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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BE351 it is the complementary color #B41CAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BE351. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BE351 shade: #50E34C, #61F55F, #72FF72, #83FF85 and #94FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BE351. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BE351 shade: #4BE351, #3AD13E, #29BF2B, #18AD18 and #079B05

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BE351 shade: #4AE350, #6DE34A, #96E34A, #C0E34A and #E3DD4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BE351 shade: #4AE350, #4AE379, #4AE3A2, #4AE3CC and #4AD1E3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BE351 shade matches the following richer shades: #4AE350 and #39F441

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BE351 shade: #4AE350, #5BD260, #6CC16F, #7DB07F and #8E9F8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BE351 shade: #96E34A, #6EE34A, #4AE34F, #4AE378 and #4AE3A1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BE351 shade: #1DBD24, #26DD2E, #4AE350, #6EE873 and #92EE95

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BE351 shade: #4BE351, #4ABFE3 and #E34A82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BE351 shade: #4BE351, #4F4AE3 and #E34F4A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BE351 shade: #4BE351, #4ABFE3, #E34ADE and #E36E4A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BE351 shade: #4BE351, #4A91E3, #E34ADE and #E39C4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 64 / 11

HEX #4BE351

RGB 75 227 81

HSL 122.37, 0.73%, 0.59%

LAB 80.2, -67.32, 57.92

 

Complementary color

CMYK 0 / 84 / 3 / 29

HEX #B41CAE

RGB 180 28 174

HSL 302.37, 0.73%, 0.41%

LAB 43.64, 71.12, -41.89

 

CMYK 65 / 0 / 67 / 11

HEX #50E34C

RGB 80 227 76

HSL 118.41, 0.73%, 0.59%

LAB 80.27, -66.84, 60.05

 

CMYK 60 / 0 / 61 / 4

HEX #61F55F

RGB 97 245 95

HSL 119.2, 0.88%, 0.67%

LAB 86.34, -67.54, 59.11

 

CMYK 55 / 0 / 55 / 0

HEX #72FF72

RGB 114 255 114

HSL 120, 1%, 0.72%

LAB 90, -65.1, 55.22

 

CMYK 49 / 0 / 48 / 0

HEX #83FF85

RGB 131 255 133

HSL 120.97, 1%, 0.76%

LAB 90.8, -58.45, 47.59

 

CMYK 42 / 0 / 40 / 0

HEX #94FF98

RGB 148 255 152

HSL 122.24, 1%, 0.79%

LAB 91.72, -51.13, 39.75

 

CMYK 67 / 0 / 64 / 11

HEX #4BE351

RGB 75 227 81

HSL 122.37, 0.73%, 0.59%

LAB 80.2, -67.32, 57.92

 

CMYK 72 / 0 / 70 / 18

HEX #3AD13E

RGB 58 209 62

HSL 121.59, 0.62%, 0.52%

LAB 74.09, -66.21, 58.75

 

CMYK 79 / 0 / 77 / 25

HEX #29BF2B

RGB 41 191 43

HSL 120.8, 0.65%, 0.45%

LAB 67.95, -64.56, 59.1

 

CMYK 86 / 0 / 86 / 32

HEX #18AD18

RGB 24 173 24

HSL 120, 0.76%, 0.39%

LAB 61.78, -62.18, 58.56

 

CMYK 95 / 0 / 97 / 39

HEX #079B05

RGB 7 155 5

HSL 119.2, 0.94%, 0.31%

LAB 55.58, -58.86, 56.63

 

CMYK 67 / 0 / 65 / 11

HEX #4AE350

RGB 74 227 80

HSL 122.35, 0.73%, 0.59%

LAB 80.16, -67.61, 58.29

 

CMYK 52 / 0 / 67 / 11

HEX #6DE34A

RGB 109 227 74

HSL 106.27, 0.73%, 0.59%

LAB 81.12, -60.19, 61.99

 

CMYK 34 / 0 / 67 / 11

HEX #96E34A

RGB 150 227 74

HSL 90.2, 0.73%, 0.59%

LAB 82.87, -47.5, 64.37

 

CMYK 15 / 0 / 67 / 11

HEX #C0E34A

RGB 192 227 74

HSL 73.73, 0.73%, 0.59%

LAB 85.32, -31.91, 67.67

 

CMYK 0 / 3 / 67 / 11

HEX #E3DD4A

RGB 227 221 74

HSL 57.65, 0.73%, 0.59%

LAB 86.27, -14.87, 69.47

 

CMYK 67 / 0 / 65 / 11

HEX #4AE350

RGB 74 227 80

HSL 122.35, 0.73%, 0.59%

LAB 80.16, -67.61, 58.29

 

CMYK 67 / 0 / 47 / 11

HEX #4AE379

RGB 74 227 121

HSL 138.43, 0.73%, 0.59%

LAB 80.61, -62.39, 40.21

 

CMYK 67 / 0 / 29 / 11

HEX #4AE3A2

RGB 74 227 162

HSL 154.51, 0.73%, 0.59%

LAB 81.29, -54.89, 20.3

 

CMYK 67 / 0 / 10 / 11

HEX #4AE3CC

RGB 74 227 204

HSL 170.98, 0.73%, 0.59%

LAB 82.25, -45.09, -0.45

 

CMYK 67 / 8 / 0 / 11

HEX #4AD1E3

RGB 74 209 227

HSL 187.06, 0.73%, 0.59%

LAB 77.64, -30.53, -19.58

 

CMYK 67 / 0 / 65 / 11

HEX #4AE350

RGB 74 227 80

HSL 122.35, 0.73%, 0.59%

LAB 80.16, -67.61, 58.29

 

CMYK 77 / 0 / 73 / 4

HEX #39F441

RGB 57 244 65

HSL 122.57, 0.89%, 0.59%

LAB 84.97, -76.87, 68.8

 

CMYK 67 / 0 / 65 / 11

HEX #4AE350

RGB 74 227 80

HSL 122.35, 0.73%, 0.59%

LAB 80.16, -67.61, 58.29

 

CMYK 57 / 0 / 54 / 18

HEX #5BD260

RGB 91 210 96

HSL 122.52, 0.57%, 0.59%

LAB 75.55, -56.2, 46.08

 

CMYK 44 / 0 / 42 / 24

HEX #6CC16F

RGB 108 193 111

HSL 122.12, 0.41%, 0.59%

LAB 71.2, -42.67, 33.42

 

CMYK 29 / 0 / 28 / 31

HEX #7DB07F

RGB 125 176 127

HSL 122.35, 0.24%, 0.59%

LAB 67.23, -26.82, 19.84

 

CMYK 11 / 0 / 11 / 38

HEX #8E9F8E

RGB 142 159 142

HSL 120, 0.08%, 0.59%

LAB 63.75, -9.36, 6.84

 

CMYK 34 / 0 / 67 / 11

HEX #96E34A

RGB 150 227 74

HSL 90.2, 0.73%, 0.59%

LAB 82.87, -47.5, 64.37

 

CMYK 52 / 0 / 67 / 11

HEX #6EE34A

RGB 110 227 74

HSL 105.88, 0.73%, 0.59%

LAB 81.15, -59.92, 62.04

 

CMYK 67 / 0 / 65 / 11

HEX #4AE34F

RGB 74 227 79

HSL 121.96, 0.73%, 0.59%

LAB 80.16, -67.71, 58.69

 

CMYK 67 / 0 / 47 / 11

HEX #4AE378

RGB 74 227 120

HSL 138.04, 0.73%, 0.59%

LAB 80.6, -62.55, 40.68

 

CMYK 67 / 0 / 29 / 11

HEX #4AE3A1

RGB 74 227 161

HSL 154.12, 0.73%, 0.59%

LAB 81.27, -55.1, 20.79

 

CMYK 85 / 0 / 81 / 26

HEX #1DBD24

RGB 29 189 36

HSL 122.63, 0.73%, 0.43%

LAB 67.11, -65.78, 60.36

 

CMYK 83 / 0 / 79 / 13

HEX #26DD2E

RGB 38 221 46

HSL 122.62, 0.73%, 0.51%

LAB 77.47, -73.61, 67.3

 

CMYK 67 / 0 / 65 / 11

HEX #4AE350

RGB 74 227 80

HSL 122.35, 0.73%, 0.59%

LAB 80.16, -67.61, 58.29

 

CMYK 53 / 0 / 50 / 9

HEX #6EE873

RGB 110 232 115

HSL 122.46, 0.73%, 0.67%

LAB 83.05, -57.39, 46.36

 

CMYK 39 / 0 / 37 / 7

HEX #92EE95

RGB 146 238 149

HSL 121.96, 0.73%, 0.75%

LAB 86.72, -44.98, 34.68

 

CMYK 67 / 0 / 64 / 11

HEX #4BE351

RGB 75 227 81

HSL 122.37, 0.73%, 0.59%

LAB 80.2, -67.32, 57.92

 

CMYK 67 / 16 / 0 / 11

HEX #4ABFE3

RGB 74 191 227

HSL 194.12, 0.73%, 0.59%

LAB 72.4, -21.58, -27.56

 

CMYK 0 / 67 / 43 / 11

HEX #E34A82

RGB 227 74 130

HSL 338.04, 0.73%, 0.59%

LAB 54.91, 63.21, 2.26

 

CMYK 67 / 0 / 64 / 11

HEX #4BE351

RGB 75 227 81

HSL 122.37, 0.73%, 0.59%

LAB 80.2, -67.32, 57.92

 

CMYK 65 / 67 / 0 / 11

HEX #4F4AE3

RGB 79 74 227

HSL 241.96, 0.73%, 0.59%

LAB 41.38, 47.74, -76.89

 

CMYK 0 / 65 / 67 / 11

HEX #E34F4A

RGB 227 79 74

HSL 1.96, 0.73%, 0.59%

LAB 54.47, 57.05, 34.62

 

CMYK 67 / 0 / 64 / 11

HEX #4BE351

RGB 75 227 81

HSL 122.37, 0.73%, 0.59%

LAB 80.2, -67.32, 57.92

 

CMYK 67 / 16 / 0 / 11

HEX #4ABFE3

RGB 74 191 227

HSL 194.12, 0.73%, 0.59%

LAB 72.4, -21.58, -27.56

 

CMYK 0 / 67 / 2 / 11

HEX #E34ADE

RGB 227 74 222

HSL 301.96, 0.73%, 0.59%

LAB 58.51, 75.09, -45.56

 

CMYK 0 / 52 / 67 / 11

HEX #E36E4A

RGB 227 110 74

HSL 14.12, 0.73%, 0.59%

LAB 59.87, 42.9, 41.03

 

CMYK 67 / 0 / 64 / 11

HEX #4BE351

RGB 75 227 81

HSL 122.37, 0.73%, 0.59%

LAB 80.2, -67.32, 57.92

 

CMYK 67 / 36 / 0 / 11

HEX #4A91E3

RGB 74 145 227

HSL 212.16, 0.73%, 0.59%

LAB 59.21, 3.76, -48.15

 

CMYK 0 / 67 / 2 / 11

HEX #E34ADE

RGB 227 74 222

HSL 301.96, 0.73%, 0.59%

LAB 58.51, 75.09, -45.56

 

CMYK 0 / 31 / 67 / 11

HEX #E39C4A

RGB 227 156 74

HSL 32.16, 0.73%, 0.59%

LAB 69.9, 18.89, 52.33

 

Description

Color code: HEX #4BE351 | qconv.com Color code: HEX #4BE351 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 227 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 227 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 64 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 64% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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