX #4BE402

RGB 75 228 2

HSL 100.62, 0.98%, 0.45%

LAB 80.17, -71.64, 77.29

 

CMYK 72 / 0 / 100 / 18

HEX #3AD200

RGB 58 210 0

HSL 103.43, 1%, 0.41%

LAB 74.19, -69.26, 72.56

 

CMYK 79 / 0 / 100 / 25

HEX #29C000

RGB 41 192 0

HSL 107.19, 1%, 0.38%

LAB 68.15, -66.48, 67.62

 

CMYK 86 / 0 / 100 / 32

HEX #18AE00

RGB 24 174 0

HSL 111.72, 1%, 0.34%

LAB 62.05, -63.2, 62.66

 

CMYK 96 / 0 / 100 / 39

HEX #079C00

RGB 7 156 0

HSL 117.31, 1%, 0.31%

LAB 55.91, -59.29, 57.68

 

CMYK 67 / 0 / 99 / 11

HEX #4BE302

RGB 75 227 2

HSL 100.53, 0.98%, 0.45%

LAB 79.86, -71.33, 77.04

 

CMYK 40 / 0 / 99 / 11

HEX #88E302

RGB 136 227 2

HSL 84.27, 0.98%, 0.45%

LAB 81.93, -54.98, 79.56

 

CMYK 14 / 0 / 99 / 11

HEX #C4E302

RGB 196 227 2

HSL 68.27, 0.98%, 0.45%

LAB 85.34, -32.53, 83.66

 

CMYK 0 / 13 / 99 / 11

HEX #E3C602

RGB 227 198 2

HSL 52.27, 0.98%, 0.45%

LAB 80.02, -5.26, 80.85

 

CMYK 0 / 40 / 99 / 11

HEX #E38902

RGB 227 137 2

HSL 36, 0.98%, 0.45%

LAB 65.14, 26.92, 70.64

 

CMYK 67 / 0 / 99 / 11

HEX #4BE302

RGB 75 227 2

HSL 100.53, 0.98%, 0.45%

LAB 79.86, -71.33, 77.04

 

CMYK 94 / 0 / 99 / 11

HEX #0EE302

RGB 14 227 2

HSL 116.8, 0.98%, 0.45%

LAB 79.06, -78.4, 76.07

 

CMYK 99 / 0 / 78 / 11

HEX #02E333

RGB 2 227 51

HSL 133.07, 0.98%, 0.45%

LAB 79.15, -77.08, 67.36

 

CMYK 99 / 0 / 51 / 11

HEX #02E370

RGB 2 227 112

HSL 149.33, 0.98%, 0.45%

LAB 79.68, -70.42, 43.23

 

CMYK 99 / 0 / 24 / 11

HEX #02E3AC

RGB 2 227 172

HSL 165.33, 0.98%, 0.45%

LAB 80.7, -58.63, 14.12

 

CMYK 67 / 0 / 99 / 11

HEX #4BE302

RGB 75 227 2

HSL 100.53, 0.98%, 0.45%

LAB 79.86, -71.33, 77.04

 

CMYK 67 / 0 / 99 / 11

HEX #4BE302

RGB 75 227 2

HSL 100.53, 0.98%, 0.45%

LAB 79.86, -71.33, 77.04

 

CMYK 61 / 0 / 90 / 18

HEX #52D115

RGB 82 209 21

HSL 100.53, 0.82%, 0.45%

LAB 74.48, -63.69, 70.6

 

CMYK 54 / 0 / 79 / 25

HEX #58BE27

RGB 88 190 39

HSL 100.53, 0.66%, 0.45%

LAB 68.79, -54.77, 61.54

 

CMYK 45 / 0 / 66 / 33

HEX #5FAC3A

RGB 95 172 58

HSL 100.53, 0.5%, 0.45%

LAB 63.54, -44.3, 49.51

 

CMYK 34 / 0 / 50 / 40

HEX #65994D

RGB 101 153 77

HSL 101.05, 0.33%, 0.45%

LAB 58.12, -31.82, 34.35

 

CMYK 13 / 0 / 99 / 11

HEX #C5E302

RGB 197 227 2

HSL 68, 0.98%, 0.45%

LAB 85.41, -32.12, 83.74

 

CMYK 40 / 0 / 99 / 11

HEX #89E302

RGB 137 227 2

HSL 84, 0.98%, 0.45%

LAB 81.98, -54.64, 79.62

 

CMYK 66 / 0 / 99 / 11

HEX #4DE302

RGB 77 227 2

HSL 100, 0.98%, 0.45%

LAB 79.91, -70.94, 77.1

 

CMYK 93 / 0 / 99 / 11

HEX #11E302

RGB 17 227 2

HSL 116, 0.98%, 0.45%

LAB 79.08, -78.27, 76.08

 

CMYK 99 / 0 / 79 / 11

HEX #02E32F

RGB 2 227 47

HSL 132, 0.98%, 0.45%

LAB 79.13, -77.33, 68.51

 

CMYK 67 / 0 / 99 / 43

HEX #309201

RGB 48 146 1

HSL 100.55, 0.99%, 0.29%

LAB 53.16, -50.76, 55.57

 

CMYK 67 / 0 / 99 / 27

HEX #3DBA02

RGB 61 186 2

HSL 100.76, 0.98%, 0.37%

LAB 66.61, -61.2, 66.32

 

CMYK 67 / 0 / 99 / 11

HEX #4BE302

RGB 75 227 2

HSL 100.53, 0.98%, 0.45%

LAB 79.86, -71.33, 77.04

 

CMYK 63 / 0 / 93 / 1

HEX #5EFD12

RGB 94 253 18

HSL 100.6, 0.98%, 0.53%

LAB 88.29, -75.31, 82.61

 

CMYK 52 / 0 / 77 / 1

HEX #7AFD3B

RGB 122 253 59

HSL 100.52, 0.98%, 0.61%

LAB 89.25, -67.07, 75.41

 

CMYK 67 / 0 / 99 / 11

HEX #4BE402

RGB 75 228 2

HSL 100.62, 0.98%, 0.45%

LAB 80.17, -71.64, 77.29

 

CMYK 99 / 0 / 13 / 11

HEX #02E3C5

RGB 2 227 197

HSL 172, 0.98%, 0.45%

LAB 81.28, -52.36, 1.75

 

CMYK 0 / 99 / 26 / 11

HEX #E302A7

RGB 227 2 167

HSL 316, 0.98%, 0.45%

LAB 50.88, 82.24, -25.77

 

CMYK 67 / 0 / 99 / 11

HEX #4BE402

RGB 75 228 2

HSL 100.62, 0.98%, 0.45%

LAB 80.17, -71.64, 77.29

 

CMYK 99 / 66 / 0 / 11

HEX #024DE3

RGB 2 77 227

HSL 220, 0.98%, 0.45%

LAB 39.36, 40.57, -80.32

 

CMYK 0 / 99 / 66 / 11

HEX #E3024D

RGB 227 2 77

HSL 340, 0.98%, 0.45%

LAB 48.15, 75.07, 24.97

 

CMYK 67 / 0 / 99 / 11

HEX #4BE402

RGB 75 228 2

HSL 100.62, 0.98%, 0.45%

LAB 80.17, -71.64, 77.29

 

CMYK 99 / 0 / 13 / 11

HEX #02E3C5

RGB 2 227 197

HSL 172, 0.98%, 0.45%

LAB 81.28, -52.36, 1.75

 

CMYK 33 / 99 / 0 / 11

HEX #9802E3

RGB 152 2 227

HSL 280, 0.98%, 0.45%

LAB 41.63, 79.59, -76.18

 

CMYK 0 / 99 / 86 / 11

HEX #E30220

RGB 227 2 32

HSL 352, 0.98%, 0.45%

LAB 47.6, 73.57, 50.18

 

CMYK 67 / 0 / 99 / 11

HEX #4BE402

RGB 75 228 2

HSL 100.62, 0.98%, 0.45%

LAB 80.17, -71.64, 77.29

 

CMYK 99 / 16 / 0 / 11

HEX #02BEE3

RGB 2 190 227

HSL 189.87, 0.98%, 0.45%

LAB 71.14, -26.65, -29.6

 

CMYK 33 / 99 / 0 / 11

HEX #9802E3

RGB 152 2 227

HSL 280, 0.98%, 0.45%

LAB 41.63, 79.59, -76.18

 

CMYK 0 / 82 / 99 / 11

HEX #E32802

RGB 227 40 2

HSL 10.13, 0.98%, 0.45%

LAB 49.32, 67.91, 61.73

 

Description

Color code: HEX #4BE402 | qconv.com Color code: HEX #4BE402 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 228 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 228 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 99 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 99% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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