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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4BE346 it is the complementary color #B41CB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4BE346. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4BE346 shade: #50E341, #61F554, #72FF67, #83FF7A and #94FF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4BE346. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4BE346 shade: #4BE346, #3AD133, #29BF20, #18AD0D and #079B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4BE346 shade: #4AE345, #74E345, #9FE345, #CAE345 and #E3D245

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4BE346 shade: #4AE345, #45E36A, #45E395, #45E3C0 and #45DCE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4BE346 shade matches the following richer shades: #4AE345 and #39F433

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4BE346 shade: #4AE345, #5AD256, #6AC067, #7AAF79 and #8B9E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4BE346 shade: #9EE345, #74E345, #4AE345, #45E36A and #45E394

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4BE346 shade: #21BA1C, #27DD21, #4AE345, #6DE969 and #90EE8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4BE346 shade: #4BE346, #45C9E3 and #E34589

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4BE346 shade: #4BE346, #454AE3 and #E3454A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4BE346 shade: #4BE346, #45C9E3, #DE45E3 and #E35F45

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4BE346 shade: #4BE346, #4599E3, #DE45E3 and #E38F45

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 69 / 11

HEX #4BE346

RGB 75 227 70

HSL 118.09, 0.74%, 0.58%

LAB 80.11, -68.34, 62.15

 

Complementary color

CMYK 3 / 85 / 0 / 27

HEX #B41CB9

RGB 180 28 185

HSL 298.09, 0.74%, 0.42%

LAB 44.29, 72.82, -47.35

 

CMYK 65 / 0 / 71 / 11

HEX #50E341

RGB 80 227 65

HSL 114.44, 0.74%, 0.57%

LAB 80.19, -67.77, 64.11

 

CMYK 60 / 0 / 66 / 4

HEX #61F554

RGB 97 245 84

HSL 115.16, 0.89%, 0.65%

LAB 86.25, -68.6, 63.48

 

CMYK 55 / 0 / 60 / 0

HEX #72FF67

RGB 114 255 103

HSL 115.66, 1%, 0.7%

LAB 89.89, -66.32, 59.89

 

CMYK 49 / 0 / 52 / 0

HEX #83FF7A

RGB 131 255 122

HSL 115.94, 1%, 0.74%

LAB 90.67, -59.85, 52.54

 

CMYK 42 / 0 / 45 / 0

HEX #94FF8D

RGB 148 255 141

HSL 116.32, 1%, 0.78%

LAB 91.57, -52.68, 44.89

 

CMYK 67 / 0 / 69 / 11

HEX #4BE346

RGB 75 227 70

HSL 118.09, 0.74%, 0.58%

LAB 80.11, -68.34, 62.15

 

CMYK 72 / 0 / 76 / 18

HEX #3AD133

RGB 58 209 51

HSL 117.34, 0.63%, 0.51%

LAB 74.02, -67.06, 62.55

 

CMYK 79 / 0 / 83 / 25

HEX #29BF20

RGB 41 191 32

HSL 116.6, 0.71%, 0.44%

LAB 67.9, -65.21, 62.22

 

CMYK 86 / 0 / 92 / 32

HEX #18AD0D

RGB 24 173 13

HSL 115.88, 0.86%, 0.36%

LAB 61.75, -62.59, 60.65

 

CMYK 95 / 0 / 100 / 39

HEX #079B00

RGB 7 155 0

HSL 117.29, 1%, 0.3%

LAB 55.57, -59, 57.41

 

CMYK 67 / 0 / 70 / 11

HEX #4AE345

RGB 74 227 69

HSL 118.1, 0.74%, 0.58%

LAB 80.08, -68.61, 62.49

 

CMYK 49 / 0 / 70 / 11

HEX #74E345

RGB 116 227 69

HSL 102.15, 0.74%, 0.58%

LAB 81.34, -58.64, 64.18

 

CMYK 30 / 0 / 70 / 11

HEX #9FE345

RGB 159 227 69

HSL 85.82, 0.74%, 0.58%

LAB 83.3, -44.67, 66.83

 

CMYK 11 / 0 / 70 / 11

HEX #CAE345

RGB 202 227 69

HSL 69.49, 0.74%, 0.58%

LAB 85.97, -28.23, 70.37

 

CMYK 0 / 7 / 70 / 11

HEX #E3D245

RGB 227 210 69

HSL 53.54, 0.74%, 0.58%

LAB 83.37, -9.63, 68.44

 

CMYK 67 / 0 / 70 / 11

HEX #4AE345

RGB 74 227 69

HSL 118.1, 0.74%, 0.58%

LAB 80.08, -68.61, 62.49

 

CMYK 70 / 0 / 53 / 11

HEX #45E36A

RGB 69 227 106

HSL 134.05, 0.74%, 0.58%

LAB 80.32, -65.43, 47

 

CMYK 70 / 0 / 34 / 11

HEX #45E395

RGB 69 227 149

HSL 150.38, 0.74%, 0.58%

LAB 80.95, -58.3, 26.54

 

CMYK 70 / 0 / 15 / 11

HEX #45E3C0

RGB 69 227 192

HSL 166.71, 0.74%, 0.58%

LAB 81.84, -48.81, 5.3

 

CMYK 70 / 3 / 0 / 11

HEX #45DCE3

RGB 69 220 227

HSL 182.66, 0.74%, 0.58%

LAB 80.74, -36.4, -14.92

 

CMYK 67 / 0 / 70 / 11

HEX #4AE345

RGB 74 227 69

HSL 118.1, 0.74%, 0.58%

LAB 80.08, -68.61, 62.49

 

CMYK 77 / 0 / 79 / 4

HEX #39F433

RGB 57 244 51

HSL 118.13, 0.9%, 0.58%

LAB 84.9, -77.78, 73

 

CMYK 67 / 0 / 70 / 11

HEX #4AE345

RGB 74 227 69

HSL 118.1, 0.74%, 0.58%

LAB 80.08, -68.61, 62.49

 

CMYK 57 / 0 / 59 / 18

HEX #5AD256

RGB 90 210 86

HSL 118.06, 0.58%, 0.58%

LAB 75.41, -57.64, 50.5

 

CMYK 45 / 0 / 46 / 25

HEX #6AC067

RGB 106 192 103

HSL 117.98, 0.41%, 0.58%

LAB 70.69, -44.02, 36.83

 

CMYK 30 / 0 / 31 / 31

HEX #7AAF79

RGB 122 175 121

HSL 118.89, 0.25%, 0.58%

LAB 66.66, -28.37, 22.27

 

CMYK 12 / 0 / 13 / 38

HEX #8B9E8A

RGB 139 158 138

HSL 117, 0.09%, 0.58%

LAB 63.16, -10.65, 8.2

 

CMYK 30 / 0 / 70 / 11

HEX #9EE345

RGB 158 227 69

HSL 86.2, 0.74%, 0.58%

LAB 83.25, -45.03, 66.75

 

CMYK 49 / 0 / 70 / 11

HEX #74E345

RGB 116 227 69

HSL 102.15, 0.74%, 0.58%

LAB 81.34, -58.64, 64.18

 

CMYK 67 / 0 / 70 / 11

HEX #4AE345

RGB 74 227 69

HSL 118.1, 0.74%, 0.58%

LAB 80.08, -68.61, 62.49

 

CMYK 70 / 0 / 53 / 11

HEX #45E36A

RGB 69 227 106

HSL 134.05, 0.74%, 0.58%

LAB 80.32, -65.43, 47

 

CMYK 70 / 0 / 35 / 11

HEX #45E394

RGB 69 227 148

HSL 150, 0.74%, 0.58%

LAB 80.93, -58.5, 27.03

 

CMYK 82 / 0 / 85 / 27

HEX #21BA1C

RGB 33 186 28

HSL 118.1, 0.74%, 0.42%

LAB 66.16, -64.9, 61.58

 

CMYK 82 / 0 / 85 / 13

HEX #27DD21

RGB 39 221 33

HSL 118.09, 0.74%, 0.5%

LAB 77.43, -74.17, 70.54

 

CMYK 67 / 0 / 70 / 11

HEX #4AE345

RGB 74 227 69

HSL 118.1, 0.74%, 0.58%

LAB 80.08, -68.61, 62.49

 

CMYK 53 / 0 / 55 / 9

HEX #6DE969

RGB 109 233 105

HSL 118.13, 0.74%, 0.66%

LAB 83.2, -59.28, 51.18

 

CMYK 39 / 0 / 41 / 7

HEX #90EE8C

RGB 144 238 140

HSL 117.55, 0.74%, 0.74%

LAB 86.49, -46.91, 38.85

 

CMYK 67 / 0 / 69 / 11

HEX #4BE346

RGB 75 227 70

HSL 118.09, 0.74%, 0.58%

LAB 80.11, -68.34, 62.15

 

CMYK 70 / 11 / 0 / 11

HEX #45C9E3

RGB 69 201 227

HSL 189.87, 0.74%, 0.58%

LAB 75.19, -27.31, -23.31

 

CMYK 0 / 70 / 40 / 11

HEX #E34589

RGB 227 69 137

HSL 334.18, 0.74%, 0.58%

LAB 54.44, 65.75, -2.58

 

CMYK 67 / 0 / 69 / 11

HEX #4BE346

RGB 75 227 70

HSL 118.09, 0.74%, 0.58%

LAB 80.11, -68.34, 62.15

 

CMYK 70 / 67 / 0 / 11

HEX #454AE3

RGB 69 74 227

HSL 238.1, 0.74%, 0.58%

LAB 40.75, 46.55, -77.95

 

CMYK 0 / 70 / 67 / 11

HEX #E3454A

RGB 227 69 74

HSL 358.1, 0.74%, 0.58%

LAB 53.04, 60.95, 32.89

 

CMYK 67 / 0 / 69 / 11

HEX #4BE346

RGB 75 227 70

HSL 118.09, 0.74%, 0.58%

LAB 80.11, -68.34, 62.15

 

CMYK 70 / 11 / 0 / 11

HEX #45C9E3

RGB 69 201 227

HSL 189.87, 0.74%, 0.58%

LAB 75.19, -27.31, -23.31

 

CMYK 2 / 70 / 0 / 11

HEX #DE45E3

RGB 222 69 227

HSL 298.1, 0.74%, 0.58%

LAB 57.4, 76.53, -50.19

 

CMYK 0 / 58 / 70 / 11

HEX #E35F45

RGB 227 95 69

HSL 9.87, 0.74%, 0.58%

LAB 57.02, 49.82, 40.41

 

CMYK 67 / 0 / 69 / 11

HEX #4BE346

RGB 75 227 70

HSL 118.09, 0.74%, 0.58%

LAB 80.11, -68.34, 62.15

 

CMYK 70 / 33 / 0 / 11

HEX #4599E3

RGB 69 153 227

HSL 208.1, 0.74%, 0.58%

LAB 61.3, -1.66, -44.85

 

CMYK 2 / 70 / 0 / 11

HEX #DE45E3

RGB 222 69 227

HSL 298.1, 0.74%, 0.58%

LAB 57.4, 76.53, -50.19

 

CMYK 0 / 37 / 70 / 11

HEX #E38F45

RGB 227 143 69

HSL 28.1, 0.74%, 0.58%

LAB 66.83, 25.55, 51.35

 

Description

Color code: HEX #4BE346 | qconv.com Color code: HEX #4BE346 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 75 red, 227 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
75 227 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 69 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 69% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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